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Artykuły w czasopismach na temat „Devotional expression”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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S, Prabavathi. "Devotional Theory in Comics." International Research Journal of Tamil 3, S-2 (2021): 213–17. http://dx.doi.org/10.34256/irjt21s240.

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Vedic and non-Vedic religions spread their ideas directly, through songs and sermons. A sense of devotion was sown by making a connection between God and Human. In particular, devotional literature is designed to convey the flexibility of the structural definitions of religions. This can be seen by examining the background of all the devotional literatures and religious epics. The reading method, which was in the state of “Telling – Listening” have been changed into the state of “Seeing – Reading”. Thus, there was a significant place for paintings and pictures in journalism. Paintings and pict

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Chinchilla, Rosa Helena. "Juana of Austria: Courtly Spain and Devotional Expression." Renaissance and Reformation 40, no. 1 (2004): 21–33. http://dx.doi.org/10.33137/rr.v40i1.8943.

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Dans la péninsule ibérique, le rôle de mécène culturel joué par l'infante Juana d'Autriche se signale par l'esprit de liberté et de tolérance qu'elle sut imposer pour mettre un terme aux persécutions dont souffraient certains écrivains tels François Borgia et Jorge de Montemayor. Par cette protection, elle influença l'esthétique de cour en l'orientant vers une plus forte et nouvelle dévotion.

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B, Periyaswamy. "Analyzing the Devotional Biology of Andalusian Lice - A Study." International Research Journal of Tamil 2, no. 2 (2020): 119–30. http://dx.doi.org/10.34256/irjt20213.

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In the liturgy of Andal worship, administrative management is performed to create a plan, place, time, assurance, implementation, and so on. Love is one of the goals that God has set out to accomplish, because both love and devotion are matures of love for God. The love of the head of world relations is pure. Not selfish. Such a state of pure love is rooted in the pastures. Here, after the sixth century AD, vegetarianism had a profound influence on the political and the people. During the Vaishnavas, Thirumangai will become deep. Kulasekera and Alwar were kings. Nevertheless, in Tamil Nadu, th

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Ford, Renée. "Devotion, a Lamp That Illuminates the Ground: Non-Referential Devotional Affect in Great Completeness." Religions 11, no. 3 (2020): 148. http://dx.doi.org/10.3390/rel11030148.

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I explore how devotion (mos gus) is re-interpreted as non-dual and non-conceptual through Mahāyoga tantric creation (skyed) and completion (rdzogs) stage practices as an expression of the ground (bzhi) for Longchenpa (klong chen rab ‘byams, 1308–1364) and Jigme Lingpa (‘jigs med gling pa, 1730–1785). Devotion, a felt-sense, allows for there to be something akin to a residue from these mental constructs that allows for a practitioner to carry over her experience into a later phase of meditation. Firstly, devotion, as an affect is necessarily non-dual because tantra entails pure perception (dag

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Renfrew, Colin. "Production and Consumption in a Sacred Economy: The Material Correlates of High Devotional Expression at Chaco Canyon." American Antiquity 66, no. 1 (2001): 14–25. http://dx.doi.org/10.2307/2694314.

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The role of production, exchange, and consumption in Chaco Canyon can be analyzed successfully only when the system as a whole is considered. A cognitive-processual approach is used here to develop a model of Chaco as an essentially egalitarian society, centered on the Canyon as a Location of High Devotional Expression. The production and consumption of goods is understood in the context of an ideational/devotional significance of the great houses and great kivas of Chaco and of periodic visits made to them for devotional purposes (i.e., pilgrimages). Consideration is given to the structure of

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Dr., Komal. "Colors of Devotion: The Role of Drawing and Painting in Indian Religious Art." SIDDHANTA'S INTERNATIONAL JOURNAL OF ADVANCED RESEARCH IN ARTS & HUMANITIES 1, no. 4 (2025): 115–25. https://doi.org/10.5281/zenodo.15516895.

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This paper explores the integral role of drawing and painting in Indian religious art as expressions of devotion and spirituality. Indian art is deeply interwoven with religious traditions, where visual forms transcend aesthetic value to serve as tools of worship, instruction, and divine presence. Focusing on their use in temples, festivals, and rituals, this research highlights how paintings and drawings, from intricate temple murals to ephemeral ritual designs like <em>kolam</em> and <em>alpana</em>, convey religious narratives, invite divine blessings, and cultivate spiritual consciousness.

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Gomis Corell, Joan Carles. "Corroborar llegendes, invocar imatges, renovar la memòria i presentar models. El valor dels goigs en la religiositat valenciana durant la Contrareforma." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 5, no. 5 (2015): 139. http://dx.doi.org/10.7203/scripta.5.6381.

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Resum: El present article aplica el mètode de Pafnosky a l’anàlisi dels goigs durant el període de la Contrareforma a València. Determina, amb independència de la seua forma poeticomusical i melodia, quina va estar la funció cultural, centrant-nos en quatre exemples diferents. Es confronten les idees subjacents amb altres expressions culturals coetànies –textos històrics, hagiogràfics i devocionals i obres pictòriques-, i s’estableix la relació recíproca entre els valors culturals del goigs i els de la societat que els generà, demostrant que no foren expressió ingènua de la devoció popular, si

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Abudaya, Mounia Chekhab. "Inner Visions: Art Practice and Sufi Devotion in Morocco at the Turn of the Fourteenth/Twentieth Century." Journal of Material Cultures in the Muslim World 3, no. 2 (2023): 267–98. http://dx.doi.org/10.1163/26666286-12340030.

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Abstract This article examines a large calligraphic panel from Morocco preserved in the Harvard Art Museums (2016.206). The artwork features stylized representations of Mecca and Medina alongside Prophet Muhammad’s sandals and a selection of religious texts praising the prophet. This composition is characteristic of Islamic devotional imagery, highlighting artistic transfer from Moroccan illustrated copies of the Dalāʾil al-Khayrāt by the ninth/fifteenth-century Sufi mystic al-Ǧazūlī. This article aims to contextualize the production of this specific panel artwork within the Wazzāniyya Sufi Br

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Brown, Matthew P. "The Thick Style: Steady Sellers, Textual Aesthetics, and Early Modern Devotional Reading." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 67–86. http://dx.doi.org/10.1632/003081206x96113.

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Research on the early modern book trades has uncovered a set of steadily reprinted devotional titles, a canon whose popularity challenges conventional notions of English and American literary history for the seventeenth century. My essay attends to these steady sellers as they helped structure the literary culture of early New England. The essay demonstrates that the pious conduct books rely on the performative literacies of sight, sound, gesture, and touch, on the sensory effects of literary expression, and on the cross-referencing collation of discrete passages, in a phenomenon I call–drawin

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Restu Ningsih Waruwu, Alexius Poto Obe, and Evimawati Harefa. "Memahami Ajaran Paus Pius XII Tentang Devosi Kepada Hati Kudus Yesus Dan Implementasinya Bagi Hidup Kaum Beriman." Journal New Light 2, no. 1 (2024): 39–58. http://dx.doi.org/10.62200/newlight.v2i1.93.

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In general, the Catholic Church is based on two spiritual activities, namely the official liturgy and devotions. The difference between the two is more about legality and the place where the activity is carried out in a place that has been officially and sacredly determined, namely the church. Whereas devotion is more flexible and can be carried out anywhere, such as; shrines, churches, or in homes. Devotion is very close to the expression of love for God’s love and including his Son Jesus Christ, the world’s savior who atones for human sins. In imitating the Most Sacred Heart of Jesus, there

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Restifo, Aleksandra. "Aesthetic Pleasure in the Worship of the Jina: Understanding Performance in Jain Devotional Culture." Religions 10, no. 4 (2019): 251. http://dx.doi.org/10.3390/rel10040251.

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Performance has long been recognized to be a meaningful component in the worship of the Jina. This paper will focus on a particular aspect of devotional performance and historicize the phenomenon of ritual re-enactment of the Jina’s biography, a practice that remains significant to temple worship today. This paper will argue that the performance of the enlightened soul’s biography was familiar to Jains already in the early centuries of the common era and was not confined to the five auspicious events (kalyāṇakas). In a Śvetāmabara canonical text called the Rāyapaseṇiyasutta, this re-enactment

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Pallathadka, Harikumar, Parag Deb Roy, and Rita Sarkar. "The Path of Divine Surrender: A Spiritual Analysis of Rabindranath Tagore's "Ami Tomar Premer Hobo Sobar Kolonkho Bhagi"." Journal for Research in Applied Sciences and Biotechnology 4, no. 2 (2025): 257–64. https://doi.org/10.55544/jrasb.4.2.26.

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This comprehensive study presents an in-depth analysis of Rabindranath Tagore's profound devotional composition "Ami Tomar Premer Hobo Sobar Kolonkho Bhagi" ("I will bear everyone's shame in your love"), exploring its multifaceted spiritual significance within the rich context of Hindu devotional traditions. Through detailed textual examination, musical analysis, and contextual interpretation, this research illuminates how the song articulates a fundamental aspect of authentic spiritual pursuit: the transformative willingness to transcend societal judgment and embrace divine love regardless of

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Pallathadka, Harikumar, Parag Deb Roy, Rita Sarkar, Jayshree Saha, and Jugasmita Saikia. "Recursivity and Transcendence: A Neurophenomenological Analysis of "Mon Chalo Nijo Niketane" as an Ontogenetic Framework for Consciousness." Stallion Journal for Multidisciplinary Associated Research Studies 4, no. 2 (2025): 250–77. https://doi.org/10.55544/sjmars.4.2.19.

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This paper presents a novel theoretical framework for understanding consciousness through an interdisciplinary analysis of the Bengali devotional song "Mon Chalo Nijo Niketane" ("O Mind, Return to Your True Abode"), historically associated with Swami Vivekananda. By integrating third-generation cognitive science, quantum neurodynamics, contemplative phenomenology, and enactive approaches to cognition, we demonstrate how this devotional expression anticipates contemporary advancements in consciousness studies. We propose the Recursive Self-Integration Model (RSIM), which conceptualizes consciou

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Margry, Peter Jan. "Cross Mountain and Apparition Hill." Nova Religio 24, no. 3 (2021): 36–67. http://dx.doi.org/10.1525/nr.2021.24.3.36.

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This article examines and interprets the phenomenon of Medjugorje as a new religious phenomenon. The name of this Bosnian-Herzegovinian village not only refers to a long series of Marian apparitions, but it is also used as a metaphor for the religious and political developments that occur in relation to those visions. The argument is that in the context of interaction with nationalist agendas and church politics, Medjugorje must be seen as a contested apparitional site that has reinvented itself into a highly successful grassroots religious movement. Medjugorje devotees and the faithful, inspi

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Ring, Morgan. "Translating the Legenda aurea in Early Modern England." Studies in Church History 53 (May 26, 2017): 118–31. http://dx.doi.org/10.1017/stc.2016.8.

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To its admirers, the Legenda aurea is a powerful expression of medieval belief. To the evangelical pamphleteers of early modern England, it was a symbol of all the failings of unreformed religion. For historians, it is a convenient shorthand for popular hagiography before the Reformation. These readings, however, understate the Legenda's often ambiguous place in early modern devotional life. This article seeks to complicate the Legenda's history in late medieval and early modern England. It argues that the concept and the act of translation rendered Jacobus's text more complex than the histori

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K., Gajalakshmi. "Exploring Rare Bharatanatyam Padams in Thiruppugazh: A Study of Devotional Expression and Artistic Depth." Academic 2, no. 10 (2024): 231–40. https://doi.org/10.5281/zenodo.14101802.

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György, Eszter. "Considering Liminality as a Passage to the Otherworld in the Early Irish Tale Aislinge Óenguso and Oscar Wilde’s The Fisherman and his Soul." Freeside Europe Online Academic Journal, no. 11 (2020): 1–15. http://dx.doi.org/10.51313/freeside-2020-2-4.

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An important piece of early Irish literary material, Óengus’ dream bears several similarities with Oscar Wilde’s The Fisherman and his Soul. It will be demonstrated that liminality (from limen meaning “threshold” in Latin), as epitomized by the presence of water in both tales, can be interpreted as a passage to the Otherworld. It is the liminal and otherworldly aspect of water that brings into existence the universal human aspiration towards the supernatural unification with the cosmos and the theme of all-encompassing love; recurrent topoi in Irish literature from the very beginnings until to

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S, Kiruthiga, and Gandhidurai S. "Bharathi and Parakalar Announcing Separation Unendurable." International Research Journal of Tamil 4, S-11 (2022): 34–42. http://dx.doi.org/10.34256/irjt224s115.

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Some devotional literatures appeared by portraying the Lord as the superior male and the soul as a woman to make people to realize the philosophy of surrender. Bharati, who realized the aspiration of woman, and Thirumangaiyalwar (Parakalar), who realized the superiority of the Lord, created verses by assuming themselves as the heroine to express their devotion to Thirumal. The expression of love is manifested only in Separation unendurable. The purpose of this study is to compare the part of Kannan Pattu, ‘Kannan – En Kaadhalan’ composed by Bharathiar with the Thirumadals ‘Siriya Thirumadal’ a

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Räsänen, Marika. "Signs of Shared and Personal Experience in Dominican Breviaries." Journal of Medieval and Early Modern Studies 55, no. 1 (2025): 31–50. https://doi.org/10.1215/10829636-11568633.

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The breviary was essential to the devotional life of Dominican friars, allowing them to celebrate the daily office individually when they were unable to join the communal liturgy. The Dominican vocation, rooted in the apostolic life and itinerant preaching, required a commitment to observing the canonical hours. Personal breviaries enabled friars to merge conventual and itinerant ideals, adhering to the Dominican order's rule. While serving friars’ personal use, breviaries also marked collective identity, distinguishing Dominicans from other religious professionals and fostering the order's un

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Vrushali, Dabke, and Deo Manjiri. "Comparison of expression of devotional poems in Naradiya kirtan presentation with that of Kathak temple tradition." AKSHARASURYA 04, no. 01 (2024): 90 to 101. https://doi.org/10.5281/zenodo.11162861.

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This study is about the comparison between the expression of Shloka, Pada, Bhajan, Stuti, Akhyan under the Maharashtra Naradiya Kirtan tradition and Kathak Mandir tradition. Music is an integral part of both the styles. Study of history of these two styles shows significant changes in their repertoire with changes in time. A study of the changes in the presentation of both styles gives an insight into the changes in use of music and social conditions of the time. Till date, no research work is done on the subject comparing the performance method of these two styles for katha akhyan and devotio

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Spracklan-Holl, Hannah. "Noblewomen’s Devotional Song Practice in ‘Patiençe veinque tout’ (1647–1655), a German Manuscript from the Mid-seventeenth Century." Context, no. 48 (January 31, 2023): 35–51. http://dx.doi.org/10.46580/cx78832.

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"Devotional song in the German vernacular was a large repertory in the seventeenth century; as Robert Kendrick points out, the more than two thousand printed collections of these songs produced at this time attest to a relatively musically literate public that engaged with the repertoire. Most published devotional songs appeared in collections, usually consisting of a foreword or dedications, other poetry, and songs. The songs themselves often appeared without printed musical notation, indicating the use of contrafactum. Both men and women contributed to the German devotional song repertoire;

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Feldhaus, Anne. "Maharashtra as a holy land: a sectarian tradition." Bulletin of the School of Oriental and African Studies 49, no. 3 (1986): 532–48. http://dx.doi.org/10.1017/s0041977x00045080.

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The first manifestation of the regional cultures of India as we know them today was, in most cases, the literature produced by the medieval bhakti (devotional) movements. Composed in the regional languages, the bhakti literature provides evidence of early forms of these languages. Further, by its very existence, it marks the genesis of pride in the languages, of acceptance of them as appropriate vehicles for literary expression. Often addressed to local or regional deities (who are sometimes identified as local manifestations of gods worshipped throughout India), this literature clearly served

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Baruah, Sudarshana. "Indian Devotional Music: Its Relation with the Religious Concept of People and Iconography." BL College Journal 4, no. 2 (2022): 129–34. http://dx.doi.org/10.62106/blc2022v4i2e5.

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Religion is the driving force behind the evolution of society. Human religious believers have interpreted music as the utterances of gods and lauded it as the purest expression of spirituality. Throughout the majority of human history, religious texts have been sung rather than written, and religious behavior has been expressed through prayer or devotional melodies or music in almost all religious traditions. The values, functions, and genres of religious music are culturally diverse and varied. Religious musical forms can transcend cultural barriers. Some religions, such as Buddhism, use musi

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Laube, Matthew. "‘The Harmony of One Choir’? Music and Social Unity in Reformation Heidelberg*." Past & Present 248, no. 1 (2020): 41–86. http://dx.doi.org/10.1093/pastj/gtz059.

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Abstract: From early in the Reformation, Protestant leaders viewed music as a powerful tool not only for educating their followers, but also for forging unity within diverse and dispersed communities. Such a belief found expression in official and unofficial religious contexts, and left its mark on printed devotional material, congregational hymn books, public policies of church authorities, and the musical activities of individual churches. At the same time, the manner in which a person accessed, experienced and produced music in a Reformation urban environment was conditioned as much by soci

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Moll, Yasmin. "Televised Tears." Comparative Studies of South Asia, Africa and the Middle East 41, no. 2 (2021): 153–65. http://dx.doi.org/10.1215/1089201x-9127024.

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Abstract The practice of feigning weeping in devotional contexts, including in hortatory preaching, is closely associated in Egypt with Islamic Revivalism. It is an expression of pious humility through which worshippers pretend to cry in order to (ideally) develop the embodied capacity to shed tears in the future. Secular Egyptians tend to dismiss such weeping as insincere, but so, too, do many participants in the piety movement in a specific context: on-camera weeping. Drawing on fieldwork with Islamic television preachers and their followers in Cairo, this article explores how the mass-media

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Parthasarathy, Arpitha. "The Spiritual Form of Ancient Art and Culture - Bharatanatyam (Visual Art) Depicted Using Unique Techniques on Scratchboard (Fine Art) Medium." Journal of Arts and Humanities 6, no. 3 (2017): 33. http://dx.doi.org/10.18533/journal.v6i3.1143.

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<p>The most ancient form of dance that is prevailing todays is a form of classical Indian dance, Bharatanatyam. In Sanskrit (and Devanagri), bharatanatyam means "Indian dance", is believed to have divine origin and is of the most ancient form of classical dance. Bharatanatyam is a two thousand-year-old dance form, originally practiced in the temples of ancient India. The art today remains purely devotional even today and this performing art is yet to gain awareness and interest in the western world. This dance form has various implications in improving the higher order thinking in childr

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Reinhardt, Bruno. "The Pedagogies of Preaching." Journal of Religion in Africa 47, no. 1 (2017): 72–107. http://dx.doi.org/10.1163/15700666-12340099.

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Abstract This article investigates Pentecostal preaching from a pedagogical angle, more exactly from the point of view of its transmission to apprentice pastors in a Ghanaian seminary or Bible school. My concern is the reproduction of a specific preaching style in this institution, an “international” one, governed by explicit and implicit norms. I revisit ethnographically some of these norms as they are conveyed and embodied through lectures about preaching, devotional routines, and student services. I call attention to the emic notion of “flow”, arguing that it lends good legibility to how Pe

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கு., ஜெயா பிரின்ஸி /. K. Jeya Princy. "ஒப்பியல் நோக்கில் ஒளவையார் மற்றும் சாப்போ கவிதைகள் / Comparative Study of the Poems of Avvaiyar and Sappho". IJTLLS 7, SPL 2 (2025): 671–84. https://doi.org/10.5281/zenodo.15553611.

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<em>In literary history, women poets have been very rare in literary traditions and are marginalised or unrecognised by their societies. Only a few carved their names in history by their poetic works. Such excellent poets are Avvaiyar, the distinguished Tamil poet of the Sangam era and Sappho, another distinguished poet from the island of Lesbos from the 7<sup>th</sup> century BCE. Avvaiyar’s poems are often didactic and devotional. She reveals suppressed feelings of women, morals and virtues of life. Sappho is attributed for establishing the first known schools for women in ancient Gree

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Font, Paz Carme. "A Resounding God: Acoustic Representations of the Divine in Early Modern Women's Spiritual Writing." Early Modern Women: An Interdisciplinary Journal Vol.17, no. 1 (2022): 139–47. https://doi.org/10.1086/720808.

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The central role of religion in forging early modern identities has been widely recognized as a space for dispute, politics, knowledge or control. For women in particular it could also mean self-expression, edification and solace. Both in Reformed and non-Reformed communities, spiritual women living as members of a religious order, mystics, believers, followers of sectarian groups, wives and mothers sought to explore their faith in writing to uphold religious values in their families, communities and countries. Whether these values were expressed though mystical rapture, prophetic speech, devo

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Guerzoni, Guido. "Devotional Tattooes in Early Modern Italy = Tatuajes devocionales en la Italia de la Edad Moderna." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 6 (December 7, 2018): 119. http://dx.doi.org/10.5944/etfvii.6.2018.22922.

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This essay seeks to analyze the production and dissemination of devotional tattoos in Early Modern times, focusing on the Italian case. It explores the details of their functions and meanings, and their intellectual reception. Nineteenth century theories stated that tattoos appeared in Europe only after the travels of Cook and Bouganville to savage Polynesia. There are many reasons to state that tattoos never disappeared in Italy though. In the Roman Empire tattoo was considered «an indelible mark of infamy», while «tattooing of the whole body», was known as the «barbarian» custom. Between the

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Amir H. Zekrgoo та Mandana Barkeshli. "DEVOTIONAL POETRY IN TECHNICAL MANUSCRIPT TERMINOLOGY: AN INTRODUCTION TO THE ROSE GARDEN OF PURITY (GOLZĀR-E ṢAFĀ)". Al-Shajarah: Journal of the International Institute of Islamic Thought and Civilization (ISTAC) 29, № 1 (2024): 207–22. http://dx.doi.org/10.31436/shajarah.v29i1.1838.

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Among the wide variety of Persian manuscript categories, there is a distinctive genre that includes recipes on materials and technics of manuscript production. And within this genre, we come across distinctly interesting works that adopt charming romantic poetry to record subjects that are rather dull, dry, and unattractive to the general audience! One of such historical sources is a sixteenth century manuscript entitled Rose Garden of Purity (Golzār-e Ṣafā) by ʿAlī Ṣayrafī, preserved in Paris Central Library. The subject of this research is the manuscript’s impressive Preface in which the poe

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Nistor, Letiția. "The church inside the castle. Considerations on the architecture of seventeeth century court chapels from Blaj and Buia." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 8 (2017): 131–44. http://dx.doi.org/10.47950/caieteara.2017.8.06.

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The present article aims at reflecting upon the use and architecture of two particular court chapels from the beginning of seventeenth century, with architectural expression kindred to medieval churches – the chapels belonging to the princely residence in Blaj and the Perneszi residence in Buia. Moreover, the Perneszi court chapel illustrates the rare situation of a medieval church incorporated into the court ensemble, whereas the princely court double chapel from Blaj, accommodated inside a wedge shaped tower, presents clear references to medieval churches (decoration, layout) with kingly pre

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Starčević, Mirko. "John Henry Newman and the Oxford Movement: A Poet of the Church." ELOPE: English Language Overseas Perspectives and Enquiries 12, no. 2 (2015): 129–45. http://dx.doi.org/10.4312/elope.12.2.129-145.

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The paper examines John Henry Newman and the extent to which his involvement with the Oxford Movement influenced his poetic endeavours. The analysis of the historical and theological background of the Movement from Newman’s perspective makes the task of presenting the genesis of Newman’s poetic conceptions much easier. Newman was famous for being a preternaturally gifted preacher and prose writer, while his poetic texts received less attention. The examination of poetry is carried out here by contrasting the Oxford Movement’s ideas, majorly Newman’s own ideas and poetry, with Romanticism as th

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Wheaton, Robert. "Images of Kinship." Journal of Family History 12, no. 4 (1987): 389–405. http://dx.doi.org/10.1177/036319908701200403.

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This article surveys representations of kin in trans-alpine Western Europe from the Middle Ages to the eighteenth century, with particular attention to the Netherlands and Germany. In the Middle Ages most such images occurred in a religious context where kin appeared in funeral monuments or as donors in devotional images. In the sixteenth century kin images were transformed under the influence of Erasmian Christian humanism and Protestantism into apparently secular portraits Interpreted on a symbolic level, however, they reflect the set of values that kinship ideally supported: the family as a

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M, Sankar. "The Remnants of the Ethnic Community in the Silappathikara Vettuva Vari (Hunting Chapter)." International Research Journal of Tamil 4, S-17 (2022): 136–42. http://dx.doi.org/10.34256/irjt224s1723.

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Silappathikaram, the first epic that appeared in Tamil, contains relics of ethnic life. The purpose of this article is to bring them out. Silappathikaram also highlights the life of the ethnic people in the midst of the chapters that speak of the greatness of the Moovendars (Three Kings). In this way, in the Vettuva vari of the Madurai Chapter, one can see that the life of the Eyinars and their worship are explained. In the worship of Kottravai, they gave her the symbols of their race as her weapons. These can be seen to illustrate their life. The lyrics sung in this worship form the collectiv

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Terezis, Christos. "The Byzantine icon as an expression of the composition of the “Beautiful” with the “Sublime”." dianoesis 13 (May 18, 2024): 155–70. http://dx.doi.org/10.12681/dia.37788.

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In this article I attempt to discuss the encounter between Christian Theology and the philosophical branch of Aesthetics. As a basis I have the icons of the Byzantine tradition, which also express the ecclesiastical way of its culture. First of all, I refer to what is defined as the aesthetic interpretation of a work of art and then to how its process receives theological characteristics in the style and approach of Byzantine icons. Next, I present the main characteristics of the artistic-aesthetic categories of the “Beautiful” and the “Sublime” and I undertake the responsibility to show how t

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Moghe, Anoop. "NEED TO CHANGE MUSIC COURSES ACCORDING TO THE CURRENT TIME." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3483.

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Musical art has special significance in Indian arts. Like other arts, musical art does not imitate mental perception, rather it is an imitation of one's own will and this act of realizing it is its shadow. This is the reason for the strong influence of music that it itself expresses the real element. Musical art does not express any particular limited joy, sorrow, suffering, fear, peace or happiness, but it gives expression to their common and universal nature. Music fills devotional feelings in our soul. भारतीय कलाओं में संगीत कला का विशेष महत्व है। संगीत कला अन्य कलाओं की तरह मानसिक बो

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Zhang, Dongshan. "Space, Patronage, and Ritual Art: Steles in the Guyang Cave (Late 5th–Early 6th Century)." Religions 16, no. 6 (2025): 779. https://doi.org/10.3390/rel16060779.

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The Guyang Cave contains an extensive collection of late Northern Wei (late fifth to early sixth century) statue and stele combinations. While existing scholarship has recognized the exceptional nature of these statue–stele pairings, their systematic stylistic classification and contextual interpretation have yet to receive sustained scholarly attention. This investigation analyzes ten paradigmatic cases, organized into three distinct stylistic groups. The discussion subsequently focuses on four particularly representative examples that epitomize divergent approaches to stele implementation. T

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Kuckreja, Ravinjay. "The Hare Krishnas in Bali: Localized Religion and New Religious Movement." Religió: Jurnal Studi Agama-agama 12, no. 1 (2022): 1–23. http://dx.doi.org/10.15642/religio.v12i1.1857.

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As the Balinese sought official religious acceptance in Indonesia, they formalized their ethnic customs and transformed them into a universal religion with an Abrahamic model called “Agama Hindu Dharma”. In aligning itself with Hinduism, the Balinese had to restructure their internalized indigenous faith and share it with Hindus beyond the island, including with others in the archipelago and the religious hearth of India. The International Society for Krishna Consciousness (ISKCON), commonly known as The Hare Krishna Movement, is a Hindu-based New Religious Movement. With their active presence

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Rezaei, Afsane. "The Ritual Fusion." Journal of Middle East Women's Studies 18, no. 2 (2022): 216–37. http://dx.doi.org/10.1215/15525864-9767856.

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Abstract This article explores domestic religious practices of Iranian Muslim women in Los Angeles. In the diasporic context, Iranian women’s voluntary engagement in vernacular Islamic practices is often associated with an unreflexive pursuit of religion and lack of agency or with complicity with the Islamic Republic’s conservative brand of Shiism. To examine the complexities of such practices in the United States, this research relies on the ethnography of a monthly domestic gathering in LA that offers a hybrid blend of multiple devotional and social genres. The article demonstrates that the

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M, Padma Priya. "Eelam Poetry and the beginning of Penmozhi." International Research Journal of Tamil 4, SPL 2 (2022): 267–73. http://dx.doi.org/10.34256/irjt22s243.

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Writing is the key to changing society. All those who have been excluded as unclean are exposed today. Women's liberation is not about leaving the door, it is only possible in poetry to feel the expansion of the boundary to break the lock of the language. On the one hand, the achievement of the female language, the thrill of womanhood. No, this is an 'alternative politics', on the one hand. However, the purpose of feminist poetry is to face the future through language. The restrictions imposed by society on the female body, such as the summary laws of the outer space, etc. The illusions that i

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Greeley, June-Ann. "“Who Would Believe What We Have Heard?”: Christian Spirituality and Images from the Passion in Religious Art of New Spain." Religion and the Arts 13, no. 2 (2009): 181–204. http://dx.doi.org/10.1163/156852909x422737.

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AbstractThe colonial art of New Spain/Mexico provides the viewer with a locus of examination into the robust Christianity that emerged over time out of a native spirituality newly laden with the contours and images from the Old World theology of late medieval/early Catholic Reformation Spain. Franciscan and especially Jesuit missionaries, impelled by a devotional zealotry, championed an apocalyptic vision of hope and suffering that was well suited for artistic expression. Religious art, whether or not patronized by European colonizers, became an instrument for the missionaries to teach and for

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Rahimi, Babak, та Mohsen Amin. "Digital Technology and Pilgrimage: Shiʿi Rituals of Arbaʿin in Iraq". Journal of Religion, Media and Digital Culture 9, № 1 (2020): 82–106. http://dx.doi.org/10.1163/21659214-bja10006.

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Since the collapse of the Baʿathist regime after the U.S.-led invasion of Iraq in 2003, Shiʿi Muslim rituals, in particular the annual commemorations of Arbaʿin, have seen a revival in popularity. Based on two fieldwork studies conducted during Arbaʿin in 2016 and 2017, the present study attempts to examine the changing characteristics of the rituals. It does so by studying the increasing digitization of Arbaʿin as a commemorative pilgrimage to Karbala, Iraq, to the shrine of the Prophet’s grandson, Imam Husayn. This ethnographic study argues for a mediated conception of Arbaʿin pilgrimage in

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Devarajan, Arthi. "Dancing Krishna in the suburbs: Kinaesthetics in the South Asian American diaspora." Studies in South Asian Film & Media 4, no. 2 (2012): 167–77. http://dx.doi.org/10.1386/safm.4.2.167_1.

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This article explores kinaesthesia as a central aspect of religious pedagogy in a transnational Hindu community, through ethnographic observation of American practitioners of Bharatanatyam (classical Indian dance).1 The Natyanjali School of Dance (Andover, Massachusetts, United States) is a small, multigenerational community, comprised of dance teacher Jeyanthi Ghatraju, a group of South Indian first-generation immigrant IT professionals, and their American-born children. Through Bharatanatyam, pedagogical practices of physical training, repetition and constructions of body comportment, studen

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Murphy, Emilie K. M. "Music and Catholic culture in post-Reformation Lancashire: piety, protest, and conversion." British Catholic History 32, no. 4 (2015): 492–525. http://dx.doi.org/10.1017/bch.2015.18.

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AbstractThis essay adds to our existing understanding of what it meant to be a member of the English Catholic community during the late Elizabeth and early Stuart period by exploring Catholic musical culture in Lancashire. This was a uniquely Catholic village, which, like the majority of villages, towns and cities in early modern England, was filled with the singing of ballads. Ballads have almost exclusively been treated in scholarship as a ‘Protestant’ phenomenon and the ‘godly ballad’ associated with the very fabric of a distinctively Protestant Elizabethan and Stuart entertainment culture.

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Barua, Bashabi. "The Gender Politics of Viraha:." Crossings: A Journal of English Studies 11 (September 1, 2020): 31–42. http://dx.doi.org/10.59817/cjes.v11i.44.

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Viraha in high literature is constituted on the idea of separation, or “loss,” the pining to get back to the primordial relationship with the supreme. This sacred “emotion” is operationalized through de-transcendentalization of divinity in a novel affective economy in both Bhakti and Sufi traditions. Though this new devotional sect sets forth a direct communion with the divine, the absolute other, the mainstream Bhakti traditions introduce the symbol of Radha and the High Sufi theology envisions an ideal Beauty realized in the body of the unique Woman as the medium or intermediary to the path

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Kupari, Helena. "Religious practice among Finnish converts to Orthodox Christianity." Approaching Religion 12, no. 3 (2022): 62–78. http://dx.doi.org/10.30664/ar.112255.

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In this study, I discuss the devotional lives of Finns who have joined the Orthodox Church of Finland as adults. The analysis is based on interviews conducted with 29 converts to Orthodoxy. My specific focus is the interplay of interiority and exteriority in my interlocutors’ religious practice. To conceptualise this dynamic, I turn to Adam Seligman’s theorisation of ritual and sincerity as two modes of organising social action. For Seligman, ritual action relies on the outer form, whereas sincere action prioritises the inner form – intention and mindset – instead. My interlocutors’ religious

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Liškevičienė, Jolita. "The Noble Mikalojus Kristupas Chaleckis (Mikołaj Krzystof Chalecki) and His Literary Legacy." Senoji Lietuvos literatūra 40 (December 28, 2015): 119–52. https://doi.org/10.51554/sll.2015.29070.

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The aim of the paper is to introduce the reader to the little-known and poorly researched literary legacy of the noble Mikołaj Krzysztof Chalecki (Lith. Mikalojus Kristupas Chaleckis, c. 1589–1653). It gives a broad description of his biography and origin, his family and foundations provided thus highlighting his personality and his literary legacy in the first half of the seventeenth century. Also, it introduces other individuals connected with him or his works, and discusses the place of the works, which merged literature and art, in the context of the history of literature and art of Lithua

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Dillon, Amanda. "“I Am the Nail”: A Multimodal Analysis of a Contemporary Reception of Isaiah 53." Religions 14, no. 3 (2023): 370. http://dx.doi.org/10.3390/rel14030370.

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The Arma Christi, the instruments of the Passion of Christ, are a fascinating collection of symbols evident throughout the history of Christian art. This article considers the striking re-emergence of visual depictions of the Arma Christi in the contemporary spiritual practice of Bible Journaling. How have these symbols of the Passion made their way back into the popular Christian imaginary and creative expression of Bible readers today? The creative, devotional practice of Bible Journaling is gaining popularity in many countries, notably the US. Almost exclusively practiced by women, Bible Jo

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Shah, Govinda Kumar. "A Study on Saint Meira: Syncretism and Oral Tradition in Madhesh, Nepal." NPRC Journal of Multidisciplinary Research 2, no. 6 (2025): 45–74. https://doi.org/10.3126/nprcjmr.v2i6.80839.

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This study explores the tradition of Saint Meira (also known as Meeran Saheb or Meera Baba), a syncretic folk saint venerated by both Hindus and Muslims in the Madhesh region of Nepal. Grounded in the frameworks of religious syncretism, cultural hybridity, and interpretive anthropology, the research investigates how the veneration of Saint Meira operates as a form of interfaith devotional culture rooted in oral tradition and communal memory. Drawing from fieldwork in the Dhanusha, Siraha, Mahottari and Rautahat districts—including oral history interviews, ethnographic observations, and analysi

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