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Artykuły w czasopismach na temat „Dialogism”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Marcuzzo, Patrícia. "Diálogo inconcluso: os conceitos de dialogismo e polifonia na obra de Mikhail Bakhtin." Cadernos do IL 1, no. 36 (2008): 2–10. http://dx.doi.org/10.22456/2236-6385.18908.

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Dialogismo e polifonia são dois conceitos importantes na obra de Bakhtin acerca dos quais a crítica atual tem debatido com frequência (ver, por exemplo, os trabalhos de BRAIT, 1996, FARACO, 1996, BARROS, 2003 e BEZERRA, 2008). No entanto, muitas vezes, eles são utilizados como sinônimos em alguns trabalhos (BARROS, 2003, p. 5; EMERSON, 2003, p. 164). Portanto, o objetivo do presente artigo é discutir os conceitos de dialogismo e polifonia a partir de uma revisão da literatura, buscando definir e distinguir tais conceitos. PALAVRAS-CHAVE: Dialogismo – Polifonia – BakhtinABSTRACT: Dialogism and

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Parodi, Claudia, and Marta Luján. "El español de América a la luz de sus contactos con el mundo indígena y el europeo." Lexis 38, no. 2 (2014): 377–99. http://dx.doi.org/10.18800/lexis.201402.005.

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ResumenEn este trabajo, proponemos un modelo de análisis del español americano centrado en su contacto con otros idiomas y culturas que coexistieron en el llamado “Nuevo Mundo”. Para la elaboración de este modelo nos centramos en elementos sociolingüísticos y semióticos, en especial el dialogismo de Mikhail Bakhtin y sus conceptos de utterance, cronotopo y alteridad.Palabras clave: contacto lingüístico, dialogismo, indianización, teoría de la alteridad AbstractIn this article we propose a model to analyze the spanish language and culture in the Americas that focuses on language and cultural co

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Viviescas, Víctor. "La escena imposible: dialogismo, diálogo y diálogo teatral en la narrativa de Tomás Carrasquilla." Estudios de Literatura Colombiana, no. 23 (August 16, 2013): 125–47. http://dx.doi.org/10.17533/udea.elc.16264.

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Resumen: Bajtín postula la categoría de dialogismo como propia de la novela, en tanto la niega en el teatro. La escritura narrativa de Carrasquilla configura un ejercicio potente de dialogismo, pero la narrativa dialógica de la novela se ve asediada constantemente por los fantasmas del diálogo y la escena teatrales. Este artículo busca poner en relieve esta condición híbrida de la narrativa de Carrasquilla y de postular la hipótesis de que la escena teatral es incorporada por Carrasquilla a la textura de la escritura de la novela, en un proceso de dramatización del texto de la novela que está

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Tarasova, M. V., M. K. Ogorodov, and M. L. Petrova. "TYPES OF DIALOGISM IN FRENCH NEWSPAPER DISCOURSE." Philology at MGIMO 20, no. 4 (2019): 56–62. http://dx.doi.org/10.24833/2410-2423-2019-4-20-56-62.

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The article examines types of dialogism in French newspaper discourse and determines factors that cause dialogism in discourse and lingua-pragmatic forms of realization of its types. These factors are communicative situation and intertextuality. A communicative situation underlies two types of dialogism: the interactional dialogism, which is a speech interaction between a text author and its reader, and the interlocutive dialogism, which is the interaction of speech actors within the interview genre. Intertextuality in the form of quotations in media texts and/or text headlines creates transte

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5

Branco, Nanci Moreira, and José Reinaldo F. Martins Filho. "EUCARISTIA E DIALOGISMO NA SACRAMENTUM CARITATIS." INTERAÇÕES - Cultura e Comunidade 10, no. 18 (2015): 93. http://dx.doi.org/10.5752/p.1983-2478.2015v10n18p93.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p>Ao longo de nossa pesquisa temos realçado as diferentes maneiras de nos aproximarmos do discurso religioso, sobretudo em vista do que entendemos por seu caráter ideológico e repleto de dialogismos. Neste trabalho, partiremos do que é desenvolvido por Bakhtin e seu círculo ao tratarem o discurso como uma construção dinâmica e responsiva. Em suma, trata-se de analisar a relação entre Eucaristia e dialogismo, tomando como objeto a exortação apostólica Sacramentum Caritatis, do atual papa emérit

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6

Gushiken, Yuji. "Dialogismo: emergência do pensamento latino-americano em comunicação." Comunicação Mídia e Consumo 3, no. 8 (2008): 73–91. http://dx.doi.org/10.18568/cmc.v3i8.81.

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Neste artigo estuda-se a emergência do pensamento latino-americano em comunicação, tendo como foco a proposta dialógica que, na história das teorias da comunicação, se caracteriza como crítica à mass communication research da sociologia americana. Situa a emergência desse pensamento comunicacional na América Latina em meio a condições de subdesenvolvimento econômico e social, analisando-o também como crítica aos difusionismos culturais e comunicacionais do processo de globalização. Historicamente, o dialogismo atualiza os processos de inovação teórica que reavaliaram a recepção como medi

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7

Kerkhoff, Shea N. "Dialogism." Literacy Research: Theory, Method, and Practice 64, no. 1 (2015): 443–60. http://dx.doi.org/10.1177/2381336915617609.

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8

King, Hubert. "The Power of Dialogism in Sallust’s Bellum Catilinae." Studies in Linguistics and Literature 4, no. 4 (2020): p105. http://dx.doi.org/10.22158/sll.v4n4p105.

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The purpose of this paper is to highlight and analyze cases of dialogism between Sallust and Younger Cato in the Bellum Catilinae. Through close reading and linguistic analysis, prominent dialogue and its historical implications were examined. Afterwards, I used existing literature on dialogism and speeches in Ancient Historiography to speculate on Sallust’s motivation for incorporating dialogism into the Bellum Catilinae. I posit that Sallust uses dialogism as a tool to inspire introspection in the reader.

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9

Marcolino Leal, José Luciano, Wilder Kleber Fernandes De Santana, and Pedro Farias Francelino. "OLHARES EPISTÊMICOS E(M) RELAÇÕES DIALÓGICAS: O GÊNERO DISCURSIVO CAPA DE REVISTA." Revista DisSoL - Discurso, Sociedade e Linguagem, no. 9 (July 9, 2019): 36. http://dx.doi.org/10.35501/dissol.v0i9.548.

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Resumo: Este trabalho delimitou como categorias para o estudo o dialogismo e o discurso, constitutivas do pensamento de Bakhtin, Volóchinov e Medviédev. Para tanto, selecionou-se como corpus a uma dascapas da revista IstoÉ, Nº 2548, publicada em 24 de outubro de 2018, no intuito de averiguar a incidência das relações dialógico-discursivas para concretização dos enunciados verbo-visuais. Embasada na teoria dosgêneros discursivos proposta e desenvolvida por Bakhtin (2006 [1979], esta pesquisa procurou discursivizar os elementos presentes na capa da revista IstoÉ, a qual trouxe, como tema central

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Cuvardic García, Dorde. "Los conflictos de la adolescencia en Cerbero son las sombras." Revista de Filología y Lingüística de la Universidad de Costa Rica 25, no. 1 (2015): 89. http://dx.doi.org/10.15517/rfl.v25i1.20516.

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En este artículo se analiza la relación del narrador-protagonista de la novela Cerbero son las sombras, de Juan José Millás, con su mundo privado y público a partir de la perspectiva del héroe problemático de Lukács y Goldmann y del dialogismo de Bajtín. This article analizes the narrator-protagonist relationship in the novel Cerbero son las sombras, by Juan José Millás, with its private and public world, from the perspective of Lukacs' and Goldmann's problematic hero and of Bajtin's dialogism.

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Basirizadeh, Fatemeh Sadat, and Mahnaz Soqandi. "A Comparative Study of the Psychoanalytical Portrayal of the Women Characters by Virginia Woolf and Zoya Pirzad." Britain International of Humanities and Social Sciences (BIoHS) Journal 1, no. 1 (2019): 1–8. http://dx.doi.org/10.33258/biarjohs.v1i1.8.

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Looking backwards at a century of capricious discourses, now after another turn of the century, one easily comes to the common point in all Feministic discourses; which all are as efforts to prove women's presence and their equality to men in various aspects of life. The passage of the decades did not mutate the nature of all these feminine studies; just have posed the topic in diverse areas; for the whole body of the Feminist dialogisms and ideas were appointed by patriarchal discourses. This indicates that the current feminist dialogisms are not totally feminine discourses, rather, feminine-

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12

Ecco, Clóvis, and José Reinaldo Martins Filho. "Hibridisms and Dialogy in the Folia dos Santos Reis: an Introdution." Fragmentos de Cultura 27, no. 4 (2018): 606. http://dx.doi.org/10.18224/frag.v27i4.6051.

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In this work we chose to approach the concept of dialogism developed by Bakhtin and his circle in treating discourse as a dynamic and responsive construction, and the notion of hybridization, also present in Bakhtin, but, in our view, best presented by Canclini in his analysis of contemporary culture. Starting from these two theoretical approaches, we will try to establish a dialogue between the concepts of dialogism and hybridization, elucidating them through examples extracted from the specific context of Folia de Reis. Among other contributions, this will help us to understand the creative

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13

DEMBELE, Yézouma Sivin. "Le dialogisme littéraire dans Kroh ! Les femmes ont déserté la maison de Yacouba Traoré." ALTRALANG Journal 5, no. 2 (2023): 125–35. http://dx.doi.org/10.52919/altralang.v5i2.325.

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ABSTRACT: This reflection looks at a phenomenon that arouses the interest of postcolonism in the lierary field. These are two key aspects of enunciative heterogeneity, namely literary dialoguism or polyphony in the novel. The aim is to question the different motivations of these heterogeneous practices in the novelistic work Kroh ! Les femmes ont déserté la maison of Burkinabe journalist Yacouba Traoré under the term dialogism which, like his colleagues on a continental africain or even global scale, do not hesitate to oppose by their literary and/or artistic productions the historically estab

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Nazarenko, O., and O. Zanko. "DIALOGUE AND THE CATEGORY OF DIALOGISM IN THE UKRAINIAN MASS MEDIA DISCOURSE." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 3(98) (December 23, 2022): 149–58. http://dx.doi.org/10.35433/philology.3(98).2022.149-158.

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The article is devoted to the study of the illogical nature of Ukrainian mass media discourse, namely newspaper text and dialogue as a form of textual communication. The study substantiates the concept of dialogue as a way of organizing speech and dialogism as a text category. Dialogue represents communicative interaction of two communicators and requires the participants of communication to comply with certain conditions. The dialogism of the text is broader than the concept of dialogue, because this category is expressed regardless of the nature of speech, is a representation of the inner es

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15

Soares, Leonardo Francisco. "A ópera aberta: A força do destino, de Nélida Piñon, e E la nave va, de Federico Fellini." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 250–61. http://dx.doi.org/10.17851/2317-2096.8..250-261.

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Resumo: Análise dos processos contemporâneos de produção mimética e de representação, a partir do romance A força do destino e do filme E la nave va, com vistas a articular os conceitos e noções de imagem-cristal, espetacularização, dialogismo, polifonia e desreferencialização como operadores constitutivos dessas narrativas.Palavras-chave: literatura contemporânea; representação; cinema ópera.Abstract: An analysis of the contemporary processes of mimetic production and representation considering Nélida Piñon’s A força do destino and Federico Fellini’s E la nave va, which intends to articulate

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Teixeira, Claudio Alexandre de Barros. "Pensamento e fabulação no romance: uma leitura de Osman Lins." Revista do Centro de Estudos Portugueses 30, no. 43 (2010): 143. http://dx.doi.org/10.17851/2359-0076.30.43.143-157.

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<p><em>A Rainha dos Cárceres da Grécia</em>, de Osman Lins, é um romance construído na forma de diário que discute a própria arte romanesca, utilizando o dialogismo, a alegoria, a alusão, a citação, a colagem, a paródia e outras formas intertextuais.</p> <p>A Rainha dos Cárceres da Grécia by Osman Lins is a novel written as a diary, and discusses the crafts of writting a novel itself, by using dialogism, alegory, alusion and quotation, assemblage, parody, as well as other intertextual resources.</p>

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Dias Silveira, Paloma, and Margarete Axt. "Pesquisa, Dialogismo e Produção de Sentidos / Research, dialogism and meaning production." Revista Polis e Psique 5, no. 2 (2015): 69. http://dx.doi.org/10.22456/2238-152x.53954.

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O presente artigo discute a prática de pesquisa em ciências humanas a partir do conceito de dialogismo, desenvolvido pelo filósofo Mikhail Bakhtin. A teoria dialógica bakhtiniana possibilita pensar a relação pesquisador-pesquisado no escopo da investigação que trabalha com a intervenção no campo. Além disso, a interlocução desta teoria com a filosofia de Henri Bergson adensa nossa reflexão na perspectiva da produção de sentidos na análise realizada pelo pesquisador, desviando de lógicas deterministas que conduzem à fixação de um único sentido durante o exercício da interpretação.

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Mykhalchuk, Nataliia, and Natalia Hupavsheva. "Facilitation of the Understanding of Novels by Senior Pupils as a Problem of Psycholinguistics." PSYCHOLINGUISTICS 28, no. 1 (2020): 214–38. http://dx.doi.org/10.31470/2309-1797-2020-28-1-214-238.

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The purpose of the article is to identify main components of the activities of pupils in reading novels at the lessons of World and English literature at secondary school; to propose such types of dialogism, which will facilitate pupils’ understanding of novels; to describe the results of our pilot study which was organized in September-December 2019 at secondary educational institution №15 in t. Rivne at the lesson of English literature with the aim to analyze the types of dialogism in the process of reading and understanding a novel by pupils. Methods and methodical instrumentation of

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Kostenko, Anna. "DIALOGISM AS A BASIC TEXT CATEGORY AND ITS IMPLEMENTATION IN THE ENGLISH SCIENTIFIC AND TECHNICAL TEXTS." RESEARCH TRENDS IN MODERN LINGUISTICS AND LITERATURE 2 (November 7, 2019): 51–64. http://dx.doi.org/10.29038/2617-6696.2019.2.51.64.

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The article investigates dialogism as a category of English scientific and technical texts, ways and means of its interpretation. Being a communicative category, dialogism becomes an object of linguistic analysis due to the development of text communicative paradigm and discourse investigation. The topicality of the paper is determined by insufficient investigation of the category of dialogism in scientific and technical texts, its significance for their comprehension and interpretation, as well as by absence of works devoted to considering the ways and means of their interpretation. The artic

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Matarrita Matarrita, Estébana. "Humor, burla e ironía en la literatura costarricense." Revista de Filología y Lingüística de la Universidad de Costa Rica 25, no. 1 (2015): 7. http://dx.doi.org/10.15517/rfl.v25i1.20500.

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Dos tesis sobre el humor costarricense, elaboradas de modo independiente, se entrecruzan en el incontenible dialogismo académico para dar paso, mediante la complementariedad que las reúne, a una interpretación y a una caracterización de la cultura costarricense a partir de los comportamientos discursivos que de ella se evidencian, tanto en la literatura como en la vida cotidiana. Two thesis about Costa Rican humor, independently wrought, interweave in the irrepresible academic dialogism to give way, by means of the complementarity that binds them, to an interpretation and a characterization of

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21

Romanov, Artemi. "Introduction to dialogism." Russian Journal of Communication 5, no. 2 (2013): 196–97. http://dx.doi.org/10.1080/19409419.2013.805674.

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Leiman, Mikael. "Toward Semiotic Dialogism." Theory & Psychology 12, no. 2 (2002): 221–35. http://dx.doi.org/10.1177/0959354302012002631.

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Buhl, Lilean. "Little Magazine Dialogism." Journal of Modern Periodical Studies 15, no. 1 (2024): 19–45. http://dx.doi.org/10.5325/jmodeperistud.15.1.0019.

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ABSTRACT This article aims to show how a range of little magazines (Rogue, the Voice of the Negro, and Fire!!) engaged with their surrounding media environment and influenced aesthetic or ethical discourse in other print publications. The article argues that it was precisely the magazines’ minor status that allowed them to affect larger modern print culture. Through explicit dialogues with other publications, modernists tended to reach beyond their initial readership communities in order to rearrange perceptions about aesthetics, norms, or politics in the public sphere. Their dialogues are per

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Nerlich, Brigitte. "Structuralism, contextualism, dialogism." Historiographia Linguistica 27, no. 1 (2000): 79–102. http://dx.doi.org/10.1075/hl.27.1.06ner.

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Summary In the 1930s lexical semantics came under the influence of Saussurean structuralism and Gestalt psychology. The study of whole lexical fields and the structure of these fields replaced a historical semantics focusing on single words and the classification of the transitions between the meanings of these words over time according to different sets of criteria. At the same time contextualism, the study of meaning in its pragmatic context of language use, began to attract the attention of linguists, philosophers, and psychologists of language. Fully aware of the emergence of structuralism

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Kiling, Tatiana Viktorovna. "G. R. Derzhavin at the brink of dialogism: on the material of earlier lyrics." Litera, no. 3 (March 2020): 14–26. http://dx.doi.org/10.25136/2409-8698.2020.3.32643.

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On the background of growing interest towards the problem of dialogism of lyrics of the XIX &ndash; XX centuries, the author highlights a small number of works dedicated to research of the phenomenon of dialogism in the lyrics of the XVIII century, including the works of G. R. Derzhavin. The forms of manifestation of dialogism in the earlier lyrics of G. R. Derzhavin served as the subject of this research. The goal of this research is to determine the paths of formation of dialogical intentions in the process of establishment of authorial mentality of Derzhavin as a lyricist. The materials

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Sousa, Claudemir. "Produção textual e autoria em ambiente virtual de aprendizagem: uma escrita dialógica / Textual production and authorship in virtual learning environment: a dialogical writing." Texto Livre: Linguagem e Tecnologia 10, no. 2 (2017): 308–23. http://dx.doi.org/10.17851/1983-3652.10.2.308-323.

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RESUMO: As possibilidades oferecidas pelas ferramentas tecnológicas para a produção de texto afetam sobremaneira a concepção que temos de escrita e de autoria. Neste artigo, objetivamos discutir uma concepção dialógica de escrita e de autoria, tendo como objeto de análise uma interação virtual escrita realizada por estudantes de uma universidade pública do estado de São Paulo. Essa discussão está ancorada nos pressupostos teóricos de Mikhail Bakhtin e seus interlocutores contemporâneos acerca das categorias teóricas autor e dialogismo, bem como em estudos sobre os impactos do uso de ferramenta

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Զաքարյան, Հռիփսիմե. "Երկխոսայնությունից մինչև միջտեքստայնություն (ժամանակակից եվրոպական մշակույթի ուղիները)". Bulletin of Yerevan University E: Philosophy, Psychology 15, № 2 (44) (2024): 19–31. https://doi.org/10.46991/bysu:e/2024.15.2.019.

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The theory of dialogism by M. M. Bakhtin, starting from the late 1960s, after the translation and publication of his works, had a significant influence on the main directions of Western literary criticism, their theory and methodological development. Despite modern theoretical justifications for the use of the term “intertextuality,” the phenomenon of intertextuality-the idea of the interconnection of different texts-is still a long-established and well-founded reality. However, the term “intertextuality” was first coined in 1967. The term was first introduced by the poststructuralist theorist

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Patrut, Iulia-Karin, and Matthias Bauer. "Facetten des Vielfältigen in der Lyrik Interferenz und interkulturelle Literatur." Zeitschrift für interkulturelle Germanistik 8, no. 2 (2017): 53–72. http://dx.doi.org/10.14361/zig-2017-0207.

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AbstractThe paper addresses the multi-layered architecture of poems and their inherent dialogism. Taking as examples poems by Rolf Dieter Brinkmann, Oskar Pastior, Yoko Tawada, and Uljana Wolf, Bachtin’s concept of dialogism, which originally referred to prose fiction, is scrutinized in order to establish a new understanding of poetry. Its potentials become evident when intercultural lyrics or poems cross-fading different social systems are considered.

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Tůma, František. "Dialogism and classroom interaction in English language teaching: A review of Czech research." Pedagogická orientace 24, no. 6 (2014): 878–902. http://dx.doi.org/10.5817/pedor2014-6-878.

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Cílem předkládané studie je podat přehled o českém výzkumu interakce ve výuce angličtiny. Interakci chápeme jako vzájemné ovlivňování mezi učitelem a žáky během výuky. Na interakci ve třídě nahlížíme pohledem dialogismu, který chápeme jako teoretický a epistemologický rámec předpokládající interakci jako jednotku analýzy. V přehledové studii analyzujeme 9 empirických studií uveřejněných v letech 2006–2014 jako články v časopise, knihy, kapitoly v knize nebo disertační práce. Tyto studie byly kriticky analyzovány z pohledu dialogismu. Významným zjištěním je například skutečnost, že řada studií

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Штранц-Никитина, Вероника. "Композиционная роль диалога в книге Чернобыльская молитва". Poznańskie Studia Slawistyczne, № 19 (23 лютого 2021): 321–47. http://dx.doi.org/10.14746/pss.2020.19.16.

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The paper deals with some specific features of dialogism in the book Chernobyl Prayer: A Chronicle of the Future by the Belarusian Nobel Laureate Svetlana Alexievich. As the title implies the article investigates typology of the dialogue in the text which is based on the Bakhtin’s analysis of the concept of the dialogue and polyphony. The article describes some principles of dialogism in relation to the composition of the text.

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Kornberg, Morani. "Lyric, Nation, and Dialogism." Poetics Today 41, no. 4 (2020): 595–617. http://dx.doi.org/10.1215/03335372-8720085.

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This article introduces, for the first time, the marginalized writings of Israeli-statehood-generation poet Maxim Ghilan (1931–2005), who lived in self-exile in Paris as a result of his political activism. By investigating the relationship between lyric poetry and nationalism, the article introduces Ghilan’s early poetry, followed by a close analysis of his groundbreaking and understudied poem “In Enemy Land,” written upon his return to Israel. Ghilan’s poetry overturns nationalist discourse by revisiting the events of 1948 and evoking the dual notion of return, namely, the Israeli Law of Retu

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Ponzio, Augusto. "Modeling, Communication, and Dialogism." American Journal of Semiotics 20, no. 1 (2004): 157–78. http://dx.doi.org/10.5840/ajs2004201/42.

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Hirschkop, Ken. "Is Dialogism for Real?" Social Text, no. 30 (1992): 102. http://dx.doi.org/10.2307/466470.

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DANOW, DAVID K. "DIALOGISM: PERSPECTIVES AND DELIMITATIONS." Canadian-American Slavic Studies 22, no. 1-4 (1988): 43–50. http://dx.doi.org/10.1163/221023988x00069.

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Linell, Per. "Dialogism is an integrationism." Language and Dialogue 8, no. 2 (2018): 306–27. http://dx.doi.org/10.1075/ld.00017.lin.

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Abstract In Language and Dialogue 8:1 (2018), Peter Jones wrote a critical article dealing with dialogical theory in the context of language and communication. His article covered several theoretical and methodological frameworks dealing with concepts of dialogue, here interpreted from the point-of-view of Roy Harris’s integrationism. Edda Weigand (this issue) has written a comprehensive discussion article which mainly focuses on Pablé (2018) and Orman (2018) as well as Harris’s original work. In my present response to Jones I deal almost exclusively with my own version of “extended dialogism”

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Ishchuk, Nataliia. "DIALOGISM OF RELIGIOUS EPERIENCE." Visnyk of the Lviv University, no. 24 (2019): 40–46. http://dx.doi.org/10.30970/2307-1664.2019.24.5.

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Hartzell, Monica. "Dialogism, kropp och psykoterapi." Fokus på familien 51, no. 2 (2023): 143–60. http://dx.doi.org/10.18261/fokus.51.2.5.

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Souza, Solange Jobim e., and Cíntia De Souza Carvalho. "Ética e pesquisa: o compromisso com o discurso do outro / Ethics and Research: the commitment with the other’s discourse." Revista Polis e Psique 6, no. 1 (2016): 98. http://dx.doi.org/10.22456/2238-152x.61385.

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ResumoO objetivo deste artigo é discutir o ato de pesquisar em ciências humanas, tendo como foco a produção escrita. Assim sendo, buscamos definir o que entendemos por escrever com o outro, a partir do pesquisar com. O que está em pauta é uma postura metodológica, que tem como referência a filosofia da linguagem de Mikhail Bakhtin, cujo fundamento é assumir o interlocutor da pesquisa como parceiro e coautor. O compromisso ético com o discurso do outro tem como premissa os conceitos de dialogismo e alteridade para iluminar o encontro com o outro no campo e, posteriormente, na escrita do texto.

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Kuriakose Varkey, Parul Mishra. "Transition from Soliloquy to Dialogism: Exploring Scientific Communication." Cuestiones de Fisioterapia 54, no. 3 (2025): 4440–48. https://doi.org/10.48047/ax84c402.

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Mikhail Bakhtin is famous for his dialogism and explains many parts coveringlanguage: polyphony, heteroglossia, and carnivalesque. Dialogism is the grounding element ofdrama, but Bakhtin inhabited its significance only in novels. It’s a bid to explain the uses ofDialogism and soliloquies in various Shakespearian plays. In dialogic culture, the emphasis isplaced on individual traits at play within between cultural groups. Bakhtin opines every dialoguehuman possesses the capacity to resist, confront, and make personal meanings out of change.

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Wahyuningtyas, Sri, and Herning Puspitarini. "CARNIVALIZATION IN DANARTO’S ASMARALOKA: A STUDY OF BAKHTINIAN DIALOGISM." Poetika 9, no. 2 (2021): 139. http://dx.doi.org/10.22146/poetika.v9i2.59771.

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Asmaraloka, a novel written by Danarto, is a non-realistic novel that contains many voices, ideas, discourses, and thoughts that construct the carnivalesque elements in the novel. Within the context of diversity and various phenomena in the world, the carnivalization of the story shapes the behaviors and the identities of the characters in it.Drawing on this idea, this study aims to reveal the internal and external elements that contribute to the carnivalization of Asmaraloka. The novel’s text is examined qualitatively using Bakhtinian dialogism and a sociological approach to dialogic behavior

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Domokos, Johanna. "Terveisiä Lapista as an Example of Intercultural Dialogism." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 3 (September 1, 2015): 51–67. http://dx.doi.org/10.30665/av.74994.

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Terveisiä Lapista as an Example of Intercultural Dialogism Terveisiä Lapista (1971, Greetings from Lapland, 1983), the only prose work published by the North Sámi author Nils-Aslak Valkeapää, is an outspoken critique of the cultural interference facing the Sámi people, as well as a genuine reflection on the troubled relationship between the Sámi and their colonizers throughout history. By situating the original text and its subsequent translations in both their local and global socio-political contexts, this study describes the varied manifestations of intercultural dialogism in Valkeapää’s wo

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Moirand, Sophie. "Entre discours et mémoire : le dialogisme à l’épreuve de la presse ordinaire." Travaux neuchâtelois de linguistique, no. 44 (September 1, 2006): 39–55. http://dx.doi.org/10.26034/tranel.2006.2745.

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This article tackles the question of media discourse circulation in the light of dialogism. Yet, analysing empirical data forces one to reformulate the enunciative dialogical frame proposed by Bakhtine and to connect it to the interdiscourse and interdiscursive memory notions, stemming from the French discourse analysis school. Some media specific discursive modes are uncovered, such as multi-voiced intertext constructions, memory-laden allusions, the interdiscursive characteristic of nomination, or the diverse functions of the various forms of dialogism at work in the text pragmatic orientati

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Nayeem, Md Mahbubul Hasan. "The Matrix:." Crossings: A Journal of English Studies 12 (September 1, 2021): 123–29. http://dx.doi.org/10.59817/cjes.v12i.30.

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Film as a visual art form can be understandably perused as a form of “visual literature” where, under proper scrutiny, literary theories and critical concepts may be found intervening significantly. Stretching the range of “cine-literacy,” an approach to interpret films from a literary/theoretical perspective, suggests simultaneously the pervasive reach and the inter-disciplinary scope of literature. This article aims at addressing the aspects of the 1999 movie The Matrix that enable it as a congenial site for Mikhail Bakhtin’s concept of dialogism to operate. There is hardly any linguistic ph

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Nesbet, Anne, and Michael Holquist. "Dialogism. Bakhtin and His World." Slavic and East European Journal 37, no. 1 (1993): 122. http://dx.doi.org/10.2307/308638.

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Threadgold, Terry. "Dialogism, Voice and Global Contexts." Australian Feminist Studies 21, no. 50 (2006): 223–44. http://dx.doi.org/10.1080/08164640600731762.

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Sider, Michael. "Isabellaand the dialogism of romance." Nineteenth-Century Contexts 22, no. 3 (2000): 329–56. http://dx.doi.org/10.1080/08905490008583516.

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Ptok, Ursula. "Commentary: A Touch of Dialogism." Australian and New Zealand Journal of Family Therapy 36, no. 1 (2015): 140–41. http://dx.doi.org/10.1002/anzf.1096.

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Itkonen, Matti. "Dialogic or Dialogistic? Dialogicity or Dialogism? A Word of Warning Against Rigor Metodologiae." Human Studies 20, no. 1 (1997): 47–58. http://dx.doi.org/10.1023/a:1005373716150.

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Shevchenko, Elizaveta A. "The Function of Figurative Language in the Dialogue between Dickens and His Reader." Studia Litterarum 5, no. 4 (2020): 166–81. http://dx.doi.org/10.22455/2500-4247-2020-5-4-166-181.

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The article examines the function of figurative language in Dickens’s novels in the light of its specific dialogism. Dickens’s dialogism mentioned by M. Bakhtin manifests itself through the so-called double voicing and socio-ideological heteroglossia. It also continues in the form of a dialogue between the author and the reader. The second type of the dialogue includes the first one. The essay explores the hitherto understudied influence of Dickens’s communicative urge for the continuous contact with his reader in his fiction, including its discursive aspects. My research is an attempt to conv

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Petrilli, Susan, and Augusto Ponzio. "Jakob von Uexküll. A Master of the Sign." PARADIGMI, no. 2 (July 2011): 153–67. http://dx.doi.org/10.3280/para2011-002010.

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Jakob von Uexküll not only helped provide the theoretical groundwork on which modern ethology rests, but today he is also recognized as the founder of biosemiotics. Biosemiotics uses the notions ofand model proposed by the socalled Moscow-Tartu School conferring to them a meaning derived fromtheory. Semiotician Thomas A. Sebeok has a pivotal role in this semantic increase. The notions of "modelling" and "interrelation" - implicit in Jakob von Uexküll's research - are pivotal in Sebeok's "global semiotics", which presupposes thatandcoincide. The concept of interrelation can be developed in term

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