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Rozprawy doktorskie na temat „Documentary videos”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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1

Berigny, Wall Caitilin de. "Documentary transforms into video installation via the processes of intertextuality and detournement /." Canberra : University of Canberra, 2006. http://erl.canberra.edu.au/public/adt-AUC20070723.103335/index.html.

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Thesis (PhD) -- University of Canberra, 2007.<br>Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Canberra, May 2007. Includes filmography (leaves 124-126) and bibliography (leaves 130-136). Also available online.

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Magallanes-Blanco, Claudia, University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "Video, a revolutionary medium for consciousness-raising in Mexico : a dialogic analysis of independent video makers on the Zapatistas." THESIS_CAESS_HUM_Magallanes-Blanco_C.xml, 2004. http://handle.uws.edu.au:8081/1959.7/658.

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This thesis examines the use of video technology as an alternative communication medium within a dialogic framework. It explores multiple dialogic encounters and different meanings of dialogue. It analyses dialogues within and around video technology and dialogues with contemporary events in Mexican history. The author argues that these dialogic encounters are contributing to an ongoing process of transformation in Mexican consciousness. The thesis’s theoretical framework draws on Mikhail Bakhtin’s theory of dialogism and employs a dialogic method that emphasises diversity. The author conducts

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Magallanes-Blanco, Claudia. "Video, a revolutionary medium for consciousness-raising in Mexico : a dialogic analysis of independent video makers on the Zapatistas." Thesis, View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/658.

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This thesis examines the use of video technology as an alternative communication medium within a dialogic framework. It explores multiple dialogic encounters and different meanings of dialogue. It analyses dialogues within and around video technology and dialogues with contemporary events in Mexican history. The author argues that these dialogic encounters are contributing to an ongoing process of transformation in Mexican consciousness. The thesis’s theoretical framework draws on Mikhail Bakhtin’s theory of dialogism and employs a dialogic method that emphasises diversity. The author conducts

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4

Fidler, Tristan. "Music video auteurs : the directors label DVDs and the music videos of Chris Cunningham, Michel Gondry and Spike Jonze." University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0251.

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Music video is an intriguing genre of television due to the fact that music drives the images and ideas found in numerous and varied examples of the form. Pre-recorded pieces of pop music are visually written upon in a palimpsest manner, resulting in an immediate and entertaining synchronisation of sound and vision. Ever since the popularity of MTV in the early 1980s, music video has been a persistent fixture in academic discussion, most notably in the work of writers like E. Ann Kaplan, Simon Frith and Andrew Goodwin. What has been of major interest to such cultural scholars is the fact that

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Magallanes-Blanco, Claudia. "Video, a revolutionary medium for consciousness-raising in Mexico a dialogic analysis of independent video makers on the Zapatistas /." View thesis, 2004. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050622.151734/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2004.<br>Thesis submitted for the degree of Doctor of Philosophy, School of Humanities, Centre for Cultural Research, University of Western Sydney. Includes bibliography.

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6

Matheson, Kelly Ann. "Never wash away." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/matheson/MathesonK0809.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2009.<br>Typescript. Chairperson, Graduate Committee: Dennis Aig. Never Wash Away is DVD accompanying the thesis. Includes bibliographical references (leaves 50-53).

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7

Ruiz, Coraci Bartman. "Documentario-dispositivo e video-cartas : aproximações." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284016.

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Orientador: Fernando Cury de Tacca<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T19:30:41Z (GMT). No. of bitstreams: 1 Ruiz_CoraciBartman_M.pdf: 8474327 bytes, checksum: beb9e4e01cfb3c2062731be8dcccd886 (MD5) Previous issue date: 2009<br>Resumo: Esta dissertação investiga as linhas de aproximação entre o conceito de documentário-dispositivo e algumas experiências com vídeo-cartas. Em outras palavras, busca compreender como a troca de mensagens videográficas entre pessoas - transformadas em personagens no e pelo fil

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Sebire, Adam. "Documentary polyptychs: multi-screen documentary on a theme of climate change." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10208.

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This MFA explores how the problematic phenomenology of climate change might be approached by revisiting an ancient visual art form, the Early Renaissance polyptych. I posit the polyptych as a proleptic form of installation art, providing a historical overview and analysis of multi-channel forms up to contemporary expanded cinema, before narrowing my focus to documentary film and video installations. I propose that principles of dialectical montage apply between spatialised screens and that, as a richly affective form, the relationship between screens coexisting within a single field of view m

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9

Weisz, Talia M. "Voices from Israel/Palestine: A Documentary Video Exhibition." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274903253.

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Alkarimeh, Baker. "L'usager et le documentaire interactif : étude expérimentale de l'engagement de l'usager dans un documentaire interactif." Thesis, Toulon, 2019. http://www.theses.fr/2019TOUL0001/document.

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Au cours des dernières années, le domaine du documentaire interactif s’est progressivement développé en raison des changements survenus dans le monde de l’Internet et d’études académiques croissantes sur le sujet. Pourtant, on sait relativement peu de choses sur la relation entre l’usager et le documentaire interactif. L’objet de cette étude est précisément de mesurer les attitudes et les interactions de l’usager exposé à un documentaire interactif décliné en différentes versions, disposant chacune d’un degré d’interactivité plus ou moins développé. L’étude de l’attitude des usagers nous a con

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Said, Mahfouz Mohamed. "User-generated video as a new genre of documentary." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/b4ce3451-f22c-0875-20c3-820ffb7d3a87/8/.

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This study analyses the behavior of Internet users interested in producing their own documentary videos and assesses the characteristics and techniques that govern the production of such videos. The development and global diffusion of Internet 2.0 technologies have facilitated a rapid proliferation of user-generated video, of varying quality and aesthetic seriousness, on the Internet in recent years. These videos are produced by amateur Internet users, and express the dominant social, cultural, and political trends of their respective milieux while also reflecting the new availability of affor

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Massey, Hugh Richard. "Gestalt Work For the Actor: A Documentary Video Production." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2516/.

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Gestalt Work for the Actor is a documentary about Dr. Renee Vincent's Gestalt acting exercise. Students are trained to recall powerful emotions and then employ the conjured passions into performance. This documentary examines the Gestalt acting exercise and what benefits it affords actors. The accompanying production book explains the production processes: preproduction, production, and postproduction, as well as the theoretical approaches used in the documentary.

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Modonezi, Eneida Baccaro. "O video como instrumento de pesquisa para aluno da 5a serie : um estudo exploratorio." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251861.

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Orientador: Afira Vianna Ripper<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-11T16:02:21Z (GMT). No. of bitstreams: 1 Modonezi_EneidaBaccaro_M.pdf: 4932022 bytes, checksum: a74bd2e3332c42c1577b68373eda9289 (MD5) Previous issue date: 2008<br>Resumo: Este estudo teve por objetivo investigar a documentação em vídeo como fonte de dados de pesquisa para alunos de 5ª. Série do ensino fundamental, a partir de um tema que tratava da sua realidade. Os sujeitos foram 60 alunos de uma escola pública municipal da cidade de Ca

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14

Schoen, Steven W. "The Rhetoric of Evidence in Recent Documentary Film and Video." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4399.

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Documentary is a genre of film that portrays "real" events using depictions that connote the objectivity and facticity implied by the processes of photorealism. Many contemporary documentary theorists and critics observe a constitutive problem in this ethos: despite the apparent constructions and agendas of documentary filmmaking, the framing and assumption of documentary as a window on the world tend to naturalize its own constructions as "real." Critics who engage documentary trace the multitude of ways this problem plays out in particular films. These projects yield many important insights,

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15

Daruich, Camacho Guillermo, and Almanza Alfonso Ortiz. "Video Documental "Motocross Mx vida y estilo"." Thesis, Universidad de las Américas Puebla, 2013. http://catarina.udlap.mx/u_dl_a/tales/documentos/lco/daruich_c_g/.

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El presente proyecto tiene por finalidad dar a conocer al público espectador del video documental "Motocross Mx vida y estilo" las principales características sustanciales del deporte y subcultura del deporte extremo del motocross en la sociedad mexicana de la zona del Ajusco en el Distrito Federal. Esta tesis se sustenta en argumentos del marco teórico como son subcultura y su relación en la sociedad, el video documental y sus diferentes estilos y enfoques, y por último el tema del motocross y su historia. Seguido de una metodología y explicando del uso de herramientas cualitativas en esta in

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Dowmunt, Tony. "A whited sepulchre : autobiography and video diaries in 'post-documentary' culture." Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/11053/.

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This is a PhD project partly about my class and ethnic background and consciousness: how I have lived them as a white man and a documentary filmmaker, and how they are connected to the ghost of my great-grandfather, who was a soldier in the British Army in Sierra Leone in the 1880s. But it is also a project about autobiographical documentary filmmaking, and is submitted for examination in two main components: the first a video-diary based film (A Whited Sepulchre) in which I investigated the form/genre of the video diary by making one myself - filmmaking as a research method; the second, a tex

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Smith, Heather L. "Motion graphics documentary video of Deaf artists of the 21st century /." Online version of thesis, 2008. http://hdl.handle.net/1850/8043.

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de, Berigny Wall (onacloV) Caitilin, and n/a. "Documentary Transforms into Video Installation via the Processes of Intertextuality and Detournement." University of Canberra. Creative Communication, 2006. http://erl.canberra.edu.au./public/adt-AUC20071017.094719.

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My argument is that documentary texts can be transformed into artworks via the processes of intertextuality and detournement, when they are exhibited as video installations. I argue that early 1920s modernist avant-garde painter-filmmakers shared with contemporary documentary video installation painter-filmmakers particular tendencies, characteristics and interests. The bodies of work in each period explore the generic properties of documentary through (primarily) abstract visual associations, rather than through a conventional linear space. Important 1920s modernist avant-garde films by Dziga

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Noel, Christopher M. "Watch and learn| A documentary exploring the effects of video-based pedagogy." Thesis, Illinois State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1589832.

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<p> This 20 minute film explores the use of hybrid lesson plans, those consisting of traditional in-class teaching and interactive video outside of the classroom. Using six voluntary Graduate Teaching Assistants as participants, the documentary follows the participants as they give their ideologies on teaching, perform either a traditional lesson plan or the hybrid lesson plan, and participate in a focus group to give their opinion on the perceived benefits or drawbacks of having hybrid lesson plans in the classroom.</p>

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20

Heffley, David P. "A video documentary on selected Pennsylvania one-room schools past and present /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1992. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1992.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2783. Abstract precedes thesis as 3 preliminary leaves. Typescript. Includes bibliographical references (leaves).

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Goldson, Annie. "A claim to truth: documentary, politics, production." Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/1246.

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The following thesis examines how documentary texts, in particular those that are associated with the tradition of political documentary, negotiate their way into being. For this purpose, I use a series of documentary case studies, each one structured around a work of my own. The five documentaries I examine were made through the decade 1990-2000 and, although these works address a range of specific cultural and political issues, they were produced either out of the US or New Zealand, the two countries within which I have lived while a documentary maker. My methodological approach is two-fold.

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22

Dessì, Giulia. "Voice-over e forme ibride di YouTube: proposta di adattamento del documentario e video essay "The Hobbit Duology"." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/20389/.

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Il presente elaborato è costituito dall'analisi di una proposta di adattamento in voice-over dall'inglese all'italiano di The Hobbit Duology, una serie di tre video pubblicati su YouTube che costituiscono un esempio dell'ibridazione dei generi in atto sulla piattaforma: si tratta infatti di un ibrido tra documentario e video essay, un genere diffuso su YouTube che unisce intrattenimento e critica cinematografica. Il progetto ha avuto un duplice scopo: sperimentare il voice-over, una modalità legata in Italia e in Europa Occidentale al documentario e al non-fiction in generale, su uno dei nuovi

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Whitworth, Gale Guthrie. "A documentary video investigation of the resettlement of an Afghan refugee in Lancaster County, Pennsylvania." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2003. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2003.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2724. Typescript. Abstract precedes thesis as preliminary leaves iii-iv. Includes bibliographical references (leaves 112-113).

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Peixoto, Hugo Cardoso Brandão. "Webdocumentário: a representação da ótica documental no ciberespaço." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5021.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-12-08T08:28:18Z No. of bitstreams: 2 Dissertação - Hugo Cardoso Brandão Peixoto - 2015.pdf: 16696524 bytes, checksum: a8e9d78dc110dcfd854c38cf730f163f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-12-08T08:31:13Z (GMT) No. of bitstreams: 2 Dissertação - Hugo Cardoso Brandão Peixoto - 2015.pdf: 16696524 bytes, checksum: a8e9d78dc110dcfd854c38cf730f163f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714

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Nye, Bobbi Jean. "What procedures must an independent producer complete when producing a pilot to market a video documentary?" Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1997. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1997.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2717. Typescript. Abstract precedes thesis as preliminary leaves [1-2]. Includes bibliographical references (leaves 76-80).

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Sniadecki, John Paul. "Digital Jianghu: Independent Documentary in a Beijing Art Village." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10971.

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My ethnography explores the independent documentary film community in Songzhuang, an artist village in Beijing's Tongzhou District. Through participant-observation, interviews, participation in festivals, and my own filmmaking practice, I describe filmmakers and festival organizers as cultural producers endeavoring to work outside the confines of both the government and the mainstream cinema industry. To offer an analysis of the social, political, economic, and ethical conditions of this independent film community, my study also focuses on concrete practices of filmmakers and film supporters

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Chou, Wei-Tung. "The Soul of it: A Video Documentary on Texas Sculptor John Thomas Campbell." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc935815/.

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This thesis includes a video and a production report . The video documents a Denton artist, John Thomas Campbell who was working on a project for the Texas State Fair during the filming period. This documentary follows Campbell through his production on sculptures, using a biographical style to explore his life and his art work. The accompanying paper reports on the production background, pre-production process, and includes discussion of the problems encountered from production through post production stages.

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Monteiro, Ticiano Pereira 1982. "Chão de estrelas : modos de subjetivação produzidos em uma investigação artística sobre os videokês em Fortaleza." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284479.

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Orientador: Francisco Elinaldo Teixeira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T19:35:17Z (GMT). No. of bitstreams: 1 Monteiro_TicianoPereira_M.pdf: 4948989 bytes, checksum: e5cf242aafab6e974ad40bc1cd254616 (MD5) Previous issue date: 2013<br>Resumo: A presente investigação parte de um processo de criação artística videográfica experimental, na qual foram filmados cantores de videokê da cidade de Fortaleza, capital do Ceará. Das inúmeras apresentações gravadas, algumas se destacavam, trazendo o problema: o que

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Watson, Ryan Grant. "Re-claiming the radical: documentary and video advocacy in the age of new media." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/5677.

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This project interrogates the status of documentary film as an oppositional force and conduit for radical social and political change. The first two chapters examine the interconnected transnational history of the radical or "committed" documentary. This historical inquiry leads me to construct a set of parameters for how the radical documentary was defined and codified between 1926 and 1990. My investigation is particularly attuned to how documentary filmmakers in this tradition moved away from a didactic mode of address that sought to educate a state sanctioned "citizen subject." Instead, I

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Manganello, Vincent M. "DVD featuring visual commentary, which melds the director's commentary with the production documentary using the multi-angle capabilty of the DVD." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313638.

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This creative project consists of a short fiction film which is finished on DVD and features a full length video commentary. The video commentary is an invention of my own which utilizes an often overlooked element of DVD technology, the multi-angle ability, to effectively merge two of the most popular features of modern motion picture DVD releases: the director's commentary and the production documentary. The disk actually contains two tracks of video, each of identical length. One is the film; the other is a documentary on the making of the film, with certain sections that correspond in real

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Alvarenga, Clarisse Maria Castro de. "Video e experimentação social : um estudo sobre o video comunitario contemporaneo no Brasil." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284859.

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Orientador : Fernão Vitor de Almeida Pessoa Ramos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-04T04:04:02Z (GMT). No. of bitstreams: 1 Alvarenga_ClarisseMariaCastrode_M.pdf: 583326 bytes, checksum: 0cb05a305686dff837f53d79a85cc5f8 (MD5) Previous issue date: 2004<br>Resumo: Esta dissertação apresenta uma pesquisa sobre a prática do vídeo comunitário contemporâneo no Brasil, realizada nos anos de 2003 e 2004. Investigamos a metodologia de uso do vídeo e a trajetória de dez grupos - três localizados em São Paulo, três

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Shen, Jiaxi. "Home Video and Nostalgia in Transitional China." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1404.

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This paper is a theoretical and aesthetic exploration of my MFA thesis film- an autobiographical documentary. This documentary was entirely shot in China, with both high-definition footage and Super 8 film; it takes a journey in my hometown to discuss the contemporary housing problem across generations in modern China. By focusing on ordinary family life, the film attempts to reveal the tension and conflicts arising between Chinese people's need for roots and the shifting socioeconomic system. The first part of the paper addresses the highly contrasted filmic textures that establish various te

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Papinot, Emmanuelle. "Recherche de vidéos académiques dans les collections en ligne : approche ergonomique." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20081.

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De plus en plus d’environnements en ligne dédiés à la diffusion du savoir intègrent la vidéo dans leurs corpus multimédia. Par rapport au texte ou à l’image statique ou animée, la vidéo a encore peu fait l’objet d’études scientifiques en psychologie et ergonomie cognitive. La recherche de vidéo s’inscrit dans le contexte de la recherche d’information. Le cadre théorique de cette thèse est celui de l’Information Foraging (Pirolli & Card, 1999) qui conçoit la recherche d’information dans un environnement stochastique, fondée sur une fouille construite à partir de l’information intermédiaire

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Sposto, Caroline Zarlengo. "A woman's place a video documentary on mass media messages directed towards women between 1940 - 1950 /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2005. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S. )--Kutztown University of Pennsylvania, 2005.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2721. Typescript. Accompanying DVD entitled: A Woman's Place: a documentary to supplement masters thesis. Abstract precedes thesis as 2 leaves (i-ii). Includes bibliographical references (leaves 59-61).

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Carvalho, Ananda. "Documentário-ensaio: a produção de um discurso audiovisual em documentários brasileiros contemporâneos." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/5121.

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Made available in DSpace on 2016-04-26T18:17:27Z (GMT). No. of bitstreams: 1 Ananda Carvalho.pdf: 1586239 bytes, checksum: b6a7e6fd0fb56c8292fa8882e6a76eaf (MD5) Previous issue date: 2008-10-10<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>The present research castes some elements to map the specificities of the essay-documentary. The Brazilian documentary s production has grown progressively in the last two decades, however a part of it no longer limits itself to a reproduction of the reality, characteristic traditionally associated to that type of production. In ord

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Lopes, Amanda Areias Silveira. "Fotografia documental (conceitual): repensando fronteiras." Universidade Presbiteriana Mackenzie, 2018. http://tede.mackenzie.br/jspui/handle/tede/3702.

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Submitted by Jaqueline Duarte (1157279@mackenzie.br) on 2018-09-24T18:24:45Z No. of bitstreams: 2 Amanda Areias Silveira Lopes.pdf: 16450707 bytes, checksum: 152535f9ba50ea7de7139bd759fa5b16 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Paola Damato (repositorio@mackenzie.br) on 2018-10-25T14:49:24Z (GMT) No. of bitstreams: 2 Amanda Areias Silveira Lopes.pdf: 16450707 bytes, checksum: 152535f9ba50ea7de7139bd759fa5b16 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made available in DSpace on 20

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Yang, Hongyi. "Herb and Life: A Chinese Medical Family." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3296/.

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This written thesis examines the process of producing Herb and Life: a Chinese Medical Family, a thirty-minute documentary video that explores the producer's family members' relationship with Traditional Chinese Medicine. This documentary uses interviews, narration, music, and observational sequences to display documentary subjects' career choices and their experiences with Traditional Chinese Medicine. This written thesis reveals the development of this documentary, from the pre-production to production and post-production stages. It also incorporates theoretical analysis and self-evaluation

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38

Childress, Doris (Doris Elaine). "Bus Ride to Liberation: a Historical Video Documentary of the Acres Homes Transit Company in Houston, Texas." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279071/.

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The Acres Homes Transit Company in Houston, Texas is Texas' first African American owned and operated bus company. Some say it is the first in the South. The company was developed during the height of the civil rights period. It serves as an establishment of economic empowerment during the oppressive civil rights era. The video is a historical visual documentation of the bus company from its beginning to its end. An accompanying written profile describes the research process, the pre-production, production and post-production stages, as well as future proposals for the documentary.

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Weiss, Maria. "American Mom." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/935.

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Kachtík, Petr. "Audiovizuální instalace." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2013. http://www.nusl.cz/ntk/nusl-232389.

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This thesis is concerned with the relationship between sound and image, their manipulation in real time. The main topic of this work is the permeation of these two elements into a single composition. I work with documentary footage witch I try compose according to the principles of VJing.

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Toth, Ibojka Maria. "Borderland American - Hungarian video installation /." [Kent, Ohio] : Kent State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1165764619.

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Thesis (M.F.A)--Kent State University, 2006.<br>Title from PDF t.p. (viewed March 27, 2008). Advisor: Martin Ball. Keywords: American - Hungarian Video Installation, 1956 Hungarian Revolution, Budapest, Hungary, Documentary - Style Production Process, Fragmented Memories of Time and Place, American - Hungarian Struggles with Personal and Cultural Identities, Discourse about Mul.

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Cox, Barth. "Asking to See the Soul: A Video Documentary Exploring the 'Coming Out' Experiences of Men Identifying with a Gay Subculture." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/td/29.

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This thesis details the production process of a video documentary that describes the coming out processes of gay men who identify with the Bear subculture of the gay community and some of the conflicts and consequences that they face due to this action. The aim of this production was to portray with dignity and compassion the recorded feelings and personal histories of the subjects interviewed. Chapters are devoted to the development, pre-production, production and post-production phased of this documentary. A detailed script, transcripts, shot list, and other examples and illustrations

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43

Sucari, Jabbaz Gabriel Jacobo. "El Documental expandido: pantalla y espacio." Doctoral thesis, Universitat de Barcelona, 2009. http://hdl.handle.net/10803/52895.

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La Representación Documental Contemporánea amplía el cuadro bidimensional de la TV o el Cine en nuevos formatos, donde tanto el recorrido espacial del espectador por la sala como la multiplicidad narrativa o el acceso aleatorio a la información tienen especial incidencia a la hora de concebir y desarrollar nuevos procesos de representación documental. El Documental expandido sugiere así nuevas fórmulas y maneras de representación que podemos englobar en un ámbito post-media que trasciende las características propias de un medio específico y las categorías que hasta entonces eran de aplica

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Andrade, Gabriel Aguiar de. "O suporte videogrÃfico entre os Ãndios Tapeba: produÃÃo e afirmaÃÃo de identidade Ãtnica." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=9167.

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Conselho Nacional de Desenvolvimento CientÃfico e TecnolÃgico<br>Com o advento das câmeras de vídeo, em meados da década de 70, os campos da comunicação e das ciências sociais presenciaram o nascimento de um instrumento tecnológico que alterou uma série de procedimentos teórico-metodológicos dentro da academia. Em posse de equipamentos leves e fáceis de manusear alguns antropólogos começaram a utilizar câmeras de vídeo e/ou gravadores portáteis de áudio em suas pesquisas etnográficas. Do

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Daniel, Taunay. "A epistemologia, o documentario e o papagaio : elementos para analise de documentarios da vida selvagem." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284672.

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Orientador: Jacques Marie Edme Vielliard<br>Anexo 1 DVD<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-13T17:26:46Z (GMT). No. of bitstreams: 1 Daniel_Taunay_D.pdf: 1625129 bytes, checksum: d2674bb5372164b9eac878bef74bf568 (MD5) Previous issue date: 2009<br>Resumo: Esta tese é uma reflexão sobre a possibilidade de se produzir documentários (cinema ou vídeo) perfeitamente fiéis e objetivos em relação à realidade que eles pretendem representar. O foco principal é o documentário de vida selvagem, que tem características específ

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46

Bačíková, Alžběta. "Dokumentární přístupy v pohyblivém obraze v současné umělecké praxi." Doctoral thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2018. http://www.nusl.cz/ntk/nusl-387736.

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The Dissertation titled Documentary Approaches in Contemporary Fine Art Moving Image focuses on the practical and theoretical research of documentary approaches to videos and films in the art field. It notices especially the self-reflexive strategies as a consequence of critical approach towards the medium itself and lack of belief in its ability to mediate reality or truth. Attempts to convey reality by audiovisual means are accompanied by the reflection of the way this happens. The Dissertation also reflects on the uncertain relation between the documentary and truth, which has been describe

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47

Neves, Bráulio de Britto. "O ciberdocumentário prefigurativo dos anos 2000." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284504.

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Orientador: Fernão Vitor Pessoa de Almeida Ramos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T21:00:40Z (GMT). No. of bitstreams: 1 Neves_BrauliodeBritto_D.pdf: 3338859 bytes, checksum: 9f7b6335eb8a7b3fd674c22b05e8d7d4 (MD5) Previous issue date: 2011<br>Resumo: Esta tese propõe novos critérios para a definição de cinema documentário, tomando-o como uma classe natural da retórica da esfera publica contemporânea, a partir da extrapolação dos traços recorrentes do documentário político feito a partir, através e para a circ

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Žadeikytė, Asta. "Dokumentinis eksperimentinis filmas." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100903_081950-92964.

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Diplominiame darbe „Eksperimentinis dokumentinis filmas“, nagrinėjama kaip dokumentinis kino žanras, perteikia realybę ekrane, kiek tiksliai ir nuosekliai dokumentiniai filmai sugeba fiksuoti realų gyvenimą. Dokumentinio žanro pakilimas, prasidėjo nuo XXI a. ir žengė koja kojon su dokumentalumo stiprėjimu šiuolaikiniame mene. Tai nurodo bendrumą tarp videomeno ir dokumentinio kino žanro. Menininkai norėdami išplėsti dokumentinio kino reprezentacijos rėmus pradėjo eksperimentuotu su dokumentinio kino raiška. Eksperimentai videomene ir dokumentiniame kine prasideda nuo bendro pagrindo – dokument

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49

Cox, Barth Louis. "Asking to see the soul a video documentary exploring the "coming out" experiences of men identifying with a gay subculture /." Connect to this title online, 2003. http://etd-db.uno.edu/theses/available/etd-07252003-063444/.

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Thesis (M.F.A.)--University of New Orleans, 2003.<br>Title from PDF title page (viewed on Apr. 5, 2005). "A thesis ... in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Drama and Communications." Vita. Includes bibliographical references (p. 72-93).

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Syniuk, Artem. "Sustainable apparel marketing and consumption : An analysis of Patagonia’s Worn Wear video marketing campaign." Thesis, Jönköping University, Internationella Handelshögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-53185.

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Background: The modern world struggles with an environmental crisis and many industry sectors could be considered as non-sustainable. The fashion industry is poorly performing both in ecological and social sustainability due to mass production and apparel waste caused by fast changing fashion. To reduce the negative impact on the ecological and social environment the United Nations developed the Sustainable Development Goals focussing on the economic, social, and ecological sustainability. The apparel industry influenced by the international organisations and the customers sustainability deman

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