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Artykuły w czasopismach na temat „Drum players”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Goonatilleke, M. A. S. T., and B. Hettige. "ThamRobot: An Automated Robotic System to Play Thammattama." International Journal of Computer Applications Technology and Research 10, no. 11 (2021): 248–56. http://dx.doi.org/10.7753/ijcatr1011.1004.

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Sri Lanka has a precious traditional drum music culture that is mainly based on traditional drums. At present, this drum culture is in decline due to a lack of talented drum players. As a result, many Buddhist temples are facing a serious and tragic problem. This article presents the design and implementation of a robotic system named ThamRobot contains two robotic arms that were designed to play pre-programmed three drum tunes of the Thammattama correctly and efficiently like a drum player without any intervention of a human. In the research, nine major characteristics factors of the Thammatt

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Kim, Jihyun. "A Study on the Historical Transition Process of Bass Drum Pedal." Korean Society of Culture and Convergence 45, no. 10 (2023): 1015–27. http://dx.doi.org/10.33645/cnc.2023.10.45.10.1015.

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The purpose of this paper is to study the historical transformation process of the base drum pedal, which can be considered to have played a key role in the birth of the drum set. The invention of the base drum pedal changed from a form in which several players played one percussion instrument to a form in which one player could play multiple percussion instruments, and later, with the development of set drums, new types and mechanisms such as twin pedals and direct pedals emerged. The study of bass drum pedals is very closely related to the history of jazz music development. In the end, it ca

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Ardedi, Dodo Pratama, and Wimbrayardi Wimbrayardi. "ANSAMBLE PERKUSI (KOMPOSISI MUSIK SMK NEGERI 3 PADANG)." Jurnal Sendratasik 8, no. 1 (2019): 25. http://dx.doi.org/10.24036/jsu.v8i1.106415.

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Abstract This work aims to display the creativity of female students in school, and it can be a reference for teachers in developing talents, interests and creativities of female students. The form of this artwork is percussion ensemble, the author will combine the rhythmic patterns of single stroke, double stokes, and triols in 4/4 hours with a simple form. It does not only focus on the instrument itself, the author will also combine with vowels to build atmosphere. Percussion ensemble is a musical composition that is adopted from the game of similar percussion instrument, such execution is v

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Zhang, Y. T., Y. L. Cheng, H. X. Wu, and Y. P. Liao. "Intelligent music accompaniment system based on discrete wavelet transform." Journal of Physics: Conference Series 2345, no. 1 (2022): 012021. http://dx.doi.org/10.1088/1742-6596/2345/1/012021.

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Abstract Instrument players usually play music with an unstable tempo. However, most of the robotic accompaniment systems are designed with a fixed beat. They can’t adjust their tempo to players’ tempo automatically. Therefore, we propose an adaptive accompaniment system for a soloist that can follow the tempo of a guitar player. The system includes a sound signal receiving element, an audio processing module, a robotic drumming system, and an information display device. The guitar signal is processed with the discrete wavelet transform, audio feature extraction, and peak detection to estimate

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5

Safira, Adnia. "Tindak Tutur Direktif Pelatih Drum Corps Sabda Kinnara Drum Corps." Alinea: Jurnal Bahasa, Sastra, dan Pengajaran 9, no. 2 (2020): 127. http://dx.doi.org/10.35194/alinea.v9i2.956.

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Peristiwa tutur satu arah antara pelatih dengan pemain (player) pada pelatihan drum corps di Sabda Kinnara Drum Corps UNNES merupakan hal yang mendasari dilakukannya penelitian. Penelitian dilakukan menggunakan metode deskriptif kualitatif. Data penelitian dikumpulkan dengan metode simak dan metode cakap. Data utama penelitian berupa hasil sadapan terhadap tuturan dua pelatih Sabda Kinnara Drum Corps UNNES divisi Colour Guard (CG) dengan data pendukung berupa hasil wawancara dengan pelatih divisi CG. Objek penelitian ini adalah tindak tutur direktif pelatih drum corps divisi Colour Guard (CG).

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Noviyanti, Putu Intan, Ni Luh Nopi Andayani, M. Widnyana, and Luh Made Indah Sri Handari Adiputra. "THE CORRELATION BETWEEN THE USE OF BATTERY PERCUSSION INSTRUMENTS WITH THE LOW BACK PAIN MYOGENIC COMPLAINT OF THE PERCUSSION DIVISION PLAYERS OF THE MARCHING BANDS IN DENPASAR AND BADUNG." Sport and Fitness Journal 8, no. 3 (2020): 196. http://dx.doi.org/10.24843/spj.2020.v08.i03.p12.

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Background: Low back pain (LBP) is a kind of complaint which is easily found in human’s daily life. An activity of carrying something can be one of factors causing the low back pain. Many people uphold some things more than the normal limit by using a wrong way and even doing it for a long duration. A battery percussion player is required to uphold and sustain a battery percussion instrument with an upright standing position and for quite a long time. It can cause the low back pain. Purpose: to find out the correlation between the use of battery percussion instruments with the low back pain my

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7

Faith, Rhema, and Panji Suroso. "The Technique of Bebano Drums on Accompanying Jogi Dance in Wansendari Art Studio Batam City." Grenek Music Journal 10, no. 2 (2021): 17. http://dx.doi.org/10.24114/grenek.v10i2.27615.

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The purpose of this study is: To find out how the technique of playing Gendang Bebano in accompanying the jogi dance in the wansendari art studio. The approach and type of research used by the researcher is descriptive qualitative. This research was conducted at the Wansendari Art Studio, Batam City, so the population of this study were all members of the Wansendari Art Studio. While the samples of this study were members of the studio musicians, the head of the studio, the instructor of the studio as well as the head of culture in the city of Batam. The writing uses data collection techniques

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DEMERS, JOANNA. "Dancing machines: ‘Dance Dance Revolution’, cybernetic dance, and musical taste." Popular Music 25, no. 3 (2006): 401–14. http://dx.doi.org/10.1017/s0261143006001012.

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In ‘Dance Dance Revolution’ (DDR), an arcade and home video game distributed by the Japanese entertainment corporation Konami, players move their feet in specific patterns set to electronic dance music. Only by achieving a high accuracy rate can a player advance from one level to the next. DDR enjoys worldwide popularity among teenagers and young adults, partially due to the marketing of the game's ‘soundtracks’ as separate, purchasable collections of underground techno, house, and drum ‘n’ bass. This article considers the Internet communities of DDR fans and their debates concerning ‘mainstre

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9

Levy, Jacob J., Christopher M. Castille, and Justina A. Farley. "An Investigation of Musical Performance Anxiety in the Marching Arts." Medical Problems of Performing Artists 26, no. 1 (2011): 30–34. http://dx.doi.org/10.21091/mppa.2011.1004.

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The purpose of this study was to investigate the prevalence of musical performance anxiety (MPA) in marching artists. The marching arts include high school and college marching bands, drum and bugle corps, and indoor color guard and percussion ensembles. Drawing on a sample of 780 world class drum and bugle corps performers, we examined the prevalence of somatic and cognitive symptoms of MPA. We also examined differences in endorsement of symptoms by performing section (i.e., brass players, percussionists, and dancers/color guard) and gender. Results revealed a relatively low prevalence of MPA

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10

Wen, Tingran. "Analysis of Playing Skills of Piano Work Sunset Xiao Drum." Journal of Education and Culture Studies 7, no. 1 (2023): p92. http://dx.doi.org/10.22158/jecs.v7n1p92.

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Sunset Xiao Drum is a representative of China’s excellent piano works. It was originally an ancient pipa song and was adapted by the composer Mr. Li Yinghai. There are three common versions of Sunset Xiao and Drum. The version used in this paper is adapted by Mr. Li Yinghai in 1972. This paper will analyze the playing skills through the expression of mood, artistic conception and playing skills, so that the players can more accurately express the style of the work.

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11

Nager, Wido, Tilla Franke, Tobias Wagner-Altendorf, Eckart Altenmüller, and Thomas F. Münte. "Musical Experience Shapes Neural Processing." Zeitschrift für Neuropsychologie 31, no. 2 (2020): 81–86. http://dx.doi.org/10.1024/1016-264x/a000295.

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Abstract. Playing a musical instrument professionally has been shown to lead to structural and functional neural adaptations, making musicians valuable subjects for neuroplasticity research. Here, we follow the hypothesis that specific musical demands further shape neural processing. To test this assumption, we subjected groups of professional drummers, professional woodwind players, and nonmusicians to pure tone sequences and drum sequences in which infrequent anticipations of tones or drum beats had been inserted. Passively listening to these sequences elicited a mismatch negativity to the t

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12

Liao, Shujie. "A VR Music Learning Application VR-DRUM." Theoretical and Natural Science 2, no. 1 (2023): 37–43. http://dx.doi.org/10.54254/2753-8818/2/20220192.

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With the explosion of the MetaVerse concept and the burgeoning of VR (Virtual Reality) technology, VR has been applied in diverse scenariosfor examplesocial networking, games, education, online retail, house inspections, exhibition tours, training, virtual concerts and so on. Learning in the 3D environment of virtual reality can bring people an immersive interactive experience, which can improve the learners efficiency and deepen understanding. Music learning mainly includes the cultivation of rhythm (or sense of music, also including intonation), mainly relying on ears, followed by muscle mem

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13

Benadon, Fernando. "Near-unisons in Afro-Cuban Ensemble Drumming." Empirical Musicology Review 11, no. 2 (2017): 187. http://dx.doi.org/10.18061/emr.v11i2.4957.

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Working with an original corpus of Afro-Cuban drumming recordings shared by Andrew McGraw, I examine the nature and extent of non-simultaneous attacks between ensemble players. Quantitative analyses of ~30,000 drum onset times in four- and five-player performances reveal that these non-simultaneities, or near-unisons, are widespread and often sizeable. Their frequency and magnitude depend on selection style, measurement method used, location of the analysis window within the bar cycle, and instruments involved. I show that near-unisons result (in part) from the layering of 'idiosyncratically'

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14

Silva, Richard, and Wayland Dong. "Investigating the effect of drumstick diameter on drum sound level." Journal of the Acoustical Society of America 151, no. 4 (2022): A183. http://dx.doi.org/10.1121/10.0011038.

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Acoustic drum sets typically generate high sound levels when played. Over decades, players have developed numerous techniques and manufacturers have created various products to reduce sound levels. Many of these approaches and products not only lower sound levels but also alter the drum sound, which can impact sound quality for the drummer and listener. For example, multi-rods, a collection of wooden rods wrapped together, have been created as a quieter "alternative" to traditional drumsticks. Perceptively, multi-rods do not replicate the sound of a drumstick, however, creating their own uniqu

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Heazlewood-Dale, James C. "Scott Joplin in the Overworld: Super Mario's Rag-Inflected Score." Jazz and Culture 6, no. 2 (2023): 7–36. http://dx.doi.org/10.5406/25784773.6.2.02.

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Abstract A rolling banjo, walking bass, steel drum, and syncopated piano. What strange music to accompany your trials and tribulations throughout the Mushroom Kingdom. Eclecticism pervades the Mario franchise and manifests in its digital places, the ways players interact within them, and, indeed, the sounds emanating from them. Mario and his jumping adventures have long been in the hearts of players, the minds of scholars, and the ears of ludomusicologists. By engaging with Koji Kondo's scores for early Mario games, this article highlights an overlooked component in the iconic scores of early

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Nurizki, Elvin, Yudhistira Oscar Olendo, and Chiristianly Yery Silaban. "Analysis of Wave Tusing Patterns In Hadrah Art In Lubuk Dagang Village, Sambas District." International Journal of Learning and Instruction (IJLI) 6, no. 1 (2024): 40–41. https://doi.org/10.26418/ijli.v6i1.79115.

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This study discussed the arts in Sambas, West Kalimantan, namely hadrah singing poetry praising the greatness of God and the 'Wave' drum pattern and techniques for playing the "Wave" drum pattern in the Hadrah art in Lubuk Dagang Village, Sambas Regency. The problem in the research is how the 'Wave' Drum Pattern and the Technique for Playing the 'Wave' Beat Pattern in Hadrah Art in Lubuk Dagang Village, Sambas Regency. The method in this research is descriptive analysis in the form of qualitative research. The approach used in this research is musicological. The data sources in this research a

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Saprani, Saprani, and Chiristianly Yery Silaban. "ANALISIS POLA TABUHAN BERUAS PADA MUSIK IRINGAN TARI JEPIN TALI BINTANG DI DESA KALIMAS KECAMATAN SUNGAI KAKAP KABUPATEN KUBU RAYA." TACET Jurnal Pendidikan dan Kajian Seni 3, no. 2 (2024): 45–54. https://doi.org/10.26418/tacet.v3i2.86570.

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Marching Band Bahana Kirana is one of the extracurricular activities that is very popular at Darussalam Sengkubang Islamic Boarding School. In addition, the achievements that have been obtained by Bahana Kirana Darussalam Sengkubang have also reached the West Kalimantan Province level in the highest percussion category. Therefore, the purpose of this research is to find out the basic learning of snare drums in basic double strokes in the extracurricular activities of the Marching Band Bahana Kirana. The method used is qualitative research with purposive sampling model data sources on the Head

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Hanifatur Rizqi and Eko Adi Sumitro. "Pelatihan Alat Musik Drum Band Untuk Menambah Kreatifitas dan Disiplin Pada Siswa SDN Pragaan Laok I Kecamatan Pragaan Kabupaten Sumenep." ALKHIDMAH: Jurnal Pengabdian dan Kemitraan Masyarakat 2, no. 1 (2023): 69–80. http://dx.doi.org/10.59246/alkhidmah.v2i1.676.

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Marching Band or Drum Band refers to a group of people who play one or several songs using a number of combinations of musical instruments (wind, percussion, and a number of pit instruments) together. SDN Pragaan Laok I Marching Band Team was formed based on the Decree of the Principal of SDN Pragaan Laok I on July 22 2023 regarding the inauguration of extra-curricular members of the Marching Band.The partner's problem is the lack of extra-curricular deumband trainers, which makes the students (Gita Eka Praga Drumband Players) get less motivated to practice drumband musical instruments and cau

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Vendries, Christophe. "Questions d’iconographie musicale: L’apport des terres cuites à la connaissance de la musique dans l’Égypte hellénistique et romaine." Greek and Roman Musical Studies 1, no. 1 (2013): 195–227. http://dx.doi.org/10.1163/22129758-12341243.

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Abstract The Graeco-Egyptian terracottas produced during the Ptolemaic and Roman period provides good material for investigating musical life in Egypt. The majority of the Fayum terracottas have been found in tombs, or in private houses as sources of protection and good luck. Most of the motifs are original by comparison with the other terracotta work of the ancient world. Many musicians (aulos or syrinx players, harp players, women with drum or crotala) and dancers are shown among deities (mainly Harpocrates, Isis and Bès) and other cult celebrants in religious festivals. Cult practice is a c

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Stavrat, Constantin. "10. Comparative Interpretative Analysis of David Mancini’s Work Suite for Solo Drumset and Percussion Ensemble." Review of Artistic Education 19, no. 1 (2020): 81–84. http://dx.doi.org/10.2478/rae-2020-0010.

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AbstractThe endless possibilities of expression that jazz has developed over the last hundreds of years could not only influence the composers, but also the performers who dedicated themselves to the fascinating and complex field of percussion. One of the percussion players who has been influenced by this genre is David Mancini, whose conposition I chose for comparative analysis - Suite for solo drum and percussion ensemble in the interpretation of two percussion ensembles Vibraslap and Guiro, whose activity was perpetuated due to enthusiasm and the professionalism of the two mentors of the re

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Sampson, Jacob, Hanna Pavill, and Micah Shepherd. "The development of an automated striking device for repeatable percussion strikes." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A254—A255. http://dx.doi.org/10.1121/10.0027409.

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Many high-quality directivity systems involve a single microphone arc which rotates around a sound source. Since multiple data captures are necessary as the arc rotates around a sound source, the source should emit the sound in a steady and repeatable way at all arc positions. To obtain directivity measurements of a struck percussion instrument, it is crucial to be able to strike the instrument during each microphone arc position as consistently as possible. However, a human player typically cannot strike the instrument in the exact same way for many consecutive measurements. To overcome the s

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Bader, Rolf, and Patrick Kontopidis. "Sound designing classical guitars through metamaterials." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A59—A60. http://dx.doi.org/10.1121/10.0026795.

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An approach is presented to alter the sound of a classical guitar using a metamaterial structure. By adding additional masses using magnets in a row between the bridge and the soundhole, a bandgap of around 300 Hz appears. Alternation of magnet masses and placement determine the location and strength of the bandgap. A similar approach was presented with a frame drum [R. Bader, J. L. Fischer, M. Münster, and P. Kontopidis, “Metamaterials in musical acoustics: A modified frame drum,” JASA 145(5), 3086–3094 (2019)]. There, the lower and upper limits of the bandgap are caused by the relations betw

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Mu’aliman, Syahida, Ulfah Mediaty Arief, and Eko Supraptono. "Penggunaan Sensor Piezoelektrik sebagai Pad Trigger Rebana Untuk Menunjang Dinamika Ketukan." Emitor: Jurnal Teknik Elektro 22, no. 2 (2023): 152–57. http://dx.doi.org/10.23917/emitor.v22i2.22772.

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Rebana is valuable cultural heritage and contain religious values. Along with the development of technology, a new innovation emerged in rebana, namely playing tambourines using drum pad triggers. The use of drum Pad Trigger in tambourine games makes it easier for tambourine players. This study aims to (1) design and make a trigger pad, (2) produce a tambourine Pad Trigger using a Piezoelectric sensor so as to produce tambourine beat dynamics, and (3) find out the test results of the Piezoelectric sensor to reduce noise. Method: The research method used is a research and development model. The

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Juni Sahfitri, Firmansyah, and Dwi Novita Sari. "Exploration Ethnomatematics in Musical Instruments Gordang Nine with Theory Geometry Two Dimensions and Three Dimensions." International Journal of Educational Research Excellence (IJERE) 1, no. 2 (2022): 187–92. http://dx.doi.org/10.55299/ijere.v1i2.214.

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Draft mathematics used for explore existence mathematics in culture especially in art, one of which is in tools music gondang part time. one culture mandailing is Gordang Part time that is tool music traditionally composed from nine drums with different heights and diameters so that produce different tones and played by 5-6 players. Research this aim for knowing how history and concept mathematics contained in the musical instrument Gordang While. Obtained data form data qualitative whereas data source obtained from observation, documentation and related interview with godang musical instrumen

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Kepekçi, Yalçın, Can Boğa, Zühey Günal, Hamza Çivi, and Emine Özmen. "MYOGLOBINURIA, HEMOGLOBINURIA AND BLOOD PRESSURE CHANGES iN TURKISH FOLK DANCERS." European Journal of Therapeutics 2, no. 1 (1991): 42–48. http://dx.doi.org/10.58600/eurjther.19910102-501.

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Turkish folk dancers hava won many international competitions i.e. first place in 1986 at Dijon, France; gold hatched in 1986 at Zakupane Poland. Turkish folk danca has almost the sama characteristics as other sports. Soma of the figures in the dances is characteristics as other sports. Soma of the figures in the dances is characterised by sudden movements of the feet to the ground. Rhabdomyolysis has been defined in skiers, football players, and in clay drum players according to previous reports. During the 1991 Turkish folk dance competition, the effects of physical activity and extremity co

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Putra, Gea Lesmana, Yurnalis Yurnalis, and Syafniati Syafniati. "Fungsi Talempong Pacik Dalam Upacara Perkawinan Dan Batagak." Jurnal Musik Etnik Nusantara 3, no. 2 (2023): 165. http://dx.doi.org/10.26887/jmen.v3i2.4066.

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Talempong pacik is a type of percussion music that is classified as a percussion instrument (idiophone). which is made from a mixture of metal and copper or brass which is played by four or five players consisting of five or six talempongs and one gandang instrument. This talempong art is played in processions during wedding ceremonies and Batagak Pangulu ceremonies. The aim of this research is to describe the form of presentation of talempong and its function in wedding ceremonies and batagak pangulu in the lives of the people of Jorong Subarang Nagari Paninggahan, Solok Regency. This researc

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Young, Harvey. "An Interview with David Henry Hwang." Theatre Survey 57, no. 2 (2016): 232–37. http://dx.doi.org/10.1017/s0040557416000077.

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Since winning wide acclaim and a Tony Award for his play M. Butterfly in 1988, David Henry Hwang (Fig. 1) has remained one of the brightest luminaries in American theatre. A playwright, screenwriter, and librettist, he regularly tells stories that center on complex characters and reveal their experiences with Western imperialism, American racism, and cross-generational family differences. His works include the plays FOB, Golden Child, Yellow Face, Chinglish, and Kung Fu; the revised book for the 2002 Broadway revival of the Rodgers and Hammerstein's musical Flower Drum Song; and, most recently

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Franchin, Sara Maria, Federico Giordani, Michele Tonellato, et al. "Kinematic bidimensional analysis of the propulsion technique in wheelchair rugby athletes." European Journal of Translational Myology 30, no. 1 (2020): 129–33. http://dx.doi.org/10.4081/ejtm.2019.8902.

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Wheelchair rugby is a sport ideated for individuals with cervical spinal cord injury (CSCI) which is extremely important for maintaining their neuromuscular abilities and improving their social and psychological wellbeing. However, due to the frequent changes in direction and speed it considerably stresses the players’ upper limbs. 13 athletes have undergone two sports-related tests on an inertial drum bench and several kinematic parameters have been registered. Most athletes use a semi-circular pattern which is considered protective for the upper limb. With increasing speed, range of motion (

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Sarbadhikary, Sukanya. "Religious Belief through Drum-Sound Experience: Bengal’s Devotional Dialectic of the Classical Goddess and Indigenous God." Religions 13, no. 8 (2022): 707. http://dx.doi.org/10.3390/rel13080707.

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The epistemic question about what constitutes religious belief in non-Western contexts is addressed here through the ontology of sonic experience. I demonstrate that religious beliefs are habitually ingrained as long-sustaining visceral memories, when afforded by sensory—for instance, aural—affects. Bengal’s peculiar devotional milieu constructs a prototype of oppositions. On one end is the urban, classical, martial goddess, Durga, with elite histories of acquiring a high Brahmanical form, and whose autumnal rituals are based on scriptural rules, caste hierarchies, and distance among the devot

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Michalakos, Christos. "Designing Musical Games for Electroacoustic Improvisation." Organised Sound 26, no. 1 (2021): 78–88. http://dx.doi.org/10.1017/s1355771821000078.

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This paper describes the background and motivations behind the author’s electroacoustic game-pieces Pathfinder (2016) and ICARUS (2019), designed specifically for his performance practice with an augmented drum kit. The use of game structures in music is outlined, while musical expression in the context of commercial musical games using conventional game controllers is discussed. Notions such as agility, agency and authorship in music composition and improvisation are in parallel with game design and play, where players are asked to develop skills through affordances within a digital game-spac

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McDermott, Kate H., Anna J. Matheson, Nikoli Titov, Cynthia L. Darlington, and Paul F. Smith. "Does habitual, vigorous optokinetic stimulation alter optokinetic nystagmus and sensitivity to circularvection?" Journal of Vestibular Research 9, no. 1 (1999): 59–61. http://dx.doi.org/10.3233/ves-1999-9107.

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Previous studies have shown that experience with optokinetic stimulation can alter a subject's sensitivity to illusions such as circularvection (CV). The aim of the present experiment was to compare optokinetic nystagmus (OKN), optokinetic afternystagmus (OKAN), and sensitivity to CV between 2 groups of sportspeople: 1) squash players (n=16), who regularly experience vigorous optokinetic stimulation while engaging in their sporting activity, and 2) weightlifters (n=16), whose sport does not involve the same degree of optokinetic stimulation as squash, but who nevertheless have to achieve a hig

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Jacoby, Nori, Rainer Polak, and Justin London. "Extreme precision in rhythmic interaction is enabled by role-optimized sensorimotor coupling: analysis and modelling of West African drum ensemble music." Philosophical Transactions of the Royal Society B: Biological Sciences 376, no. 1835 (2021): 20200331. http://dx.doi.org/10.1098/rstb.2020.0331.

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Human social interactions often involve carefully synchronized behaviours. Musical performance in particular features precise timing and depends on the differentiation and coordination of musical/social roles. Here, we study the influence of musical/social roles, individual musicians and different ensembles on rhythmic synchronization in Malian drum ensemble music, which features synchronization accuracy near the limits of human performance. We analysed 72 recordings of the same piece performed by four trios, in which two drummers in each trio systematically switched roles (lead versus accompa

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Andiana, Dinda, and Melsya Firtikasari. "THE FUNCTION OF REAK ARTS FOR CHILDREN TODAY IN CIBOLERANG VILLAGE, CINUNUK VILLAGE, CILEUNYI, BANDUNG DISTRICT." Cinematology: Journal Anthology of Film and Television Studies 3, no. 3 (2023): 124–31. https://doi.org/10.17509/ftv-upi.v3i1.55788.

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West Java has folk art that has various functions and forms, such as Reak art in Ciborelang Village, Cinunuk Village, Cileunyi District, Bandung Regency. The Reak art has changed its function from ritual, entertainment, to games. Children and adult men in Ciborelang Village, Cinunuk Village, play Reak at certain events, especially for children, Reak art is used as a game. The problem of this research is: What is the function of Reak art being played by children today? This study uses a qualitative approach with descriptive analysis method. Data collection was carried out by means of observatio

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Wise, Patrick M., Anna M. Ptasinski, and Robert A. Gallo. "Pectoralis Major Ruptures in the National Football League: Incidence, RTP, and Performance Analysis." Orthopaedic Journal of Sports Medicine 9, no. 6 (2021): 232596712110187. http://dx.doi.org/10.1177/23259671211018707.

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Background: While pectoralis major (PM) tears are rare injuries in National Football League (NFL) athletes (previous study reported only 10 PM ruptures between 2000 and 2010), the incidence of these injuries has increased over the past decade. The impact these injuries have on a player’s performance after return has not been measured. Purpose/Hypothesis: To identify player characteristics that may predispose to PM tears and to determine the impact of this injury on return to play and performance. We hypothesized that there would be no difference in performance between the year before and after

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Sinin, Aaliyawani E., Sinin Hamdan, Khairul A. Mohamad Said, Marini Sawawi, Gladys Tan Jia Jia, and Mohammad Jasni Hipni. "The Sarawak ‘Tar’ for Hadrah performance." BioResources 19, no. 3 (2024): 5288–99. http://dx.doi.org/10.15376/biores.19.3.5288-5299.

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This work was conducted using the PicoScope signal extraction procedure, which revealed remarkable insights regarding the belian wood and its application in Sarawak traditional ‘tar’ instrument. The ‘tar’ is a small drum made of wood and attached with goat skin. A hadrah performance is done with the sound of the blow of the ‘tar’ and reciting poems praising Allah and the Prophet Muhammad by a group of players called the hadrah group. The ‘tar’ from belian wood had the highest pitch at 180 Hz i.e., F3# compared with the ‘tar’ from menggeris wood, which had the pitch D3# and A2 that also highlig

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Yasuda, Nobuo, and Shuto Ito. "Effects of Playing Position on Hydration Status in Collegiate Marching Band Musicians." Medical Problems of Performing Artists 33, no. 3 (2018): 175–82. http://dx.doi.org/10.21091/mppa.2018.3024.

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OBJECTIVE: Marching band musicians often endure prolonged daily practices in warm-hot outdoor environments. Evaluation of hydration status by instrument position can shed light on health-related issues for these performers. The objective of this study was: a) to determine the effects of playing position on hydration status based on urinary biomarkers (urinary specific gravity and urinary osmolality) before and after marching band practice, and b) to evaluate the relation of hydration status with body mass change and fluid consumption for all playing positions. METHODS: Fifty-eight collegiate m

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Oester, Chelsea, Alexis Weber, and Martin Vaso. "Retrospective study of the use of medication and supplements during the 2018 FIFA World Cup Russia." BMJ Open Sport & Exercise Medicine 5, no. 1 (2019): e000609. http://dx.doi.org/10.1136/bmjsem-2019-000609.

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ObjectiveExamine the intake of medication and supplements used by top-level players during the 2018 FIFA World Cup Russia.Participants736 top-level playersSettingThe team doctors uploaded a list of the medications used by each player to the online reporting tool within 72 hours of each match of the 2018 FIFA World Cup Russia.Outcome measuresAverage number of medications used per player per match and during the tournament; average number and percentage of players using at least one medication per match and during the tournament.Results54% of the players took at least one medication during the t

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Hansen, Uwe J., Thomas D. Rossing, Ellie Mannette, and Kaethe George. "The Caribbean Steel Pan: Tuning and Mode Studies." MRS Bulletin 20, no. 3 (1995): 44–46. http://dx.doi.org/10.1557/s0883769400044419.

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The evolution of the steel pan during the last half century represents the emergence of a truly new musical instrument. Originating in the folk culture of the Caribbean, it has become popular throughout North and South America, as well as in Europe. The haunting sounds of steel drums, generally called “steel pans” by players and tuners, are now enjoyed worldwide. Pans are usually crafted from commercial 55-gallon steel oil drums. The top with its various openings is discarded, and only the bottom, along with the side, is used for the pan. The length of the side skirt varies depending on the pi

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Emran, Md Ali, Sheikh Shahinur Hossain, AKM Salek, et al. "Drug abuse in sports and doping." Bangladesh Medical Journal 43, no. 1 (2014): 46–50. http://dx.doi.org/10.3329/bmj.v43i1.21379.

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Drug is defined as a substance that alters the physiological processes of the body which is used for the diagnosis, prevention and treatment of disease. Abuse denotes injudicious or irrational application. The use of performance-enhancing drugs is probably the major problem facing sport today. Despite intense efforts by sporting bodies and the medical professionals to eliminate the problem, drug taking to enhance sport performance remains widespread. No player should gain an unfair advantage over other players by using an unethical substance or method. The use of drugs may also be extremely da

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Gunn, Milly. "The Soundscape of Alola." Journal of Sound and Music in Games 3, no. 2-3 (2022): 59–76. http://dx.doi.org/10.1525/jsmg.2022.3.2-3.59.

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This article explores how Pokémon Sun and Pokémon Moon use Hawaiian musical tropes and nondiegetic signifiers throughout the games, helping to “situate the player in the game.” This identification relies on a combination of player cultural literacy and game musical literacy to contextualize the Pokémon region of Alola. The soundscape of the game is made up of the underscore, incorporating traditional instruments from the steel guitar to Ka'eke'eke drums, alongside diegetic sounds to evoke and situate gameplay in a culture and geography most likely foreign to the player. The player’s ability to

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Popkin, Charles A., Cole R. Morrissette, Thomas A. Fortney, Kyle L. McCormick, Prakash Gorroochurn, and Michael J. Stuart. "Fighting and Penalty Minutes Associated With Long-term Mortality Among National Hockey League Players, 1967 to 2022." JAMA Network Open 6, no. 5 (2023): e2311308. http://dx.doi.org/10.1001/jamanetworkopen.2023.11308.

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ImportanceNational Hockey League (NHL) players are exposed to frequent head trauma. The long-term consequences of repetitive brain injury, especially for players who frequently engage in fighting, remains unknown.ObjectiveTo investigate the mortality rates and causes of death among NHL enforcers with more career fights and penalty minutes as compared with matched controls.Design, Setting, and ParticipantsThis matched cohort study examined 6039 NHL players who participated in at least 1 game in the seasons between October 11, 1967, and April 29, 2022, using official NHL data. Cohorts designated

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Pinatih, Ketut Tadeus Max Nurcahya, and I. Made Wiranadha. "CHARACTERISTICS OF HEARING THINGS ON MUSIC PLAYERS AT GPT BAITHANI DENPASAR." E-Jurnal Medika Udayana 11, no. 9 (2022): 25. http://dx.doi.org/10.24843/mu.2022.v11.i9.p05.

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Background: Noise Induced Hearing Loss (NIHL) is hearing loss due to exposure to loud enough noise for a long period of time. The deafness characteristic of noise-induced hearing loss is that cochlear sensorineural deafness that cannot be treated. Playing music is one of the important risk factors that can lead to noise-induced hearing loss among musicians. Musicians in the church regularly play music for every worship event at the church. Therefore, researchers want to know the threshold of hearing among musicians at GPT Baithani Denpasar. Methods: This study is a descriptive study usin

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Russell, Zoe, Samantha Punch, and Ian McIntosh. "Blurring the Boundaries between Leisure and Work: Professionals as Devotees in the Mind-Sport Bridge." International Journal of the Sociology of Leisure 5, no. 1 (2021): 13–32. http://dx.doi.org/10.1007/s41978-021-00099-y.

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AbstractBridge is a partnership card game that has increasingly professionalized in recent years, particularly at ‘elite’ level. ‘Elite’ bridge players participate in a unique leisure world which hitherto has been understood as a form of serious leisure. However, due to professionalization there is the possibility to work as a professional bridge player thus blurring the boundaries between leisure and work. The paper is based on the lived experiences of professional bridge players and how they understand the, often ongoing, transition from playing bridge as a hobby to playing bridge for a job.

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Rofiq, Ahmad Choirul, and Erwin Yudi Prahara. "DIALEKTIKA KESENIAN JARANAN THEK DI PONOROGO DENGAN AGAMA ISLAM." Kodifikasia 14, no. 2 (2020): 339–58. http://dx.doi.org/10.21154/kodifikasia.v14i2.2192.

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Agama Islam senantiasa berinteraksi dengan kebudayaan lokal. Di antara kesenian yang berinteraksi dan berdialektika dengan ajaran agama Islam adalah kesenian Jaranan Thek di Ponorogo. Keunikan dari kesenian Jaranan Thek ini adalah para pemain dan pawang yang memainkan Jaranan Thek menggunakan unsur magis dan kadang tidak sadar (trance), padahal mereka secara formal menganut agama Islam. Oleh karena itu, penelitian ini sangat penting dalam mengkaji fenomena Jaranan Thek yang hingga kini tetap eksis dan bagaimana para pelaku kesenian ini mendealektikakannya dengan ajaran agama Islam. Penelitian

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Aharon Tadke, Pratiksha, and Dr Deepshikha Trivedi. "Prevalence of Forward Head Posture in Professional Indian Tabla Player." International Journal of Pharmaceutical Research and Applications 09, no. 05 (2024): 1159–61. https://doi.org/10.35629/4494-090511591161.

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Background:The Tabla is a percussion instrument with a membranophone that originated in the Indian subcontinent.It consists of two single-headed, small drums with barrel shapes that are somewhat varied in size and shape; daya, also known as dahina, denotes the right and baya, also known as bahina, denotes the left. The tabla player sits with knees folded and back unsupported with the neck slightly bent, shoulders flexed, elbow extended with repetitive wrist and finger movement. Repeated hand movements like wrist flexion- extension, ulnar and radial deviation, striking. Beginner table players w

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Kawakami, Hiroshi, Yuki Mito, Reiji Watanuma, and Mieko Marumo. "Analysis of drum player's motion." Journal of the Acoustical Society of America 123, no. 5 (2008): 3799. http://dx.doi.org/10.1121/1.2935483.

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Cisyk, Jeffrey. "Impacts of Performance-Enhancing Drug Suspensions on the Demand for Major League Baseball." Journal of Sports Economics 21, no. 4 (2020): 391–419. http://dx.doi.org/10.1177/1527002520906529.

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In 2005, Major League Baseball (MLB) introduced a new policy regarding the use of performance-enhancing drugs (PEDs) wherein the league would not only suspend but also publicly name any player who tested positive for banned PEDs. Using the estimated television audience size of MLB games from 2006 to 2012, these PED suspension announcements provide a unique natural experiment to test how consumers react to news of PED use. This study finds that PED announcements have two major impacts on the demand for baseball. First, there is on average an immediate 9.3% reduction in the television audience o

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HUSEYNOVA, Zulfiyye. "AZERBAYCAN AŞIK SANATINDA ŞİRVAN AŞIK ORTAMININ ROLÜ THE ROLE OF THE SHIRVAN ASHİK ART IN AZERBAIJAN ASHİK ART." IEDSR Association 6, no. 16 (2021): 104–12. http://dx.doi.org/10.46872/pj.408.

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The art of minstrel, whose etymological meaning is "ash", "light", "love", is common in all Turkic peoples, including Azerbaijan, Göyçe, Borchali, Nakhchivan, Yerevan, Ağbaba, Çıldır, Derbent, Karabakh, Ganja, Tovuz, Gazakh, Shamkir, Shamahhi, It was developed in Ismayilli, Agsu, Goychay, Khizi, Guba, Tabriz, Urmia, Khorasan regions. Although the Shirvan minstrel environment has been included in the research of philologists, it has been little studied in musicology. From this point of view, the works of K. Akhundova (Dadaşzade), Ahliman Rahimov, Aliyeva Hanim devoted to examining the Shirvan a

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Antler, Yair, Daniel Bird, and Santiago Oliveros. "Sequential Learning." American Economic Journal: Microeconomics 15, no. 1 (2023): 399–433. http://dx.doi.org/10.1257/mic.20200352.

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We develop a model in which two players sequentially and publicly examine a project. In our model the player who moves first can fabricate evidence to influence the second mover, which creates a moral hazard problem. We find that early strategic uncertainty can mitigate this problem. In particular, for intermediate prior beliefs about the project’s quality, the Pareto-dominant equilibrium is in mixed strategies and consists of an early stage in which evidence may be fabricated and a later stage in which evidence is always authentic. Our findings shed light on the dynamics of R&D, quality a

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Lott, Rob. "New Players Join The Drug Development Game." Health Affairs 33, no. 10 (2014): 1711–13. http://dx.doi.org/10.1377/hlthaff.2014.0990.

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