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Rozprawy doktorskie na temat „Ecology in art”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 29 lipca 2024

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1

Trainer, Janette. "Art and ecology : a visual exploration." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/852.

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Within the broad theme of art and ecology, local ecological issues were explored through studio practice involving digital imagery, print making, and mixed media. The frame of reference for the creative project included a discussion of the representations of natural, social and cultural environments' by visual artists. As an art educator interested in developing "best practice" including interdisciplinary approaches across the curriculum with an emphasis on visual arts education, the researcher explored the connections between art and ecological concerns. The Curriculum Framework for Kindergar

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Gilmurray, Jonathan. "Ecology and environmentalism in contemporary sound art." Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13705/.

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In recent years, ecological issues have grown to become some of the most significant sociopolitical concerns of our time - something which has been reflected by an explosion in engagement with such issues across every area of arts and culture. Across most major art forms, this trend has been identified, analysed and promoted both by critical studies in the growing field of ecocriticism, and by the curatorial recognition of new 'ecological' genres; however, to date there has been no equivalent ecologically-focused engagement within sound art. This can be recognised as the product of two signifi

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Ratanavanich, Heidi. "Queer ecology." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3516.

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Vesala, Essi. "Practicing Coexistence: Entanglements Between Ecology and Curating Art." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-170794.

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This thesis formulates ecological thinking in curatorial practices, as a way to act against neoliberal values, far-right politics and find ways to work in a sensitive way in a time of accelerating ecological crisis. The current socio-political landscape, and its oppressive forces, influence profoundly the art world and whole societies at large. This thesis starts by looking how those forces affect artistic and curatorial practices, and suggests, that a counter-action for these threats could be a practice, that is informed by ecological thinking. Different, ecologically motivated curatorial pra

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5

Hayley, David H. "Steps to an art of ecology : an emergent practice." Thesis, Manchester Metropolitan University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530760.

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Clarke, Jennifer. "Working between art and forestry : towards an ecology of practices." Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=229382.

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This thesis is an anthropological inquiry into how art comes to be made in and about forests, and how forestry, art practice and anthropology could be mutually enriched. Drawing primarily on more than two years of fieldwork (2009 - 2012) it examines some of the overlapping interrelationships that emerge through working in the interstices between art and forestry in Scotland, by paying attention to the grounds of artists' and foresters' interests and practices as they operate in specific instances. This thesis also investigates pertinent aspects of forestry management such as forest design and

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Fowkes, M. "Central European neo-avant-garde art and ecology under socialism." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1380708/.

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This thesis addresses the question of how the natural environment figured in the neo‐avant‐garde practices of the generation of artists who around 1970 started to engage with the subject across the socialist states of Central Europe, where various degrees of communist control over society influenced not only artistic production, but also limited access to information about the state of the environment and ecological discourse. The study examines a historical period influenced by the aftermath of the social and political upheavals of 1968, one where art entered the natural environment and engag

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Salton, Bronwen Lauren. "53 stitches : sustainability, ecology and social engagement in contemporary art." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001580.

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Through an exploration of both the sculptural and socially-engaged art practices undertaken in creating my Master of Fine Art exhibition, 53 Stitches, I unpack some of the possibilities pertaining to the practice of sustainability, ecology and social engagement in contemporary art. This thesis explores the history and concepts of sustainable development and what the implications are of the far-reaching global consideration of sustainability for contemporary art production. Looking at the writings of Felix Guattari’s (2000 [1989]) and Suzi Gablik’s (1992) on the effects of the economic model of

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pettersson, pontus. "an ecology of things/thinking." Thesis, Konstfack, Institutionen för Konst (K), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6254.

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An ecology of things/thinking is a textual work, a document of my thinking and the things Ihave created during my master studies in fine arts at Konstfack. As the title and word suggests‘ecology’, it is a material practice. I have called it a choreographic step entering thiseducation. With several motives and desires and with a ten-year background in dance andchoreography, the main thread has been to look into the object and installation work I havebeen doing. in which objects, clothes and larger sculptures have been ways for me tounderstand choreography not only entangled in dance but in ever

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10

Scheuer, Benedict Leo. "A Spiritual Ecology of the Line." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587552184531075.

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Heineman, Anna Marie. "Nurturing neighborhoods: Buster Simpson's eco-art." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/513.

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Buster Simpson is a Seattle-based artist who creates work that revolves around environmental issues in public settings. His ecological messages reach local communities through works that are often funded by percent-for-art programs, non-profit organizations such as schools and museums, and other public institutions. By using recycled materials or by purifying water, Simpson's public art draws attention to the local environment, and his works provide examples of ways that people can care for their local surroundings. My thesis sheds light on Simpson's public and environmental work, detailing th

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Marner, Anders. "Digital media embedded in Swedish art education : a case study." Umeå universitet, Institutionen för estetiska ämnen i lärarutbildningen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-71559.

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In this case study a secondary school and its art education is studied. Pupils and the art teacher are interviewed and observations are made in school and out of school. The study is based on socio-cultural theory, media ecology and semiotics. In this school manual and digital media each share about 50 percent of the time available for art. It is shown that it is the teaching method – the change from a dialogic to a multivoiced method – that enables the embedded use of digital media. Arguments for digital media in art are that they are time-saving, promote aesthetic aspects and will put an end

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13

Donelson, Sarah L. "Cries of agony : a work in photographic montage." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864904.

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The statement of the problem for this creative thesis project was: How to construct photomontages that expressed the photographer's personal concerns regarding the human condition and the environmental status of the earth. Secondary components of this problem were the use of color within the work and how to reproduce this color. The goal of this project was: To stimulate individual awareness resulting in a reevaluation of one's own position and responsibilities towards humanity and the environmental status of the earth.A description of the significance of this problem is given along with suppo

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Collins, Timothy Martin. "Art ecology and planning : strategic concepts and creativity within the post industrial public realm." Thesis, University of Plymouth, 2007. http://hdl.handle.net/10026.1/2789.

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The intent of this thesis and its attendant body of practical work was to examine and test ideas and practices that can inform and expand the artists' role in the post-industrial public realm and its environmental context. The general focus was on transformative approaches to contemporary public art. The specific interest (and area of practice) is defined by artwork that takes an interdisciplinary approach to new forms of social creativity in the context of post-industrial environmental change. This dissertation begins with a broad literature review to understand public art and its relationshi

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Hindman, Julie Lynn. "Shadow of a Memory." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1317.

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I have gained control over a whole space through the use of video projections, soundscaping and various other materials including some interactive media, enabling me to give the audience a fuller sensual experience. Multiâ€media has made it possible for artists such as myself to create artworks that require more than a visual conversation with the viewer. The manipulation of memory by time became a physical manifestation in the environments that I create with the use of multiâ€media installations.

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Galbicka, Evan. "Path." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5476.

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Path is a collaborative system that developed over the course of five months of studio activity and continued through the duration of the exhibition. The system’s main collaborators were a land snail native to eastern North America (Neohelix albolabris), myself, and a digital cellular automaton. These prime agents interwove processes and exchanges between one another into a complex network of folded fractal feedback loops. Cyclic processes produced artifacts and infrastructures to support communication between the components and agents of Path. As a whole, Path spoke to the possibilities for i

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17

Curran, Fiona G. "Towards a fractured topography of the present : art, ecology and the political economy of speed." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1534571/.

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This research examines landscape, explored within my own practice and within visual art practices since the 1960s, as sight (representation/mediation) and site (material). The aim of the research is to contribute to enriched ecological ontologies that further the development of a spatialised ecological politics. Two interlinked questions guide the research: 1) How can a situated art practice contribute an alternative aesthetic and material approach to contemporary debates on the environmental impact of new technologies? 2) Can landscape, as representation and material within art, offer critica

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Baylor, Brendan Neil. "Contested futures." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4573.

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Emory, Jorie Lynne. "Exploring the Role of Artist Residencies on Local Land Stewardship: A Case Study of the Sitka Center for Art and Ecology." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248715949.

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Arp, Mary. "Global housekeepers /." Online version of thesis, 1993. http://hdl.handle.net/1850/12154.

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Manser, Sara Jane. "Tracing the Subnatural: Understanding the Aesthetic of Urban Nature." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/365826.

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This studio-based research focuses on my visual exploration of ideas about nature, specifically, urban nature. Through my practice of mark making I investigate and find inspiration in the many non-human forms of nature, seen and unseen, on the surfaces and in the margins of cities. Urban ecological thinking has enabled me to argue that cities are natural, and that ideas we continue to hold onto, of a pristine wilderness, do not necessarily help advance our appreciation of, and value for, the nature where we live. This exegesis also discusses a shift in the anti-aesthetic and aesthetic aspects

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Contente, Ana Rita Marçal dos Santos. "Objectos comestíveis: uma reflexão sobre a sustentabilidade no contexto artístico e sociocultural." Master's thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/21131.

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Objectos comestíveis – Uma reflexão sobre a sustentabilidade no contexto artístico e sociocultural é uma dissertação de caráter teórico-prático, realizada no contexto do Mestrado em Artes Visuais Intermédia do Departamento de Artes Visuais e Design da Universidade de Évora, variante tridimensional. Consiste na investigação e realização de uma obra de arte efémera sobre o ciclo de produção, utilização e eliminação dos objetos do quotidiano, assim como sobre as implicações ambientais, sociais e individuais da cadeia consumista nas sociedades contemporâneas. Partindo do reconhecimento de que o at

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23

Daly, Jennifer Linnea. "The temporal nature of things." [Chico, Calif. : California State University, Chico], 2009. http://hdl.handle.net/10211.4/80.

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Birchler, Susan. "Ecological Art: Ruth Wallen and Cultural Activism." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001969.

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Bergère, Raphaël. "Ecopoïèses : enjeux écologiques de la création artistique à l'ère des nouveaux médias." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20076.

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Les rapports que l’homme entretient avec son environnement semblent évoluer au fil des nombreuses découvertes scientifiques et technologiques. En effet, ces dernières engendrent de nouvelles manières d’intervenir sur le monde qui nous entoure. À l’ère des biotechnologies, des nanotechnologies, du numérique, des réseaux et des nouveaux systèmes audiovisuels, nos possibilités d’interactions avec le monde sont en mutation. Il semblerait bien qu’en explorant ces nouveaux médias pour réaliser des œuvres, de nombreux artistes interrogent la complexité des systèmes écologiques et technologiques qui n

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Wertz, Gail Williams. "Dwelling "Where The Waters Rise And Fall:" The Historical Ecology Of Archaic Period Settlement In The Rappahannock River Valley." W&M ScholarWorks, 2020. https://scholarworks.wm.edu/etd/1616444442.

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This study examines long-term change in Indigenous settlement in Virginia's Rappahannock River Valley and its underlying causes during the Archaic Period (10,000-3000 BP). Previously-unstudied archaeological collections from two sites along the Rappahannock River provided evidence of demographic changes from the Middle Archaic to the Late Archaic period, and offered evidence of shifting settlement patterns. To evaluate why different locations were selected for Middle Archaic settlement versus Late Archaic settlement, the overall topography, hydrology and environmental settings of the two sites

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Alexandra, Carla. "Reimagining the city through art : Tactics, opportunities and limitations from Experiment Stockholm." Thesis, Stockholms universitet, Kulturgeografiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-132078.

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The transformation of cities is a challenge of global significance that will depend on the capacity to re-imagine the potential of cities, and thus needs more than standard technocratic urban planning approaches. Deep engagement with the arts provides one avenue for recasting the future of cities. This thesis explores the question of how ‘critical urban art interventions’ develop alternative ways of knowing urban nature, and the opportunities and limitations of using art to reimagine the future of cities. By drawing on urban political ecology and cultural geography, the thesis documents and ex

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Gaučienė, Sigita. ""Skrybėlės kitaip"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2013~D_20131122_113233-43061.

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Visuomet ieškojau būdų kaip saugoti gamtą ir buvo įdomu, kaip ir kiek vartojame, kokią žalą patiria aplinka ir tuo pačiu mes patys. Pradėjusi magistro studijas supratau, jog tokius ekologiškus sprendimus, kaip antrinis stiklo panaudojimas, galiu pritaikyti ir kūryboje. Technika – “fusing” ( sukepinimas), pate de verre.<br>Studying Master‘s degree studies i understood that creating artistic glass object can be applied ecological aspects and recycling ideas. Creating in fusing and pate de verre technologies.

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Teed, Corinne Ryan. "Queering the species divide." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1773.

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Potential alliances between queers and animals populate queer scholarship, while dominant culture has relegated both groups to similar sites of subjugation and abjection. My work presents utopic visions crafted from these shared sites of marginalization and asks how they can enable new biopolitical communities. I ask: can we co-habitate, with non-human animals, these particular sites of marginalization in a manner that enables cross-species, affective solidarity? And can this co-habitation also encourage ruptures within heteronormative and human-centric paradigms? Rescuing the subjectivity and

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Lombardo, Lisa. ""The Flukishness of Being Related": Biosemiotics, Naturecultures, and Irony in the Art of Nina Katchadourian." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18388.

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This thesis contends that Nina Katchadourian's oeuvre can be read as subtly breaking down problematic assumptions about nature in Western thought. The second chapter draws on biosemiotics, which redefines life as semiosis, and trans-corporeality, which reconceptualizes the human body as inseparable from the environment, to show how Katchadourian's art routinely calls attention to non-human animal and material agencies. The third chapter demonstrates how Katchadourian's work implicitly reinforces Donna Haraway's idea of naturecultures, which contends that nature and culture are mutually implic

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Stahl, Nicole. "Prevail: In the moment." CSUSB ScholarWorks, 2017. https://scholarworks.lib.csusb.edu/etd/562.

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This body of work is composed of sculptural mixed media objects and scenes that heavily utilize cast glass. These pieces are physical representations of my quest to seek mental balance by focusing on what brings me happiness and comfort while still honoring mortality. Moldmaking and repetition of process innate within casting and other aspects of this work makes me focus and revisit an idea, repetitively, like a meditation or a prayer. The intense focus required helps combat my anxiety and translates anxious energy into more positive, productive, balanced way of living. Part of this balance re

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Sgaramella, Chiara. "Hacia un enfoque ecosocial. Prácticas colaborativas, ecología y compromiso político en el arte actual (1995-2020)." Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/163790.

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[ES] La presente tesis doctoral sondea las intersecciones entre prácticas de creación colaborativa y arte relacionado con la ecología en los últimos veinticinco años. La investigación se desarrolla en el contexto de la actual situación de crisis ecológica y social y explora el papel de las prácticas artísticas estudiadas en la reconsideración del paradigma civilizatorio neoliberal, así como de los conceptos modernos de autonomía del arte y autoría. A partir de una metodología interdisciplinar, se propone una tentativa de acotación para definir un enfoque ecosocial en la producción artística co

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Mckee, Cameron. "Cultivating Visible Order : representations of Race and Ecology in the French Atlantic World." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0131.

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Cultiver l'ordre visible est structuré en un ensemble de trois études de cas qui retracent la tension entre la représentation de la Caraïbe francophone et les processus préjudiciables de la domination raciale et environnementale du colonialisme. Chaque chapitre met l’emphase sur une phase spécifique de la politique impériale au moyen de la peinture, révélant ces aspects conflictuels du paysage caribéen, où l'oppression raciale a paradoxalement fourni les moyens de cultiver l’existence Noire. Ma thèse débute dans la seconde moitié du XVIIIe siècle. Je propose qu'un petit corpus de peintures de

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Mazrimienė, Silvija. "Tapybos paveikslų ciklas „Sąvartynas“." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120211_145807-41417.

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Norai nuolat didėja. Žmonija juda į priekį. Kuo aukštesnis visuomenėspragyvenimo lygis, tuo daugiau buitinių atliekų. Jas tenka pašalinti drauge su milijonais tonų kitų susikaupusių, perdirbimui neparuoštų šiukšlių. Taip sąvartynai ir pilnėja. Drobėse vaizduojamos atliekos, prieš užverčiat jas žemėmis. Tai yra šių dienų aktuali problema. Masinis žmonių vartojimas po savęs palieka neišnaudotas galimybes. Kūriniai orientuoti į ateitį, išsiskiria drąsiais sprendimais, yra originalūs, todėl skatina naujas ir aktualias mintis. Ekologai ir žalieji jau senokai gąsdina žmoniją, kad Žemė vieną kartą “a

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Viewegh, James. "Life! land, air, and sea : a series of mixed media drawings on plexiglass." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864920.

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The creative project was a series of three, mixed media drawings created on multiple layers of transparent plexiglass. The artist designed a frame in which three sheets of plexiglass were contained. This unit portrayed a three-dimensional drawing. The artist then experimented with a variety of mediums to determine which material was best suited for successful rendering on plexiglass. The artist then did a number of sketches to determine what images would best convey the idea of humankind's close connection to the land, air, and sea.The primary accomplishments achieved in this project were the

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Lancaster, Linus. "Soils and interventions." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/4761.

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The problem that I have identified during my research for this dissertation is the quantifiable depletion and exhaustion of large percentages of the world's soils through human activity in agriculture and other industrial practices. In the course of researching this problem I have looked closely at some of the primary causes, and a range of proposed and applied solutions in the field of ecology. The primary focus of the research has been in looking at how artists have responded to ecological issues and have engaged in environmental activism in their practices. Integral to the research has been

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Stuerzl, Jennifer Ingrid. "The Brisbane River : Art, Ecology and Perception - How Can Painting Communicate and Question the Course and Impact of Human Activity over Time on the Ecology and Perception of the Brisbane River?" Thesis, Griffith University, 2014. http://hdl.handle.net/10072/366581.

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The ecology of the Brisbane River has been subject to damage caused by human activity from colonial times onwards. This damage has been studied scientifically, and is implicated in the Brisbane flood of 2011. I live and work in proximity to the Brisbane River, and it has been central to my practice as an artist. This close engagement with the river has led me to address the issue framed in the research question: how can painting communicate and question the course and impact of human activity over time on the ecology and perception of the Brisbane River? Investigation into Philip Rawson’s anal

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Bomfim, Vanessa Lima. "As Ecologias nas Pesquisas em Educação Ambiental - Dissertações e Teses." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/59/59140/tde-11022016-160220/.

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O que é Ecologia? Originalmente uma disciplina científica ligada à Biologia. Todavia, o termo ecologia, se popularizou e passou a representar uma multiplicidade de abordagens para além da ciência. Ecologia e Educação Ambiental (EA), embora sejam áreas distintas e complexas, se relacionam, tendo como ponto de convergência as questões socioambientais. Esta pesquisa objetiva investigar se as Ecologias, em suas variadas abordagens, estão, de fato, presentes nas pesquisas em EA e de que forma. Optou-se por organizar estas Ecologias em dois agrupamentos: 1) Ciência Ecologia, enquanto disciplina/área

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Jou, Florence. "La constellation : vers une écologie de l'art." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H316.

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Cette thèse de doctorat en arts plastiques étudie la constellation. se situe dans une société contemporaine, où s'opère un tournant spatial, que ce soit en arts ou dans d'autres disciplines. est le creuset d'une réflexion transversale. ouverte aux articulations entre des pratiques et des disciplines. à partir des travaux artistiques de la doctorante et ceux de Bouchra Khalili, Bernard Heidsieck, Fabrice Hyber, Christophe Tarkos… associés aux perspectives écologiques menées par Tim Ingold, Philippe Descola, J. J. Gibson… cette thèse en arts plastiques analyse une écologie de l'art au fonctionne

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Stathopoulos, Marco. "La résilience urbaine : art de la crise et architectures pirates." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080096.

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Le concept de résilience a été adopté dans le langage et les pratiques de l’urbanisation planétaire, dont le modèle dominant est la planification. La théorie de la résilience est cependant critiquée, notamment pour sa difficulté à mener à des résultats prévisibles, ou pour sa récupération par les approches les plus néolibérales de cette planification. Cette thèse montre qu’elle peut aussi être un point de départ pour questionner le modèle dominant et ouvrir à d’autres manières d’appréhender, théoriser et concevoir l’urbain. Elle développe comment la théorie de la résilience urbaine peut se fon

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Barnes, Katherine Rachel, and n/a. "Reconstructive Strategies for Artists Engaging With ecology: An Examination of the Relationship Between Culture, Nature and Technology in Ecological Art." Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20061011.150154.

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With the rise in industrial capitalism during the 20th Century, artists increasingly focused on the threat of a disappearing natural world. In the high technology era of the late 20th Century, artists whose practice is termed 'ecological' based their work around new understandings of the relationship between nature and culture, fundamentally underpinned by a shift toward evolutionary, systems-theoretical perspectives from those of conquest and exploitation. Now, at the dawn of the 21st Century, the information era has brought into intersection the discourses of information technologies, quantu

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Barnes, Katherine Rachel. "Reconstructive Strategies for Artists Engaging With ecology: An Examination of the Relationship Between Culture, Nature and Technology in Ecological Art." Thesis, Griffith University, 2005. http://hdl.handle.net/10072/366109.

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With the rise in industrial capitalism during the 20th Century, artists increasingly focused on the threat of a disappearing natural world. In the high technology era of the late 20th Century, artists whose practice is termed 'ecological' based their work around new understandings of the relationship between nature and culture, fundamentally underpinned by a shift toward evolutionary, systems-theoretical perspectives from those of conquest and exploitation. Now, at the dawn of the 21st Century, the information era has brought into intersection the discourses of information technologies, quantu

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Miller, B. Darlene. "Playground for the imagination." Click here to access thesis, 2006. http://www.georgiasouthern.edu/etd/archive/spring2006/rebecca%5Fh%5Fsmith/smith%5Frebecca%5Fh%5F200601%5Fma.pdf.

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Thesis (M.F.A.)--Georgia Southern University, 2006.<br>"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Fine Arts" ETD. Includes bibliographical references (p. 57).

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Marty, Patrick. "L'eau de l'art contemporain : une dynamique d'une esthétique écosophique." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30072.

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L’eau est porteuse d’aspects différents de consciences, tout en étant un espéranto planétaire. Doit-on parler des artistes de l’eau ? ou bien de l’eau des artistes ? Quel que soit le point de vue que l’on considère, il se dégage une synergie de pensées oeuvrant à une réflexion consensuelle et paradigmatique. Cette recherche propose une nouvelle lecture de l’interaction de l’élément naturel avec la place qu’il occupe dans l’art contemporain ; comment l’eau dans l’art contemporain devient, grâce à sa puissance évocatrice, l’Eau de l’Art, une source inépuisable d’adaptabilité transculturelle qui

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Harley, Magdalena Johanna Gertruida. "Op weg na 'n kontemporere eko-estetiek." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53543.

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Thesis (MA)-- Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: On the way to a contemporary eco-aesthetic. My thesis consists of three chapters; the first chapter contains a basic background study and philosophic research of concepts which are relevant to my work; the second chapter is a discussion of ecofeminism as political and spiritual phenomena (my work resorts in the genre of ecofeminism); and the third chapter is an analytic consideration and discussion where my works are presented as a visual explanation of my own interpretation of the dialogue between art and science with

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Collins, Reiko Goto. "Ecology and environmental art in public place : talking tree : won't you take a minute and listen to the plight of nature?" Thesis, Robert Gordon University, 2012. http://hdl.handle.net/10059/788.

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My research started with a question: Is it possible to create change if we understand life is interdependent and interrelated with nature in our environment? I researched this question from the perspective of a practising artist in the field of environmental art in the context of ecology. I chose trees as the focal point of my enquiry as trees represent the largest living thing we encounter in our day-to-day activities. Empathy, particularly as defined in the work of Edith Stein, emerged as a significant critical construct which I used to examine the inter-dependence and interrelation of human

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Imai, Hideaki. "The Role of Film-making in Nature-human Relationships." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1523999723625547.

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Гальчинська, Ольга, Микола Яковлєв, Калина Пашкевич та Цзянсінь Лю. "Вплив творчості Енді Голдсуорті на творчість митців ленд-арту сьогодення". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17901.

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Надано результати дослідження підходів до створення об’єктів ленд-арту на прикладі авторських проектів: досліджено принципи створення об’єктів ленд-арту; визначено основні концепції творчих задумів інсталяцій митців ленд-арту; проаналізовано основні художні засоби, застосовані для втілення проектів; досліджено матеріали, які використані митцями для створення арт-об’єктів.<br>The results of the research of conceptual approaches of land art objects on the example of copyright projects are presented. To achieve this goal, the following tasks have been identified and solved: research into the crea

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Polli, Andrea. "Communicating air : alternative pathways to environmental knowing through computational ecomedia." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/889.

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This dissertation, Communicating Air: Alternative Pathways to Environmental Knowing through Computational Ecomedia, is the culmination of an art practice-led investigation into ways in which the production of ecomedia may open alternative pathways to environmental knowing in a time of urgent climate crisis. This thesis traces the author’s artistic, personal and political development across the period of study and presents an extended argument for greater public engagement with weather and climate science, greater public and private support for long-term collaborations between media art and cli

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Freeman, Paul Murphey. "In search of a new aesthetic." Thesis, Virginia Tech, 1995. http://hdl.handle.net/10919/41992.

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<p>The study of ecology is having profound effects on society. It has begun to cause a shift in western culture. People are becoming aware of their impacts on the environment, and are changing their behavior. This shift is now affecting aesthetics in landscape architecture. The validity of the dominant landscape aesthetic in the profession of landscape architecture is being questioned on the grounds of its ecologic impacts. As a result, a new landscape aesthetic is being called for. Five articles published in Landscape Journal between 1986 and 1990 outline the argument for a new aesthetic. The

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