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Gotowe bibliografie tematyczne / Ecology in art / Artykuły w czasopismach

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Artykuły w czasopismach na temat „Ecology in art”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 29 lipca 2024

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1

Ryan, Leslie. "Art + Ecology." Environmental Philosophy 4, no. 1 (2007): 95–116. http://dx.doi.org/10.5840/envirophil200741/28.

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2

McDonald, Lisa. "Ecology, Alterity—Art." International Journal of Science in Society 6, no. 2 (2015): 13–23. http://dx.doi.org/10.18848/1836-6236/cgp/v06i02/51443.

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3

Becker, Carole. "Art and Ecology." Review of Education, Pedagogy, and Cultural Studies 19, no. 2-3 (January 1997): 193–208. http://dx.doi.org/10.1080/1071441970190203.

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4

PARRY, FIONA. "Art and Ecology: Art can be Green." Art Book 15, no. 3 (August 2008): 71. http://dx.doi.org/10.1111/j.1467-8357.2008.00980.x.

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5

Swan, Alison. "The Ecology of Art." Janus Head 14, no. 1 (2015): 196. http://dx.doi.org/10.5840/jh201514112.

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6

Luken, James O. "The ecology of art." Frontiers in Ecology and the Environment 11, no. 4 (May 2013): 218–19. http://dx.doi.org/10.1890/1540-9295-11.4.218.

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7

van Bohemen, Hein. "Infrastructure, ecology and art." Landscape and Urban Planning 59, no. 4 (May 2002): 187–201. http://dx.doi.org/10.1016/s0169-2046(02)00010-5.

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8

Lam, Steven, Gabi Ngcobo, Jack Persekian, Nato Thompson, Anne Sophie Witzke, and Liberate Tate. "Art, Ecology and Institutions." Third Text 27, no. 1 (January 2013): 141–50. http://dx.doi.org/10.1080/09528822.2013.753196.

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9

Woolery, Lee Ann. "Art‐based perceptual ecology." Frontiers in Ecology and the Environment 21, no. 3 (April 2023): 111. http://dx.doi.org/10.1002/fee.2619.

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10

Neperud, Ronald W. "Art, Ecology, and Art Education: Practices & Linkages." Art Education 50, no. 6 (November 1997): 14. http://dx.doi.org/10.2307/3193683.

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11

Green, David. "Land, Art: A Cultural Ecology." International Journal of Environmental Studies 67, no. 3 (June 2010): 473. http://dx.doi.org/10.1080/00207230902888506.

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12

Zuzanek, Jiri, and Marlene Lee. "Social ecology of art audiences." Journal of Cultural Economics 9, no. 1 (June 1985): 65–84. http://dx.doi.org/10.1007/bf02267488.

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13

Rozenberg, Gennady Samuilovich. "Ecology calendar." Principles of the Ecology 46, no. 4 (December 2022): 115–16. http://dx.doi.org/10.15393/j1.art.2022.13342.

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14

Rozenberg, Gennady Samuilovich. "Ecology calendar." Principles of the Ecology 50, no. 4 (December 2023): 88–89. http://dx.doi.org/10.15393/j1.art.2023.14562.

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15

Korosov, Andrey Victorovich. "System Ecology Of The Common Adder." Principles of the Ecology 25, no. 4 (December 2017): 84–85. http://dx.doi.org/10.15393/j1.art.2017.7243.

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16

Sauvagnargues, Anne. "Ecology of images and art machines." Philosophy Journal 9, no. 4 (2016): 48–62. http://dx.doi.org/10.21146/2072-0726-2016-9-4-48-62.

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17

O'Brien, Paul. "Art and Ecology: A New Orthodoxy." Circa, no. 60 (1991): 18. http://dx.doi.org/10.2307/25557674.

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18

Weldon-Yochim, Zoe. "Exposure: Native Art and Political Ecology." Journal of Curatorial Studies 12, no. 1 (April 1, 2023): 88–92. http://dx.doi.org/10.1386/jcs_00082_7.

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Review of: Exposure: Native Art and Political Ecology Curated by Kóan Jeff Baysa, Nivi Christensen (Inuit), Satomi Igarashi, Erin Vink (Ngiyampaa), Tania Willard (Secwepemc Nation) and Manuela Well-Off-Man, Institute of American Indian Arts, Museum of Contemporary Native Arts, Santa Fe, 20 August 2021-10 July 2022

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19

Graham, Mark A. "Art, Ecology and Art Education: Locating Art Education in a Critical Place-based Pedagogy." Studies in Art Education 48, no. 4 (July 2007): 375–91. http://dx.doi.org/10.1080/00393541.2007.11650115.

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20

Gorbach, Vyacheslav. "Problems of population ecology." Principles of the Ecology 13, no. 1 (March 2015): 96–99. http://dx.doi.org/10.15393/j1.art.2015.4141.

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21

Hollis, Cynthia L. "On Developing an Art and Ecology Curriculum." Art Education 50, no. 6 (November 1997): 21. http://dx.doi.org/10.2307/3193684.

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22

Gradle, Sally Armstrong. "When Vines Talk: Community, Art, and Ecology." Art Education 61, no. 6 (November 2008): 6–12. http://dx.doi.org/10.1080/00043125.2008.11652071.

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23

Zheng, Bo, and Sohl Lee. "Contemporary art and ecology in East Asia." Journal of Contemporary Chinese Art 3, no. 3 (December 1, 2016): 215–22. http://dx.doi.org/10.1386/jcca.3.3.215_2.

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24

Chisholm, D. "The Art of Ecological Thinking: Literary Ecology." Interdisciplinary Studies in Literature and Environment 18, no. 3 (January 1, 2011): 569–93. http://dx.doi.org/10.1093/isle/isr077.

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25

Demos, TJ. "Contemporary Art and the Politics of Ecology." Third Text 27, no. 1 (January 2013): 1–9. http://dx.doi.org/10.1080/09528822.2013.753187.

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26

Li, JiaYao, and SEOK HWAN LEE. "Metaverse - New Ecology of Future Art Development." International JOURNAL OF CONTENTS 19, no. 3 (September 30, 2023): 44–58. http://dx.doi.org/10.5392/ijoc.2023.19.3.044.

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27

Korosov, Andrey Victorovich. "An emergent principle in ecology." Principles of the Ecology 3, no. 3 (October 2012): 48–66. http://dx.doi.org/10.15393/j1.art.2012.1481.

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28

Ravkin, Yury Solomonovich. "Ecology and Biogeography (some ideas)." Principles of the Ecology 6, no. 2 (June 2013): 69–83. http://dx.doi.org/10.15393/j1.art.2013.2621.

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29

Korosov, Andrey Victorovich. "Neural networks for ecology: introduction." Principles of the Ecology 49, no. 3 (September 2023): 76–96. http://dx.doi.org/10.15393/j1.art.2023.14002.

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30

Poposki, Zoran, and Isaac Hok Bun Leung. "Hong Kong as a Global Art Hub: Art Ecology and Sustainability of Asia’s Art Market Centre." Arts 11, no. 1 (February 7, 2022): 29. http://dx.doi.org/10.3390/arts11010029.

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Over the past decade, Hong Kong’s art market has experienced unprecedented growth, emerging as the second largest in the world in 2020 in terms of contemporary art auctions. Factors such as the city’s free-market economy and well-developed infrastructure, as well as its unique position as a gateway to the large and growing Chinese art market, have led to major global art fairs and galleries establishing their presence in the city, in addition to the already present international auction houses. Moreover, the recent opening of M+, Hong Kong’s new museum of visual culture, as part of the West Ko

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31

Lee, Jung-Hyun, and Hee-Chung Lee. "A Study on Commercialization of Mullae Art Village and Changes in Art Ecology." Korean Association of Urban Policies 14, no. 4 (December 31, 2023): 143–65. http://dx.doi.org/10.21447/jusre.2023.14.4.8.

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This paper aims to analyze the impact of the commercialization of the recently emerged Mullae Art Village, an art cluster, on the art ecology, specifically the creative activities of artists. To achieve this goal, Focus Group Interviews (FGI) and in-depth interviews were conducted with a total of 13 artists. Various data related to Mullae Art Village were also analyzed to examine the current state of commercialization and its effects on the art ecology. The analysis revealed that Mullae Art Village has entered a rapid stage of commercialization. Significant changes in the local space are rapid

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32

Korosov, Andrey Victorovich. "A word about GIS in ecology." Principles of the Ecology 22, no. 1 (March 2017): 146–47. http://dx.doi.org/10.15393/j1.art.2017.6482.

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33

Bennett, A. R. "The Ecology of Art-iculation and Aggregate Reading." Publications of the Modern Language Association of America 131, no. 2 (March 2016): 356–63. http://dx.doi.org/10.1632/pmla.2016.131.2.356.

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The ecological digital humanities evoke a method of thinking that is responsive to what jane bennett terms “the ecology of things.” Neither strictly an ecocriticism nor a pursuit solely of environmental(ist) concerns, the ecological digital humanities explore the material and philosophical interconnectedness of actants in assemblages. They attempt, digitally, to think what Timothy Morton calls “the ecological thought.”

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34

Haley, David. "SPECIES NOVA[TO SEE ANEW]:ART AS ECOLOGY." Ethics & the Environment 8, no. 1 (March 2003): 143–50. http://dx.doi.org/10.2979/ete.2003.8.1.143.

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35

Glazebrook, Trish. "ART OR NATURE?:ARISTOTLE, RESTORATION ECOLOGY, AND FLOWFORMS." Ethics & the Environment 8, no. 1 (March 2003): 22–36. http://dx.doi.org/10.2979/ete.2003.8.1.22.

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36

Dyens, Ollivier. "The Emotion of Cyberspace: Art and Cyber-Ecology." Leonardo 27, no. 4 (1994): 327. http://dx.doi.org/10.2307/1576008.

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37

Glazebrook, Trish. "Art or Nature?: Aristotle, Restoration Ecology, and Flowforms." Ethics & the Environment 8, no. 1 (2003): 22–36. http://dx.doi.org/10.1353/een.2003.0005.

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38

Haley, David. "Species Nova [ To See Anew ]: Art as Ecology." Ethics & the Environment 8, no. 1 (2003): 143–50. http://dx.doi.org/10.1353/een.2003.0006.

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39

Brunner, Christoph, Roberto Nigro, and Gerald Raunig. "Post-Media Activism, Social Ecology and Eco-Art." Third Text 27, no. 1 (January 2013): 10–16. http://dx.doi.org/10.1080/09528822.2013.752200.

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40

Demos, TJ. "The Art and Politics of Ecology in India." Third Text 27, no. 1 (January 2013): 151–61. http://dx.doi.org/10.1080/09528822.2013.752201.

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41

Miles, Malcolm, and Zoe Strecker. "Eco-aesthetic dimensions: Herbert Marcuse, ecology and art." Cogent Arts & Humanities 3, no. 1 (March 21, 2016): 1160640. http://dx.doi.org/10.1080/23311983.2016.1160640.

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42

Siewers, Alfred Kentigern. "Stone: An Ecology of the Inhuman by Jeffrey Jerome Cohen." Arthuriana 27, no. 3 (2017): 87–88. http://dx.doi.org/10.1353/art.2017.0028.

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43

Ardiani, Yanita Mila. "Ecology and Architecture in the art of making an Aesthetics Artwork." IOP Conference Series: Earth and Environmental Science 998, no. 1 (February 1, 2022): 012035. http://dx.doi.org/10.1088/1755-1315/998/1/012035.

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Abstract Architectural inspiration comes from a combination of various multidisciplinary sciences. One of the combinations that inspire Architects to produce works is the combination of Ecology and Architecture, where each other is interrelated. Ecology and natural forms in Ecology can inspire new architectural forms. This paper will discuss the origin of inspiration from ecology that can be applied in Architectural Aesthetics. The method used is to collect precedent studies and literature studies related to these matters. Then, in the end, the works of Bina Nusantara University Architecture S

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44

Vasil’chenko, Alla A. "ORSK JASPER (JASHMA) AS AN OBJECT OF ECOLOGY OF CULTURE OF ORENBURG." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies 1, no. 1 (2022): 143–55. http://dx.doi.org/10.28995/2073-6401-2022-1-143-155.

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The article deals with the Orsk jasper within the two components of the “ecology of culture” concept – ecology of the natural environment and cultural heritage. It analyzes the artistic development of the Orsk jasper, as use of a natural material and as one of the folk art crafts of the Orenburg region and the centers of stone-cutting art of the Southern Urals. The author considers the actual place of Orsk jasper in different spheres of cultural and practical activity and substantiates the necessity of an integrated ecological and cultural approach in the study, preservation and development of

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45

Taškāne, Alise. "ENVIRONMENT AND ECOLOGY ISSUES IN WORKS OF GERMAN STREET ART." Culture Crossroads 13 (November 9, 2022): 48–64. http://dx.doi.org/10.55877/cc.vol13.114.

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This article deals with the development of environmental and ecological issues in Germany since the 1970s, and how these issues are represented in works of street art since the beginning of the development of modern graffiti, and later street art, in Germany. The purpose of this research is to identify differences in the ecological and environmental issues in works of graffiti and street art from the 1970s to present day in Germany. This has been done by examining general themes of environmental and ecological issues in graffiti and street art and by studying some of the specific examples of a

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46

Wakker, Viktor. "To the ecology of trematodes Opisthioglyphe ranae (Telorchidae)." Principles of the Ecology 26, no. 1 (March 2018): 38–59. http://dx.doi.org/10.15393/j1.art.2018.6584.

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47

MARIA, TATIANA F., JAN VANAVERBEKE, ANN VANREUSEL, and ANDRÉ M. ESTEVES. "Sandy beaches: state of the art of nematode ecology." Anais da Academia Brasileira de Ciências 88, no. 3 suppl (October 10, 2016): 1635–53. http://dx.doi.org/10.1590/0001-3765201620150282.

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ABSTRACT In this review, we summarize existing knowledge of the ecology of sandy-beach nematodes, in relation to spatial distribution, food webs, pollution and climate change. We attempt to discuss spatial scale patterns (macro-, meso- and microscale) according to their degree of importance in structuring sandy-beach nematode assemblages. This review will provide a substantial background on current knowledge of sandy-beach nematodes, and can be used as a starting point to delineate further investigations in this field. Over decades, sandy beaches have been the scene of studies focusing on comm

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48

Jiang, ZiWen, and Feng Wang. "Study on Environmental Art Design Based on Ecology Concept." Journal of Sensors 2022 (February 8, 2022): 1–8. http://dx.doi.org/10.1155/2022/8034930.

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Ecological design concept is a design concept aimed at advocating green environmental protection and sustainable development, which is widely used in different cases of environmental design including urban and kindergarten. In our study, using literature research, case reference, and field research as research methods, through the theoretical research of domestic and foreign kindergarten environment design and interpretation of typical cases to summarize the ecological design method and design strategy, can be further applied in larger field such as urban, basin, and/or region. Then, take “Che

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49

LYDON, Patrick M., and Suhee KANG. "Art and Ecology at the Edge of Osaka, Japan." Landscape Architecture Frontiers 9, no. 1 (2021): 134. http://dx.doi.org/10.15302/j-laf-1-050029.

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50

Watkins, Charles. "Art Meets Ecology: The Arborealists in Lady Park Wood." Landscape History 42, no. 1 (January 2, 2021): 150–51. http://dx.doi.org/10.1080/01433768.2021.1928903.

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