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Artykuły w czasopismach na temat „Eighteenth-century British novel”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Ruiz. "Cervantean Satire, Realism, and the Eighteenth-Century British Novel." Comparative Literature Studies 58, no. 1 (2021): 78. http://dx.doi.org/10.5325/complitstudies.58.1.0078.

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Williams, Anne Patricia. "Description and Tableau in the Eighteenth-Century British Sentimental Novel." Eighteenth-Century Fiction 8, no. 4 (1996): 465–84. http://dx.doi.org/10.1353/ecf.1996.0046.

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Yap, Oak Joo. "Sentimental Novels and Anti-Sentimental Heroines: Womanhood Redefined in Late Eighteenth-Century British Novels." MANUSYA: Journal of Humanities 25, no. 1 (2022): 1–21. http://dx.doi.org/10.1163/26659077-25010016.

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Abstract Protagonists in the eighteenth-century British sentimental novel persevere in the face of extreme misery to remain chaste or to uphold their moral principles as dictated by convention. These characters excessive sentiments were viewed as highly desirable even by many men. Yet at the same time, there was considerable resistance against sentimental novels as they were increasingly denounced for encouraging women to indulge in “overstretched sensibility.” Highlighting the unjust treatment of women rather than their virtues in enduring it, novels with an anti-sentimental stance present in

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Silver, Sean. "Hogarth's Networks and the Eighteenth-Century “Graphic” Novel." Novel: A Forum on Fiction 56, no. 2 (2023): 256–79. http://dx.doi.org/10.1215/00295132-10562853.

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Abstract This article positions the eighteenth-century novel alongside contemporary developments in the modeling of complex systems, including Leonhard Euler's solution to the Königsberg bridge problem and William Hogarth's serial engravings. Unlike studies that apply network theory to literary forms like the early novel, it instead identifies a strain of network thinking in the arts characteristic of the British eighteenth century. At this junction between network-style thinking and the rise of complex forms of affiliation in the emerging middle classes, art forms appear that this article ris

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Parrinder, Patrick, and Everett Zimmerman. "The Boundaries of Fiction: History and the Eighteenth-Century British Novel." Modern Language Review 93, no. 4 (1998): 1089. http://dx.doi.org/10.2307/3736293.

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Bator, Paul Gregory. "Rhetoric and the Novel in the Eighteenth-Century British University Curriculum." Eighteenth-Century Studies 30, no. 2 (1996): 173–95. http://dx.doi.org/10.1353/ecs.1997.0001.

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Precup, Amelia. "Pleas for Respectability: Eighteenth-Century Women Writers Theorizing the Novel." American, British and Canadian Studies 30, no. 1 (2018): 9–26. http://dx.doi.org/10.2478/abcsj-2018-0002.

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Abstract The emergence and development of the modern novel used to be viewed as a largely masculine affair. However, over the past few decades, researchers and scholars have started to re-evaluate and acknowledge the importance of women’s literary and theoretical work to the rise and evolution of the genre. This article adds to these revisionist efforts by contributing to the ongoing discussion on the theoretical legacy left by some of the most notable British women writers of the long eighteenth century. The article analyses several texts (prefaces, dedications, dialogues, essays, reviews) in

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Kelly, Jim. "‘Endless circumlocutions’: Speaking To and Away from the Point Before and After Melmoth the Wanderer." Gothic Studies 26, no. 2 (2024): 165–79. http://dx.doi.org/10.3366/gothic.2024.0195.

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Circumlocution has been an important stylistic feature of the Gothic novel since its inception in the eighteenth century. Might this rhetorical feature be thought of in national or even geopolitical terms? Horace Walpole and Ann Radcliffe in the eighteenth century had linked circumlocution to a Shakespearean blending of comedy and tragedy that marked a distinctively British artistic sensibility against the constraints of French neo-classicism. However, Maturin’s use of the trope in Melmoth the Wanderer (1820) brought in new national and transnational inflections linked to the central character

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Golban, Petru. "Shaping the Verisimilitude: Moral Didacticism and Neoclassical Principles Responsible for the Rise of the English Novel?" BORDER CROSSING 6, no. 2 (2016): 195–218. http://dx.doi.org/10.33182/bc.v6i2.491.

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The rise of the novel is a major aspect of the eighteenth century British literature having a remarkable typology: picaresque, adventure, epistolary, sentimental, of manners, moral, comic, anti-novel. The comic (including satirical) attitude, social concern, moral didacticism, and other thematically textualized aspects – emerging from both picaresque tradition and neoclassical principles – and together with picaresque tradition and neoclassical principles – are responsible for the emergence of verisimilitude as the forming element responsible in turn for the rise of the literary system of the

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Dewar, Helen. "Old World Conventions and New World Curiosities: North American Landscapes Through European Eyes." Journal of the Canadian Historical Association 14, no. 1 (2005): 45–63. http://dx.doi.org/10.7202/010319ar.

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Abstract This paper examines the published accounts of three British travellers, Patrick Campbell (fl. c. 1765-1823), Isaac Weld (1774-1856), and George Heriot (1759-1839), to North America in the late eighteenth century. Focusing specifically on the travellers' scientific approaches to the natural landscape, it argues that they drew on eighteenth-century European scientific developments, including empirical observation, the evolution and instability of matter, and systems of classification, to facilitate their understanding of unfamiliar phenomena. The travellers' scientific observations reve

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Cottingham, Myra, and Alison A. Case. "Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel." Yearbook of English Studies 32 (2002): 300. http://dx.doi.org/10.2307/3509093.

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Thomas, Sophie. "Plotting women: gender and narration in the eighteenth- and nineteenth-century british novel." Women's Writing 10, no. 1 (2003): 461–84. http://dx.doi.org/10.1080/09699080000200417.

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Patey, Douglas Lane. "The Boundaries of Fiction: History and the Eighteenth-Century British Novel. Everett Zimmerman." Modern Philology 97, no. 1 (1999): 124–28. http://dx.doi.org/10.1086/492819.

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Artunç, Cihan. "The Price of Legal Institutions: TheBeratlıMerchants in the Eighteenth-Century Ottoman Empire." Journal of Economic History 75, no. 3 (2015): 720–48. http://dx.doi.org/10.1017/s0022050715001059.

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In the eighteenth century, European embassies in the Ottoman Empire started selling exemption licenses calledberats, which granted non-Muslim Ottomans tax exemptions and the option to use European law. I construct a novel price panel for British and French licenses based on primary sources. The evidence reveals that prices were significantly high and varied across countries. Agents acquired multipleberatsto enhance their legal options, which they exploited through strategic court switching. By the early 1800s,beratholders had driven other groups from European-Ottoman trade.

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HART, EMMA. "‘The middling order are odious characters’: social structure and urban growth in colonial Charleston, South Carolina." Urban History 34, no. 2 (2007): 209–26. http://dx.doi.org/10.1017/s0963926807004610.

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In recent years, the idea that Britain and its northern American colonies were part of a single ‘British Atlantic world’ has provided historians of both the Old World and the New with a novel perspective from which to explore their subjects during the long eighteenth century. With a case study of Charleston, South Carolina, this essay extends British categories of analysis across the Atlantic to uncover the origins of an American middle class. Emphasis is placed on the simultaneous consideration of all arenas of identity formation, with a view to demonstrating that examining either the cultura

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Richetti, John, Wallace Austin Flanders, and W. A. Speck. "Structures of Experience: History, Society and Personal Life in the Eighteenth-Century British Novel." Eighteenth-Century Studies 19, no. 1 (1985): 135. http://dx.doi.org/10.2307/2739147.

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Konigsberg, Ira, and W. Austin Flanders. "Structures of Experience: History, Society, and Personal Life in the Eighteenth-Century British Novel." Modern Language Studies 16, no. 3 (1986): 363. http://dx.doi.org/10.2307/3194927.

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Wiehe, Jarred. "Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature by Jason S. Farr." Eighteenth-Century Fiction 32, no. 4 (2020): 631–33. http://dx.doi.org/10.3138/ecf.32.4.631.

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Erlandson, Andrew. "Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature by Jason S. Farr." Eighteenth-Century Studies 53, no. 3 (2020): 515–17. http://dx.doi.org/10.1353/ecs.2020.0026.

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Chow, Jeremy. "Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature by Jason S. Farr." Studies in the Novel 52, no. 3 (2020): 346–49. http://dx.doi.org/10.1353/sdn.2020.0031.

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Vallone, Lynne. "Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel (review)." Victorian Studies 43, no. 4 (2001): 659–61. http://dx.doi.org/10.1353/vic.2001.0122.

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Palmeri, Frank. "The Boundaries of Fiction: History and the Eighteenth-Century British Novel (review)." Eighteenth-Century Fiction 10, no. 2 (1998): 221–23. http://dx.doi.org/10.1353/ecf.1998.0011.

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Connolly, Michele A. "Antipodean and Biblical Encounter: Postcolonial Vernacular Hermeneutics in Novel Form." Religions 10, no. 6 (2019): 358. http://dx.doi.org/10.3390/rel10060358.

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This article argues that in postcolonial and post-secular Australia, a country in which Christianity has been imported from Europe in the process of colonization in the eighteenth century by the British Empire, institutional Christianity is waning in influence. However, the article argues, Australian culture has a capacity for spiritual awareness provided it is expressed in language and idioms arising from the Australian context. R. S. Sugirtharajah’s concept of vernacular hermeneutics shows that a contemporary novel, The Shepherd’s Hut by Tim Winton, expresses Australian spirituality saturate

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Kim, Tae-jin, Terence Christian Oliga, and Shin-jae Park. "The British Superiority of the 18th Century British Man Towards Different Ethnic Groups Revealed in Robinson Crusoe." Convergence English Language & Literature Association 7, no. 2 (2022): 159–77. http://dx.doi.org/10.55986/cell.2022.7.2.159.

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The primary purpose of this study is to see the white British man's ethnic superiority in the eighteenth century revealed in Robinson Crusoe by Daniel Defoe. Through the attitude of Robinson Crusoe towards the people of color such as Xury or Friday, we can see how proud the British were of their ethnic and racial superiority. The protagonist takes it for granted to enslave the Moore and the black-skinned boy, establishing master-slave relationships. From his perspective, the British were the masters of others, a chosen people by God, and citizens with great intelligence and scientific knowledg

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Nitesh, Sharma. "Pragmatics of Opium Trade: Tracing the Trajectory from Sea of Poppies till Contemporary Time in the Light of New Historicism." Criterion: An International Journal in English 15, no. 6 (2024): 249–65. https://doi.org/10.5281/zenodo.14605901.

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The inception of the British rule in the form of colonialism is chiefly traced from the late sixteenth century, gradually developed across the seventeenth and eighteenth century, and catapulted to heights in the nineteenth and early twentieth century with overseas possessions and maritime expansion for overseas trade to vie with France and other European powers. The empire’s expansion can be understood from the technologically-advanced trading posts like the East India Company to establish the trading monopoly of the goods that brought out lucrative consequences of the British endeavours

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Hodges, Leonard. "Between Litigation and Arbitration: Administering Legal Pluralism in Eighteenth-Century Bombay." Itinerario 42, no. 3 (2018): 490–515. http://dx.doi.org/10.1017/s0165115318000633.

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This article uses the records of the Bombay Mayor’s Court (1728–1798) to explore the ways in which an ostensibly English court of law attempted to administer law in a way that was acceptable to a cosmopolitan cast of litigants. I show how, due to the Court’s popularity with Indian litigants, and the difficulties of its hybrid jurisprudence, the Court eventually moved to a model of formalised arbitration. In this arrangement, local Indian elites exercised considerable autonomy, while British judges gained an illicit commission. As such, the evidence from the Mayor’s Court points to a novel iter

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Timár, Andrea. "Gergely Péterfy’s Stuffed Barbarian [‘Kitömött Barbár’], the Ethics of Narration and the Politics of the Human: A British Context." Hungarian Cultural Studies 13 (July 30, 2020): 142–53. http://dx.doi.org/10.5195/ahea.2020.393.

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This paper presents Gergely Péterfy’s Stuffed Barbarian [Kitömött Barbár, 2014] in the context of eighteenth-century, pre-Revolutionary debates on slavery and the related question of the “human.” It investigates the ethical and political stakes of Péterfy’s narrative technique and argues that the improbably omniscient, third person character narration used throughout the novel performs the universalist and exclusive ideology Bildung of the European Enlightenment, which Péterfy mourns.

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Mounsey, Chris. "Jason S. Farr. Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature." Scriblerian and the Kit-Cats 53, no. 2 (2021): 191–94. http://dx.doi.org/10.5325/scriblerian.53.2.0191.

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Kraft, Elizabeth. "Everett Zimmerman. The Boundaries of Fiction: History and the Eighteenth-Century British Novel." Scriblerian and the Kit-Cats 31, no. 1 (1998): 69–71. http://dx.doi.org/10.5325/scriblerian.31.1.0069.

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Zoli, Corri. "“BLACK HOLES” OF CALCUTTA AND LONDON: INTERNAL COLONIES INVANITY FAIR." Victorian Literature and Culture 35, no. 2 (2007): 417–49. http://dx.doi.org/10.1017/s106015030705156x.

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WILLIAM MAKEPEACE THACKERAY'SVanity Fair(1847–48) makes a passing reference to a seemingly insignificant trope, the “Black Hole of Calcutta.” Part of an eighteenth-century legacy of unofficial rule in India by the East India Trading Company, this reference to a prison incident in June 1756 rehashes the event that occurred there – nearly one hundred years before the novel was published. The name, the “Black Hole,” evokes the prison itself: an enormous pit dug deep into the ground “eighteenth feet long by fourteen feet, ten inches wide,” according to social historian Brijen K. Gupta. It was “Bri

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McGuire, Kelly. "Narrative Mourning: Death and Its Relics in the Eighteenth-Century British Novel by Kathleen M. Oliver." Eighteenth-Century Fiction 34, no. 1 (2021): 137–39. http://dx.doi.org/10.3138/ecf.34.1.137.

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Fischer, Benjamin L. "A Novel Resistance: Mission Narrative as the Anti-Novel in the Evangelical Assault on British Culture." Studies in Church History 48 (2012): 232–45. http://dx.doi.org/10.1017/s0424208400001340.

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‘Their annual increase is counted by thousands; and they form a distinct people in the empire, having their peculiar laws and manners, a hierarchy, a costume, and even a physiognomy of their own’, wrote Robert Southey for the Quarterly Review in 1810, opening a balanced critique of what he called ‘the Evangelical Sects’. Leaders of the Evangelical Revival had taught in pulpit, pamphlet and periodical that to be truly Christian meant radical difference from others in society, even others professing faith; or, as Charles Simeon, the model and mentor for hundreds of Cambridge-educated evangelical

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Xu, Junfang. "A Central Consciousness at Work Beneath the Surface Artlessness: Narrative Strategies in “Tristram Shandy”." International Journal of Applied Linguistics and English Literature 7, no. 3 (2018): 137. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.3p.137.

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‘The Life and Opinions of Tristram Shandy, Gentleman’ (hereafter shortened to “Tristram Shandy”) is a unique novel written by British author Laurence Sterne in the eighteenth century. While Sterne’s contemporary readers may have conflicting viewpoints about the artistic value of “Tristram Shandy” because of its surface artlessness and chaos, readers today in the contexts of such twentieth-century critical theories as postmodernism, existentialism, and deconstruction, find it congenial and more intriguing. I argue that despite the apparent chaos of this novel, the author-narrator Tristram is a

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Alves, Kathleen Tamayo. "Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature by Jason S. Farr; and Sight Correction: Vision and Blindness in Eighteenth-Century Britain by Chris Mounsey." Eighteenth-Century Fiction 34, no. 1 (2021): 101–5. http://dx.doi.org/10.3138/ecf.34.1.101.

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Cottingham, Myra. "Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel by Alison A. Case." Yearbook of English Studies 32, no. 1 (2002): 300–301. http://dx.doi.org/10.1353/yes.2002.0066.

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Porter, Elizabeth. "Families of the Heart: Surrogate Relations in the Eighteenth-Century British Novel by Ann Campbell." Eighteenth-Century Fiction 36, no. 2 (2024): 362–64. http://dx.doi.org/10.3138/ecf.36.2.362.

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Aljoe, Nicole N., Kerry Sinanan, and Mariam Wassif. "Introduction." Eighteenth-Century Fiction 35, no. 1 (2023): 1–26. http://dx.doi.org/10.3138/ecf.35.1.1.

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The Woman of Colour (1808), an anonymous epistolary novel, remained out of print until the 2008 release of Lyndon J. Dominique’s Broadview edition. It has since become central to studies in the long eighteenth century because of its subversion of the marriage plot and the intertwining of this plot with Black liberation struggles through the voice of the mixed-race Jamaican protagonist Olivia Fairfield. In this introduction to an ECF special issue dedicated to the novel, the authors trace developments in Black British history, Black womanist historiography, and global Romanticism in order to si

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Bryan, Joseph D. "Beyond Metaphor." Contributions to the History of Concepts 15, no. 2 (2020): 29–50. http://dx.doi.org/10.3167/choc.2020.150203.

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Body-politic metaphors served historically as figurative vehicles to transmit assorted socio-political messages. Through an examination of the metaphors la mollesse (softness) and Adam Smith’s impartial spectator, this article will show that the language of eighteenth-century French and British writers was not simply heuristic or metaphorical. Contemporaries reacted to the growth of commerce and luxury, and the concomitant creation of new public spaces and forms of social interaction, by arguing that the corporeal mediated the social. I want to introduce the concept of corporeal sociability: c

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Zilberstein, Anya. "Bastard Breadfruit and other Cheap Provisions: Early Food Science for the Welfare of the Lower Orders." Early Science and Medicine 21, no. 5 (2016): 492–508. http://dx.doi.org/10.1163/15733823-00215p04.

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Breadfruit is best known in connection with an infamously failed project: the 1789 mutiny against the Bounty, commanded by William Bligh. However, four years later, Bligh returned to the Pacific and fulfilled his commission, delivering breadfruit and other Pacific foods to Caribbean plantations. Placing these plant transfers in the emerging sciences of food and nutrition in the eighteenth century, this essay examines the broader political project of what would much later be called ‘the welfare state,’ which motivated British officials’ interest in experimenting with novel ingredients and recip

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Fox, Renée. "Gothic Realism, or Reading is Believing in Dracula." Irish University Review 53, no. 1 (2023): 9–26. http://dx.doi.org/10.3366/iur.2023.0587.

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This essay explores the ways Bram Stoker brings eighteenth-century affective gothic reading practices to bear on Victorian fiction’s investments in realism. By investigating modes of affective reading in Dracula, the essay develops a definition of ‘gothic realism’ to describe an affective experience of the real that gothic fiction offers in place of verisimilitude and representations of everyday life. Beginning by tracing the explicit and implicit histories of this term through both literary criticism and the gothic tradition, the essay turns to Dracula to discover an alternative definition of

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Al-BARZENJI, Luma Ibrahim. "ROOTLESSNESS IN ELIZABETH BOWEN'S THE DEATH OF THE HEART, AND CHINUA ACHEBE'S ARROW OF GOD: A COMPARATIVE STUDY BETWEEN ANGLO-IRISH AND AFRICAN POSTCOLONIAL LITERATURE." International Journal Of Education And Language Studies 01, no. 01 (2021): 43–55. http://dx.doi.org/10.47832/2791-9323.1-1.4.

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Postcolonial literature views the British Empire of the nineteenth century as unique in human history and literary products for it provides writers with different subjects that deal with the idea of how to resurrect the colonized identity even after getting liberation. Postcolonial literature seems to label literature written by people living in countries formerly colonized by other colonized and other colonial powers as British. Such literature and particularly novel, emerged to focus on social, moral, and cultural influences and their interrelation with the impact of English existence upon s

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Sharmila, Colette, and Dr A. JosephineAlangara Betsy. "THROE OF BEING STOLEN IN DORIS PILKINGTON’S CAPRICE - THE STOCKMAN’S DAUGHTER." SMART MOVES JOURNAL IJELLH 6, no. 10 (2018): 5. http://dx.doi.org/10.24113/ijellh.v6i10.5104.

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The British controlled dominated and exploited the indigenous population in the process of colonizing Australia in the late Eighteenth Century. They appropriated the aborigines’ land, resources and wealth: they also left psychic scars of stealing their children from the indigenous families under the guise of civilization. Colonial Governments saw Aboriginals not as people who had been colonized but as heathens to be converted and institutionalized. The ‘Assimilation Policy’ as it was called advocated in all the states of Australia in order to remove the half caste aboriginal children. This pap

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Šnircová, Soňa. "Gender and Genre: From the Female Bildungsroman to the Postfeminist Coming-of-Age Novel." Current Issues in Philology and Pedagogical Linguistics, no. 3(2021) (September 25, 2021): 243–53. http://dx.doi.org/10.29025/2079-6021-2021-3-243-253.

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The paper draws attention to the fact that the introduction of gender perspectives into the studies of the Bildungsroman, or novel of development, has opened up the possibility of delineating specific female versions of the genre, ranging from the classic female Bildungsroman, through the feminist Bildungsroman to the postfeminist coming-of-age novel. The following discussion of heroines in British novels of development focuses on the changing socio-cultural factors that have influenced the representations of women’s emancipatory struggles in works by female authors over recent centuries. The

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Waha, Kristen Bergman. "SYNTHESIZING HINDU AND CHRISTIAN ETHICS IN A. MADHAVIAH'S INDIAN ENGLISH NOVELCLARINDA(1915)." Victorian Literature and Culture 46, no. 1 (2018): 237–55. http://dx.doi.org/10.1017/s1060150317000419.

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The novels of Indian writerA. Madhaviah (1872–1925) are deeply ambivalent toward British Protestant missions in the Madras Presidency. The son of a Brahmin family from the Tirunelveli District in what is now the state of Tamil Nadu, Madhaviah had the opportunity to form close intellectual relationships with British missionaries and Indian Christian converts while studying for his B.A. at the Madras Christian College, completing his degree in 1892. Although he remained a Hindu throughout his life, Madhaviah's first English novel,Thillai Govindan(1903), praises some missionaries for their moral

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Schonhorn, Manuel. "Wallace Austin Flanders. Structures of Experience: History, Society and Personal Life in the Eighteenth-Century British Novel." Scriblerian and the Kit-Cats 18, no. 2 (1986): 189–90. http://dx.doi.org/10.5325/scriblerian.18.2.0189.

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Black, Scott. "The Handbook of the British Novel in the Long Eighteenth Century. Ed. Katrin Berndt and Alessa Johns." Scriblerian and the Kit-Cats 56, no. 1-2 (2023): 53–57. http://dx.doi.org/10.5325/scriblerian.56.1-2.0053.

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Mehrabi, Kimia. "Authority and Instability: Investigating Jane Austen’s View of the Church and Clergy in Pride and Prejudice." International Journal of Linguistics, Literature and Translation 5, no. 6 (2022): 85–90. http://dx.doi.org/10.32996/ijllt.2022.5.6.10.

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The Church of England, the greatest Anglican establishment and the symbol of Great Britain's imperialism, has been the juncture of English history and literature throughout history. Although, after industrialization, the British society went toward a religious reformation in the Victorian era, some historians consider the early nineteenth century England as the 'Golden age' of England's ecclesiastical imperialism. Jane Austen, in her six published novels, has scrutinized the true essence of the Church of England from her specific glasses of sharpness. So, with reference to Austen’s Pride and P

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Heaverly, Aralia, and Elisabeth Ngestirosa EWK. "Jane Austen's View on the Industrial Revolution in Pride and Prejudice." Linguistics and Literature Journal 1, no. 1 (2020): 1–6. http://dx.doi.org/10.33365/llj.v1i1.216.

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This study dismantles Jane Austen’s view in Pride and Prejudice novel triggered by the social systems in British society. The society influenced by the phenomena of the industrial revolution in England in the late eighteenth century revealed the social system. This study aims to find out how Jane Austen views the revolution of the industry in British society. By having the focus on the sociology of literature, this study applies Lucien Goldman’s genetic structuralism. By the dialectical method, the study found that in Austen’s view the landed gentry system and inheritance system was adopted to

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McClish, Glen. "“The very breath of life”: The Conversational Rhetoric of Elizabeth Gaskell’s North and South." Journal for the History of Rhetoric 25, no. 3 (2022): 279–302. http://dx.doi.org/10.5325/jhistrhetoric.25.3.0279.

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Abstract In her novel North and South (1854–55), the nineteenth-century British writer Elizabeth Gaskell suggests an innovative practice of conversational rhetoric involving diverse stakeholders. Through the story of Margaret Hale and her efforts to help mill workers and millowners negotiate their seemingly intractable conflicts in the fictional city of Milton, she sets forth a dialogic process in which both male and female interlocutors bring their reasoning and experience to the table, recognize the value of other interlocutors, and establish bonds of sympathy beyond their individual interes

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Das, Riya. "Nora Gilbert, Gone Girls, 1684–1901: Flights of Feminist Resistance in the Eighteenth- and Nineteenth-Century British Novel." Victoriographies 14, no. 3 (2024): 272–74. http://dx.doi.org/10.3366/vic.2024.0545.

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