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Rozprawy doktorskie na temat „English Cinema”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Strong, Richard Jeremy. "Six English novels adapted for the cinema." Thesis, University of Stirling, 1999. http://hdl.handle.net/1893/2605.

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This study examines the film adaptations of six English novels; Sense and Sensibility, Emma, Tess, Jude, A Room with a View and A Passage to India. Through textual analysis of both the films and the original novels it demonstrates that many of the changes which occur in the transition between media are explicable in terms of differences between film and literary genres. Most previous writing on adaptation has tended to explain such changes as a consequence of film and literature having different signifying or expressive capacities. Whilst this study does not argue that literary styles and devi

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2

Haeffner, Nicholas. "English cinema and cultural identity under Thatcherism." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363364.

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Dave, Paul. "Representation of class in contemporary English cinema." Thesis, University of East London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532539.

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This thesis is a study of the representation of class in English film culture which focuses primarily on films and written texts produced between 1978 and 2002. My approach to these representations takes the work of Ellen Meiksins Wood on the theoretical principles of historical materialism as its most general methodological guide. Thus, I seek to place representations of class within a conceptual framework which, like the one found in Wood's work, puts emphasis on approaching class as a relational and conflictual social phenomenon lying at the heart of capitalist society. Such a move involves

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4

Morgan, Jason. "Perversion and national subjectivity in English Canadian cinema." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0021/MQ55162.pdf.

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Van, Heerden Jacques. "Shakespeare and the cinema of excess." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11950.

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Includes bibliographical references.<br>This dissertation examines the notion of excess in film adaptations of Shakespeare's plays. It takes its critical approach from the work of Georges Bataille, who used "eroticism" to describe a confrontation with excess that destabilises the individual’s sense of identity. Bataille suggests that art can allow audiences to experience a measure of eroticism by presenting subjects that transgress established taboos and by undermining the formal conventions that allow the audience to interpret the text. This dissertation examines these ideas through an analys

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Hoyle, Brian. "British art cinema, 1975-2000 : context and practice." Thesis, University of Hull, 2006. http://hydra.hull.ac.uk/resources/hull:5698.

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This thesis shall largely concern itself with examining two general aspects of British art cinema between 1975 and 2000; namely, how the British art cinema operates as an art cinema in the context of its 1960s and 1970s European counterparts54 and how the individual filmmaking practices of these British directors both conform to and deviate from classic definitions of art cinema. In this way, this thesis shall demonstrate the ways in which British art cinema can be characterised not only as a belated continuation of classic European art cinema but also a significant development from it. Theref

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7

Pinheiro, Neide Garcia. "The english patient." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/102018.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente<br>Made available in DSpace on 2013-07-15T23:49:03Z (GMT). No. of bitstreams: 0<br>O objetivo deste estudo é analisar como o romance O Paciente Inglês (1992) de Michael Ondaatje retrata questões de identidade nacional e nacionalismo, bem como temas interrelacionados, tais como cartografia e fronteiras. Este estudo tem ainda por objetivo investigar de que maneira tais questões são apresentadas na adaptação homônima para o cine

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Stubbs, Jonathan. "Inventing England: representations of English history in Hollywood cinema." Thesis, University of East Anglia, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441622.

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This thesis examines the representations of English history in Hollywood cinema with a particular emphasis on popular films released between 1950 and 1964. Adopting a principally empirical and archival approach, I examine why Hollywood filmmakers and audiences have been so attracted to images and narratives from English culture, why these images and narratives have so frequently focused on England's past, and why the resulting English historical films became so prominent in the 1950s and early 1960s. My first chapter establishes a broad context for Hollywood's English historical cinema by trac

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9

Aguila-Way, Tania. ""Returning the gaze": Reappraisals of the Griersonian documentary in Livesay and Marlatt." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28076.

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In 1969, Dorothy Livesay affirmed that, beginning in the 1930s, the Canadian long poem had evolved into a new genre by following the "experimentations" originally made by John Grierson---father of the British documentary movement and NFB film commissioner---in film ("Documentary Poem" 269). Echoing the well-known Griersonian assertion that documentary film should "interpret Canada to Canadians," Livesay also attached a special nation-building value to the Canadian documentary poem by stating that its methods and conventions "subtly [...] cast light on the landscape, the topography, the flora a

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Thompson, Jenna. "Dubbing the multilingual moment: Translating English-language American television shows with French into French." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28445.

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Multilingual films, such as Lost in Translation (2003), have recently become a phenomenon. Various popular television series also feature an element of multilingualism in their plots. This inclusion of the cultural "other" and its language, specifically, the dubbing into French of "French situations" in American television shows, presents an interesting challenge for audiovisual translation (AVT). In my study, I begin by discussing research on multilingualism in literature, film and television. I then discuss the relevance of translation studies concepts to AVT, and apply them in examining the

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11

Hofstetter, Angela Dawn. "Lyrical beasts equine metaphors of race, class, and gender in contemporary Hollywood cinema /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3357987.

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Thesis (Ph.D.)--Indiana University, Dept. of Comparative Literature, 2009.<br>Title from PDF t.p. (viewed on Feb. 8, 2010). Source: Dissertation Abstracts International, Volume: 70-05, Section: A, page: 1649. Adviser: Barbara Klinger.

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Moody, Jennifer S. "Texts in motion : an exploration in design cinema." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1318620.

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The objective of this creative project was the exploration of the new genre of Design Cinema, specifically to use typography and motion graphics to tell a story. Design Cinema is best defined as a hybrid form of moving image that falls between motion graphics and filmmaking. The secondary objective was to design and create three significant pieces of work in Design Cinema, which focuses on utilizing typography and graphics in an abstracted story-based environment.The stories illustrated come from the book of Psalms in the New International Version translation of the Bible. These are some of th

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13

Macdonald, Robert. "The informe in David Lynch's cinema : reading American film through the 'Philosophy' of Georges Bataille." Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/8731.

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Bibliography: leaves 175-188.<br>This dissertation argues that several of American film-maker David Lynch's works employ a subversive textual operation in their representations of America and American life that is comparable, in both its approach and political signiﬁcance, to the collapse of conceptual systems French philosopher Georges Bataille termed 'informe'. Each chapter of this thesis explores an aspect of American ideology that has been shaped within filmic conventions of genre, narration and representation, analysing how the informe in Lynch's films encourages awareness of difference;

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Everett, Mary Elizabeth. ""Spectacular, Spectacular": The Mythology of Theatre and Cinema within Baz Luhrmann's Red Curtain Trilogy." NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-12012005-231429/.

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?Spectacular, Spectacular? looks at Baz Luhrmann?s Red Curtain Trilogy?Strictly Ballroom (1992), Romeo + Juliet (1996), and Moulin Rouge (2001)?in the context of the mythologies of the theatre and cinema that Luhrmann builds. Evoking themes, images, and concepts found within these two mediums, Luhrmann goes to great lengths to signify both the cinematic and the theatrical within these films through references to popular culture, and these references incrementally mesh the worlds of theatre and cinema throughout the trilogy. In Strictly Ballroom, Luhrmann explores the concepts of performance, s

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15

Neves, Josélia Maria dos Santos José. "A adaptação de Henry James ao cinema-o caso de The Portrait of a Lady." Master's thesis, Instituições portuguesas -- -Universidade de Aveiro -- -Departamento de Línguas e Culturas, 1999. http://dited.bn.pt:80/29084.

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16

Pereira, Mateus da Rosa. "Representations of Sherlock Holmes in brazilian and english recent cultural productions." Florianópolis, SC, 2006. http://repositorio.ufsc.br/xmlui/handle/123456789/88761.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente<br>Made available in DSpace on 2012-10-22T13:25:38Z (GMT). No. of bitstreams: 0<br>Esta dissertação de mestrado investiga a representação da história e identidade nacional em recriações da personagem Sherlock Holmes no Brasil e na Inglaterra. No Capítulo 2, analiso dois romances e um filme que retratam Sherlock Holmes no Brasil, respectivamente, Noturno, 1894 ou paixões e guerra em Desterro, e a primeira aventura de Sherlcok

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17

Powell, M. L. "Mothering in the third person : the absent mother of French and English cinema, 1959-1979." Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10047013/.

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This thesis explores the tensions between the cultural construction of motherhood as a discourse and the complex subjectivities of individuals who mother, through analysing representations of mothers in French and English cinema. It begins with a theoretical background on discourses of motherhood in European thought. Drawing together feminist writing on motherhood with Lee Edelman’s theory of the Child, I argue that overzealous imaginations of the Child as the ideal cultural subject are used as grounds to legitimise the erasure of mothers as individual subjects. From here, I examine the extent

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18

McHodgkins, Angelique Melitta. "Indian Filmmakers and the Nineteenth-Century Novel: Rewriting the English Canon through Film." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1130955416.

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Thesis (M.A.)--Miami University, Dept. of English, 2005.<br>Title from first page of PDF document. Document formatted into pages; contains [2], 52 p. Includes bibliographical references (p. 51-52) and filmography (p. 50).

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19

Peretti, Daniel. "The modern Prometheus the persistence of an ancient myth in the modern world, 1950 to 2007 /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3357985.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2009.<br>Title from PDF t.p. (viewed on Feb. 8, 2010). Source: Dissertation Abstracts International, Volume: 70-05, Section: A, page: 1745. Adviser: Greg Schrempp.

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Vanoli, Giancarla. "Nella terra di mezzo : cinema e immigrazione in Italia, 1990-2010." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:62c9c1f7-0252-42e9-b47f-ac41ff3cc5b6.

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The thesis explores the representation of migration to Italy, through the study of a range of films selected for their thematic relevance as much as their aesthetic complexity. Beyond the scope of film analysis, it aims to add a contextualization of the social, political and cultural issues that connect migration and cinema, at the point where film studies and cultural studies converge.

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Macedo, Lynne. "Fiction and film : the influence of cinema on writers from Trinidad and Jamaica 1950-1985." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/63585/.

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This thesis considers the relationship between film and novels that were published by writers from Trinidad and Jamaica between the years 1950 - 1985. Through close textual analysis and by utilising a combination of cinematic and literary theories, the thesis examines the extent to which filmic references have been absorbed into fictional writing and reflects upon the implications for such cultural transformations. The thesis also provides a detailed, historical background to the development of cinema in both islands, with a further analysis of the specific role played by the Hindi film in Tri

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Olivier, Francois. "A queer (re) turn to nature? : environment, sexuality and cinema." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95805.

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Thesis (MA)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This thesis is in interested in the potential of (New) Queer Cinema, with its often cited subversive qualities, as a means to delineate the historical and discursive dimensions of an ongoing relationship between the politics of nature and sexual politics, and to articulate the complex array of ideas that result from this relationship. In this thesis, I investigate how a selection of films actively reproduce, question, deconstruct, or reinforce particular constructions of nature and/or epistemologies of (homo)sexuality, often demo

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Barker, Jennifer. "The aesthetics of resistance modernism and antifascism /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178431.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.<br>Source: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2208. Adviser: Thomas Foster. "Title from dissertation home page (viewed Nov. 27, 2006)."

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Olsen, Thomas Grant. "Novel incest: Negotiating narrative paradox." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/289116.

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Novel Incest: Negotiating Narrative Paradox, investigates how representations of incest disrupt not only family relationships but narrative conventions as well. The conventions governing a narrative's structural movement from beginning to end are upset in ways that often mimic the destruction of family lineage that incest causes. Each narrative instance of incest marks reconsideration not only of Western kinship systems and, more recently, the discourse of bourgeois family structures, but also of specific aspects of the rhetoric of fiction. This history of family and narrative disruption is sk

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Cottle, Brent. "Superfluous absence: The secret life of the author in twentieth-century literature and film." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/279822.

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Superfluous Absence examines how writers of fictional narratives imagine readers that might read their texts and use these imagined readers--and the voices they represent--as leavening agents for the fictions they produce. In this theory, writers do not appeal to these readers except as they function as language and its desire to be decoded--as they function as language's desire for itself. Ultimately, the texts of fiction reach real-life readers and Superfluous Absence traces how authors struggle with the leavening agent of the reader's voice when the reader's voice becomes an actual social p

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Niemeyer, Paul Joseph. "Seeing Hardy: The critical and cinematic construction of Thomas Hardy and his novels." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284226.

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Cinematic adaptations of "classic" novels have long been viewed by filmmakers and critics as vehicles for understanding the art, mind, and even the personality of the original author. By examining the film and TV adaptations of Thomas Hardy's novels and by analyzing critics' opinions on the "fidelity" of these films to Hardy, we can see that this author is popularly perceived to be a pastoralist, classical tragedian, gloomy pessimist, and ardent social critic. Though there is considerable truth in these images, they do not convey all of who Hardy was and what his novels convey. Moreover, these

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Kidd, Kerry Siobhan. "Educating the audience : the idea of the audience in post-war English theatre and culture, 1945-1965, with particular reference to the English Stage Company at the Royal Court." Thesis, University of Sheffield, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391166.

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McLaughlin, Marc. "'Movie-made generation' : cinema-going and the novel in post-war Britain." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:60172f5a-148b-44a4-b24f-6f65ad8c7d1d.

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This thesis examines how the reading and writing of the post-war British novel is altered by the emergence of an 'everyday' cinema-going culture amongst young people in the 1920s, 30s and 40s. The thesis demonstrates how viewing and reading practices converge in the twentieth-century and how the resulting modification of the visual literacy of this new, 'movie-made' generation of 'cinesthetic' writers and readers refigures realism in this period. Such cinesthetic realism can be differentiated from the modernist mode of the 'camera-eye' by how it elicits interactive (and often sexist) affects a

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Donnelly, Ashley Minix. "Blank Power: The Social and Political Criticism of Blank Fiction and Cinema." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002643.

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Burrows, Jonathan. "'The whole English stage to be seen for sixpence' : theatrical actors and acting styles in British cinema, 1908-1918." Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327508.

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Sbrissa, Fernanda de Souza. "A independência das adapatações cinematográficas : uma análise de Amor Obsessivo (2004) e Desejo e Reparação (2007) /." São José do Rio Preto : [s.n.], 2012. http://hdl.handle.net/11449/99107.

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Orientador: Peter James Harris<br>Banca: Álvaro Luiz Hattnher<br>Banca: John Milton<br>Resumo: Este trabalho tem como objetivo discutir a noção de adaptação cinematográfica como independente do texto fonte, a partir de considerações a respeito do dialogismo e da intertextualidade, baseando-se principalmente em teóricos como Robert Stam (2000; 2004; 2008), Linda Hutcheon (2006), Christine Geraghty (2008) e Thomas Leitch (2008a; 2008b). Após um panorama das teorias da área, a dissertação analisa dois filmes baseados em dois romances do escritor inglês Ian McEwan, Amor Obsessivo (2004) e Desejo e

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Basea, Erato. "Literature and the Greek auteur : film adaptations in the Greek cinema d' auteur." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:cab79d67-f602-43f4-96b4-4f017b2b8efa.

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The focus of this thesis is to trace the dialogue between the Greek cinéma d' auteur and Greek literature focusing on film adaptations of Greek literature from 1964 to 2001. It is argued that film adaptations are a sensitive prism through which to examine the auteurs’ cultural politics regarding their work and, through that, understand the economy of the auteurist cultural production itself. The thesis consists of five chapters. Chapter One presents the history of the creation of the Greek cinéma d' auteur and traces its developments in relation to the concepts of national and high art. The pr

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Sengupta, Aparajita. "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_diss/129.

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In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. This dissertation conducts a study of the cinema from India with a view to examine the extent to which such cinema represents an anti-colonial vision. The

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Hanaway-Oakley, Cleo Alexandra. "'See ourselves as others see us' : a phenomenological study of James Joyce's Ulysses and early cinema." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:80821e26-de35-483a-a37c-7a4c60e138b7.

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This thesis examines James Joyce’s Ulysses (1922) and early cinema (c. 1895-1920) through Merleau-Pontian phenomenology. Instead of arguing for lines of direct influence between specific films and particular parts of Ulysses, I show that Joyce’s text and selected early films and film genres exhibit parallel philosophies. Ulysses and early cinema share similar ideas on the embodied nature of perception, the close relationship between mind and body, the intermingling of the human and the mechanical, intersubjectivity, and the subject’s inherence in the world. All of these shared ideas are inhere

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Draniewicz, Anna B. "Cut off by the 'Iron Curtain'." Thesis, University of Bradford, 2010. http://hdl.handle.net/10454/4927.

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Poland - like other Eastern and Central European countries - was for many years politically, socially and culturally cut off from the Western Europe. Did this have an impact on the representation of Polish cinema in English-language film criticism? Judging by the number of books about Polish cinema as a whole or about Polish directors and their films it would seem that the answer must be negative. However, a closer look at other books about world cinema and especially French cinematography proves that in spite of limited contacts Polish films were widely discussed in English-language liter

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Williams, Colby D. "Reading 9/11 in 21st Century Apocalyptic Horror Films." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/116.

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The tragedy and aftermath of the 9/11 terrorist attacks are reflected in American apocalyptic horror films that have been produced since 2001. Because the attacks have occurred only within the past ten years, not much research has been conducted on the effects the attacks have had on the narrative and technological aspects of apocalyptic horror. A survey of American apocalyptic horror will include a brief synopsis of the films, commentary on dominant visual allusions to the 9/11 attacks, and discussion of how the attacks have thematically influenced the genre. The resulting study shows that

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Baker, James J. III. "F. Scott Fitzgerald: A Hollywood Tragedy." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/266.

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F. Scott Fitzgerald was a product of the era he was at his zenith: the roaring 1920s. By the time he arrived in Los Angeles, he was short on money and the audience for his novels and writing was waning. This work explores his time in L.A., his attitude toward cinema & the Hollywood system, and how he incorporated what he learned from screenwriting into The Last Tycoon, the unfinished novel that Fitzgerald aimed to revive his own career with.

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Katz, Joshua. "Once Upon a Time in Tarantino-Occupied Carnage: A Study of the Aesthetic Affectations and the Moral Dilemmas Powering Violence in the Revenge Cinema of Quentin Tarantino." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/586.

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This thesis examines the critical response to Quentin Tarantino’s representations of screen violence, primarily the violent content in his three revenge thrillers: Kill Bill (2003-4), Inglourious Basterds (2009), and Django Unchained (2012). Throughout Tarantino’s career, critics have attacked him for aestheticizing bloodshed to such a degree that it becomes a glib, pop culture affectation, and the empirically larger amounts of violent content in the revenge thrillers has only encouraged this claim. This paper argues for a recontextualization of how Tarantino wields brutality throughout these

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Sbrissa, Fernanda de Souza [UNESP]. "A independência das adapatações cinematográficas: uma análise de Amor Obsessivo (2004) e Desejo e Reparação (2007)." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/99107.

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Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-08-06Bitstream added on 2014-06-13T19:39:20Z : No. of bitstreams: 1 sbrissa_fs_me_sjrp.pdf: 797233 bytes, checksum: 5bce352079a39193380ab347ca430734 (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Este trabalho tem como objetivo discutir a noção de adaptação cinematográfica como independente do texto fonte, a partir de considerações a respeito do dialogismo e da intertextualidade, baseando-se principalmente em teóricos como Robert Stam (2000; 2004; 2008), Linda Hut

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de, Feo-Giet Danielle Karanjeet J. "Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0.

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My thesis is dedicated to the study of popular, commercial cinema as a force within the discourse of national and personal identity in the rapidly changing mega-economies of India and China, and their diasporas, since the watershed year of 1990. Its purpose is to reveal the unique pattern of like and unlike that exists between the "Social Representations" (Serge Moscovici 2000) of contemporary India and China on screen through a juxtapositional comparative approach, close visual analysis, and the development of original theoretical tools. Tense networks of fantasy and anxiety emerge as popular

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Wagner, Nathan. "Turning Back Time: Duration, Simultaneity, and the Timeless in Fitzgerald and Fincher's Benjamin Button." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/85.

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This MA thesis seeks to apply Henri Bergson’s theory of time to a reading of F. Scott Fitzgerald’s “The Curious Case of Benjamin Button,” and David Fincher’s film adaptation of the text, The Curious Case of Benjamin Button. By applying Bergson’s notions of durée and simultaneity, timeless moments will be seen to emerge in the text and the film. I place Fitzgerald’s text in context with other seminal modernist works in order to provide a study of the importance of the story within its time period. Through Deleuze’s application of Bergson to cinema, I analyze the evolution of the time-image with

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Chavez, Katie Louise. "Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/939.

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By using adaptation theory and Linda Hutcheon’s depiction of adapters in the process of adaptation as “first interpreters and then creators” (18), this article argues how the original Sherlock Holmes illustrations, penciled most notably by Sidney Paget, are both a canonical element of the Holmes legacy and themselves an adaptation. This creates a means of exploring why and how the television show Sherlock Holmes (1984-1994), developed by Granada Television, uses the original Holmes illustrations as a source of adaptation to create the appearance of fidelity to Arthur Conan Doyle’s Sherlock Hol

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Brisset, Frédérique. "Cinéma d'auteur et doublage : le paradoxe Woody Allen." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2012. http://tel.archives-ouvertes.fr/tel-00914841.

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Le doublage, mode de TAV le plus répandu en France, est peu étudié par les chercheurs, pour diverses raisons : difficulté matérielle à saisir la parole orale, dévalorisation culturelle d'un mode né de la volonté des studios américains de toucher un public de masse, impossibilité d'assigner au film un auteur dans une production collective. Mais un cinéma d'auteur existe, en marge du système hollywoodien et donc peu représenté aux États-Unis. Woody Allen, cinéaste américain indépendant des majors, est un cas à part : il a su préserver son autonomie artistique tout en usant de réseaux internation

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Cundick, Bryce Moore. "Translating Huck: Difficulties in Adapting "The Adventures of Huckleberry Finn" to Film." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/256.

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Filmmakers have had four main difficulties adapting The Adventures of Huckleberry Finn to film: point of view, structure, audience and the novel's ending. By studying the different approaches of various directors to each obstacle, certain facts emerge about both the films and the novel. While literary scholars have studied Huck from practically every angle, none have sufficiently viewed the book through the lens of adaptation, despite the fact that it has been adapted to film and television over twenty times. The few critics who have studied the adaptations have done so using dated methodologi

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Carvalho, Júlio César Brandão. "Aquisição da língua inglesa: curtindo curtas na sala de aula." Universidade Católica de Pernambuco, 2016. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=1201.

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Essa pesquisa propõe a união de duas práticas que podem contribuir para a formação sociocultural de um indivíduo. De um lado a aquisição de uma língua, aqui, a inglesa em contexto escolar, a principal língua estrangeira aprendida na maioria das escolas ao redor do mundo, que é passível de ser reconhecida como língua internacional e vem desempenhando um papel importante com a possibilidade de um indivíduo ser entendido, parcialmente pelo menos, em quase todos os lugares, além de ser a língua predominante da mídia mundial, cinema, televisão, música e do mundo da informática, com ênfase na intern

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Mercuri, Martina <1997&gt. "Chinglish VS China English; varietà a confronto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21316.

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Lo scopo del presente lavoro di tesi è quello di fornire al lettore un’analisi del Chinglish, fenomeno linguistico nato dall’incontro tra la lingua cinese e la lingua inglese. Il Chinglish rappresenta una varietà di inglese, creata attraverso l’unione di parole e sintassi cinese; seppur la sua forma finale non risulti essere corretta, in quanto essa è una vera e propria mescolanza delle due lingue, vedremo come il suo ruolo, ovvero la comunicazione risulti essere di rilevante importanza. Nella prima parte dell’elaborato si ha un’introduzione riguardante l’inglese nel mondo, il ruolo che qu

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Marinelli, Federica <1996&gt. "The rise of zombie companies and anti-business logic behaviour in China, with a Chinese-English, English-Chinese terminographic database." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17629.

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"Zombie enterprises" usually refers to those companies that are in financial crisis but rely on the help of creditors to survive. At present, the problem of "zombie enterprises" in China is increasingly prominent and has serious consequences. Despite a remarkable economic achievement, development in China’s financial system has lagged behind: the system lacks diversity, since resources are concentrated in a small number of state-owned banks, with heavy regulation and political influence on state-owned banks which have led to a bias in credit allocation towards state-owned enterprises and priva

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Luo, Yadan <1998&gt. "A Research on English - Chinese Translation of Automobile Brand Names." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/22005.

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A brand name is not only the symbol of a product but also an essential part of marketing communication. When multinational companies promote their brands in a culturally different area or country, translation of brand names becomes inevitable, which is critical to the success of global brand management. This thesis takes automobile brand names as an example, trying to conduct research on the brand names translation strategy from the perspective of Skopostheorie. This thesis consists of six chapters: Chapter one presents the research background, significance, methodology, and structure of the t

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Pellegrini, Marco <1996&gt. "Luxury store design and visual merchandising with a Chinese-English terminological glossary." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17641.

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I principali temi trattati nell’elaborato riguardando l’industria della moda e del lusso, ambiti che, per quanto riguarda l’argomento scelto, sono strettamente collegati al mondo del retail e alle differenti modalità di vendita di un prodotto moda ad un cliente internazionale. Il mio elaborato consiste in quattro capitoli: dopo una breve introduzione sulle origini del punto vendita, il primo capitolo si concentra sulla spiegazione del design esterno del negozio, soffermandosi su elementi quali l’insegna, la facciata, l’entrata e la vetrina; un altro argomento affrontato riguarda anche la creaz

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Kolakoski, Mike. "The appeal to be heard and the trope of listening in classic film and African American literature." Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3590009.

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<p> This dissertation analyzes the narrative use of sound, the rhetorical appeal to be heard and the trope of listening in African American literature as well as Hollywood and international cinema. Contributing to the burgeoning fields of film sound and listening studies, Chapter One explores the relationship between the first experiments with synchronous sound recording technology and the construction of subjectivity along the lines of ethnicity, religion and gender in early talkies such as Al Jolson's <i>The Jazz Singer</i> and Alfred Hitchcock's <i>Blackmail.</i> Chapter Two surveys a range

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