Gotowe bibliografie tematyczne / English fiction 18th century History and criticism

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Gotowa bibliografia na temat „English fiction 18th century History and criticism”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "English fiction 18th century History and criticism"

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Green, Alison. "‘A Supreme Fiction’: Michael Fried and Art Criticism." Journal of Visual Culture 16, no. 1 (April 2017): 89–102. http://dx.doi.org/10.1177/1470412917700931.

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One of the striking aspects of the trenchant legacy of Michael Fried’s ‘Art and Objecthood’ is its status as a piece of art criticism. Widely perceived as difficult and personal, philosophical and explicatory, doxa or sermon, the essay stands out. To explore its singularity, this article compares Fried’s conception of the period criticism of 18th-century French painting in his book Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1980) and the method of criticism enacted in ‘Art and Objecthood’ (1967) which he saw as connected. The author pursues this and other crossi
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Zipfel, Frank. "The Pleasures of Imagination. Aspects of Fictionality in the Poetics of the Age of Enlightenment and in Present-Day Theories of Fiction." Journal of Literary Theory 14, no. 2 (September 25, 2020): 260–86. http://dx.doi.org/10.1515/jlt-2020-2007.

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AbstractInvestigations into the history of the modern practice of fiction encounter a wide range of obstacles. One of the major impediments lies in the fact that former centuries have used different concepts and terms to designate or describe phenomena or ideas that we, during the last 50 years, have been dealing with under the label of fiction/ality. Therefore, it is not easy to establish whether scholars and poets of other centuries actually do talk about what we today call fiction or fictionality and, if they do, what they say about it. Moreover, even when we detect discourses or propositio
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Mulalić, Lejla. "Redefining the Boundaries of Historical Writing and Historical Imagination in Carolyn Steedman’s Master and Servant: Love and Labour in the English Industrial Age." ELOPE: English Language Overseas Perspectives and Enquiries 10, no. 1 (May 9, 2013): 51–61. http://dx.doi.org/10.4312/elope.10.1.51-61.

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One of the dominant features of the late 20th and early 21st century academic debates on the nature of history is a curious form of radicalism both in the ranks of defenders of traditional approaches to history/historiography and eloquent champions of postmodern theories. These debates will provide the context for my reading of Steedman’s Master and Servant, which probes disciplinary boundaries of history and fiction in order to explore the unhistoricised ways of love and labour in 18th century industrial Yorkshire. As Steedman inhabits the position of both a professional historian, with all t
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Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (July 31, 2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.

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Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the chang
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ROLLS, ALISTAIR. "Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages." Australian Journal of French Studies 58, no. 1 (April 1, 2021): 76–87. http://dx.doi.org/10.3828/ajfs.2021.07.

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Drawing on recent innovations in detective criticism in France, this article broadens the quest to exonerate Poe’s famous orang-utan and argues that the Urtext of modern Anglo-American crime fiction is simultaneously a rejection of linguistic dominance (of English in this case) and an apologia for modern languages. This promotion of linguistic diversity goes hand in hand with the wilful non-self-coincidence of Poe’s detection narrative, which recalls, and pre-empts, the who’s-strangling-whom? paradox of deconstructionist criticism. Although “The Murders in the Rue Morgue” is prescient, foundin
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Abdurakhmanova-Pavlova, Daria V. "John Woolman’s image in the English non-fiction in the 1850–1940s: Hagiographical motives." Izvestiya of Saratov University. Philology. Journalism 22, no. 2 (May 23, 2022): 177–85. http://dx.doi.org/10.18500/1817-7115-2022-22-2-177-185.

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John Woolman, an 18th century Quaker preacher, is known in the history of American literature for his spiritual autobiography titled The Journal (1774). The 1850–1940s is a period when Woolman’s autobiographical character attracts the attention of British and American critics and essay writers. They publish a significant number of non-fiction texts, which contain numerous elements of hagiography in Woolman’s portraiture, depicting him as a saintly proto-abolitionist figure. According to recent studies, the pioneering role in Woolman’s literary “sanctification” belonged to the 19th century Amer
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Garcha, Amanpal. "FORGETTING THACKERAY AND UNMAKING CAREERS." Victorian Literature and Culture 46, no. 2 (May 16, 2018): 531–45. http://dx.doi.org/10.1017/s1060150318000128.

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One of the peculiar challengesfacing scholars who wish to write about Thackeray's fiction is locating a dominant critical account to argue against. TheMLA Bibliographycontains a great number of examples of scrupulously argued, compelling research into Thackeray's body of writing, but few if any of them have reached any kind of canonical status as the (or even one of the) interpretive accounts that define how critics understand his fiction. It can seem, for example, that Thackeray is either consciously or unconsciously evaded by many scholars seeking to develop overarching, defining accounts of
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Khramov, Alexander. "Did God create fossils? Notes on the history of an idea." St. Tikhons' University Review 104 (December 29, 2022): 29–45. http://dx.doi.org/10.15382/sturi2022104.29-45.

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The subject of the paper is prochronism, e.g. the teaching which says that the world was created with the appearance of old age. It is shown that the sources of prochronism could be traced to the medieval doctrine of double truth and philosophy of Descartes, who suggested that cosmological theories on the origin of the Universe are purely conditional, while in fact the world was instantly created complete and mature. The idea of apparent, but non-existent past gained much credence during the first half of the 19th century, when paleontological and geological discoveries raised a question on ho
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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l
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Tetenova, Mariia Aleksandrovna. "Edgar Allan Poe's journey to Russia: fiction and reality." Litera, no. 6 (June 2024): 28–36. http://dx.doi.org/10.25136/2409-8698.2024.6.70956.

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This study highlights the history of E.A. Poe's work on the Russian literary scene, shedding light on the cultural, historical and editorial factors that determined its existence in Russia in the nineteenth century. In analysing the translations, we have resorted to the study of existing studies on the subject, archival materials of the Russian press, literary criticism etc. The aim of the study was to reconstruct the specific context and the specific conditions under which the work of Poe penetrated into Russia, which would also allow us to illustrate the key role of translators in the presen
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Rozprawy doktorskie na temat "English fiction 18th century History and criticism"

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Johnson, Nancy E. (Nancy Edna) 1956. "The "equivocal spirit" of law : property, agency and the contract in the English Jacobin novel." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29054.

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In the 1790s, the English Jacobin novelists became vital participants in the fiery debates over natural and civil rights. Energized by the success of the American Revolution and inspired by the calls for l'egalite, la liberte, la surete, and la propriete in France, the Jacobin authors contributed their narratives to the British campaigns for reform of parliament and extension of the franchise. In this dissertation, I argue that the Jacobin novel furnishes crucial insights into the development of a theory of juridical rights in the late eighteenth century. Working in the early modern traditions
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Guthrie, Neil. "A thousand wrecks! : rakes' progresses in some eighteenth century English novels." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:b08473d6-9cae-4a14-b7a7-3e40cf7bb283.

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This thesis examines the figure of the rake as portrayed in the eighteenth-century English novel, a character strangely neglected in critical studies. The first chapter examines 'libertine' writers of the later seventeenth and early eighteenth centuries, notably Bernard de Mandeville; and the dilemma faced by educators of the day over the benefits of virtue on the one hand, and of worldly wisdom on the other. While Mandeville and other lesser defenders of the rake were very much a scandalous minority early in the eighteenth century, it appears that by about mid century a more moderate strain o
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Ahern, Stephen. "Between duty and desire : sentimental agency in British prose fiction of the later eighteenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0027/NQ50101.pdf.

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Scott, Linda Kane. "The Inheritance Novel: The Power of Strict Settlement Language in Clarissa, Evelina and Pride and Prejudice." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/ScottLK.pdf.

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Moore, Paul Henry. "Death in the eighteenth-century novel, 1740-1800." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:5def918a-a899-4650-8850-efcacf3f4bf1.

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This thesis examines the development of the novel in the eighteenth century in relation to changing attitudes to death, and looks at how far shifting notions of the moral purpose of the novel and subsequent changes in its treatment of deathbed scenes, murders, duels, suicides and speculations about heaven and hell reflect changing beliefs and the modification of strict Christian ideals to accommodate or combat new feelings and philosophies. In establishing this background, the thesis draws upon popular devotional literature, sermons, minor novelists (such as Sarah Fielding and Henry Mackenzie)
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Shannon, Josephine E. "From discourse to the couch : the obscured self in eighteenth- and nineteenth-century epistolary narrative." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34533.

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Although the letter purports to represent fact, it cannot avoid having a partly or potentially fictive status, turning as it does on the complex interplay between the real and the imagined. Consequently, the main critical approach of this paper is to consider the interactions between conflicting modes of expression in eighteenth- and nineteenth-century epistolary fiction. The rhetorical and conceptual contrarieties that I examine are broadly characterized by the contradiction between the implied spontaneity of the familiar letter and the inevitable artifice of its form. Working with familiar l
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Angel-Cann, Lauryn. "Stretched Out on Her Grave: Pathological Attitudes Toward Death in British Fiction 1788-1909." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4271/.

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Nineteenth-century British fiction is often dismissed as necrophillic or obsessed with death. While the label of necrophilia is an apt description of the fetishistic representations of dead women prevalent at the end of the century, it is too narrow to fit literature produced earlier in the century. This is not to say that abnormal attitudes toward death are only a feature of the late nineteenth century. In fact, pathological attitudes toward death abound in the literature, but the relationship between the deceased and the survivor is not always sexual in nature. Rather, there is a clear shift
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Poston, Craig A. (Craig Alan). "The Problematic British Romantic Hero(ine): the Giaour, Mathilda, and Evelina." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278684/.

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Romantic heroes are questers, according to Harold Bloom and Northrop Frye. Whether employing physical strength or relying on the power of the mind, the traditional Romantic hero invokes questing for some sense of self. Chapter 1 considers this hero-type, but is concerned with defining a non-questing British Romantic hero. The Romantic hero's identity is problematic and established through contrasting narrative versions of the hero. This paper's argument lies in the "inconclusiveness" of the Romantic experience perceived in writings throughout the Romantic period. Romantic inconclusiveness can
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Bowen, Michael John. "Uncertain affections : representations of trust in the British sentimental novel of the eighteenth century." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38158.

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This thesis examines representations of trust in selected British sentimental novels of the eighteenth century. It focuses principally on the manner in which sentimental prose fiction reflects and participates in the shift from premodern to modern formations of trust. Commenting on the nature of modern trust, Anthony Giddens claims that, with the move to modernity, trust relations in the intimate sphere become increasingly dependent on emotional mutuality, while trust in institutions becomes increasingly impersonal and disengaged from assessments of moral character.<br>My work explores this du
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Maia, Ludmila de Souza 1984. "Os descaminhos de Clarissa entre o campo e a cidade = o romance de Samuel Richardson e a Sociedade inglesa do século XVIII." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279017.

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Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T12:05:41Z (GMT). No. of bitstreams: 1 Maia_LudmiladeSouza_M.pdf: 993926 bytes, checksum: 64b05d09592660e1a62b9845a8551faa (MD5) Previous issue date: 2011<br>Resumo: Este trabalho se dedica ao estudo do romance epistolar 'Clarissa, or the history of a young lady', de autoria do inglês Samuel Richardson, publicado entre os de anos 1747-48. O propósito é realizar uma pesquisa historiográfica através da interpretação da narrativa literária. A obra, objet
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Książki na temat "English fiction 18th century History and criticism"

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Probyn, Clive T. English fiction of the eighteenth century, 1700-1789. London: Longman, 1987.

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Brophy, Elizabeth Bergen. Women's lives and the 18th-century English novel. Tampa: University of South Florida Press, 1991.

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J, Richetti John, ed. The Cambridge companion to the Eighteenth-Century novel. Cambridge [England]: Cambridge University Press, 1996.

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Halperin, John. Jane Austen's lovers: And other studies in fiction and history from Austen to le Carré. New York: St. Martin's Press, 1988.

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Zimmerman, Everett. The boundaries of fiction: History and the eighteenth-century British novel. Ithaca, NY: Cornell University Press, 1996.

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Bartolomeo, Joseph F. A new species of criticism: Eighteenth-century discourse on the novel. Newark: University of Delaware Press, 1994.

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Kraft, Elizabeth. Character & consciousness in eighteenth-century comic fiction. Athens: University of Georgia Press, 1992.

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Heinz, Sarah, and Nora Kuster. Subject cultures: The English novel from the 18th to the 21st century. Tübingen: Narr Francke Attempto, 2016.

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Backscheider, Paula R. A companion to the eighteenth-century English novel and culture. Chichester, West Sussex [England]: Wiley-Blackwell, 2009.

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W, Uphaus Robert, ed. The Idea of the novel in the eighteenth century. East Lansing, MI: Colleagues Press, 1988.

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Części książek na temat "English fiction 18th century History and criticism"

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France, Peter, and Kenneth Haynes. "Philosophy, History, and Travel Writing." In The Oxford History Of Literary Translation In English, 473–504. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199246236.003.0011.

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Abstract The translation of non-fiction (a category invented in the nineteenth century and developed for the use of libraries) is represented in this chapter by philosophy, history, biography, political and social criticism, and the literature of travel and exploration, the last being a capacious genre, combining science with historical and philosophical reflections. Such works accounted for more than a third of the published translations in the years examined in Chapter 4, above, and they include several popular and critical successes, such as the several histories by Guizot or Humboldt’s Cosmos. The discussion of classical philosophy in this first section, emphasizing the influence of ideas, is meant to complement the discussion in Chapter 5, which treats classical works as literature; Lucretius is discussed in both places.
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Streszczenia konferencji na temat "English fiction 18th century History and criticism"

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Макарьев, И. В. "Friedrich Schlegel's understanding of history in the context of the philosophy of history of the XX – early XXI centuries." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.83.19.061.

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в философии истории ХХ в. можно выделить двоякую тенденцию. С одной стороны, классическая философия истории подвергается радикальной критике (в немецкой философской герменевтике, французском структурализме и постструктурализме, англоязычной аналитической философии), а с другой стороны, она продолжается и развивается в различных концепциях и теориях («столкновение цивилизаций» С. Хантингтона, «конец истории» Ф. Фукуямы). Такая двойственность (критика философии истории и ее развитие) не является характеристикой только нашей современности. Выдающийся немецкий филолог и философ Фридрих Шлегель (17
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