Gotowe bibliografie tematyczne / English fiction 20th century History and criticism

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Gotowa bibliografia na temat „English fiction 20th century History and criticism”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "English fiction 20th century History and criticism"

Khramov, Alexander. "Did God create fossils? Notes on the history of an idea." St. Tikhons' University Review 104 (December 29, 2022): 29–45. http://dx.doi.org/10.15382/sturi2022104.29-45.

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The subject of the paper is prochronism, e.g. the teaching which says that the world was created with the appearance of old age. It is shown that the sources of prochronism could be traced to the medieval doctrine of double truth and philosophy of Descartes, who suggested that cosmological theories on the origin of the Universe are purely conditional, while in fact the world was instantly created complete and mature. The idea of apparent, but non-existent past gained much credence during the first half of the 19th century, when paleontological and geological discoveries raised a question on ho

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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l

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Kisieliūtė, Ingrida. "Literature and Economics. Another Way to Read the Text." Respectus Philologicus 28, no. 33 (October 25, 2015): 31–40. http://dx.doi.org/10.15388/respectus.2015.28.33.3.

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At the end of the 20th century, the study of literature was supplemented by such new methods as biopoetics, geopoetics, new historicism, etc. The New Economic Criticism, a new approach to the literary text, was found in the United States in the late 20th century. The present article discusses the main aspects of the aforementioned area of the study of literature and as well presents the possible approaches to literary texts from the economic perspective. The New Economic Criticism does not aim to become a method or tendency; thus, it givesthe freedom for a researcher to choose the perspective

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Burlakova, I. I., G. A. Khorokhorina, E. V. Glukhova, and M. A. Golovyashkina. "THE USE OF TWENTIETH-CENTURY BRITISH LITERATURE IN THE TEACHING OF ENGLISH TO STUDENTS." ВЕСТНИК ВОРОНЕЖСКОГО ГОСУДАРСТВЕННОГО ТЕХНИЧЕСКОГО УНИВЕРСИТЕТА, no. 2(41) (December 24, 2023): 24–32. http://dx.doi.org/10.36622/mlmdr.2023.69.89.003.

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Statement of the problem. Against the background of the abolition of Russian culture in European countries, we believe that Russian students need to develop general cultural and foreign language communicative competence on the best examples of world culture. British literature of the 20th century is directly connected with the events of life of the previous time and is represented by the works of such writers as J. Galsworthy, A. Conan Doyle, R. Kipling, W. Maugham, O. Wilde, H. G. Wells, B. Shaw, etc. British literature of the XX century is realist and modernist works, fantasy, detectives and

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Huisman, Rosemary. "The discipline of English Literature from the perspective of SFL register." Language, Context and Text 1, no. 1 (February 4, 2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.

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AbstractThe paper first traces the history and elaboration of the tertiary discipline English Literature through the 19th and 20th centuries to the present day, with special focus on the axiology, the values, given to the discipline and with a brief account of literary criticism and literary theory. It then refers to the work on registerial cartography in systemic functional linguistics (SFL) and explores the register of the contemporary discipline in first-order field of activity and second-order field of experience, with examples from the language of webpages and exam papers of Australian un

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Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (July 31, 2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.

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Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the chang

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Rudova, Oksana S. "Nikolai Gogol's text in the works of Vladimir Nabokov: the history of foundation of the issue in criticism and literary studies." Vestnik of Kostroma State University, no. 2 (2019): 148–53. http://dx.doi.org/10.34216/1998-0817-2019-25-2-148-153.

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The author of the article tried to trace the formation of the idea about the connection of the works of Vladimir Nabokov with Nikolai Gogol's tradition based on the material of the Russian émigréecritics’ works of and literary critics of the 20th—21st centuries. This process is considered as a progressive one, largely specified by the development of researching idea. The émigréecriticism saw the reason for the similarity these writers’ works in their similar aesthetics based on the relationship of the perception of the world and the human. In turn, literary studies of the late 20th century pre

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ROLLS, ALISTAIR. "Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages." Australian Journal of French Studies 58, no. 1 (April 1, 2021): 76–87. http://dx.doi.org/10.3828/ajfs.2021.07.

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Drawing on recent innovations in detective criticism in France, this article broadens the quest to exonerate Poe’s famous orang-utan and argues that the Urtext of modern Anglo-American crime fiction is simultaneously a rejection of linguistic dominance (of English in this case) and an apologia for modern languages. This promotion of linguistic diversity goes hand in hand with the wilful non-self-coincidence of Poe’s detection narrative, which recalls, and pre-empts, the who’s-strangling-whom? paradox of deconstructionist criticism. Although “The Murders in the Rue Morgue” is prescient, foundin

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Bouso, Tamara, and Pablo Ruano San Segundo. "Another turn of the screw on the history of the reaction object construction." Functions of Language 28, no. 2 (April 7, 2021): 208–31. http://dx.doi.org/10.1075/fol.20026.bou.

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Abstract This article deals with the Reaction Object Construction (ROC), as in She smiled disbelief, where an intransitive verb (smile), by adding an emotional object (disbelief), acquires the extended sense “express X by V−ing” (i.e. “She expressed disbelief by smiling”). Earlier research has suggested a diachronic connection between the ROC and Direct Discourse Constructions (DDCs) of the type She smiled, “I don’t believe you” (Visser 1963–1973). More recently, Bouso (2018) has shown that the ROC is primarily a feature of 19th century narrative fiction. This paper aims to bring together thes

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Belmonte, Javier Jiménez. "Contra molinos y maestros: La Difesa di Dulcinea de Gherardo Marone y el quijotismo italiano." Cervantes 35, no. 2 (September 2015): 103–28. http://dx.doi.org/10.3138/cervantes.35.2.103.

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This article explores an important episode in the history of Italian quijotismo initiated by the publication in 1919 of Difesa de Dulcinea-by the Neapolitan writer Gherardo Marone-and its confrontational view towards the most influential writer and quijotista of the early 20th century in Italy: Giovanni Papini. By combining creative fiction and literary criticism, personal reflection and political urgency around the figure of Don Quijote (as seen by Miguel de Unamuno in his Vida de don Quijote y Sancho), the Difesa proposes a tenacious examination of the Italian literary field during the “dopo

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Rozprawy doktorskie na temat "English fiction 20th century History and criticism"

Chan, Wing-chun Julia, and 陳永晉. "Towards an aesthetics of cliché: cultural recycling and contemporary fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42182311.

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Sabatini, Sandra. "Making babies, representations of the infant in 20th century Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60564.pdf.

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Masters, Benjamin Scott. "The ethics of excess : style and morality in British fiction since the 1960s." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648740.

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Ingham, Michael Anthony. "Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20275961.

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Blatchford, Mathew. "The old New Wave : a study of the 'New Wave' in British science fiction during the 1960s and early 1970s, with special reference to the works of Brian W. Aldiss, J.G. Ballard, Harry Harrison and Michael Moorcock." Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/22150.

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Bibliography: pages 174-184.<br>This thesis examines the 'New Wave' in British science fiction in the 1960s and early 1970s. The use of the terms 'science fiction' and 'New Wave' in the thesis are defined through a use of elements of the ideological theories of Louis Althusser. The New Wave is seen as a change in the ideological framework of the science fiction establishment. For oonvenience, the progress of the New Wave is divided into three stages, each covered by a chapter. Works by the four most prominent writers in the movement are discussed.

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Abu-Manneh, Bashir. "Fiction of the New statesman, 1913-1939." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:a2444f4a-ee6b-4063-afbf-26348bd22356.

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This thesis is the first systematic study of short stories published in the New Statesman [NS] weekly magazine from its foundation in 1913 to 1939. The main question it seeks to address is what type of fiction did a mainstream socialist publication like the NS publish then? By chronologically charting dominant literary figures and themes, the thesis aims to discern significant cultural tendencies and editorial principles of selection. Following Raymond Williams' 'cultural materialism', fiction is read in its relation to social history, as a 'representation of history'. Chapter 1 deals with the

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Hill, Colin. "The modern-realist movement in English-Canadian fiction, 1919-1950." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19471.

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This dissertation offers the first comprehensive examination of realism in English-Canadian fiction of the early twentieth century. It argues for the existence of a "modern-realist" movement that is Canada's unique and unacknowledged contribution to the collection of international movements that makes up literary modernism. This argument involves a detailed analysis of the aesthetics, aims, preoccupations, and techniques of the modern realists, a reexamination of the oeuvres of the movement's most prominent writers, and a critical reevaluation of the "modernity" of Canada's three most signific

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Gasiorek, Andrew B. P. (Andrew Boguslaw Peter). "A crisis of metanarratives : realism and innovation in the contemporary English novel." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74280.

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Critics of the English novel, arguing that it is underpinned by liberalism, frequently claim that the crisis of realism disclosed in the work of many contemporary writers derives from a concomitant crisis of liberalism. Liberalism's dissolution is thus seen to prefigure the death of the novel. This dissertation contends that realism cannot be equated with liberalism and that the contemporary crisis of representation signals a broader crisis of metanarratives.<br>Focussing on selected novels of five post-war English novelists--B. S. Johnson, Doris Lessing, John Berger, Iris Murdoch, and Angus W

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Brazil, Kevin. "The work of art in postwar fiction, 1945-2001." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:f8102451-09cf-4f92-8e6e-e7c1ced2641c.

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'The Work of Art in Postwar Fiction 1945-2001' explores the responses of postwar novelists to visual art by focusing on the work of Samuel Beckett, William Gaddis, John Berger and W.G. Sebald. In doing so, it opens up a new approach to understanding the relationship between fiction and art in the postwar period as a whole, for what distinguishes these writers is that they use an engagement with visual art in order to historicize their own work as distinctly 'postwar' fiction. This thesis shows that in the writings of these novelists, long running aesthetic issues in the study of the relationsh

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Hill, Geoffrey Burt. "'A breeding-ground of authors' : South East Asia in British fiction, 1945-1960." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708370.

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Książki na temat "English fiction 20th century History and criticism"

Poruciuc, Norbert A. The status of anthroponyms in 20th century Romanian and English fiction. Iași: Casa Editorială Demiurg, 2005.

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Gupta, Santosh, and Preeti Bhatt. Contemporary British fiction: History and the present. Jaipur: Rawat Publications, 2007.

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Christoph, Ribbat, ed. Twenty-first century fiction: Readings, essays, conversations. Heidelberg: Winter, 2005.

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Parrinder, Patrick. The failure of theory: Essays on criticism and contemporary fiction. Totowa, N.J: Barnes & Noble Books, 1987.

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Stevenson, Randall. Modernist fiction. New York: Prentice Hall, 1997.

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1953-, Mengham Rod, ed. An introduction to contemporary fiction: International writing in English since 1970. Cambridge: Polity Press, 1999.

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English Fiction in the 1930s: Language, Genre, History. Bloomsbury Publishing Plc, 2006.

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English Fiction in The 1930s: Language, Genre, History. Bloomsbury Publishing Plc, 2006.

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English Fiction in The 1930s: Language, Genre, History. Bloomsbury Publishing Plc, 2006.

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Salvan, Paula Mart, Gerardo Rodr Salas, and Juli Heffernan. Community in Twentieth-Century Fiction. Palgrave Macmillan, 2013.

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Części książek na temat "English fiction 20th century History and criticism"

Haltrin-Khalturina, Elena V. "From the English Renaissance Literary History: Sherry, Puttenham, Spenser, and Shakespeare on Fictions." In “The History of Literature”: Non-scientific sources of a scientific genre, 132–58. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-132-158.

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A survey of academic histories of literature published in the 19th and 20th centuries in different countries reveals that, while thoroughly covering the English Renaissance poetics, the scholarship allows for a variety of views on Tudor literary theory and on what constitutes literary canon. Considering this variety of views, we also have to be aware of two different perspectives on the large body of literary art of the 16th-century: the present-day and the Elizabethan. Drawing on a substantial number of sources, we offer a general account of influential theoretical (poetological and rhetorical) works known in the 16th-century Great Britain, including those written in English. Also of note are educational treatises, “mirror” literature, and metaliterary comments withing literary works. Authors of those treatises used to interpret fiction as something feigned, counterfeit — an attitude informing ludic passages in Spenser and Shakespeare. Whereas the techniques of fashioning fictions by way of employing figures of feigned/counterfeit representation were addressed in detail by such critics as R. Sherry and G. Puttenham, the poets — Spenser and Shakespeare — seemed to be testing these techniques in practice. Our study pays particular attention to methods used by Spenser and Shakespeare when creating simulated, fictional reality.

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France, Peter, and Kenneth Haynes. "Philosophy, History, and Travel Writing." In The Oxford History Of Literary Translation In English, 473–504. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199246236.003.0011.

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Abstract The translation of non-fiction (a category invented in the nineteenth century and developed for the use of libraries) is represented in this chapter by philosophy, history, biography, political and social criticism, and the literature of travel and exploration, the last being a capacious genre, combining science with historical and philosophical reflections. Such works accounted for more than a third of the published translations in the years examined in Chapter 4, above, and they include several popular and critical successes, such as the several histories by Guizot or Humboldt’s Cosmos. The discussion of classical philosophy in this first section, emphasizing the influence of ideas, is meant to complement the discussion in Chapter 5, which treats classical works as literature; Lucretius is discussed in both places.

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Busse, Beatrix. "Introduction." In Speech, Writing, and Thought Presentation in 19th-Century Narrative Fiction, 1–20. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190212360.003.0001.

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In her introductory chapter, the author specifies the aims of the study and its theoretical background. Basing her approach on Leech and Short’s (1981) and Semino and Short’s (2004) categories of discourse presentation, she further develops their model to suit 19th-century fiction and to enable corpus annotation for quantitative next to qualitative investigation, in order to allow for systematically investigating the previously impressionistic observations about discourse presentation modes in historical English on a sound empirical basis. She further outlines how her corpus-stylistic approach will be enriched by contextualization to address the portrayal of subjectivity as well as diachronic pragmatic differences between 19th- and 20th-century narrative fiction. Defining the key issues in her approach of New Historical Stylistics, the study is to provide new insights into the nature of 19th-century narrative fiction that are useful for corpus stylistics, text-linguistics, historical linguistics and pragmatics, as well as narratology and literary criticism.

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Rogachewskaya, Marina S. "History of Fiction as the History of Human Consciousness (Based on D. Lodge’s Work “Consciousness and the Novel”)." In “The History of Literature”: Non-scientific sources of a scientific genre, 318–33. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-318-333.

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Fiction and the relevant conceptualizing academic discipline have been developing in parallel. Human consciousness is simultaneously a tool for understanding the world and its artistic representation and the object of human comprehension of our inner nature. Consciousness has been represented in fiction beginning from its perception as a material substance in the Middle Ages, through naming the emotions, expansion of the range of feelings depicted in the Renaissance literature, through the first-person narration and identification of the thought and the word, towards the discovery of the unconscious and the ways of its representation in the epoch of Modernism, and equation of the processes of consciousness and the principles of functioning of the artificial intelligence during the Postmodern period. Consciousness as a tool became an object of artistic discovery in the 20th century inspiring the emergence of the “novel of consciousness” genre. The English writer and critic D. Lodge in his work “Consciousness and the Novel” expounded the basic caveats about human consciousness, drawing attention to the contingence of fiction and science, as well as fiction and the history of its studies.

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