Gotowe bibliografie tematyczne / English poetry 14th century History and criticism

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Gotowa bibliografia na temat „English poetry 14th century History and criticism”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 19 lutego 2022

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Artykuły w czasopismach na temat "English poetry 14th century History and criticism"

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Mehl, Scott. "Early Twentieth-Century Terms for New Verse Forms (‘free verse’ and others) in Japanese and Arabic." Studia Metrica et Poetica 2, no. 1 (July 7, 2015): 81–106. http://dx.doi.org/10.12697/smp.2015.2.1.04.

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In the first half of the twentieth century, when Japanese and Arabic poets began writing free-verse poetry, many terms were proposed as labels for the new form. In addition to the calques on “free verse,” neologisms were created to name the new poetry. What is striking is that, in these two quite different literary spheres, a number of the proposed neologisms were the same: for example, in both Japanese and Arabic the terms prose poetry, modern poetry, and colloquial poetry were proposed (among others) as alternatives to the label free poetry. This essay provides an annotated list of the neolo
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Burney, Fatima. "Strategies of Sound and Stringing in Ebenezer Pocock's West–East Verse." Comparative Critical Studies 17, no. 2 (June 2020): 319–36. http://dx.doi.org/10.3366/ccs.2020.0365.

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In an effort to capture how Orientalist translations, imitations and criticism of Asian poetry came to inform the idealization of lyric as a universal genre, this paper focuses on the practice of poetic metre in the nineteenth century. How did Victorian conceptions of recitational communities, bounded by shared ‘national’ metres, square against the wealth of translated works that were a major component of Victorian print culture? The amateur Orientalist Ebenezer Pocock explained various metres and musical practices associated with ‘Persian lyrics’ in his book Flowers of the East (1833) and off
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EVERIST, MARK. "Motets, French Tenors, and the Polyphonic Chanson ca. 1300." Journal of Musicology 24, no. 3 (2007): 365–406. http://dx.doi.org/10.1525/jm.2007.24.3.365.

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Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the early 14th century, our understanding is dominated by views drawn from lyric poetry, romance, criticism of musical and literary register, traditions of performance, and other abstract conceptualizations of this remarkable moment in the history of music. But there exists an extensive body of musical evidence that points to an energetic and sophisticated experimentation with musical and poetic elements that anticipated the style of polyphonic song cultivated by Machaut and his contemporaries. One such
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Komarytsia, Mariana. "The culturology horizons of Mykola Hnatyshak`s publicism." Proceedings of Research and Scientific Institute for Periodicals, no. 9(27) (2019): 376–402. http://dx.doi.org/10.37222/2524-0331-2019-9(27)-23.

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In the article is analyzed the Mykola Hnatyshak`s publicistic works, which are concentrated in the publications of the author’s column «From the Literary Life» in the newspaper «Meta» (Lviv, 1931—1939). This Catholic critic led this column during 1935—1939 and published there his own articles, notes, reviews and polemical materials. M. Hnatyshak founded a column to persuade those representatives of the intellectuals who believed that literature and art were social phenomena that did not bring a material benefit that these intellectuals were not wright. He also defined the conception of «Cathol
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Voss, Tony. "Where Roy Campbell stands." Literator 34, no. 1 (July 25, 2013). http://dx.doi.org/10.4102/lit.v34i1.378.

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Although critical interest in Roy Campbell’s work remains lively and his place in South African literary history seems secure, he is not a vital presence in the new South Africa; his work has become peripheral to metropolitan English literature, a small manifestation of a more general shift in global culture. Where then does Roy Campbell stand? Is there a new context for his work? In a review of a range of criticism from the first decade of the 21st century, this article finds that Roy Campbell’s work can be rewardingly read in the context of the Graeco-Roman classical inheritance that he embr
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Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre
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Canny, Brian Gerard. "The economics and ethics of Celtic Ireland." REVISTA PROCESOS DE MERCADO, March 19, 2021, 215–38. http://dx.doi.org/10.52195/pm.v7i2.279.

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For thousands of years the Gaelic speaking territories of north-western Europe were home to a polycentric legal order that has been of great interest to Austro-libertarian theorists in the field of free-market legal reform (Rothbard, For a New Liberty, 1970). This ancient legal system, known as «Brehon law» after the caste of professional judges called Brehons who wrote and upheld the laws, was best preserved on the island of Ireland where it remained in place from pre-history up until the 17th century.
 To understand the economics and ethics of this early Irish legal system one must firs
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Bowles-Smith, Emily. "Recovering Love’s Fugitive: Elizabeth Wilmot and the Oscillations between the Sexual and Textual Body in a Libertine Woman’s Manuscript Poetry." M/C Journal 11, no. 6 (November 28, 2008). http://dx.doi.org/10.5204/mcj.73.

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Elizabeth Wilmot, Countess of Rochester, is best known to most modern readers as the woman John Wilmot, Earl of Rochester, abducted and later wed. As Samuel Pepys memorably records in his diary entry for 28 May 1665:Thence to my Lady Sandwich’s, where, to my shame, I had not been a great while before. Here, upon my telling her a story of my Lord Rochester’s running away on Friday night last with Mrs Mallet, the great beauty and fortune of the North, who had supped at Whitehall with Mrs Stewart, and was going home to her lodgings with her grandfather, my Lord Haly, by coach; and was at Charing
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Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end
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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d
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Rozprawy doktorskie na temat "English poetry 14th century History and criticism"

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Emig, Rainer. "The end of modernism in English poetry." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:c02149d4-6f3b-4368-b20e-d8e669514ccf.

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'End' as 'goal' and 'limit' is explored in signs, symbols, metaphors, metonymies, and myths in the works of G.M. Hopkins, Yeats, Eliot, and Pound, before the study examines the aesthetics of modernist poetry which - through psychoanalysis, economy, and language philosophy - presents itself as one facet of the 'modernist project'. Modernist poetry struggles with its material, the lacking motivation of signs, the unstable connection of signifier and signified. Already in Hopkins this creates tensions between mimetic endeavour and construction. Appropriation and distancing as compensation strateg
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Ni, Xia Jia. "From imagism to informationism :a study of 20th century experimental poetry in English." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953521.

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Maxwell, Catherine. "Looking and perception in nineteenth century poetry." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:8f4ff9be-6c07-4060-b777-6a7402d024c7.

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The thesis examines a series of nineteenth century poets whose poems are concerned with complex relations of looking and perception, and concentrates on Shelley and the poets he influenced: Browning, Rossetti, Swinburne, and Hardy. It focusses on poems dealing with the visual arts and aesthetic modes of perception, and concludes with a study of Walter Pater - an unrecognised follower of Shelley - and his notions of artistic character. An emphasis on the way face and bodily form are scrutinised, in poems concerning painting, sculpture and portraiture, leads to the hypothesis that the way the po
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Moore, Natasha Lee. "The unpoetical age : modern life and the mid-Victorian long poem." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610158.

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Hazzard, Oli. "Trying to have it both ways : John Ashbery and Anglo-American exchange." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:87f922c5-79dc-4fd5-85dd-50c4a7661015.

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This dissertation explores John Ashbery's interactions with several generations of English poets, during a period which ranges from the late 1940s to the present day. It seeks to support two principle propositions: that Ashbery's engagements with contemporaneous English poets had a decisive influence on his poetic development; and that Ashbery's own poetic and critical work can be employed to revise our understanding of mid-to-late 20th century English poetry. The dissertation demonstrates that Ashbery's relationships with four English poets - W.H. Auden, F.T. Prince, Lee Harwood and Mark Ford
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Bennett, Sarah. "The American contexts of Irish poetry, 1950-present." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.

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Cox, Octavia. "Pope's poetic legacy, 1744-1830." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:236ec8eb-4d21-43c6-b4eb-8c7b349447ef.

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Jerome McGann observes that 'Deceptive apparitions haunt romantic writing'. This thesis investigates one such haunting apparition; it analyses the ways in which selected eighteenth- and early nineteenth-century poets engage with the poetry of Alexander Pope. The received view of "Romantic" anti-Popeanism is expressed in comments such as that of William Hazlitt's 'I do not think there is any point of sympathy between Pope and the Lake School: on the contrary, I know there is an antipathy between them'. There is plenty of evidence to suggest some Romantic writers had an aversion to the previous
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Louw, Denise Elizabeth Laurence. "A study of the numinous presence in Tennyson's poetry." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005891.

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From Preface: A reader looking to this study for a charting of the diverse religious views held by Tennyson at different periods in his life may be disappointed. My primary concern has been not with religious forms, but with the numinous impulse. However, though I approached the topic with a completely open mind, I find my own Christian convictions have been strengthened through the study of Tennyson's poetry. As the title indicates, I have not attempted to deal with the plays. To explore both the poetry and the plays in a study of this length would have been impossible. I have perhaps been so
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Holmgren, Michele J. "Native muses and national poetry, nineteenth-century Irish-Canadian poets." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq28493.pdf.

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McDermott, Lydia Eva. "Gerard Manley Hopkins's poetic art as "current language heightened" : (with reference to selected sonnets and in the light of contemporary stylistic theory)." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1002019.

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The aim of this thesis is twofold: To examine Hopkins's writings on poetics and to relate these to modern theories of poetic stylistics; and to show, through an examination of two sets of Hopkins sonnets, the ways in which Hopkins's writings on language and poetics are reflected in his verse (Introductory outline, p. 5)
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Książki na temat "English poetry 14th century History and criticism"

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Reading eighteenth-century poetry. Malden, MA: Wiley-Blackwell, 2009.

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Reading sixteenth-century poetry. Malden, MA: Wiley-Blackwell, 2011.

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Lord, George deForest. Classical presences in seventeenth-century English poetry. New Haven: Yale University Press, 1987.

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Gurney, Stephen. British poetry of the nineteenth century. New York: Twayne Publishers, 1993.

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Post, Jonathan F. S. English lyric poetry: The early seventeenth century. London: Routledge, 1999.

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English poetry since 1940. London: Longman, 1993.

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Waller, Gary F. English poetry of the sixteenth century. London: Longman, 1986.

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English poetry of the sixteenth century. 2nd ed. London: Longman, 1993.

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Classical presences in seventeenth-century English poetry. New Haven: Yale University Press, 1987.

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Contemporary poetry. Edinburgh: Edinburgh University Press, 2011.

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