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Rozprawy doktorskie na temat „Exhibition project”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 27 kwietnia 2022

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1

Chen, Yun Ru. "Reconstructing Macau identity :a multi-media exhibition project of Macau's communication memory." Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3690753.

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Strauss, Jill. "Communities of Interest : An Intergenerational, Cross Community Oral History and Visual Art Project with Exhibition." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525432.

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Boutan, Nicolas. "Quand le design crée l'événement : esthétique du curating." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30077.

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Qu’est-ce que le curating ? Quel ensemble de pratiques et de représentations ce terme évoque-t-il ? Cette thèse se propose de répondre à ces questions en envisageant la pratique curatoriale sous l’angle du design, entendu ici comme discipline du projet. Face à la confusion des termes pour qualifier les acteurs du curating, il convient d’abord d’en préciser la définition en observant les différentes acceptions favorisées par la discipline et leurs effets. C’est pourquoi la première partie propose une archéologie de la pratique curatoriale en analysant la variété des dispositifs et des acteurs a
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Müllerová, Barbora. "Organizace neziskového kulturního projektu / fotografické výstavy." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-150377.

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This Thesis deals with the organization of a non-profit cultural project -- a photographic exhibition. It is based on the theory of project management and arts marketing, which is compared with the experience of Jan Foltán, an experienced organizer of such exhibitions. The Thesis is divided into seven chapters; the first one presents the person himself, his work and experience which forms the practical part of the following chapters. In the second chapter, I present the principles of project management, which form the theoretical ground of the Thesis. Another chapter is devoted to marketing of
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Terheide, Sarah E. "Restorative Exhibition Practices: Foregrounding the Cultural and Archaeological Destruction of 19th Century Pothunting through a Web-Based Virtual Exhibit of Three-Dimensional Models of Southeastern Ceramics within a NAGPRA Remediation Project." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595849396122411.

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Hořejší, Anna. "Projektový management v oblasti kultury - mezinárodní výstava." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-15383.

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The topic of the thesis is project management in the cultural organizations. The general levels of this topic are desribed in the theoretical part. This part analysis the sphere of the contemporary Czech cultural institutions, their cooperation and their position between the traditional roles and the modern management. Specific aspects of the project management for the exhibition project are also described. The aim of the analytical part is to describe and analyse the concrete project of the exhibition "Tschechische Fotografie des 20. Jahrhunderts" (Czech Photography of 20th Century) in Bonn (
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Delay, Vincent Ray. "Improving and enhancing art education and multicultural education using technology as a vehicle." CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1778.

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McKenzie, Anna, and n/a. "An Investment in Being Human EXPLORING YEAR 9 STUDENT EXHIBITIONS AN ACT CASE STUDY." University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20081216.140527.

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ACT Year 9 Exhibitions Program aligns curriculum, pedagogy and assessment in the design and implementation of rich learning tasks, which are focussed on transdisciplinary, problem-based, community-centred issues. It provides an authentic assessment model through a panel assessment process of demonstrated student achievement. This case study research examines the uptake of an Exhibitions approach in three ACT high schools. It discovers, through their own telling, what inspires commitment by participants to the program and the ways that they measure success. The study draws on a rich data set of
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Ziganshina, Madina. "Art-Map: concept of moving curatorial project and its practical realization in Aveiro." Master's thesis, Universidade de Aveiro, 2015. http://hdl.handle.net/10773/15905.

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Mestrado em Criação Artística Contemporânea<br>In this dissertation, I present the results of a project which aim was to find out and try an effective model of independent curatorial project executable in small and medium cities in Portugal. The concept of Moving Curatorial Project ARTMAP is a result of theoretical research and reflection about municipal exhibition spaces and possibility of presentation of the contemporary art in these spaces. To test if this curatorial project is realizable and if there are conditions to continue it, a first trial was implemented in Aveiro. A curated in
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10

Lundell, Linnéa. "Gränslöst. En global utställning på Historiska museet." Thesis, Uppsala universitet, Institutionen för ABM, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154557.

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This thesis is a report concerning the practical aspects on exhibition techniques. During an internship at the National History Museum in Stockholm I participated in the work with their new, temporary exhibition Gränslöst - en global utställning på Historiska museet [Boundless - a global voyage of discovery at the National Historical Museum]. I was part of a small project team of museum staff. The purpose of this exhibition was to show how cultures have met and influenced each other throughout history. The National Historical Museum has in its collections and exhibitions several examples of ob
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11

Hansen, Paul. "The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand." Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/249.

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Internationally, museums have increasingly come under review since Bourdieu's (1969) research focused on art gallery visiting patterns and cultural codes. Museums exist within a post-modern milieu that demands a more democratic approach to defining their cultural and educational role within society. Over the last decade in particular, art museums, criticised for being elitist and insular within their communities, have been challenged to be more inclusive, accessible and relevant to their local communities.The literature suggests that a review of the core mission and the culture of museums is r
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12

Pereira, Leandro Balejos. "Ensino de história e o ofício do historiador : a investigação do processo de patrimonialização do espaço físico da Escola Estadual Professor Olintho de Oliveira (Porto Alegre/RS) com alunos e alunas do 6º ano do ensino fundamental." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/156462.

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O presente trabalho assume a relação entre história e memória como um dos desafios disciplinares da História no âmbito da educação básica e pretende refletir sobre o ofício do historiador investigando o processo de patrimonialização do espaço escolar. Desta forma reconhece a materialidade das instituições formais de ensino como possibilidade de atuação da História, enquanto disciplina que proporciona diferentes leituras do mundo, inclusive a reflexão sobre a memória e a cultura material. Tomando em conta estas considerações, propõe-se que alunos e alunas do 6º do ensino fundamental de uma esco
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13

Fithian, Sue. "An administrators guide for the implementation of kindergarten through twelfth grade science fairs." CSUSB ScholarWorks, 1989. https://scholarworks.lib.csusb.edu/etd-project/435.

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Greenfield, Norma Beth. "Perceptions and attitudes of students, teachers, and parents about middle school science fairs." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1283.

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The problem addressed in this study was to determine what students, parents, and teachers perceive to be the main reason a school has a science fair, and whether they believe science fairs accomplish their goals. Attitudes toward competition, awarding of prizes, voluntary versus required participation, and alternatives to science fairs were also examined and compared among the groups.
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15

Dutro, George B. "Developing a science fair packet for grades 4-6." CSUSB ScholarWorks, 1986. https://scholarworks.lib.csusb.edu/etd-project/376.

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Redvale, Jolene Kay. "Interactive exhibits in museums: Definitions, methods and visitor experiences." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1371.

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Bourgasser, Pauline. "Le chemin de verre: projet d´une exposition itinérante sur la production de lentilles optiques." Master's thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/21789.

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Ce mémoire est le résultat de deux ans de travail au sein du Master TPTI - Techniques, Patrimoine, Territoires de l’Industrie : histoire, valorisation, didactique. Il contient « Le Chemin de Verre », projet d’une exposition itinérante et interactive sur la production de lentilles optiques en France, puis le compte rendu du projet « Au fil de l’eau » un film documentaire réalisé en groupe durant ces deux années. « Le Chemin de Verre » propose à l’intérieur de plusieurs conteneurs marins, une histoire de la lentille optique, de sa fabrication et de son utilisation. Ces conteneurs seront dissémin
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18

Roma, Serrano Valentín. "Crosswords, problems and expectations of the curator of contemporary art exhibitions : a personal experience from the project Economy : Picasso." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/384638/.

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The present investigation project is an attempt to try to deepen in the vicissitudes, in the curatorial decisions and in the ways to dialogue in an exhibition carried out by Valentín Roma, with the purpose to explore critically which are the roles, the working lines and the responsibilities of a curator of contemporary art. Because its complexity and its longitude in the time, the show chosen as a study case, that was entitled Economy: Picasso and which different phases were held in the Museu Picasso of Barcelona between May 2011 and February 2013, offers an authentic panoptic of each and ever
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19

Laberge, Marie Elizabeth. "Médiation de l'architecture par l'exposition et sa réception par des visiteurs experts et non experts." Phd thesis, Université d'Avignon, 2012. http://tel.archives-ouvertes.fr/tel-00879654.

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Cette thèse s'intéresse à la médiation de l'architecture au musée et aux divers moyens employés pour communiquer le projet architectural en exposition. L'objectif est de mieux connaître la réception que font les visiteurs architectes et non-architectes des outils utilisés pour exposer les aspects variés du projet architectural. On s'entend pour dire que la communication du projet architectural par l'exposition n'est pas tâche facile. Des représentations diverses (dessins, maquettes, photographies, vidéos, etc.) sont utilisées pour exposer le bâti absent. Plusieurs des objets présentés sont com
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Rezende, Livia Lazzaro. "The raw and the manufactured : Brazilian modernity and national identity as projected in international exhibitions (1862-1922)." Thesis, Royal College of Art, 2010. http://researchonline.rca.ac.uk/1143/.

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This thesis discusses nineteenth- and early twentieth-century representations of Brazil, with em-phasis on Brazilian national identity and the country’s engagement with modernity. It addresses these broad themes by focusing on the national participation in key international exhibitions, from Brazil’s first official appearance at the International Exhibition of 1862 in London to the Brazilian Centennial Exposition held in Rio de Janeiro in 1922. Using a multidisciplinary theoretical and methodological framework, this thesis examines ‘national objects’ – exhibits, exhibition displays, publicatio
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Kotulková, Karina. "Plán realizace výstavního projektu." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-125032.

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The theme of this M.A. thesis covers a business plan creation and implementation in the non-profit sector, in the field of culture, specifically in organisation of exhibitions. The exhibition concept including accompanying activities along with a detailed business plan, which will be used for communication with potential partners, was created on the basis of a theoretical framework of management and cultural-based project specifications. The business plan and the implementation plan formulation will be preceded by a theoretical analysis of approaches and their treatments from both the commerci
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22

Monasterio, Clelia Maria Coutinho Teixeira. "O processo de projeto da arquitetura efemera vinculada a feiras comerciais." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/257851.

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Orientadores: Ana Lucia N. de Camargo Harris, Regina Coelo Ruschel<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo<br>Made available in DSpace on 2018-08-09T16:25:51Z (GMT). No. of bitstreams: 1 Monasterio_CleliaMariaCoutinhoTeixeira_M.pdf: 9835011 bytes, checksum: 447ec688bc4fb2726f30d9d859653b81 (MD5) Previous issue date: 2006<br>Resumo: Em conseqüência da acirrada concorrência empresarial no mercado globalizado, o desenvolvimento da arquitetura promocional cresce continuamente para atender às necessidades do marketing d
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Němec, Petr. "Projekt zastřešení výstavní haly." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2013. http://www.nusl.cz/ntk/nusl-226442.

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The Diploma’s thesis is focused on the design of selected parts of reinforced concrete exhibition hall (prestressed concrete purlin, prestressed concrete girder, reinforced concrete column, reinforced concrete footing, post-tensioned concrete girders). The load calculation (the self weight, the permanent load, the wind load, the snow load and imposed load), the design and the review of selected reinforced concrete items and the drawing documentation are included in this thesis.
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Bélair, Clément Sophie. "Rendre compte de soi au seuil de l’exposition : entre l’impératif promotionnel et le projet éthique." Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20044.

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Dans cette thèse entreprise entre les études littéraires et intermédiales et l’histoire et la critique des arts, nous articulons le rapport de compatibilité entre l’impératif promotionnel auquel doit répondre l’artiste aux fins de promotion de son oeuvre et les conséquences éthiques générées par sa réponse. Nous y analysons notamment les réponses d’artistes dont les pratiques furent classées sous la rubrique de la critique institutionnelle. Par l’entremise d’une série d’études de cas, notre analyse couvre une période historique qui traverse la fin des années 1960 jusqu’au tournant 1990 (Marcel
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Ferreira, Tatiana Guerra. "Projectar com luz cor e matéria em espaços pré-existentes. Fábrica das artes no antigo convento de S.Paulo, Vila Viçosa, como caso de estudo." Master's thesis, Faculdade de Arquitetura de Lisboa, 2013. http://hdl.handle.net/10400.5/5808.

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Chavarry, Principe Racmel Zoraida. "Centro de difusión cultural de Lima Norte." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/628096.

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Centro de Difusión Cultural de Lima Norte, es un proyecto localizado en el distrito de Carabayllo; cuya finalidad es difundir y concientizar al usuario con su historia y cultura, ayudando a reconstruir la identidad perdida de los pobladores y la preservación del patrimonio cultural existente. El proyecto se emplaza en la Av. José Saco Rojas, que conecta a los distritos de Puente Piedra y Carabayllo. Además se escoge este terreno debido a la cercanía de ambientes históricos del distrito, como lo son la Plaza de San Pedro de Carabayllo, la iglesia de San Pedro de Carabayllo, y la Casa Haciend
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Lindley, Anne Hollinger. "Relating to relational aesthetics." Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.

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This thesis will examine the practice of relational aesthetics as it involves the viewer, as well as the way in which it plays out within and outside of the institutional setting of the museum. I will focus primarily on two unique projects: that of The Machine Project Field Guide at Los Angeles County Museum of Art on November 15, 2008, produced by Machine Project, a social project operated out of a storefront gallery in Echo Park; and David Michalek's Slow Dancing at the Lincoln Center Festival in New York City, July 12-29 2007.
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Štysová, Anna. "Realizace autorského projektu: Role autora, kurátora, instituce, grafického designéra." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232440.

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Artist's book It is needed is a compilation of interviews with major graphic designers and curators of czech gallery sphere. The interviews show possible methods of this kind interdisciplinary cooperation.
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Machado, Tatiana Gentil. "Projeto expográfico interativo: da adoção do dispositivo à construção do campo da interatividade." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-08032016-170135/.

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Este trabalho procura refletir sobre como o projeto expográfico pode ser desenvolvido de modo a construir o campo da interatividade. Dada à exacerbação em torno da ideia de interatividade e da quase incondicional exigência da mesma nos novos projetos de exposições, o que se pode observar muitas vezes é conseqüente banalização de seu conceito em função da superficialidade com que acaba sendo tratado - seja pelo desconhecimento do conceito em sua completude, seja em virtude da redução ou da simplificação do mesmo. Uma das tendências atualmente é a associação direta e automática da interatividade
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Bauerfeind, Bettina. "Le contexte en question : les expositions de projets d’art public et leur influence sur la création artistique contemporaine." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040158.

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Les expositions de projets d’art public, nouvelle forme de commande artistique née dans les années 1970, changent de manière significative les paramètres de la création artistique contemporaine dans la ville. Associant une présentation dans l’espace public à la création in situ, elles incitent les artistes à réaliser leurs œuvres en vue d’un événement citadin et en fonction d’éléments spécifiques du contexte d’exposition urbain (comme la topographie du lieu, son histoire, son architecture...). Si l’impulsion première que ces manifestations délivrent aux artistes est primordiale pour la créatio
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31

Moreau, Angélique. "Vivacité de la question du déclin des abeilles sauvages : étude de la médiation par l'exposition et analyse des contributions d'acteurs lors de sa conception. Le cas du projet européen UrbanBees." Phd thesis, Université Claude Bernard - Lyon I, 2014. http://tel.archives-ouvertes.fr/tel-01073369.

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Cette recherche étudie la mise en exposition de la thématique du déclin des abeilles sauvages au sein du volet médiation du projet de recherche UrbanBees. Ce projet étudie l'hypothèse de l'espace urbain comme zone refuge pour les abeilles sauvages. Il a la particularité d'être adossé à une vaste opération de médiation qui associe des acteurs d'horizons variés (chercheurs, militants associatifs, médiateurs culturels) positionnés différemment sur la thématique concernée. Le déclin des abeilles sauvages constitue à l'heure actuelle ce qu'il est convenu d'appeler une question scientifique socialem
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Lundström, Anna. "Former av politik : Tre utställningssituationer på Moderna Museet 1998-2008." Doctoral thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-116052.

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This study examines the concepts of art, politics and art institution departing from three cases of exhibition situations at Moderna Museet in Stockholm, 1998–2008. The cases are considered in relation to different aspects of the museum’s identity as an art institution. The first case, the Pontus Hultén Study Gallery (2008–), is an interactive exhibition space containing 34 mechanical screens for displaying art. It is understood here as a comment on the museum’s identity as a collecting institution. The author critically analyses a number of common oppositions in avant-garde theory regarding m
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Benlian, Michèle. "Modes d'émergence de l'architecture contemporaine à travers l'édification des premiers musées d'art moderne, entre New York et Paris au XXème siècle." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA013.

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Le travail abordé concerne le domaine de l’histoire artistique et culturelle. La période étudiée est le XXè siècle. Les événements se déroulent à New York et à Paris. - La recherche pose l’hypothèse suivante : la création, puis l’édification du premier musée d’art moderne, le MoMA à New York, ouvre la voie à l’architecture contemporaine, à travers l’édification du musée d'art moderne. Les pensées architecturales américaine et française, n’œuvraient pas dans le même sens. Tandis que l’une s’appuie sur une recherche formelle, qui trouverait des liens avec la réception de l’art moderne, l’autre o
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Lima, Fábio Rogério Batista [UNESP]. "O graffiti como patrimônio cultural material." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/153543.

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Submitted by FABIO ROGERIO BATISTA LIMA (fabio.robal@yahoo.com.br) on 2018-04-16T02:19:46Z No. of bitstreams: 1 O GRAFFITI COMO PATRIMÔNIO CULTURAL MATERIAL.pdf: 3817144 bytes, checksum: a4ea30857d72c833100e99f177316778 (MD5)<br>Approved for entry into archive by Satie Tagara (satie@marilia.unesp.br) on 2018-04-16T16:59:57Z (GMT) No. of bitstreams: 1 lima_frb_dr_mar.pdf: 3817144 bytes, checksum: a4ea30857d72c833100e99f177316778 (MD5)<br>Made available in DSpace on 2018-04-16T16:59:57Z (GMT). No. of bitstreams: 1 lima_frb_dr_mar.pdf: 3817144 bytes, checksum: a4ea30857d72c833100e99f177316778
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Challine, Éléonore. "Une étrange défaite : les projets de musées photographiques en France (1850-1945)." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010506.

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Cette thèse traite de l’histoire des projets de musées de photographie en France entre 1850 et 1945. Elle a pour ambition d’étudier et de circonscrire les diverses conceptions du musée photographique – documentaire, artistique, historique, technique, etc. – et leur histoire. Entre la fin du XIXe siècle et la Seconde Guerre mondiale, coexistent deux idées principales dans la conception du musée photographique : ce que nous appellerons « musée des photographies », où la photographie constitue avant tout le moyen d’une encyclopédie ou documentation visuelle, et ce que nous nommerons d’autre part
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CHENG, CHIA-CHIA, and 鄭佳嘉. "Convention and Exhibition APP Project Communication Study-A Case Study." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/4fge6c.

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碩士<br>世新大學<br>資訊傳播學研究所(含碩專班)<br>106<br>The most important task for any success project is to avoid “noise” and make unimpeded communication between client and case company. This study adopted the method of case study to analyze and discuss a project for Exhibition App of the company. Firstly, we retrieved the relevant documents from the App project through the keyword group set for six presumed risk, and analyzed documents with content analysis for confirming the risk problems of the APP project, and explained the project communication noise from each perspective between client and case compan
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Ku, Yu-Fen, and 古玉芬. "A Village History Exhibition Project for Nanya settlement in Northeastern Taiwan." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/80304526573958665268.

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碩士<br>華梵大學<br>建築學系碩士班<br>102<br>Nanya settlement is situated between Sandiaojiao and Keelung, whose developing features seemed to be inundated by modernization. The construction of littoral highway separated the settlement’s affection for sea; however, the early settlers chose to inhabit this special region facing the mountains and the sea and later started agriculture on the hillside. Afterwards, torchlight nets and bottom gill nets were utilized to gain fishery harvest from the sea, therefore, the unique regional culture of fishing and farming was formed. Although Nanya settlement was situa
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Lee, Jer-Guang, and 李哲光. "The creative process behind《The courier》、《yaya’》：from Project Development to Exhibition." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/45zyye.

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碩士<br>崑山科技大學<br>媒體藝術研究所<br>99<br>The stories of “yaya” and “Courier” were inspired and adapted from my personal life experiences. The script of “yaya” was written in memory of the two stray dogs, “Pipi” and “Little White”, who had accompanied me for 19 years. The story was full of my missing, my fantasies and my eagerness about them. “Courier” was inspired from the anecdotes piled with life experiences of inconvenience brought by those “too humanized” 3C electronic products that I am very fond of. “yaya” and “Courier” were awarded 800,000 NTD and 50,000 NTD from the “Short Film Fund by Govern
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CHEN, Jouyuan, and 陳柔遠. "Exhibition Project Management of Art Museums- A Case Study on The Glory of History: A Retrospective of 60 years' Taiwan Provincial Exhibition of Fine Arts." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/46071781313128718379.

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碩士<br>輔仁大學<br>博物館學研究所碩士班<br>98<br>As one of the basic functions of museum, exhibition performs as the public media communicating knowledge, guiding perception, constructing museum experience, and building up museum image. Museums in Taiwan have been so active in recent years, with frequently held exhibitions and cultural events, that the duty of Exhibition Planning and Management has now been taken remarkable. A trend of specialization and organization of Exhibition Planning and Management can be seen. Based on the above fact, this research tends to discover how management principles of exhibi
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Hsueh-Kung, Wu, and 吳學昆. "Exhibition and Education of Digital Museum: A case study on digital museum project of N.S.C." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/52556164695519977037.

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碩士<br>國立暨南國際大學<br>成人與繼續教育研究所<br>90<br>Abstract This study is to analyze the ideas, methods, and patterns of the exhibition and education of various theme digital museums（theme website）, demonstrated by National Science Council Digital Museum Projects, by adopting a qualitative content analysis approach in the perspective of the exhibition and education of the museums. The purposes of this study are as follow. The first purpose is to explore the framework of digital museums, using the Internet as an exhibition platform, and to analyze the content as well as characteristics
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SHENG, HSIEH CHIN, and 謝晉昇. "Discussion on the Waste Reduction Strategy of Exhibition Decoration Project from the Viewpoint of Circular Economy." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/355h4b.

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碩士<br>中國科技大學<br>建築系<br>107<br>The convention and exhibition industry development could be regarded as an important indicator of the country's internationalization. Because the exhibition industry can bring significant economic benefits and promote international cooperation. It precisely becomes one of the important strategies for current economic development. However, the waste of the exhibition and decoration project has also increased year by year, resulting in waste of resources and increased environmental burden. It is also an important issue in current environmental protection. According
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LI, RONG-TING, and 李榕婷. "A Study on the Curating Project Management by Using Critical Chain Model: Technology Exhibition as an Example." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/90656193396460848464.

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碩士<br>國立高雄應用科技大學<br>工業工程與管理系碩士在職專班<br>105<br>Exhibition is the window of all industries and the pioneer of economic development. The exhibition environment output values in Taiwan are 42.6 billion in 2016; almost all industries expand the markets by the exhibitions. In the annually technological exhibitions, the projects covered from metal applications, automotive industry to high-value field such as photoelectric and medical industries. The exhibition also added the recent major technology and product achievements, expecting to accelerate the enterprise R & D process and stable the industrial
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Galsterer, Alda Veronica 1988, and José António Fernandes 1947 Dias. "Um projecto curatorial= A curatorial project : Elaborating "guidelines" for young independent curators, based on experience gained from the "Heimweh/Saudade" exhibition at Plataforma Revolver, Lisbon, Portugal." Master's thesis, 2010. http://hdl.handle.net/10451/1970.

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Possui um catálogo de exposição, intitulado, Heimweh!, apenas consultável na biblioteca da FBAUL (cota TES 352 (1))<br>Tese de mestrado, Estudos curatoriais, 2010, Universidade de Lisboa, Faculdade de Belas Artes<br>This MA thesis describes the work of Alda Veronica Galsterer as an independent curator working in Portugal, specifically mapping her first exhibition from conception to organization and through to production. Titled “Heimweh/Saudade. Young German and Portuguese artists looking for a new dialectic between Heimweh and Saudade”, her first show was held at the off-space Plataforma Re
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Santos, Fernando Manuel Rodrigues Pinto Varela dos. "Missão de estudos arqueológicos no sudoeste de Angola (MEASA), em 1966: contributo para a sua divulgação." Master's thesis, 2015. http://hdl.handle.net/10071/11019.

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O pensamento que esteve na origem e decisão de avançar com este projeto está apoiado nos estudos que realizei no ex-Centro de Pré-história e Arqueologia – IICT. Interessou-me perceber o impacto da MEASA, no domínio da pré-história, levada a cabo pelo geólogo e arqueólogo Miguel Ramos, em 1966, à luz da produção do conhecimento de então, com o propósito de a dar a conhecer. Esta é a minha principal motivação. Assim, estive ocupado com uma dupla tarefa, compreender a missão e a sua importância, na primeira fase de investigação e, na segunda, procurar a forma de a divulgar. Até porque esta missã
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CHEN, Hsin-Yu, and 陳炘榆. "The project implementation of planning and designing of exhibition spaces - in the case of dispaly booths of the medical society activity." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/n3qamw.

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碩士<br>國立臺灣師範大學<br>設計研究所在職進修碩士班<br>97<br>In this economic turmoil of today, the exhibitors to reduce the budget, how to achieve very little can be taken to reduce costs and improve the quality and showed the same texture, quality and service planning and design exhibition. But at this stage can not only improve the quality of service provided, the most important is to work with customers to maintain long-term cooperative relationships, and this includes service quality, service value and customer satisfaction. In this study, the nature of qualitative research for the exploration of empirical r
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Emiliano, Paulo Alexandre De Albuquerque. "DE SOL A SOL Trabalho-projecto em torno da colecção de ukiyo-e do Museu Calouste Gulbenkian." Master's thesis, 2021. http://hdl.handle.net/10362/129607.

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O objectivo deste Trabalho-Projecto é conceber uma mostra sequencial das estampas japonesas — ukiyo-e —, que se encontram nas reservas do Museu Calouste Gulbenkian, e fazem parte da colecção, propondo uma série de oito exposições temporárias por um período de dois anos, através de um percurso temático, em que são apresentadas cerca de doze estampas em cada mostra. Simultaneamente proponho a forma segura de apresentação das obras, segundo os padrões actuais de conservação preventiva, tendo em conta a fragilidade das peças. Neste sentido são apresentados métodos e dispositivos seguros para que a
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Mateus, Simão. "Discurso expositivo do Museu da Lourinhã: Propostas para o futuro." Master's thesis, 2010. http://hdl.handle.net/10071/3994.

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Esta dissertação de mestrado baseia-se no Museu da Lourinhã, e pretende-se que seja visto como um trabalho académico com forte sentido prático e utilitário para o objecto de estudo, o referido museu. O Museu da Lourinhã é famoso pela sua colecção única de dinossauros, e as suas principais características são, por um lado, deste museu ser associativo, e por outro lado possuir três tipos de colecções: arqueologia, etnologia e paleontologia. Este trabalho faz um levantamento histórico do museu e um reconhecimento das suas características e do seu acervo com objectivo de propor um novo disc
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Gonçalves, Fernando Luís Barroso. "A Revolução de 24 de Agosto de 1820: prelúdio do Liberalismo em Portugal. Um projeto expositivo." Master's thesis, 2021. http://hdl.handle.net/10362/127962.

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Esta Memória escrita tem como objetivo ser uma apresentação e reflexão sobre as atividades desenvolvidas durante o planeamento, conceção e realização da exposição “A Revolução de 24 de Agosto de 1820: prelúdio do Liberalismo em Portugal”, realizada no Museu Militar do Porto entre Outubro de 2020 e Agosto de 2121. O trabalho alia, assim dois elementos complementares: um vídeo de apresentação do projeto concretizado (em anexo), e a vertente escrita do mesmo, que inicia com uma breve caracterização do Museu Militar do Porto, instituição que acolheu a exposição, dando particular relevo ao enquadra
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David, Maria João Lino. "Documentação fotográfica relativa ao Mosteiro dos Jerónimos : inventariação e investigação." Master's thesis, 2016. http://hdl.handle.net/10362/18297.

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O presente Relatório de Estágio descreve o trabalho desenvolvido no Mosteiro dos Jerónimos tendo por objecto de estudo a documentação de natureza fotográfica relativa ao monumento. Desde o advento da fotografia no século XIX, o Mosteiro dos Jerónimos tem sido uma das mais notáveis construções portuguesas que encantam os fotógrafos. Como tal, a produção de capturas deste monumento foi crescendo e está hoje dispersa por inúmeras instituições nacionais. O projecto incitado pela valência da fotografia enquanto documento resultou na recolha de informação à guarda de instituições de natureza
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Léonard, Brouillet Karine. "L'exposition virtuelle : nouvelle forme de diffusion et de représentation des œuvres." Thèse, 2012. http://hdl.handle.net/1866/8788.

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Depuis longtemps déjà, les arts visuels se démarquent par leurs rapports proches quoique créatifs avec les développements technologiques des sociétés modernes. Pour les musées, Internet constitue une opportunité de rejoindre des publics qui s’avèrent de prime abord moins accessibles. Ce nouvel acteur dans le monde de l'art occupe une place croissante dans la présentation des oeuvres tout en jouant un rôle déterminant dans la diffusion et donc dans le retentissement qu'elles ont auprès de publics aux attentes changeantes. Alors que le musée diffusait autrefois ses collections et connaissances p
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