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Artykuły w czasopismach na temat "Experimental theatre"

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Firestein, Stuart. "Experimental theatre." Nature 443, no. 7114 (2006): 913–14. http://dx.doi.org/10.1038/443913a.

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Kauffmann, Stanley. "Broadway and the Necessity for ‘Bad Theatre’." New Theatre Quarterly 1, no. 4 (1985): 359–63. http://dx.doi.org/10.1017/s0266464x00001779.

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Is Broadway necessary? As the focus for new writing and major experimental work in the USA shifts ever further from the old theatre district around Times Square – first to off- and then to off-off-Broadway, more recently to the flourishing regional theatres – many critics have come to regard Broadway either as an economic anachronism, failing to perpetuate past glories, or simply as an irrelevance to ‘real’ theatre. Yet Stanley Kauffmann argues that a focal point for a nation's theatre is more than the sum of sometimes fraying parts, and works on the imagination in ways that cannot be evaluate
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Jesenko, Primož. "Balbina’s “theatre in the round”." Maska 31, no. 181 (2016): 160–65. http://dx.doi.org/10.1386/maska.31.181-182.160_7.

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With an overview of the life and work of Balbina Battelino Baranovič (1921–2015), the article emphasises her role in the Slovenian theatre scene. She founded theatres, researched contemporary theatrical practices, and, thanks to a strong connection to French and American theatre, broadened the horizons of the Slovenian and Yugoslav theatre of the time, while enabling actors to flourish under contemporary approaches. The founder of the Experimental Theatre, she also introduced theatre in the round to the Slovenian artistic space.
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Kreicberga, Zane. "Performances that Disappeared." Nordic Theatre Studies 35, no. 1 (2024): 106–19. http://dx.doi.org/10.7146/nts.v35i1.145377.

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The article explores the alternative theatre and performance culture of the late 1980s in Latvia focusing on two independent companies that were established in 1987, namely The Experimental Theatre Studio led by theatre director Ilmārs Elerts and The Theatre Studio No. 8 uniting young theatre makers who refused to join the dominant state-funded repertory theatres. Both companies existed only for a few years and their activities and impact on Latvian theatre have not been properly researched until now. The article suggests negotiating the inherited strict binary division in research between pro
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Sierz, Aleks. "Experimental Theatre in Cario." New Theatre Quarterly 12, no. 45 (1996): 86–87. http://dx.doi.org/10.1017/s0266464x00009672.

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Braun, Kazimierz. "Druga Reforma Teatru." Zarządzanie w Kulturze 25, no. 1-2 (2024): 181–97. http://dx.doi.org/10.4467/20843976zk.24.019.20137.

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The history of theatre in the twentieth century distinguishes two theatre reforms. The first took place from the final years of the nineteenth century into the late 1930s. The second was from the mid-1950s to the late 1980s. These were movements of renewal and modernization of the art of theatre. Started by individual artists and small groups and assisted by playwrights and theorists – who were often the artists themselves – both reforms gradually reached wider areas of theatre life. The Second Reform was a reformist movement of young, avant-garde, rebellious and experimental theatre in a sear
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Nуkonenko, Ruslan. "Experimental Creative Workshop "Theatre in the Basket": Means of Plastic Expressiveness." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 177–82. https://doi.org/10.31866/2410-1176.42.2020.207649.

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The purpose of the article is to identify and characterise the means of plastic expressiveness for performances and one-man productions of the experimental creative workshop “Theatre in the Basket”. Research methodology. The method of systematic art studies analysis and a descriptive method (to interpret and analyse the individual methods of plastic directing by I. Volytska) were applied, a comparative method (to identify the features of the plastic expressiveness for the performances of “Theatre in the Basket” and to follow the internal connections between the director
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Harun, Afrizal, Kurniasih Zaitun, and Susandro Susandro. "Postdramatik: Dramaturgi Teater Indonesia Kontemporer." Dance and Theatre Review 4, no. 2 (2022): 57–69. http://dx.doi.org/10.24821/dtr.v4i2.6450.

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Postdramatic: The Dramaturgy of Contemporary Indonesian Theater. The research attempts to explain a new possibility in theatre practice in Indonesia, which was initially formed through the power of words in the form of dialogue depicted in drama scripts. Since then, there was another tendency which was a matter of fact, in the early 1920s, for which Antonin Artaud initiated. Various terms have been used to describe new trends in the dramaturgy of Indonesian theatre since the 1970s up to now, such as cutting-edge theatre, avant-garde theatre, experimental theatre, body theatre, visual/visual th
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Lacey, Stephen, and Andrew Davies. "Other Theatres: The Development of Alternative and Experimental Theatre in Britain." Yearbook of English Studies 20 (1990): 360. http://dx.doi.org/10.2307/3507640.

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Cornish, Roger, and Andrew Davies. "Other Theatres: The Development of Alternative and Experimental Theatre in Britain." Theatre Journal 40, no. 4 (1988): 576. http://dx.doi.org/10.2307/3207914.

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Rozprawy doktorskie na temat "Experimental theatre"

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Mikkola-Parnanen, Marja. "Experimental theatre in Old Town, Alexandria, Virginia." Thesis, Virginia Polytechnic Institute and State University, 1995. http://hdl.handle.net/10919/53403.

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Theatre would be radical, arousing, inspiring, challenging popular emotion, presenting native problems. Human strength and aspiration would go there for inspiration..." - Frank Lloyd Wright- Bruce Brooks Pfeiffer, Gerald Nordland: Frank Lloyd Wright in the realm of ideas, Bynum, NC: Southern Illinois University Press, 1988, page 100<br>Master of Architecture
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Cook, Patricia Margaret Anne de Gruchy Carleton University Dissertation Canadian Studies. "National cultures and popular theatre; four collective companies in Quebec and Newfoundland." Ottawa, 1986.

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Thompson, Juli A. "Ariane Mnouchkine and the Theatre du Soleil /." Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/10228.

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Parsons, Rosemary Frances. "Group devised theatre a theoretical and practical examination of devising processes /." Master's thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/71211.

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Thesis (MPhil)--Macquarie University, Division of Society, Culture, Media and Philosophy, Department of Critical and Cultural Studies, 2007.<br>Bibliography: leaves 241-251.<br>Introduction -- Re-devising theatre: towards a genealogy of devising practice -- Pre-devising: group formation, development and games -- Devising theatre: This is not an exit -- Conclusion.<br>This non-traditional thesis explores the practical and theoretical processes of group-devised theatre. The research informing this thesis is derived from two interrelated components - a practical project in group devising, and a t
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Ribeiro, Cristina Sanches. "The Living Theatre e a criação coletiva : intersecções no teatro brasileiro." Universidade do Estado de Santa Catarina, 2016. http://tede.udesc.br/handle/handle/2591.

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Submitted by Luiza Kleinubing (luiza.kleinubing@udesc.br) on 2018-03-19T19:36:46Z No. of bitstreams: 1 CRISTINA SANCHES RIBEIRO.pdf: 1576413 bytes, checksum: 2458aaf5b53d0e457d5665f4cdc30b20 (MD5)<br>Made available in DSpace on 2018-03-19T19:36:46Z (GMT). No. of bitstreams: 1 CRISTINA SANCHES RIBEIRO.pdf: 1576413 bytes, checksum: 2458aaf5b53d0e457d5665f4cdc30b20 (MD5) Previous issue date: 2016-09-09<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This thesis aims to investigate the collective creation development in the North American theater following the trajecto
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Hoppe, Meredith A. "Breaking tradition reaching for the avant-garde in theatre for young audiences /." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002968.

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Karafistan, Rachel. "Shamanic dimensions within theatre practice today : an experimental and theoretical investigation." Thesis, University of Brighton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366633.

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Entell, Bettina S. "Post-Tian'anmen: a new era in Chinese theatre experimentation during the 1990s at Beijing's China National Experimental Theatre/CNET." Thesis, University of Hawaii at Manoa, 2002. http://hdl.handle.net/10125/3016.

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The 1990s was a period of rapid transformation in China. Leaders Jiang Zemin and Zhu Rongji accelerated policies initiated by Deng Xiaoping, as China embraced "Socialism with Chinese Characteristics." Far-reaching socioeconomic and cultural change cut across every facet of Chinese society and had a tremendous impact on huaju ("spoken drama") and the State Theatre System. This study examines how and to what extent the conditions and challenges of the 1990s fostered a climate for experimentation and impacted the aesthetics of huaju. The research first establishes a context for huaju--its evoluti
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Theodoridou, Danae. "Short (research) stories : drama and dramaturgy in experimental theatre and dance practices." Thesis, Roehampton University, 2013. http://hdl.handle.net/10142/283932.

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This practice-as-research project discusses modes, processes and aesthetics of contemporary dramaturgy, as practiced in experimental theatre and dance works in Europe from the 1990s onwards. In order to do this, the project draws particularly on discourses around ‘drama’ and suggests that the term can be redefined and usefully rehabilitated for both analysis and the creation of experimental performances. More specifically, this project defines drama (deriving from the Greek dro=act) as stage action, and dramaturgy (deriving from the Greek drama + ergo= work) as a practice that works endlessly
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Hamilton, Margaret School of Media Film &amp Theatre UNSW. "From the 'New Wave' to the 'Unnameable': post-dramatic theatre & Australia in the 1980s & 1990s." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/24266.

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The object of this dissertation is to re-assess Australian examples of ???performance??? in light of discourses and directions in dramaturgy that have emerged since the 1970s internationally. The thesis applies Hans-Thies Lehmann???s comprehensive theory of post-dramatic theatre to explicate examples of departures from dramatic theatre in view of the expansive field of inquiry implied by the description ???performance??? or ???new media arts??? and general cultural-political theory. To examine the de-centralisation of text specific to post-dramatic theatre the dissertation analyses firstly, ma
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Książki na temat "Experimental theatre"

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Walsh, Ian R. Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368.

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Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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Walsh, Ian R. Experimental Irish theatre: After W.B. Yeats. Palgrave Macmillan, 2012.

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Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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Shank, Theodore. American alternative theatre. St. Martin's Press, 1988.

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Bonnie, Marranca, Foreman Richard 1937-, Breuer Lee, and Wilson Robert 1941-, eds. The theatre of images. Johns Hopkins University Press, 1996.

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Finburgh, Clare. Contemporary French theatre and performance. Palgrave Macmillan, 2011.

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Andrew, Davies. Other theatres: The development of alternative and experimental theatre in Britain. Barnes & Noble, 1987.

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Etchells, Tim. Experimental theatre: A submission to ACE Drama. Forced Entertainment, 1995.

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Części książek na temat "Experimental theatre"

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Shepherd, Simon. "Experimental Theatre." In The English Theatrical Avant-Garde 1900-1925. Routledge, 2022. http://dx.doi.org/10.4324/9781003033295-1.

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Wolff, Tamsen. "Experimental Breeding Ground." In Mendel's Theatre. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230621275_4.

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Walsh, Ian R. "Experimental Contexts." In Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_2.

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Cameron, Alasdair. "Experimental Theatre in Scotland." In Contemporary British Theatre. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-25091-2_9.

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Cameron, Alasdair. "Experimental Theatre in Scotland." In Contemporary British Theatre. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23078-5_9.

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Walsh, Ian R. "Introduction." In Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_1.

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Walsh, Ian R. "Experiments in Representation." In Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_3.

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Walsh, Ian R. "Experiments in Gender." In Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_4.

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Walsh, Ian R. "Experiments in Verse." In Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_5.

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Walsh, Ian R. "Experiments in Theatre: Maurice Meldon." In Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_6.

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Streszczenia konferencji na temat "Experimental theatre"

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Srinivasan, Saikrishna. "Virtual 360-Degree Dramatic Theatre: A New Branch in Experimental Theatre." In ICVARS 2023: 2023 the 7th International Conference on Virtual and Augmented Reality Simulations. ACM, 2023. http://dx.doi.org/10.1145/3603421.3603425.

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van Dijk, Betsy, Rieks op den Akker, Anton Nijholt, and Job Zwiers. "Navigation assistance in Virtual Worlds." In 2001 Informing Science Conference. Informing Science Institute, 2001. http://dx.doi.org/10.28945/2364.

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In this paper we report about ongoing research on navigation assistance in virtual environments. Our aim is to contribute to the development of forms of navigation assistance that enable non-professional visitors of a virtual environment to find their way without previous training. The environment used in this research is a virtual theatre that models a real world music theatre. This virtual theatre can be used for exploration as well as for transactions and goal-directed search for information. We first present some design principles for navigation assistance in virtual environments and some
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Yuhan, Nataliia. "PSYCHOLOGY OF PLAYS ABOUT EXTREME LIFE SITUATIONS IN GERMAN-LANGUAGE EXPERIMENTAL THEATRE." In International Scientific Conference Modern Science: Global Trends, Technologies and Innovations. Publishing House “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-354-5-27.

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Khalil, Essam E., and Ahmed ElDegwy. "Simulation of Thermal Management in a Surgical Operating Theatre and Its Experimental Verification." In AIAA Propulsion and Energy 2019 Forum. American Institute of Aeronautics and Astronautics, 2019. http://dx.doi.org/10.2514/6.2019-4224.

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Zlotowski, Jakub, Timo Bleeker, Christoph Bartneck, and Ryan Reynolds. "I Sing the Body Electric An experimental theatre play with robots [video abstract]." In 2013 8th ACM/IEEE International Conference on Human-Robot Interaction (HRI). IEEE, 2013. http://dx.doi.org/10.1109/hri.2013.6483630.

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Khalil, Essam. "Experimental Investigation of Flow Regimes in An Operating Theatre of 1200-Beds Teaching Hospital." In 46th AIAA/ASME/SAE/ASEE Joint Propulsion Conference & Exhibit. American Institute of Aeronautics and Astronautics, 2010. http://dx.doi.org/10.2514/6.2010-6933.

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Costa, Ana Carolina, Nelson Rodrigues, Ana Marta Carneiro, et al. "Assessment of the Thermal Comfort and CO2 Distribution Within a Movie Theatre." In ASME 2023 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/imece2023-113930.

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Abstract Human occupation is both the major source of pollutants and the main drive for providing a comfortable environment in buildings. Indoors, public buildings require special attention as they are used by a large number of people at the same time. The present work develops the application of a CFD (Computational Fluid Dynamics) model to simulate the thermal field and species distribution inside a movie theatre and to analyze the Indoor Air Quality (IAQ) to evaluate the thermal comfort of its occupants. For this movie theatre, the dimensions, the layout and the system ventilation details w
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Shekriladze, Irakli G., Giorgi I. Gigineishvili, Jondo G. Rusishvili, and David I. Shekriladze. "Investigation of Duration-Dependent Multifactoring During Boiling on Down-Facing Heating Surface." In 2010 14th International Heat Transfer Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ihtc14-23386.

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A model of the “theatre of director” (MTD) links dependence of developed boiling HTC only on two external parameters (heat flux and average effective radius of active nucleation sites) to short duration of each action of cooling mechanisms. According multifactoring concept (MFC) significant prolongation of the actions of cooling mechanisms leads to transition to specific regimes with dependence on increased number of factors (duration-dependent multifactoring (DDM)). Splitting of developed boiling heat transfer curve into several curves, depending on sublooling of bulk liquid, direction of gra
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RACU, Igor, and Alesea POPOV. "The development of the little student's personality depending on the social situation of development." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v1.21-22-03-2024.p52-61.

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This article presents the results of a theoretical-experimental constatative study in which the development process of the small student's personality was studied according to the social development situation. We assumed that: different study environments (class with profile in arts (theatre), class without profile) influence personality traits in children of small school age; the different social climate of education (complete nuclear families, disadvantaged families) influences the development of the personality of young students, the personality of the young student in these different socia
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Drossinou-Korea, Maria. "Targeted, individually structured special education and training intervention programs and pedagogical applications in museum." In 7th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2021. http://dx.doi.org/10.32591/coas.e-conf.07.11107d.

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Anthropocentric museums are “an important place in public debate, creation and questioning ideas” because they can have a positive impact on the lives of underprivileged or marginalized people. They can also strengthen specific communities and contribute to the creation of fairer societies. The science of Museology together with the science of Special Education and Training (SET) support with the Targeted Individual Structured and Integrated Program for Students with Special Educational needs (TISIPfSEN), in children and young people with special educational needs and disabilities (SENDs). The
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Raporty organizacyjne na temat "Experimental theatre"

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act
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AIR FORCE INST OF TECH WRIGHT-PATTERSONAFB OH. Concept Experimentation Program. Out of Theater High Frequency Radio Relay Concept Experiment. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada395069.

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Folker, Jr, and Robert D. Intelligence Analysis in Theater Joint Intelligence Centers: An Experiment in Applying Structured Methods. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada476578.

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Rogers, Amanda. Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season. Swansea University, 2023. http://dx.doi.org/10.23889/sureport.65084.

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Project Report There is growing research on arts audiences - particularly regarding theatre and dance (Sedgman 2019; Walmsley 2019; Reason et al 2022). However, much of this work remains centred on the ‘Global North’ and there is little published research on arts audiences in South East Asia in general, and Cambodia in particular. The exception to this is our previous report (Rogers et al 2021) which was the first time that research has examined audience composition, understanding and preferences for the performing arts in Phnom Penh. This research raised a bigger question around who the arts
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