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Rozprawy doktorskie na temat „Expressionist art”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 lutego 2022

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1

Short, Christopher. "Friedrich Nietzsche and German expressionist art." Thesis, University of Essex, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706295.

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Jeppesen, Travis. "Towards a 21st century expressionist art criticism." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1812/.

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This thesis explores the following questions: What might a 21st century expressionist art criticism consist of? How does such a mode of “art writing” relate to oppositional strategies often employed by certain artists challenging the boundaries traditionally separating art from writing? What role does the body play in such a model of writing? What role might fiction play in an expressionist art criticism? The intended outcome is to render a new model of writing “in the expanded field,” to borrow Rosalind Krauss’s phrase. The essays and pieces of writing comprising this dissertation have been o

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Thompson, Grant. "Limitlessness and the sublime illuminating notions : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art & Design, 2008 /." Click here to access this resource online, 2008. http://hdl.handle.net/10292/442.

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This project explores the basic tenets of abstract expressionism and is considered in relation to the idea of the sublime, limitlessness and the formless. In this research I am interested in investigating the progression from two-dimensional non-representational painting, through experimentation with light mediating materials to projection of the painting via the medium of film. Light is used to intensify the image with a view to expand the viewer’s awareness and understanding of the sublime. The research seeks to find ways that allow the viewer to explore the feeling of uncertainty and the

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Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

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Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni

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Bryan, Sarah M. "African Imagery and Blacks in German Expressionist Art from the Early Twentieth Century." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1353179467.

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Carrasco, Clare. "The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862862/.

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This dissertation investigates how German-language critics articulated and publicly negotiated ideas about music and expressionism in the first five years after World War I. A close reading of largely unexplored primary sources reveals that "musical expressionism" was originally conceived as an intrinsically musical matter rather than as a stylistic analog to expressionism in other art forms, and thus as especially relevant to purely instrumental rather than vocal and stage genres. By focusing on critical reception of an unlikely group of instrumental chamber works, I elucidate how the acts of

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Bissa, Bi Nzue Astride. "Art et individuation : la rupture expressionniste." Dijon, 2008. http://www.theses.fr/2008DIJOL019.

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L’expressionnisme, considéré comme l’une des plus grandes avancées esthétiques du 20ème siècle, s’attache à une conception de la création artistique comme construction de la personne, mode d’individuation. Et, prenant le contre-pied des critères de définition habituels, le Beau ou la Forme, cette esthétique singulière née dans un contexte particulièrement difficile, représente pour l’art du début du 20ème siècle et toute la pensée esthétique contemporaine, un véritable catalyseur. En effet, l’expressionnisme induit une transformation totale du mode représentatif de l’art, celle de la figure du

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Cardoso, Renata Gomes. "A pintura de Anita Malfatti nos periodos iniciais de sua trajetoria : proposta de revisão a partir da analise de obras." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279121.

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Orientador: Nelson Alfredo Aguilar<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-07T23:44:51Z (GMT). No. of bitstreams: 1 Cardoso_RenataGomes_M.pdf: 9115223 bytes, checksum: 27434bf124a604ae31768f96a9421932 (MD5) Previous issue date: 2007<br>Resumo: Este trabalho analisa algumas pinturas dos períodos iniciais da trajetória de Anita Malfatti. Para tal propósito, toma-se como base a análise formal, procurado adicionar a essa reflexão uma revisão das fontes sobre a artista e sobre a arte moderna in

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Jorge, Janete Elenice. "A cidade expressionista de Roberto Arlt." Florianópolis, SC, 2009. http://repositorio.ufsc.br/xmlui/handle/123456789/92439.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.<br>Made available in DSpace on 2012-10-24T08:54:12Z (GMT). No. of bitstreams: 1 266559.pdf: 1570532 bytes, checksum: fee0dcfdbfad5aae730d3cabe1a6bacc (MD5)<br>A proposta deste trabalho é observar como foi construída a Buenos Aires ficcional de Roberto Arlt no texto Los siete locos e Los lanzallamas, e através das características da cidade que emerge da narrativa, verificar de que maneira o texto arltiano dialoga com o expressionismo alemão. Serão capturad

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Adamowicz, Emily. "Viennese Expressionism : from sickness to spirituality in the new aesthetic theory 1909-1913." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99567.

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Viennese Expressionism 1909-1913 encompasses parallel evolutions in the disciplines of visual arts and music. Ideas from fin-de-siecle Vienna's intellectual milieu inspired the awakening of the Modern artist, from Ur-schrei to the formation of a new aesthetic theory. In this thesis, I examine the origin of iconic Expressionist aesthetic values and their technical expression in works by Arnold Schoenberg, Egon Schiele, Oskar Kokoschka, and Wassily Kandinsky. Topics covered are divided into two broad thematic categories whose central tenets originate in preoccupations with, on the one hand, an e

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Engström, Alexander. "Inger Ekdahl : Swedish Abstract Expressionism." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182385.

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Inger Ekdahl was a female painter at the center of Swedish Abstract Expressionism in the fifties. This essay investigates how her art was received in Stockholm and Paris. We conclude that although her type of art dominated the avant-garde in Paris during the late fifties, she was too early for the Swedish avant-garde and did not amass enough support to transform it. The analysis used Actor-Network Theory following Latour.

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12

Coffey, Roland M. "Expressionism and Ethnography: Max Pechstein in Nidden and Palau." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4004.

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This thesis offers a new way to conceptualize Hermann Max Pechstein’s “primitivism” as a kind of ethnographic “primitivism.” By creating a constellation that connects Pechstein’s Nidden and Palau-based projects, Paul Gauguin’s “primitivist” aesthetic, and the research produced by German ethnographers, I argue that the “documentary” nature of Pechstein’s work paradoxically merges the “scientific” aspects of ethnography with his, and more generally, other Expressionists’ interest in the “primitive.” In addition, the following work demonstrates that the purportedly “scientific” representations an

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13

Watrous, Shawn. "Undersound: An Investigation of Painting as a form of Expression." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366359903.

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Wexler, Thomas. "Collective Expressions: The Barnes Foundation and Philadelphia." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383558977.

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Steele, Nancy Joanne. "Etched images of the human form in relation to society and environment." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941715.

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The vitality of the human figure has been an unending source of curiosity for artists from the beginning to now. Although many artists have focused their creativity to searching for the perfect, in fact, beautiful, human form, others have striven to convey the human experience within the spirit of their own era. The latter is true of this creative project, which has addressed the following problem: hog: could large-scale intaglio printmaking be used to 02arify the negative impact our rigid contemporary notion of beauty can have on individual women? The project was inspired by the work of Kaeth

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16

Barry, Marie Porterfield. "Lesson 17 Part 2: Reactions to the Modern World-Post-Impressionism and Expressionism." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/19.

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This lessons covers the difference between impressionism and expressionism. Post-impressionism is represented through artworks by Vincent Van Gogh, Paul Gauguin, Paul Cèzanne, and Henri de Toulouse-Lautrec. Expressionism is represented through artworks by Edvard Munch, Henri Matisse, Ernst Ludwig Kirchner, and Vassily Kandinsky.

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Murphy, Christopher Eric. "Reconstructing paradigms of expression." Click here to access thesis, 2007. http://www.georgiasouthern.edu/etd/archive/spring2007/christopher_e_murphy/Murphy_Christopher_E_200701_mfa.pdf.

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Thesis (M.F.A.)--Georgia Southern University, 2007.<br>"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Fine Arts." In Art, under the direction of Patricia J. Walker. ETD. Electronic version approved: May 2007. Includes bibliographical references (p. 37-38)

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Fay, Deane Colin. "Spirit, vision, heart /." Online version of thesis, 1990. http://hdl.handle.net/1850/10934.

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Haskaris, Jean. "De l'architecture expressionniste à l'architecture visionnaire : Allemagne, 1906-1921." Paris 1, 1987. http://www.theses.fr/1987PA010546.

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Dans le cadre d'une révision de l'historiographie du mouvement moderne en architecture, cette étude cherche à mettre en valeur l'œuvre de certains architectes, proches à cette époque du mouvement expressionniste en Allemagne. Elle englobe le débat qui a conduit à la fondation du Bauhaus, débat longtemps occulté par les théories officielles du modernisme architectural. Tout comme l'approche artistique du baroque et du maniérisme avait déplacé la persuasion vers la sensation, l'alternative expressionniste en architecture, entre 1906 et 1921- porteuse de tout l'enseignement esthétique du XIXème s

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Kappers, Michael. "VIRTUALLY ABSTRACT." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4011.

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My most recent body of work frees me from traditional animation and graphic design principles that had become second nature in my creative practice over years of commercial work in industry. I now find myself unconsciously creating shape and form without a preconceived vision of the final outcome. This allows for a free-flowing approach to my canvas. The canvas in which my forms are created is virtual space and can be described as an infinite cube. The first step I take in each of my pieces is creating a cube with the center residing at Cartesian coordinates 0,0,0. From there, I make the decis

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Goodhue, Laura. "Creative Expression: An Imminent Clash as Experienced by Three Artists." Thesis, Boston College, 2005. http://hdl.handle.net/2345/4427.

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Thesis advisor: Judith Bookbinder<br>The Nazis arranged an exhibition of "degenerate" art (Entartete Kunst), shown in Munich in 1937 to insult and degrade artists who are recognized today as some of the most talented artists of the twentieth century. The success of the exhibition affected each artist in a different manner. Many fled Germany and ventured to the United States while others unwilling to leave their homeland suppressed their creative impulses for a life of fear and psychological torture in Germany. The horrific and irreversible effects on the German artists and culture can only be

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22

Strahl, Lisa Beth. "Gender Construction and Manifestation in the Art of Elaine de Kooning." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/44952.

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Art History<br>Ph.D.<br>As a woman whose career lifted off during the era of Abstract Expressionism, Elaine de Kooning is precariously positioned between her gender and her career. She began painting in the midst of a male-dominated movement and in later years continued to use very masculine themes in her art; however, her gender sets her apart from her mostly male colleagues during the Abstract Expressionist period. The mid-century expectation of machismo and masculinity shaped Elaine de Kooning’s art and career, and there is a tension within her art as she tried to fit the established (male)

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Singer-Delaunay, Hélène. "Expressions du corps interne." Paris 1, 2005. http://www.theses.fr/2005PA010662.

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Le titre de cette thèse, " Expressions du corps interne ", se présente comme une énigme: que signifie le " corps interne ", de quelle nature sont ses expressions? La solution recherchée passe par l'analyse de créations de l'auteur (des performances vocales), où elle se met en scène pour produire une matière sonore qui se situe au croisement du cri et du chant. Elle nomme cette création visuelle et vocale " chant plastique ". Elle tente par lui d'exprimer le " corps interne ". Ce chant se différencie du chant lyrique, tout en s'y référant; il apparaît comme un "hors chant" et un "en deçà du lan

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Pasek, Jeffrey Douglas. "Worry My Head: An Exploration of Head-Like Forms as an Expression of Existential Concerns." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1385383454.

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Shah, Diti. "An abstract expression of September 11, 2001." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4448.

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Historical events captured in an abstract manner have the ability to produce a profound effect on the emotions. The purpose of this research is to create a time-based computer media work, using dialogue from playwright Anne Nelson's The Guys, based on the September 11, 2001 attacks on the World Trade Center in New York City, with emphasis on visual imagery, particularly the use of line and color, to enhance the dramatic and emotional content of the piece. The stylistic direction of the thesis work is greatly influenced by selected works of abstract expressionists Robert Motherwell and Franz Kl

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Palou, 1961. "Luís Claramunt. Cuaderno de Bitácora." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/668217.

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La tesis trata de la extensa, valiosa y desconocida obra del singular pintor Luis Claramunt, (Barcelona 1951- Zarautz 2000). La obra se ha analizado y clasificado a través de la investigación llevada a cabo en el archivo del propio artista, archivo cedido al MACBA (Museo de Arte Contemporáneo de Barcelona) por su familia, con motivo de la exposición antológica que el Museo le dedicó en el año 2012. La tesis también incorpora los testimonios de personas de diferentes ámbitos de su entorno. Con este material se ha realizado una personal clasificación de su pintura en tres etapas y trece series t

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Alvarez, Andrea. "Art Criticism, Scholarly Interpretation, and Curatorial Intent: A Reassessment of the 1998 Jackson Pollock Retrospective at the Museum of Modern Art." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/439.

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In 1998, the Museum of Modern Art held a retrospective exhibition of artworks by Jackson Pollock. Curators Kirk Varnedoe and Pepe Karmel worked in an art historical context that had been significantly shaped by the early critical writings by Clement Greenberg and Harold Rosenberg. The curators’ stated intention for the exhibition installation was to provide “a fresh chance for new generations of artists to come to terms with a legendary figure” and to enable “the broader public to reassess a quintessentially American artist in light of three decades of new scholarship,” without “ hewing to any

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Harmon, Susan Lee. "Poiesis." Click here to access thesis, 2007. http://www.georgiasouthern.edu/etd/archive/summer2007/susan_l_harmon/Harmon_Susan_L_200708_MFA.pdf.

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Thesis (M.S.)--Georgia Southern University, 2007.<br>"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Fine Arts." Under the direction of Patricia Walker. ETD. Electronic version approved: December 2007. Includes bibliographical references (p. 55-56) and appendix.

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Lee, Andrea Kathleen Wahlman Maude. "Envisioning the sacred expressions of spirituality by contemporary women artists /." Diss., UMK access, 2006.

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Thesis (Ph. D.)--Dept. of Art and Art History and Center for Religious Studies. University of Missouri--Kansas City, 2005.<br>"A dissertation in art history and religious studies." Advisor: Maude Southwell Wahlman. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Jan. 29, 2007. Includes bibliographical references (leaves 354-398). Online version of the print edition.

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Holaday, Troy A. "Transcending inaccessibility : reassessing the Action Painters in the light of rhetorical theory." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1237767.

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This interdisciplinary thesis investigates the Action Painting movement using rhetorical theories and models with the intent of producing a higher level of understanding of the paintings and increasing their approachability. A brief history of nonobjective painting, the technique of automatism, and the Action Painting movement is given. Following this, the semiotic character of the visual elements within Action Paintings is discussed and their behavior catalogued through descriptive analysis, using Kenneth Pike's theory of tagmemics. The work culminates in a comparison of painted gestures to c

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Dias, Fernando Paulo Leitão Simões Rosa. "Ecos expressionistas na pintura portuguesa (1910-1940)." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1996. http://dited.bn.pt:80/29877.

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Stafford, Francesca. "My pictures are all moments of my life : representations of time and space in the work of Gabriele Munter and Else Lasker-Schuler." Thesis, Lancaster University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288955.

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Nauronis, Gintautas. "Abstrakti vizija." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120211_115650-43829.

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Darbais kuriame savo istoriją, tarsi stebuklinį mitą, kuris tampa savotišku veidrodžiu, rodančiu regimus ir neregimus mūsų sielos pavidalus. Gintauto Nauronio tapyba taip pat jo gyvenimo metraštis, abstraktūs vaizdai, žmogaus pažvelgimas į save, į savo vidinį pasaulį, charakterio, temperamento savybes, egzistenciją. Aliejinės tapybos darbų kolekcija "Abstrakti vizija"- tai sielos harmonija, kurios nereikia filosofiškai paaiškinti – užtenka išgyventi, pajusti, nuspėti. Dailininko prigimtis, įvaldyta tapybinė technika, sugebanti įkvėpti gyvybę drobei. Įvairiausių spalvų ir atspalv

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Dubourg, Christine. "Les expressions du naturalisme dans les arts graphiques du Paléolithique supérieur : une vision du monde des chasseurs préhistoriques." Bordeaux 1, 1997. http://www.theses.fr/1997BOR10635.

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Slivo, Yalda. "Den rörliga bildens formlöshet : En studie av den rörliga bilden." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-148312.

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Denna studie syftar till att studera den rörliga bildens historia och relation till måleriet utifrån de två modernistiska konstnärliga rörelserna minimalism och abstrakt expressionism.<br>This study aims at understanding the history and relation between the moving image and two modernistic art movements, minimalism and abstract expressionism.

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Tunstall, Lucy Suzannah. "Vision and visual art in Sylvia Plath's 'Ariel' and last poems." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/24401.

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This dissertation is concerned with Sylvia Plath's late works. Engaging with critical discussion of what constitutes the corpus of Ariel, I show that an appreciation of the editorial history reveals the beginning of a third book (the last poems), and opens up those difficult texts to fresh enquiry. Recent work in Plath studies has focused on visual art. Kathleen Connors and Sally Bayley's Eye Rhymes examines Plath’s own artwork in ‘an attempt to answer the question, How did Plath arrive at Ariel? (1) I contribute to that discussion, but also ask the questions, How did Plath leave Ariel behind

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Honigman, Ana Finel. "Stars in their eyes : contemporary artists' expressions of fandom and how fan identities influence art." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:091a5028-942a-44f5-a2fd-5374d81d1621.

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Fandom is, as scholars in relevant areas of Media Studies and Sociology attest, a vibrant aspect of contemporary culture and influential in individuals' expression and construction of their identities. This thesis examines and endeavours to challenge how fandom, defined as "emotionally involved consumption of a given popular narrative or text," is conceived and received in contemporary art. It addresses misconceptions about art by four artists who explicitly express their fan identities in their artwork and examines how a finer understanding of fandom can enrich contemporary art discourse and

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Freeman, Christopher John. "Are chemical defenses allocated within sponges to defend regions most at risk to predator attack?" Click here to access thesis, 2007. http://www.georgiasouthern.edu/etd/archive/spring2007/christopher_j_freeman/Freeman_Christopher_J_200701_MS.pdf.

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Thesis (M.S.)--Georgia Southern University, 2007.<br>"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Science." Under the direction of Daniel F. Gleason. ETD. Electronic version approved: May 2007. Includes bibliographical references (p. 73-83) and appendices.

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Schultz, Ruth. "Being of shape : being--The ground through which all things are /." Online version of thesis, 1989. http://hdl.handle.net/1850/11082.

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Erminaitė, Giedrė. "Tarp meilės ir priklausomybės/ Stokholmo sindromas / odi de amo." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120629_122857-19895.

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Tapybos darbų kolekcijoje nagrinėjama socialinė, psichologinė problematika, kur formų, spalvų, dėmių ir kitų detalių visuma virsta tam tikra ženklų sankaupa, paveiki psichologinėmis formomis. Visa tai transformuojasi į trijų darbų kolekciją : " TARP MEILĖS IR PRIKLAUSOMYBĖS/STOKHOLMO SINDROMAS1/ODI DE AMO2" - tai psichologinė emocinė sąvoka reiškianti, įkaito priklausomybę nuo kito žmogaus arba tam tikras dvilypiškumo sąsajas. Personažai, turintys skirtingus vaidmenis, pvz., lyčių stereotipus,”<...> kai moteris sąmoningai tapatinasi vien su savo moteriškumu ir ignoruoja animus (t.y vyriškumo)

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Trapp, Elizabeth J. "Cy Twombly's 'Ferragosto' Series." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276609006.

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Badoni, Georgina. "Visual Expressions of Native Womanhood| Acknowledging the Past, Present, and Future." Thesis, The University of Arizona, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10619605.

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<p> This dissertation explores the artistic expressions of Native womanhood by Native women artists. The intention is to offer further examples of creative acts of resistance that strengthen Native identities, reinforce female empowerment, and reclaim voice, and art. This qualitative study utilized the narratives and the artwork of six Native women artists from diverse artistic practices and tribe/nation affiliations. Visual arts examples included in this study are digital images, muralism, Ledger art, beadworks, Navajo rugs, and Navajo jewelry. Through Kim Anderson’s theoretical Native

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Toniutti, Emmanuel. "Paul Tillich et l'art expressionniste." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57951.pdf.

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Tomita, Midori. "Woodcuts 1946-1953 by Kosaka Gajin (1877-1953) the discovery of children's art in Japan an German expressionism /." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=1054232744.

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TOMITA, MIDORI. "Woodcuts 1946-1953 BY Kōsaka Gajin (1877-1953): The Discovery of Children's Art in Japan and German Expressionism." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054232744.

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Pate, Jennifer Ashley. "The Encyclopedic Collections of the Metropolitan Museum of Art and the Rudolfine Kunstkammer as Expressions of Power." VCU Scholars Compass, 2007. http://hdl.handle.net/10156/1622.

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McColm, Donna. "Opticality and the Work of Morris Louis (1912-1962)." University of Sydney, 2007. http://hdl.handle.net/2123/2180.

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Master of Philosophy<br>This thesis investigates the work of Morris Louis (1912-1962) in relation to ‘opticality’, a theory developed by the prominent American art critic Clement Greenberg. Between the late 1930s and 1950s, Greenberg developed a comprehensive argument concerning the opticality, or the optical illusion, of abstract painting. This theory influenced common approaches towards Abstract Expressionist painting during the 1940s and 1950s, culminating in Greenberg’s writing on ‘Colourfield’ painting in major texts of the 1960s such as ‘Louis and Noland’ (1960). Through research into t

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Farber, Jeffrey W. "Natural interactions : a commentary on our relationship with nature." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391229.

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The objective of this creative project is to develop a series of paintings in oil on canvas that focus on the issue of mankind's crumbling relationship with the natural world. The paintings will be produced through a process that begins with an intuitive abstract approach and will later develop layered representational imagery. My technique of painting involves initially choosing and mixing colors without regard to the finished painting, allowing the subconscious to determine the direction that the painting will take. Upon completion of the under painting, I begin creating stencils and layerin

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Robillard, Madeleine. "Une oeuvre de l'affect." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1995. http://theses.uqac.ca.

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Timmers, Heiko, and H. Timmers@adfa edu au. "Expressions of Inner Freedom." The Australian National University. Research School of Physical Sciences and Engineering, 1996. http://thesis.anu.edu.au./public/adt-ANU20020328.152158.

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This study investigates the fusion and scattering of nuclei at energies spanning the Coulomb barrier. The coupling of the relative motion of the nuclei to internal degrees of freedom can be thought to give rise to a distribution of potential barriers. ¶ Two new methods to extract representations of these potential barrier distributions are suggested using the eigen-channel model. The new techniques are based on measurements of quasi-elastic and elastic backscattering excitation functions, from which the representations are extracted by differentiation. A third method utilizing transfer excitat

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