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Artykuły w czasopismach na temat „EXQUAL”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Duday, Henri, Hervé Guy, and Frédéric Joulian. "Cadavres exquis." Techniques & culture, no. 60 (June 19, 2013): 226–43. http://dx.doi.org/10.4000/tc.7024.

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Alberti, Christiane. "Réveil exquis." La Cause Du Désir N° 86, no. 1 (2014): 34. http://dx.doi.org/10.3917/lcdd.086.0034.

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Le Bitouzé, Corinne, and Morwena Joly-Parvex. "Cadavre exquis." Revue de la BNF 52, no. 1 (2016): 106. http://dx.doi.org/10.3917/rbnf.052.0106.

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Gamba, Fiorenza. "Cadavres exquis." Corps N° 11, no. 1 (2013): 87. http://dx.doi.org/10.3917/corp1.011.0087.

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Shapin, Steven, and Laurent Bury. "Cadavres exquis." Books N° 59, no. 11 (2014): 64–69. http://dx.doi.org/10.3917/books.059.0064.

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Somville, Pierre. "Cadavres exquis." Kernos, no. 12 (January 1, 1999): 73–83. http://dx.doi.org/10.4000/kernos.710.

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Pons, Jean-Claude. "Cadavres exquis." Revue d'études palestiniennes N° 56, no. 3 (1995): 109–12. https://doi.org/10.3917/repa.056.0109.

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Langevin, Ève Marie, and Melania Rusu Caragioiu. "Harmonie et cadavre exquis." Revue Possibles 42, no. 1 (2018): 338–39. http://dx.doi.org/10.62212/revuepossibles.v42i1.212.

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Voici une petite expérience que nous avons tentée, en nous inspirant de mots-clés des auteur.e.s de cette section qui nous semblaient avoir des résonnances les uns avec les autres, comme un écho une connexion « comme la réverbération de ta mort lointaine ». (Miron, 1971).

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9

HAINGE, GREG. "Cadrage exquis: Reframing Jean-Jacques Beineix’s Diva." Australian Journal of French Studies 52, no. 2 (2015): 112–26. http://dx.doi.org/10.3828/ajfs.2015.10.

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Hourdin, Hugues. "Le cinéma d'Almodovar : le cadavre exquis du franquisme." Commentaire Numéro59, no. 3 (1992): 715. http://dx.doi.org/10.3917/comm.059.0715.

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Guyot-Rouge, Gaëlle. "Charognes et cadavres exquis : Huysmans lecteur d’Armand Gautier." Romantisme 197, no. 3 (2022): 157–66. http://dx.doi.org/10.3917/rom.197.0157.

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Romano, Stefano. "The Temporal Cadavre Exquis. The Dark Side Of Diversity." Health and Wellbeing in the Post-Pandemic City, no. 24 (January 2022): 64–71. http://dx.doi.org/10.37199/f40002405.

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We will address key questions concerning the development of our cities, in the specific case, Tirana, the capital of Albania, after the new worldwide scenario that come as a consequence of the pandemic. The questions that we will focuses connecting with the idea of diversity, addressing it from the symbolic point of view of the relation between art and architecture, and how this relation can affect resilience and vision of the future. This because we have to treat the space the same way we are doing with time, as a fow. Space and time also belong to this class of quantities. Past, present, and

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13

Perovic, Sanja. "Le cadavre exquis : The Origins of Tragic Drama in Racine's Bajazet." New Literary History 36, no. 3 (2005): 439–60. http://dx.doi.org/10.1353/nlh.2005.0048.

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14

Jorland, Patrice. "Massacres exquis ou comment l’Indonésie fit retour au monde libre (1965-1966)." Recherches Internationales 76, no. 2 (2006): 159–78. http://dx.doi.org/10.3406/rint.2006.1959.

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Raimbault, Philippe. "Le corps humain après la mort. Quand les juristes jouent au « cadavre exquis »." Droit et société 61, no. 3 (2005): 817. http://dx.doi.org/10.3917/drs.061.0817.

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Amigo, Vázquez Lourdes. "Justicia y Piedad en la España Moderna. Comportamientos religiosos de la Real Chancillería de Valladolid." Hispania Sacra 55 (111) (June 5, 2003): 85–108. https://doi.org/10.3989/hs.2003.v55.i111.168.

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Los ministros del Alto Tribunal de Justicia vallisoletano se hallaban inmersos en el ambiente sacralizado del Antiguo Régimen, participando de las mismas creencias, muy a menudo cercanas a la superstición, de la mal llamada "religiosidad popular".  Empero, como mostramos en este estudio centrado en el siglo XVII, la piedad de la Chancillería se manifestaba de múltiples maneras y tenía otras connotaciones amén de las propiamente religiosas. Sus devociones particulares, su participación en las fiestas religiosas urbanas y en las exquias de su

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Mendes da Silva, Bruno. "Forking Paths' Interactive Films." Interactive Film & Media Journal 2, no. 3 (2022): 128–41. http://dx.doi.org/10.32920/ifmj.v2i3.1508.

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The Forking Paths, a project developed by the Research Center for Arts and Communication (CIAC), focuses on different types and models of interactive films, both from a theoretical and a practical perspective. The platform includes the films produced for the project: Cadavre Exquis (2019), Valsa (2016), The Book of the Dead (2015) and Haze (2014). The aim of this project is to conduct original research targeting the discovery of potential new knowledge, namely through practice and through the results of this practice. Having The Forking Paths project as a starting point, this paper endeavours

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18

Daverat, Xavier. "Du savoir en politique. Justice et démocratie en Italie à travers l'œuvre de Francesco Rosi Cadavres exquis." Les Cahiers de la Justice N° 4, no. 4 (2011): 159. http://dx.doi.org/10.3917/cdlj.1104.0159.

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19

Védrine, Hélène. "Adverts in ‘Little Reviews’ (1890–1930): Networks, Poetry and Design." Journal of European Periodical Studies 1, no. 2 (2016): 87. http://dx.doi.org/10.21825/jeps.v1i2.2648.

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Between the 1880s and the 1920s, advertising proved fundamental to art and literature reviews since it fostered a new link between visual and consumerist culture. This article is based on fin de siècle and avant-garde magazines read in dialogue. It samples French and Belgian magazines illustrating innovations to 1880s periodicals and 1920s modernist magazines. The paper highlights the use of visual techniques in advertisements (page design, typography, etc.) that strengthen aesthetic and political stances. Advertising rhetoric masks aesthetic manifestos but also social and political agenda, re

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20

Pethő, Ágnes. "The Exquisite Corpse of History. Radu Jude and the Intermedial Collage." Acta Universitatis Sapientiae, Film and Media Studies 21, no. 1 (2022): 36–100. http://dx.doi.org/10.2478/ausfm-2022-0003.

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Abstract The article argues for the relevance of intermediality in the interpretation of Radu Jude’s films made after 2016: The Dead Nation (Ţara moartă, 2017), I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018), The Marshal’s Two Executions (Cele două execuţii ale Mareşalului, 2018), To Punish, to Discipline (A pedepsi, a supraveghea, 2019), The Exit of the Trains (Ieşirea trenurilor din gară, 2020), Uppercase Print (Tipografic majuscul, 2020), Bad Luck Banging or Loony Porn (Babardeală cu bucluc sau porno balamuc, 2021). Inst

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21

Pajuhanfard, Mohammadsaleh, Rasoul Kiani, and Victor S. Sheng. "Survey of Quantum Generative Adversarial Networks (QGAN) to Generate Images." Mathematics 12, no. 23 (2024): 3852. https://doi.org/10.3390/math12233852.

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Quantum Generative Adversarial Networks (QGANs) represent a useful development in quantum machine learning, using the particular properties of quantum mechanics to solve the challenges of data analysis and modeling. This paper brings up a general analysis of five QGAN architectures, focusing on their evolution, strengths, weaknesses, and limitations in noisy intermediate-scale quantum (NISQ) devices. Primary methods like Entangling Quantum GAN (EQ-GAN) and Quantum state fidelity (QuGAN) concentrate on stability, convergence, and robust performance on small-scale datasets such as 2 × 2 grayscal

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22

Chantoury-Lacombe, Florence. "Les volutes de la peinture : l’opium au défi des images." Drogues, santé et société 11, no. 1 (2013): 70–89. http://dx.doi.org/10.7202/1013888ar.

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La représentation de l’opium dans les arts visuels occidentaux semble bien assujettie au signifiant flottant dupharmakonde Platon dont le sens peut facilement s’inverser et devenir remède bénéfique ou poison maléfique. De remède universel avec la thériaque, la polypharmacie à base d’opium qui fonctionnera jusqu’au XVIIIe siècle, en passant par les sirops contre la toux pour les enfants, la valeur médicinale de l’opium fera d’abord l’enjeu des représentations visuelles pour, par la suite, verser dans un univers onirique ou l’opium devient une médication du spleen. De l’exotisme à l’érotisme, le

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23

Wild, Gerhard. "Ideen-Maschinen – Klang-Figuren – Bewegungs-Bilder – Sprach-Barrieren. Ebenen poetischer Subjektivität in Texten schreibender Maler (Chirico, Dalí, Giacometti, Miró, Ernst, Duchamp, Picabia, Magritte)." Zeitschrift für Katalanistik 21 (July 1, 2008): 39–75. http://dx.doi.org/10.46586/zfk.2008.39-75.

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Summary: European painters’ writing activities may be seen as an intent of “heteropoetry” with the aim of revealing aesthetic experience in a linguistic mode that avoids the traditional problem of visual art as representation of external reality. Henceforth, poetry becomes a privileged medium of expression of an imaginary which in Renaissance and Baroque art and literature is centered on the Neo-Platonist concept of “idea” (cf. Panofsky, Hocke). Studying the texts of surrealist painters, four aesthetic levels to perform poetic subjectivity can be detected. At the early beginning of 20th centur

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24

Maklan, Stan, and Philipp "Phil" Klaus. "Customer Experience: Are We Measuring the Right Things?" World Advertising Research Center, January 1, 2011. https://doi.org/10.5281/zenodo.811414.

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Marketing theory and practice evolved dramatically through a series of transformations from products, to services and, recently, customer experiences. Each stage has its own perspective on marketing's purpose, the nature of customer value and measurements that calibrate performance and guide managerial decisions. The latter is of particular interest to market researchers. Measurement (research) typically lags changes in marketing theory due to institutional factors and the time for new practices to diffuse. The authors posit that firms still measure customer experience against criteria more su

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25

Pouzet-Duzer, Virginie. "Surréalisme : crimes exquis." Acta Juin-Juillet 2009 10, no. 6 (2009). http://dx.doi.org/10.58282/acta.5095.

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26

"Le cadavre exquis de la consommation." Adolescence 66, no. 4 (2008): 877. http://dx.doi.org/10.3917/ado.066.0877.

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27

Arias Madero, Javier. "Cadavres exquis. Automatic processes in the building extensions of OMA." Revista de Arquitectura 29, no. 47 (2024). https://doi.org/10.5354/0719-5427.2024.76085.

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This article examines the affinities between Rem Koolhaas’s architectural extension strategies and the surrealist concept of the ‘exquisite corpse’. The problem addressed is how these extensions, conceived as ideologically autonomous components, reconfigure the building as a collective palimpsest. The objective is to analyze how these practices align with the principles of ‘Manhattanism’ articulated in Delirious New York and how they resonate with the organic excrescences characteristic of Salvador Dalí’s artistic universe. The methodology employs a critical analysis of Koolhaas’s key projects

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28

Brijaldo Acosta, Julián Guillermo, and Jorge Mario Valencia Upegui. "Ambi-End: Conversaciones musicales para interactor e instalación inmersiva: La obra como proyecto y el proyecto como obra de investigación-creación." Revista de Investigación y Pedagogía del Arte, no. 18 (June 17, 2025). https://doi.org/10.18537/ripa.18.06.

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En el campo audiovisual, el audio inmersivo le ofrece al espectador la posibilidad de transportarse a lugares que puede reconocer fácilmente. Ambi-End: Conversaciones musicales para interactor e instalación inmersiva, resultado del proyecto de Arte y Nuevos Medios: investigación artística alrededor de su relación simbiótica replantea este tipo de experiencias, haciendo de lo sonoro lo protagonista. Esta macroobra, estrenada en el XI Congreso Internacional de Investigación REDU, se centra en la construcción musical en un entorno interactivo 360º mediado por pantallas táctiles. Como proyecto de

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Lazo, Veronica Garcia, Kirsten Locke, Nicolas Rupcich, Gabby O’Connor, Caroline Yoon, and Alys Longley. "Pedagogy and Social Critique in the Era of Fragmentation: A Collective Writing Experiment as cadavres exquis." Video Journal of Education and Pedagogy, September 25, 2020, 1–22. http://dx.doi.org/10.1163/23644583-bja10008.

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Abstract This is the result of a collaborative and creative experiment, a process in which six scholars—Garcia Lazo, Locke, Rupcich, O’Connor, Yoon and Longley—agreed to co-author an article through written and/or visual pieces of work. The emphasis taken in the article is to perform a methodology of fragmentation. The article is to be read as a series of ‘folds’, where collages or fragments of text are contained and while each fold is numbered, the reader is invited to read any fold in any order. Using fragmentation as method in writing also inspired our interpretation of a body of work made

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"Musical Totem: A Collaborative Composition Methodology During the Covid-19 Pandemic." CAML Review / Revue de l ACBM, May 31, 2021. http://dx.doi.org/10.25071/1708-6701.40393.

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As part of the Action Research Network of the Americas, the Musical Learning Community is a collaborative group, founded during the COVID-19 global pandemic, that has brought together musicians, artists, and educators to generate shared experiences. As members of this community, we explore new ways for collaborative music-making. Through creative, cultural, and conceptual influences, the idea of the Musical Totem emerged as a collaborative music composition methodology to transcend geographical distancing. We sought interpretative freedom by adopting methods of the surrealist technique Cadavre

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31

Elzières, Sophie. "L’inhumanité, l’impertinence et l’improvisation : Crow, poète charognard et poète écorché." Leaves, no. 18 (July 18, 2024). https://doi.org/10.46608/leaves.vi18.444.

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Dans le recueil des aventures de Crow, le poète Ted Hughes veut montrer les conséquences effroyables de la cupidité et de la barbarie des hommes de son temps. Il décrit un univers saccagé, où triomphe son corbeau, Crow, roi de la charogne et maître-chanteur d’un monde détruit, seul poète que peut encore s’offrir une humanité en faillite et dont les fleurs de rhétorique répandent les effluves de tout le mal que les hommes ont pu se faire. Crow s’affirme dans le recueil comme une figure contestataire, impertinente, car il est équivoque : il est d’un côté une figure polémique, caustique et cruell

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32

Delanoë-Brun, Emmanuelle. "Esprit de corps, matière d’âme : les cadavres exquis du petit écran (The Walking Dead, Bones, CSI, Dexter, The Closer, et quelques autres)." TV/Series, no. 5 (May 1, 2014). http://dx.doi.org/10.4000/tvseries.442.

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Saint-Amand, Marie. "Du blog amateur à Gallimard. La bande dessinée de Pénélope Bagieu reformatée." Articles 8, no. 1 (2016). http://dx.doi.org/10.7202/1038031ar.

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En 2007, l’illustratrice Pénélope Bagieu lançait sur la toile un blog BD, qu’elle dédiait à la réalité prosaïque de son quotidien. Trois ans plus tard, cette diplômée de l’École nationale supérieure des Arts décoratifs de Paris et du Central St Martins College of Art and Design publiait aux éditions Gallimard son premier roman graphique, Cadavres exquis. Comment ce passage d’une production « sauvage » à l’une des plus prestigieuses maisons d’édition s’est-il effectué? C’est à cette question que l’article tente de répondre. Pour ce faire, il s’articule en quatre parties. En préambule, une brève

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34

Milićević, Nebojša, and Milica Đorđević. "THE CREATION OF A WORK OF ART AND THE METHOD OF SERIAL REPRODUCTION OF GEOMETRIC STIMULI." Facta Universitatis, Series: Visual Arts and Music, December 18, 2024, 107. https://doi.org/10.22190/fuvam240618008m.

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Bartlett's serial reproduction experiments (Bartlett 1932), in addition to cognitive and social psychology, find their application in research into changes in culture and art. The application of similar techniques such as Cadavre exquis (Exquisite corpse) in modern art is discussed. Starting from Martindale's idea that serial reproduction experiments can be used to examine and simulate real stylistic changes, it was hypothesized that they could also be applied in examining the genesis of a work of art. Experimental research was conducted in two phases. In the first one, students of the Faculty

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Mallart Brussosa, Myriam. "Elles disent de Léonora Miano: une mélopée citationnelle ou comment faire du petit avec du bref." Anales de Filología Francesa 31 (December 11, 2023). http://dx.doi.org/10.6018/analesff.571921.

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Con su libro Elles disent (2021) Léonora Miano compone una breve “pièce vocale” de cincuenta páginas mediante las citas tomadas prestadas de mujeres de todos los continentes y “profesiones”. Si la cita -la forma más canónica de intertextualidad- implica, de antemano, una obra de lectura y recorte que, en esta obra, revela la herencia literaria y musical femenina de la autora; también tiene varias funciones descritas por Maingueneau. Sin embargo, al desaparecer de su texto, Miano las desvía y cuestiona así las nociones de auctoritas y verdad. Su trabajo de montaje y “trasplante”, inspirado en e

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