Gotowa bibliografia na temat „Fagner”

Este artigo objetiva realizar uma análise acerca dos produtos fonográficos promocionais enquanto elementos potencializadores da popularidade do artista envolvido profissionalmente no ambiente musical. Para tanto, busco delimitar essa reflexão a partir do percurso profissional do artista Raimundo Fagner em dois momentos de sua carreira – 1973 e 1982 –, observando a importância desses produtos promocionais para a divulgação de seus trabalhos e as distinções evidenciadas nesses dois momentos, especificamente no que diz respeito ao conteúdo vinculado aos mesmos. Tendo em vista a reflexão que o presente texto busca levar a efeito, opto pela utilização dos aparatos teóricos-metodológicos da História Cultural, principalmente no que se refere ao uso plural de fontes históricas como recursos para a reconstrução do passado.Palavras-Chave: Fontes Históricas; Indústria Fonográfica; Discos Promocionais; Raimundo Fagner. AbstractThis article aims to do an analysis about promotional phonographic products as elements that enhance the popularity of the artist professionally involved in the musical environment. Therefore, I seek to delimit this reflection from the professional life of the artist Raimundo Fagner in two moments of his career - 1973 and 1982 -, noting the role of these promotional products for the dissemination of his works and the distinctions evidenced in these two moments, specifically concerning the content linked to them. Considering the reflection that this text seeks to carry out, I decide to use the theoretical / methodological apparatus of Cultural History, namely in what refers to the plural uses of historical sources as resources for reconstructing past.Keywords: Historical Sources; Phonographic Industry; Promotional Disks; Raimundo Fagner.

Este artigo pretende observar algumas confluências entre a canção popular e a canção literária, mediante a análise e comparação do poema “Motivo” (1939), de Cecília Meireles, e sua adaptação para a canção “Eu Canto” (1978), por Raimundo Fagner. A proposta é refletir sobre os elementos necessários para que um poema, originalmente literário, seja musicado e soe como canção popular. Além disso, também será abordado o tema da metapoesia, seus impactos na leitura do poema e na audição da canção.

Este artigo analisa o campo musical brasileiro, na década de 1970, sob o prisma dos artistas estreantes nesses dez anos. Luiz Gonzaga Junior, Luiz Melodia, Novos Baianos, Secos & Molhados, Clube da Esquina, João Bosco, Fagner, Belchior, Sá, Rodrix e Guarabyra, Ivan Lins e Raul Seixas são músicos e compositores populares, que despontaram artisticamente após o tropicalismo e desenvolveram uma produção musical significativa no transcorrer dessa década. Embora sejam, atualmente, artistas conhecidos, a trajetória dessa geração foi pouco estudada, e sua relevância na historiografia da música popular ainda se encontra mal definida. Assim, este artigo objetiva lança luz sobre essa geração de novatos, ocupantes de posições homólogas no campo musical, de modo a compreender a configuração dos seus trabalhos artísticos e carreiras profissionais no centro das transformações sociais, econômicas e culturais que marcaram a década de 1970.

En el presente estudio se establecieron medidas de mitigación para el ambiente térmico en el área de lavandería, sección secado evaluando y analizando riegos a los cuales están expuestos los operarios del Hospital General Ambato en su jornada laboral. Esta investigación tuvo su inicio con la evaluación cualitativa utilizando la matriz del Instituto Nacional de Seguridad y Salud en el Trabajo (INSHT), en donde se valora el riesgo en base a parámetros. También se empleó la norma NTP 330, que evalúa los riesgos de manera cuantitativa. En base a estas herramientas se procedió a llenar la matriz propuesta por el Ministerio de Trabajo. Como resultado de las herramientas, se consideran medidas que contrarresten al riesgo con un nivel de criticidad más alto, esto se lo realizó empleando las buenas prácticas establecidas por el Instituto Nacional de Seguridad y Salud en el Trabajo NTP 322: Método WBGT y NTP 74: Método Fagner. Una vez realizada las mediciones se obtuvo como resultado un índice WBGT de 31.02°C y un 100% de personas insatisfechas. Se demostró que los trabajadores se encuentran expuestos a estrés térmico y disconfort térmico, por la cual se planteó una medida que considera la redistribución del área de la sección de secado del área de lavandería asegurando así un ambiente adecuado para que los trabajadores desempeñen sus labores de la mejor manera.

Den nye forskriften overordnet del – verdier og prinsipper for grunnopplæringen knytter begrepet tverrfaglighet til tre ulike temaer og fremhever det som et pedagogisk prinsipp for undervisningen i Norge. Artikkelen belyser hvordan denne delen av læreplanverket beskriver begrepet tverrfaglig som pedagogisk prinsipp. Undersøkelsen som ligger til grunn for artikkelen, viser at læreplanen åpner for at lærere kan konstruere sin egen forståelse av hva tverrfaglig tilnærming er, og dermed kan praktisere ulike former for tverrfaglig opplæring. Artikkelen beskriver hva et utvalg av faglærere på ungdomstrinnet (i naturfag og kunst og håndverk) legger i begrepet tverrfaglig slik de forstår bruken i læreplanverket. Videre tar den for seg hva disse lærerne oppfatter som en tverrfaglig tilnærming i sin egen operasjonaliserte undervisning. Flertallet av disse lærerne hevder at tverrfaglighet sett i lys av overordnet del innebærer en undervisning hvor fagene integreres og glir over i hverandre. Imidlertid viser undersøkelsen at når de fleste av informantene ser på sin egen operasjonaliserte undervisning, både forstår de og utøver de den tverrfaglige tilnærmingen annerledes. Eksempler lærerne trekker fram fra egen undervisning, illustrerer at den tverrfaglige tilnærmingen til undervisning både forstås og praktiseres på ulike måter med ulike grader av tverrfaglighet. Artikkelen ser også på i hvilken grad lærerne har erfaring med undervisning på tvers av naturfag og faget kunst og håndverk. Lærerne i denne undersøkelsen vedgår at de ikke har erfaring med tverrfaglig samarbeid mellom disse fagene. Undersøkelsen bygger på en dokumentanalyse og intervjuer av tolv lærere i ungdomsskolen som underviser i naturfag og faget kunst og håndverk. Teoretisk rammeverk for undersøkelsen har vært Goodlad (1977, 1979) sin konseptuelle teori om læreplanens ulike fremtredelsesformer. Nøkkelord: tverrfaglig, tverrfaglig tilnærming, den formelle plan, den oppfattede plan, den operasjonaliserte plan, den erfarte plan og samarbeid på tvers av naturfag og kunst og håndverk.

I denne artikel beskrives praksisnær undervisning gennem Deweys erfaringsbegreb og hans forståelse af undervisning som en undersøgende og eksperimenterende tilgang til fagene, hvor eleverne får erfaringer med den praktiske virkelighed og med fagenes ’brugsværdi’ i forhold til selvstændiggørelse og livsverdenen uden for skolen. Beskrivelsen trækker også på teorier om pædagogisk entreprenørskab og på Biestas tanker om uddannelse. Baggrunden for at beskæftige sig med praksisnær undervisning er bl.a. det uddannelsespolitiske fokus på praksisfaglighed som en måde at fremme ”flere forskellige aspekter af den enkelte elevs alsidige udvikling og dannelse […] gøre flere elever mere bevidste om, at erhvervsuddannelserne ogsåer en mulighed for de bogligt dygtige elever med praktiske evner […], og styrke elevernes faglige udvikling og øge deres interesse for eksempelvis naturfagene og teknologi” (Regeringen, 2018). Artiklen beskriver praksisfaglighed gennem praksisnær undervisning og udfolder en bred forståelse af praksisfaglighed, der kan bidrage til mere nuancerede blikke på undervisning.

ROGERIO, Pedro. A viagem como um princípio na formação do habitus dos músicos que na década de 1970 ficaram conhecidos como pessoal do Ceará. 2011. 169f. Tese (Doutorado em Educação) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza-CE, 2011.
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The thesis presents the travel as a principle in the formation of the habitus of musicians. The research has focused on the trajectory of three musicians from different routes, from the same generation of intellectuals and artists who became known as Pessoal do Ceara, namely: Manassés Lourenço de Sousa, Raimundo Fagner Cândido Lopes and Franco Rodger Rogério. The research was conducted through semi-structured interviews, complete with testimonials from individuals who have enriched the work by adding explanatory power to the study.The trajectories were analyzed from the social origins of the subjects until the consolidation of their socio-professional setting in the social field. It was found that the agents originated from different social backgrounds, had their paths defined differently, however had the common point the travel as the operator of central changes in their conditions of musicians. Pierre Bourdieu’s praxiology and the concepts of habitus, capital and field were the tools used to illuminate the process of change of the subjects habitus and capital. We can say that travel was a main change strategy, based on a logic of transformation of physical movement (geographical) in a social shift within the music field.
A viagem como um princípio na formação do habitus de músicos é o que apresenta esta tese. A pesquisa se debruçou sobre a trajetória de três músicos de itinerários diversos, mas oriundos da mesma geração de intelectuais e artistas cearenses que ficou conhecida como Pessoal do Ceará, a saber: Manassés Lourenço de Sousa, Raimundo Fagner Cândido Lopes e Rodger Franco de Rogério. A investigação foi realizada através de entrevistas semiestruturadas, complementada com depoimentos de sujeitos-informantes que enriqueceram o trabalho, agregando poder explicativo ao estudo realizado. Foram analisadas essas trajetórias desde a origem social até a definição socioprofissional consolidada no campo social. Identificou-se que os agentes partiram de origens sociais diferentes e se definiram no trajeto também de forma diversa, contudo apresentaram como ponto comum o fato de a viagem operar mudanças centrais na condição de músicos. A praxiologia de Pierre Bourdieu, através dos conceitos de habitus, capitais e campo, trouxe as ferramentas necessárias para iluminar o deslocamento geográfico como um caminho de mudança do habitus e dos capitais de músicos e que, por sua vez, redefiniram a posição dos agentes no campo musical. Nesse sentido, pode-se asseverar a viagem como estratégia de mudança baseada em uma lógica de transformação do deslocamento físico (geográfico) em um deslocamento social no interior do campo musical.

Den här uppsatsen är en ekokritisk analys av fyra noveller ur Anders Fagers Samlade svenska kulter: skräckberättelser. De undersökta novellerna är ”Furierna från Borås”, ”När döden kom till Bodskär”, ”Leka med Liam” och ”Tre veckor av lycka”. Syftet med uppsatsen är att undersöka hur förhållandet mellan natur och kultur, människa och natur samt människa och icke-människa skildras. Metoden som använts är närläsning. Analysen visar att naturen och de icke-mänskliga varelserna skildras som ett hot mot människorna. Naturskildringen ansluter till tropen vildmark, där naturen är skrämmande och ogästvänlig. Kvinnorna knyts närmare naturen och de framställs som ett hot mot männen. Detta kan dock ses som ett sätt att ge naturen och kvinnorna rollen av aktivt subjekt snarare än passiva objekt.

Lors de la mise en place d’un projet de restauration, il est impératif de définir un écosystème de référence qui aidera à orienter les actions à poser. La restauration écologique des tourbières minérotrophes (fens) en est à ses débuts au Canada. À court terme, le but est d’introduire des communautés végétales qui ont le potentiel d’accélérer le retour de l’accumulation de la tourbe. Or, les connaissances actuelles des communautés végétales et des processus écosystémiques propres aux fens sont limitées. Cette recherche doctorale a pour objectif de définir un écosystème de référence pour des fens modérément riches à riches du sud-est du Canada et de cibler des communautés végétales préférentielles à l’atteinte des buts de restauration écologique des tourbières. Afin de consolider l’écosystème de référence, trois sources d’informations (temporelle, spatiale et empirique) ont été utilisées. L’analyse paléoécologique nous informe sur la dynamique de développement hydroséral, somme toute stable, d’un écosystème tourbeux sur une période de 8000 ans. Le comblement d’un plan d’eau est à l’origine de la tourbière où se sont succédées des communautés végétales de grandes cypéracées, puis des communautés dominées par les mousses brunes et les cypéracées basses. Les processus autogènes semblent avoir été prédominants dans l’évolution de la tourbière telle qu’elle est aujourd’hui. La caractérisation de treize fens naturels a résulté à l’identification de deux communautés végétales. La première est une communauté de grandes-cypéracées (magnocariçaie) associée à une production de biomasse et à un niveau d’eau élevés. La seconde est une communauté plus diversifiée de Sphagnum(warnstorfii)-Thuja. À l’exception du S. warnstorfii, cette communauté se compose davantage d’espèces généralistes des tourbières boréales qui croissent dans des habitats plus secs ou ombragés tels que les buttes ou les sous-bois. L’étude met aussi en lumière l’importance du Thuja occidentalis dans les fens régionaux. Sa présence, en densité modérée, devrait être favorisée à long terme. Trois fens naturelles ont été sélectionnées pour une étude approfondie des caractéristiques fonctionnelles de production primaire nette (PPN) et de taux de décomposition. La moyenne de PPN incluant toutes les strates de végétation est de 450 g m⁻² an⁻¹. Cette étude confirme l’importance des estimations de PPN du compartiment souterrain (45% de la biomasse totale), des bryophytes (21%) et des arbres (16%). Le S. warsntorfii est la mousse la plus productive (140 g m⁻² an⁻¹) et celle qui se décompose le plus lentement (valeur annuelle de décomposition exponentielle k de 0,07). La présence du S. warnstorfii contribue à l’augmentation du potentiel d’accumulation de tourbe. Les communautés du biotope des buttes ont également un meilleur potentiel d’accumulation de tourbe que celles des platières. Finalement, dans la partie expérimentale de la thèse, il a été conclu qu’il n’est pas nécessaire d’augmenter la diversité spécifique et structurelle pour accroître les chances de retour de l’accumulation de tourbe. La performance des variables mesurées est plutôt dépendante de l’identité des espèces composant les assemblages. La présence du Myrica gale, du Carex aquatilis ou du S. warnstorfii dans une communauté augmente significativement la production de biomasse sur le terrain. La présence d’une bryophyte augmente le recrutement de nouvelles espèces tandis que le M. gale ou le C. aquatilis le diminue. La complémentarité entre les espèces a été l’effet dominant sur la production de biomasse dans l’expérience terrain, tandis que l’effet de sélection a été observé en serre. On conclut qu’il existe des relations synergiques dans la décomposition de plusieurs litières mises en association. Une production de biomasse plus élevée devra ainsi être ciblée si le taux global de décomposition est prévu d’augmenter. Suite à la synthèse de ces trois chapitres, il est recommandé d’inclure des bryophytes dans les communautés à restaurer, en particulier le S. warnstorfii afin d’accélérer le retour des fonctions dans les tourbières restaurées et le recrutement de nouvelles espèces. Une communauté de grandes cypéracées est considérée lorsque l’introduction de bryophytes est hasardeuse.
When setting up a restoration project, it is imperative to define a reference ecosystem. This will determine the actions to be taken. In Canada, the ecological restoration of the minerotrophics peatlands (fens) is at its infancy stage. In the short term, the restoration goal is to introduce plant communities that have the potential to accelerate the return of peat accumulation. However, current knowledge of plant communities and ecosystem processes specific to fen are limited. The aim of this doctoral research is to define a reference ecosystem for moderately rich to rich fens in southeastern Canada and to target preferential plant communities to achieve the ecological restoration goals of peatlands. In order to consolidate the reference ecosystem, three sources of information were used: temporal, spatial, and empirical. Paleoecological analysis shows us the dynamics of the hydroseral development, notably how stable plant communities has been over a period of 8000 years. Terrestrialization was at the origin of the peatland development. Not long after body of water filled, tall cyperaceae community were followed by communities dominated by the brown mosses and the small cyperaceae. Autogenous processes seem to have been predominant in the evolution of the peatland. The characterization of thirteen natural fens has resulted in the grouping of two plant communities. The first is a tall cyperaceae (magnocaricion) community associated with high biomass production and high water level, the second is a more diverse community of Sphagnum (warnstorfii)–Thuja. With the exception of S. warnstorfii, this community is composed primarily of generalist species of boreal peatlands that grow in drier or shaded habitats, such as underwood or hummocks. The study also highlights the importance of Thuja occidentalis in regional fens. Over time and in moderate density, its presence should be promoted. Three natural fens were selected for an in-depth study of the functional characteristics of net primary production (NPP) and decomposition rates. The average production, including all vegetation layers, is 450 g m⁻² yr⁻¹. This study confirms the importance of the NPP estimations with regard to belowground (representing 45% of total biomass), bryophytes (21%) and trees (16%), among others. S. warsntorfii is the most productive bryophyte (140 g m⁻² yr⁻¹) and decomposes the slowest (annual exponential decomposition value k of 0.07). The presence of S. warnstorfii contributes to the increased potential for peat accumulation. The communities of the hummock biotope also have a better peat accumulation potential than those of lawns. Finally, in the experimental part of the thesis, it was concluded that there is no need to increase specific or structural diversity to increase the chances of return of peat accumulation. The performance of the measured variables is rather dependent on the identity of the species composing the assemblages. In the field, the presence of Myrica gale, Carex aquatilis or Sphagnum warnstorfii, individually or in combination, increases biomass production. The combination of these three species leads to transgressive overyielding for the production of aerial biomass. The presence of a bryophyte increases the recruitment of new species while M. gale or C. aquatilis will decrease it. The complementarity between species was the dominant effect on biomass production in the field experiment, while the selection effect was observed in greenhouses. Moreover, we concluded that there are synergistic relationships in the decomposition of litters when grouped. Higher biomass production should therefore be targeted if the overall rate of decomposition is predicted to increase. Following the synthesis of the three chapters, it is recommended to include bryophytes in the communities to be restored, in particular S. warnstorfii, in order to accelerate the return of functions in the restored peatlands, and the recruitment and establishment of new species. A community of tall cyperaceae could be considered when the introduction of bryophytes is hazardous and where water levels are forecasted to be high. In short, the preferential plant communities targeted in the reference will accelerate the return of the peat accumulation function and the revival of plant diversity.

Doutoramento em Engenharia Florestal e dos Recursos Naturais - Instituto Superior de Agronomia
The importance and valorization of the species that occur naturally in Portugal motivated the present study to evaluate the properties, variability and the technological potential of the wood of Quercus faginea Lam., commonly referred as Portuguese or Lusitanian oak. Growth rings, heartwood development, anatomical characteristics of wood and bark and wood density were studied at different ages and sites. The wood showed growth ring porosity, high fibre and rays proportion and high wood density. The heartwood proportion was relatively high and increased from the base to the top following the trunk profile. Sapwood thickness was approximately constant. The fibre and multiseriate rays showed an increasing tendency towards the bark as well as the mean earlywood vessels area. The ring width and wood density decreased from pith to bark. The variation sources included age, trees and environmental conditions. Site was responsible for the main variations followed by tree and cambial age. The correlations between the studied variables showed that growth and wood quality might be estimated namely with ring width. The wood characterization and relative stem homogeneity allow exploitation of this species and reinforce its role in forest diversity.

Tableau d'honneur de la FÉSP
Les tourbières jouent un rôle important dans le cycle du carbone à l’échelle de la planète, principalement par la captation de dioxyde de carbone (CO₂) et l’accumulation de carbone dans la tourbe et par de considérables émissions de méthane (CH₄). Les activités d’extraction de tourbe horticole causent la dégradation des tourbières qui fournissent des services écologiques, dont la régulation du climat. Une méthode de restauration significative, robuste et efficace a été développée pour les tourbières acides dominées par les sphaignes. Il arrive toutefois que les conditions physico-chimiques de la tourbe résiduelle après extraction soient caractéristiques des tourbières minérotrophes (fens). Lorsqu’appliquée dans un contexte de restauration de fens, la méthode de restauration par transfert de la strate muscinale s’est avérée peu efficace pour le retour des espèces vasculaires et muscinales typiques des fens. Dans certains contextes, la technique de remouillage sans autre action de restauration pourrait s’avérer efficace pour restaurer les fens post-extraction. Le but de cette étude est d’évaluer l’efficacité du remouillage à rétablir la végétation caractéristique des fens, ainsi que leur fonction de séquestration du carbone, et cela une et dix saisons de croissance après remouillage. Le site à l’étude se trouve dans le sud-est du Manitoba, au Canada. Les données ont été récoltées durant les étés 2016 et 2017. Le remouillage peut rapidement mener à des échanges de CO₂ typiques des tourbières naturelles. Le remouillage a résulté en des écosystèmes dominés par des espèces vasculaires typiques des milieux humides et des tourbières minérotrophes et ombrotrophes. Dix saisons de croissance après remouillage, un tapis discontinu de mousses typiques des tourbières minérotrophes s’est rétabli. Le remouillage peut être utilisé de manière efficace pour la restauration de fens après extraction. La gestion des niveaux d’eau s’avère primordiale pour favoriser une structure de végétation semblable à celle retrouvée dans les fens naturels. De trop hauts niveaux d’eau sont à éviter pour empêcher de générer de très hautes émissions de CH₄ et maximiser la fonction de séquestration du carbone. Ce mémoire se divise en trois chapitres : une introduction générale au sujet, suivie d'un corps de mémoire sous forme d'article scientifique puis d’une courte conclusion

MENDES, Maria das Dores Nogueira. A construção identitária regional pelas topografias discursivas das canções do pessoal do Ceará. 2007. 158 f. Dissertação (Mestrado em Linguistica) – Universidade Federal do Ceará, Departamento de Letras Vernáculas, Programa de Pós-Graduação em Linguística, Fortaleza-CE, 2007.
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In this research, we propose to investigate a discursive regional position with all kinds of investments attached to it. Therefore, we took as a basis Maingueneau (1997, 2001, 2004, 2005), a French line discourse annalist, and Costa (2001), who applies the most general concepts of positioning and investment to the literary. The concepts of discursive position, topography and investments are primary in this work: in order to accomplish our task, we fulfilled three stages: 1. To explain how other elements which make up the set design (enunciator, co-enunciator and chronography) as well as the notions of scenographic, ethic and linguistic investments contribute to the construction of cearenses/Northeastern topographies 2. Analysis of the corpus in which the identification of the discoursive topography is carried out 3. Identify of a cearense/Northeastern identity at the positioning, by means of a characterization of a possible topographic investiment. In order to accomplish the study of regional marking, we took as a basis Pimentel (1994) and Costa (2001) who seeks evidences of cearense regionality within discursive position “Pessoal do Ceará”, considering, at the oral level, the physical space, the thematization of local values, the shared ethic investments and the regionality defined by the song composers in his own direction within the Brazilian popular music. At the musical level, we investigate the kinds of music, the instruments and the singing style as well. We also explore the topographies of the songs, which in our opinion, represent elements which are fundamental to the construction of the regional cearense identification in musical terms at that period, which can be characterized through a sort of photography of that period, and of the cearenses landscapes as well
Nesta pesquisa, propomos investigar como as topografias discursivas cearenses com todos os investimentos discursivos a elas atrelados edificam uma identidade regional nas canções do posicionamento “Pessoal do Ceará”. Para isso, tomamos por base Maingueneau (1997, 2001, 2004, 2005) analista do discurso de linha francesa, e Costa (2001), que aplica ao discurso literomusical os conceitos mais gerais de posicionamento e investimento, propostos por aquele. São conceitos centrais neste trabalho: posicionamento, topografia e investimentos. Para efetuarmos nossa tarefa, cumprimos três etapas: 1. Esclarecer como outros elementos que compõem a cenografia (enunciador, co-enunciador e cronografia) e as noções de investimento cenográfico, ético e lingüístico colaboram para a construção de topografias cearenses/ nordestinas; 2. Analisar o corpus, em busca de identificar as topografias discursivas; 3. Identificar uma identidade regional cearense/ nordestina no posicionamento, por meio da caracterização de um possível investimento topográfico. Para o estudo da marcação regional, adotamos as propostas de Pimentel (1994) e Costa (2001), que buscam evidências da regionalidade cearense no posicionamento “Pessoal do Ceará”, considerando, no plano verbal, o espaço físico comum, a tematização de valores locais, os investimentos éticos compartilhados e a regionalidade definida pelos próprios cancionistas em sua orientação na esfera da música popular brasileira. No nível musical, sondamos os gêneros musicais, os instrumentos e o modo de cantar. Exploramos também, principalmente, as topografias das canções, que na nossa compreeensão se constituem elementos fundamentalmente construtores da marcação identitária regional cearense na música daquele período, a qual se distingue por meio de uma espécie de fotografia da época, das paisagens cearenses/ nordestinas

This chapter explores the construction and management of the soundscape of Orós as it relates to Raimundo Fagner and his music. Fagner, who is closely associated with the city, often names it in his songs and in public, employing it as a metonym for the drought-ridden backlands and a source of northeastern authenticity. But in the actual soundscape of Orós, Fagner’s rendering of the city and his own habits of listening collide with the aural aesthetics and needs of the local population. As both an icon and a sometimes-resident of Orós, he expresses, contributes to, and disrupts they city’s soundscape.

Spørsmålene som stilles i denne artikkelen, setter søkelys på elevers dialoger med to av kristendommens fortellinger slik dialogene kommer til uttrykk i deres multimediale, skriftlige ytringer. Rammene elevene møtte fortellingene innenfor, var ulike. Tredje- og sjetteklassingenes ytringer ble skrevet innenfor rammen av kristendomsfaget i henholdsvis 1987/88 og 1990/91, mens andreklassingenes ytringer ble skrevet i 2018/19 innenfor rammen av KRLE-faget. Med bakgrunn i de to fagenes ulike mål for undervisningen kunne man forvente å finne personlige trosuttrykk i elevytringer som ble skrevet i kristendomsfaget, mens ytringer skrevet i KRLE ikke ville inneholde slike uttrykk i møte med kristendommens fortellinger. Disse forventningene ble ikke innfridd. Artikkelen drøfter dette funnet i lys av Mikhail Bakhtins teori om ytringers dialogiske karakter, og oppfordrer til videre studier knyttet til disse – og lignende – problemstillinger.