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Rozprawy doktorskie na temat „Fashion Designers”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Beattie, Olivia Lucy Elizabeth. "Communicating identities: new zealand fashion designers and creative exports." The University of Waikato, 2009. http://hdl.handle.net/10289/2786.

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This thesis investigates how New Zealand fashion designers construct and communicate a unique and fluid identity. There are two main focuses of the research. The first is how New Zealand fashion designers build and maintain a unique brand identity in the New Zealand market. This includes an in-depth analysis of the public relations and communication strategies both emerging and established fashion designers use. The second focus is how New Zealand designers communicate their brand identity to export markets. This includes an examination of how the New Zealand national identity has an effect on

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Romaniuk, V. P. "Ukrainian Culture in the Context of World's Fashion." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8394.

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Falsken, Joycelyn. "Charles Kleibacker, master of the bias cut : designs, construction and techniques." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1197564134.

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Booth, Gayle J. "Women Entrepreneurs : A Study of Fashion Designers of Great Britain." Thesis, University of Manchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504786.

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Women represent around 30% of Great Britain's entrepreneurs. They constitute a dynamic and substantial force in the economy. Their rate of participation as entrepreneurs is significantly lower than that of men. Previous research has sought to understand the experiences of women entrepreneurs in order to explain this under representation. However, much of this work has consulted with women as entrepreneurs which own businesses across a variety of industries. Research into defined industries is limited and research on fashion designers specifically is virtually non-existent. This pioneering stud

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Klymenko, O. "Eccentric Decisions for the Fashion Design." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8475.

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Lindgren, Timothy T. "Fashion in Shanghai : the designers of a new economy of style." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/67803/2/Timothy_Lindgren_Thesis.pdf.

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This thesis is a study of Chinese fashion designers in Shanghai. It shows fashion designers are building businesses, forging their professional reputations and developing a design aesthetic. Some designers are extremely successful in applying some elements of Chinese philosophy to their work, such as Buddhism, Confucianism and Daoism. In doing so, they challenge the dominance of the European fashion system with a new global fashion system.

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Heim, Hilde. "Fashioning business: Updating support for local, small-scale independent fashion designers." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/122563/1/Hildegard_Bennett%20Heim_Thesis.pdf.

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Small-scale fashion designer businesses are emerging in many locations, including in cities not known as fashion centres, such as Brisbane. This study identifies the factors that contribute to business success or failure, not least of which is the support owner-designers receive during the life cycle of their business. The study revealed that a complex set of requirements is needed to support those practices, including access to relevant and credible information, community interaction and tailored mentoring. The study resulted in the development of an online resource to support independent des

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Keet, Philomena Benedicta Camelia. "Mimicking in a material world : negotiating stylish selves and networks in a Tokyo youth fashion scene." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602392.

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Song, Hyunjoon. "The Scandinavian Cooperative Advantage of Fashion : A Study of Swedish Fashion Brands." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315259.

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In recent years the fashion industry has experienced a high frequency of famous Creative Directors departing the companies for unknown reasons. The same problem does not seem to occur in the Scandinavian fashion industry. This study’s purpose is to explore why Scandinavia does not experience the same problem, contribute a deeper understanding of the leader-designer relationship in the Swedish fashion industry, and to examine how the Scandinavian Cooperative Advantage is applicable in the Swedish fashion industry. Three case studies were conducted at the Swedish fashion companies TRIWA, Baron a

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Robinson, Rebecca J. "American Sportswear: A Study Of The Origins And Women Designers From The 1930’s To The 1960’s." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1054926324.

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Metcalfe, Jessica RheAnn. "Native Designers of High Fashion: Expressing Identity, Creativity, and Tradition in Contemporary Customary Clothing Design." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/194057.

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American Indian traditional art forms have been reincarnated by contemporary Native designers and placed on human bodies in the form of haute couture. This project examines culture and identity through a historical and sociocultural analysis of contemporary Native American clothing design. This project focuses on the use of clothing design and adornment to promote cultural traditions and maintain a `Native' identity. I equate this communicative use of design with the traditional role of storytelling: it allows Native designers to express, interrogate and subvert notions of Indianness; to creat

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Payne, Alice Ruth. "Design, sustainability and Australian mass-market fashion : three case studies." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/61985/1/Alice_Payne_Thesis.pdf.

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The production of fashion garments has negative environmental and social impacts that can potentially be reduced through decisions made in the design process. This research explores to what extent Australian mass-market fashion designers consider environmental sustainability within product design. The study presents three case studies from different market levels, assembled through interviews with designers, along with an analysis of the Australian mass-market fashion industry. The project provides insights into the workings of the fashion design process within mid and high volume companies, a

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Andersson, Victoria, and Louise Jandér. "Social Media, Insta-Culture and The Reinvention of Fashion Week." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-10147.

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Background: It is clear that the fashion industry is experiencing a change as a result of the explosion of social media. Today the four key social media platforms for fashion houses are Instagram, Facebook, Twitter and Snapchat. The society has created a culture around these media platforms, which is referred to as insta-culture. Why read Vogue magazine to find out the latest trends, when social media is covering the runways in real time? A debate about what direction the fashion industry is heading towards is a hot topic of discussion. The fashion industry has gone through changes before but

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Santos, Antonio Carlos Rodrigues dos. "A complexidade da moda: influência dos principais designers belgas e japoneses." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-20112017-195915/.

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Esta pesquisa caracteriza-se pelo estudo dos principais designers de moda pertencentes à frente japonesa e belga na década de 1980, tais como: Rei Kawakubo, Yohji Yamamoto, Issey Miyake e Martin Margiela a partir da Teoria da Complexidade, do pensador francês Edgar Morin. Tem como objetivo investigar a hipótese de que o trabalho de tais designers se estabeleceu de maneira complexa como uma força de ruptura ao questionar e subverter a moda então vigente e, sobretudo, influenciar os rumos da moda contemporânea. Para tanto, a pesquisa fundamenta-se na Teoria da Complexidade enquanto base teórica

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Ridler, Sophie Joyce. "The designer perspective: Opportunities and Obstacles toward circular fashion." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-417960.

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Circular fashion has become a favoured option for the fashion industry to transition toward as the fast fashion industry becomes unsustainable. Current research within academia, business and policy focuses on the lifecycle stages of the garments, with the designer and design phase in focus. Research on circular economy predominantly looks at material flows and the lifecycle. This however fails to acknowledge potential innovation and the capacity for this change to occur. This study uncovers the perspectives of the designer, who are largely absent from the current research agenda, in order to i

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Spirina, Mariia. "Queer sensibility as an aesthetic of inclusion: How non-demographic designers are challenging fashion norms." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1622212794535272.

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Campos, Amanda Queiroz [Verfasser]. "Of tradition and creation: the discourse of fashion designers on trend report usage / Amanda Queiroz Campos." Wuppertal : Universitätsbibliothek Wuppertal, 2017. http://d-nb.info/1148444866/34.

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Brydges, Taylor. "Made in Canada : The strategies, spaces and working lives of independent designers in the Canadian fashion system." Doctoral thesis, Uppsala universitet, Kulturgeografiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325176.

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Drawing on 87 interviews with independent fashion designers and key informants, this thesis is a collection of papers which aim to explore the strategies, spatial dynamics and working lives of independent fashion designers in the Canadian fashion industry. The majority of fashion design firms in Canada are small independent businesses, typically run by an individual or pair of designers, with few employees. Independent fashion designers create unique small businesses, produce high quality garments defined by the label ‘made in Canada,’ strategically mobilize physical and virtual spaces within

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Almeida, Mariana Dias de [UNESP]. "A moda contemporânea e a sustentabilidade no jeanswear: estudos de caso." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/89707.

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Made available in DSpace on 2014-06-11T19:24:09Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-06-25Bitstream added on 2014-06-13T18:07:51Z : No. of bitstreams: 1 almeida_md_me_bauru.pdf: 1449986 bytes, checksum: 1655b3b62ec1fe8e1078e44944b406dd (MD5)<br>A moda contemporânea no Brasil passou por grandes mudanças de paradigmas. Entre as questões principais que contribuiu para essa alteração é a sustentabilidade, que tem sido um dos desafios da moda, pois, ainda se encontra as entraves que já fazem parte do conceito de design de moda, o tema que tem sido discutido amplamente no campo d

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Pereira, Livia Marsari [UNESP]. "Possibilidades de aprendizagem no vestuário infantil: um estudo exploratório." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/89732.

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Made available in DSpace on 2014-06-11T19:24:10Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-01-20Bitstream added on 2014-06-13T18:20:20Z : No. of bitstreams: 1 pereira_lm_me_bauru.pdf: 3183611 bytes, checksum: a110fa6df8de7af1a6b5b5422b391c98 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Dentre as tendências atuais para as roupas infantis encontra-se o vestuário que pode contribuir para o desenvolvimento e aprendizado das crianças por meio da interação com suas roupas. Para que a interação criança/roupa ocorra, esse vestuário deve se apropriar dos

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Almeida, Mariana Dias de. "A moda contemporânea e a sustentabilidade no jeanswear : estudos de caso /." Bauru, 2013. http://hdl.handle.net/11449/89707.

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Orientador: Monica Moura<br>Banca: Marizilda dos Santos Menezes<br>Banca: Cyntia Santos Malaguti de Sousa<br>Resumo: A moda contemporânea no Brasil passou por grandes mudanças de paradigmas. Entre as questões principais que contribuiu para essa alteração é a sustentabilidade, que tem sido um dos desafios da moda, pois, ainda se encontra as entraves que já fazem parte do conceito de design de moda, o tema que tem sido discutido amplamente no campo do design e encontra fortes ecos na área de design de moda. Assim sendo, com foco no ponto de vista da estratégia da ferramenta do Life Cycle Design

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da, Motta Amadeu Flavia Regina. "Reflecting on capabilities and interactions between designers and local producers through the materiality of the rubber from the Amazon rainforest." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12018/.

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Designers have recently become increasingly involved with small-scale producer communities around the world, mostly in the southern hemisphere, and this increase has highlighted the significance of these encounters in the creation of economic and social opportunities for those peoples. This study identifies that, however, these encounters present challenges and imply ethical responsibilities that current design methodologies fail to embrace in their long-term goals. This research investigates the interaction between designers visiting local producers whose livelihood is deeply dependent not ju

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Kässel, Emma, and Sara Marklund. "The Fairytale about the Great Land called Creativity : A study about how to improve creativity in the fashion industry." Thesis, University of Kalmar, School of Communication and Design, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-1774.

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<p>The purpose of this thesis was to study how creativity can be improved within creative organizations, and the study was made both in Great Britain and in Sweden. We wanted to learn if creative employees have the possibility to use their creativity within their organization or if rules within the organization only hamper their creativity. We conducted interviews in both Sweden and in Great Britain and the focus on the study were on designers and product developers within the fashion industry. The research was a qualitative study consisting of a total of 7 semi-structured interviews. Designer

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Doagoo, B. Courtney. "The Use of Intellectual Property Laws and Social Norms by Independent Fashion Designers in Montreal and Toronto: An Empirical Study." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/36062.

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Intellectual property law theory is premised on a utilitarian justification granting limited time monopolies for encouraging creation, innovation and its dissemination to society. However, in the last several decades, scholars have been mounting empirical evidence to show that in some industries, creativity and innovation exist outside the contours of intellectual property law and thrive despite their lack of reliance on the laws. Instead, what they uncovered is that creators in these industries follow norms that mitigate issues surrounding some kinds of copying. Intellectual property prot

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Кокоріна, Галина. "Фешн графіка ХХ століття: український контекст". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10293.

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Робота спрямована на теоретичне осмислення фешн-графіки як виду образотворчого мистецтва, пов'язаного як з функціонування моди, так і з існуванням певних форм візуальної культури ХХ століття. Особливу увагу приділено мистецтвознавчому аналізу стану фешн-графіки в Україні, вперше систематизовано інформацію про конкретних вітчизняних майстрів.<br>The article is aimed at theoretical comprehension of fashion graphics as a certain type of fine art, connected both with the functioning of fashion and with the existence of certain forms of visual culture of the twentieth century. Special attention is

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Castro, Mariana Dourado. "Aspectos da negociação entre designer e usuário em ateliês de moda : os mecanismos utilizados pelos designers em momentos de conflitos no processo de projeto." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6454.

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Submitted by JOSIANE SANTOS DE OLIVEIRA (josianeso) on 2017-08-01T13:55:12Z No. of bitstreams: 1 Mariana Dourado Castro_.pdf: 3163818 bytes, checksum: 2ff0f1fa27452a774199fd07ab71e354 (MD5)<br>Made available in DSpace on 2017-08-01T13:55:13Z (GMT). No. of bitstreams: 1 Mariana Dourado Castro_.pdf: 3163818 bytes, checksum: 2ff0f1fa27452a774199fd07ab71e354 (MD5) Previous issue date: 2017-03-14<br>Nenhuma<br>Esta dissertação apresenta uma pesquisa a cerca da negociação no design de moda sobmedida, tendo como objetivo analisar os mecanismos usados pelos designers em momentos de conflitos dur

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Silva, Emanuelle Kelly Ribeiro da. "Novas faces do trabalho artesanal: as interseÃÃes de saberes entre designers de moda e artesÃos no interior do CearÃ." Universidade Federal do CearÃ, 2015. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13923.

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nÃo hÃ<br>A pesquisa buscou compreender as novas formas de produÃÃo do artesanato a partir das intervenÃÃes de polÃticas pÃblicas voltadas para o desenvolvimento dessa atividade no CearÃ, tomando como parÃmetro as trocas de saberes e fazeres entre artesÃos e designers de moda no Ãmbito das aÃÃes da CEART, uma vez que estes sÃo enviados ao interior do estado a fim de ensinar uma nova metodologia de trabalho Ãqueles. O objetivo geral do estudo foi compreender as interfaces criadas entre o trabalho do designer de moda e do artesÃo, enfocando nas interferÃncias pedagÃgicas e metodologias adotadas

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Pooe, Boitumelo. "Development of an effective and sustainable supply-chain-management model for South African fashion designers in the retail clothing industry." Thesis, Cape Peninsula University of Technology, 2020. http://hdl.handle.net/20.500.11838/3119.

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Thesis (Master of Retail Business Management)--Cape Peninsula University of Technology, 2020<br>Like many other suppliers, South African fashion-clothing designers have dealt with a very competitive environment within the retail industry. Thus, this research study explored the most suitable supply-chain-management model for South African fashion designers to achieve efficiency and economic sustainability within the retail environment. In today’s complex markets, the susceptibility of the supply chain is viewed as an ongoing issue for several industries and it is no different for fashion d

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Jones, Michelle. "Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s." Thesis, Royal College of Art, 2015. http://researchonline.rca.ac.uk/1676/.

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This study examines the creation and professionalisation of a recognisable English couture industry in the mid-twentieth century and in particular the role designer collaboration played within this process. The focal point is the Incorporated Society of London Fashion Designers, a design group established as a wartime measure in order to preserve and protect a number of London’s made-to-measure dress houses and to promote the creative aspirations of the wider British fashion industry. The focus on this specific design group and collaborative practice, rather than the individual couturiers, off

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Чупріна, Наталія, Ольга Терещенко, Фахіме Джаліліан та Катерина Волощук. "Традиційна вишивка як інноваційний засіб декорування костюма". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17948.

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Охарактеризовано критерії застосування етнічних традицій та народної творчості як творчого першоджерела в дизайні модного вбрання. Проаналізовано передумови, методи та засоби створення актуального одягу в етностилістиці. Обгрунтовано доцільність застосування вишивки як засобу декору в дизайні етнічно орієнтованих моделей костюма. Визначено засоби інтерпретації етнічних мотивів у розробці авторських зразків декору та створенні моделей костюма.<br>The criteria of application of ethnic traditions and folk art as a creative source in the design of fashion clothes are described. Prerequisites, meth

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Pereira, Livia Marsari. "Possibilidades de aprendizagem no vestuário infantil : um estudo exploratório /." Bauru : [s.n.], 2011. http://hdl.handle.net/11449/89732.

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Orientador: Marizilda dos Santos Menezes<br>Banca: Roberto Alcarria do Nascimento<br>Banca: Hans da Nobrega Waechter<br>Resumo: Dentre as tendências atuais para as roupas infantis encontra-se o vestuário que pode contribuir para o desenvolvimento e aprendizado das crianças por meio da interação com suas roupas. Para que a interação criança/roupa ocorra, esse vestuário deve se apropriar dos conhecimentos do design, que auxiliam na sua construção. Desta forma, esse estudo busca investigar os princípios do design que podem ser adotados para a produção de roupas que podem auxiliar no desenvolvimen

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Christodoulou, Christina. "Walking Away from the Runway." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-367.

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How fashion is being presented today? A retrospective research into the history of the fashion shows in order to observe and examine the metamorphosis of the runway presentations of the present time. Fashion designers from the Swedish School of Textiles have participated in the thesis' interview as to express their point of view and elaborate on the issue.

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Pashkevich, Kalina, Jiangxin Liu, Karan Khurana, Bohdan Kass, and Bohdan Protsyk. "Artistic means of decorative finishing of men`s clothing in the collections of designers of the 21st century." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18174.

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The varieties of decorative finishing of men`s suits used by the designers of the world Fashion Houses in their collections at the beginning of the 21st century have been studied. The main directions of development of decoration of men`s clothing and its main tendencies have been determined; the artistic means of decoration of men`s suits have been identified.<br>Досліджено різновиди декоративного оздоблення чоловічого костюма, які використовували дизайнери світових Будинків моди у своїх колекціях на початку ХХІ ст. Визначено основні напрями розвитку декорування чоловічого одягу, його основні

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Souza, Lúcia Kratz de. "As Vivências dos Designers de Moda em relação ao seu trabalho: uma abordagem psicodinâmica." Pontifícia Universidade Católica de Goiás, 2010. http://localhost:8080/tede/handle/tede/1776.

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Made available in DSpace on 2016-07-27T14:18:44Z (GMT). No. of bitstreams: 1 Lucia Kratz de Souza.pdf: 21026097 bytes, checksum: 2e8d3279b71f24fa23c01d1cd359006f (MD5) Previous issue date: 2010-06-17<br>The following study was developed with the purpose of analyzing the universe of the Fashion Designer professional that acts specifically on the clothing market, about his/her trajectory, identity, senses and experiences that concerns to his work. It s a case study of descriptive qualitative and exploratory character, developed with 11 Fashion Designers that act on the market of Goiânia, that

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Kahnberg, Karin, and Sofia Gustafsson. "Ourstyle." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16856.

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Modemarknaden idag är både global och komplex med många uppfattningar om var värdet iprodukten ligger. Produkten och företagets image är kraftfulla medel för att differentiera sigpå marknaden. Då ett företag väljer att expandera till en ny marknad är det generellt ett sätt attskapa nya marknadsmöjligheter och för att öka sin försäljning. Innan etablering på nymarknad är det viktig att identifiera sin målgrupp. På den konkurrenskraftiga internationellamarknaden ligger makten inte längre hos leverantören, utan hos kunden.Distributionskanalvalet spelar en stor roll i avseende att nå företagets tä

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Salas, Pasuy Brenda. "Protection de la mode en droit colombien : le recours aux dessins et modèles." Thesis, Paris 2, 2017. http://www.theses.fr/2017PA020027.

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Le design et la production d’un article de mode impliquent le talent et le savoir-faire du styliste. La définition de la matière première, la finalité et le produit qui incorpore le dessin ou modèle de mode sont autant d’éléments que le styliste doit prendre en compte pour réaliser une création. C’est pourquoi le processus intellectuel engagé dans l’élaboration de leurs créations se doit d’être protégé par le système juridique. Au vu de la propriété intellectuelle, de nombreux droits permettent de la protéger, comme les marques, le droit d’auteur et les dessins ou modèles industriels. La légis

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NOVAES, Maristela Abadia Fernandes. "Caminho das pedras: Uma ressignificação do olhar e da experiência no processo de construção de roupas." Universidade Federal de Goiás, 2011. http://repositorio.bc.ufg.br/tede/handle/tde/2763.

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Made available in DSpace on 2014-07-29T16:27:47Z (GMT). No. of bitstreams: 1 Maristela Abadia Fernandes Novaes.pdf: 1239708 bytes, checksum: f5acc60fb2c956df61fdf777aa95ec56 (MD5) Previous issue date: 2011-03-28<br>In this research, I analyze a process of a teaching/learning activity in modeling on stones developed with Fashion Design students of the School of Visual Arts of The Federal University of Goiás as part of the signature Plane and Tridimensional Modeling I. This activity is intended to offer the students an opportunity to experiment and reflect on the modeling process and its rela

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Hoang, Vinh Hien. "Analysis of the Existing Fashion Retail Concepts and its Coming Trends." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-114363.

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The increase of trading has created many environmental, ecological, social and ethical problems. The main concern across all industries is to create more sustainable, eco-friendly and ethical manufacturing processes. Only by influence consumer's purchasing behavior there might be the demand for eco-green products. The fashion and textile industry as one of the main contributor to the world's economy is one of the main environmental polluter (e.g.: soil, lakes, river and air). Recently, many young fashion designers started to offer eco-green fashion to the market. This new phenomenon might chan

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Arango, Calderón Bryan Coni. "Percepción de los diseñadores de moda millennials sobre el uso del pelaje canino como una fibra textil sostenible." PE, 2020. http://hdl.handle.net/10757/653333.

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El presente trabajo de investigación tiene como objetivo principal conocer la percepción de los diseñadores de moda millennials limeños sobre el uso del pelaje canino como una fibra textil sostenible en la ciudad de Lima. El diseño de la investigación tiene un enfoque cualitativo, fenomenológico. La información obtenida fue a base de investigaciones similares. Algunos de los conceptos ha trabajar serán moda sostenible, fibra textil sostenible, pelaje animal y los diseñadores millennials. Asimismo, se investigará sobre la historia y definición de cada una de las definiciones de manera general y

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Smolenska, Bogdana. "Fashion designer – Karl Lagerfeld." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13165.

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Kiziltunali, Gizem. "New frameworks in deconstructivist fashion : its categorization in three waves, application of the notions of plasticity, de-design and the inclusion of Bora Aksu and Hussein Chalayan as the third wave Turkish deconstructivist designers." Thesis, Manchester Metropolitan University, 2017. http://e-space.mmu.ac.uk/620237/.

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This thesis analyses deconstructivist fashion in a wider framework: from the ways it is defined and its designers. Arguing against positions that classify both material and conceptual features within the single area of ‘‘deconstructivist’’ fashion, it proposes Malabou’s plasticity as an additional methodology to Derridean deconstruction. By utilizing Malabou’s plasticity and introducing the concept/process of de-design(ing), the project claims deconstruction to be a twofold process: 1.The technical de-designing of a garment 2.The conceptual deconstruction caused by the de-designed garment. In

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Доброродня, А. О. "British fashion designer Stella Mccartney." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10659.

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Creigh-Tyte, Anne E. Davies. "British designer fashion in the late 1990s." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13277.

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At the end of the Second Millennium, the creative talent of British fashion designer 'stars' was considered so outstanding that they were frequently poached by leading European fashion houses; Dior, Givenchy, and Chloe, bastions of the French couture establishment were all headed by British designers. However, according to Kurt Salmon Associates (1991), there existed a paradox in that the British fashion designer sector was a 'cottage industry' characterised by poor commercial performance. Preliminary investigation revealed very little theory or scholarly research about the sector or its desig

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Palermo, Daina Erin. "Herman Patrick Tappe: American fashion designer and importer." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407485555.

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Casal-Valls, Laura. "La figura de la modista i els inicis de l’alta costura a Barcelona. Trajectòria professional i producció d’indumentària femenina (1880-1915)." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/129559.

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Aquesta recerca té per objectiu omplir un buit historiogràfic de la moda catalana, recuperant el nom d’alguns dels seus protagonistes i estudiant el que en definitiva fou un moment de transició entre un model de producció artesanal i l’Alta costura. L’objectiu principal de la recerca ha estat el de fer una panoràmica sobre la trajectòria laboral de les modistes durant la segona meitat del segle XIX fins a l’establiment d’una alta costura autòctona. Es tracta, doncs, d’un retrat col•lectiu, que no es centra en les individualitats sinó en la cadència d’un model de producció i la seva transició v

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Ranathunga, Arachchilage Sumith Chandra Gopura. "Fashion education ecosystem: Bridging the fashion knowledge gap in the Sri Lankan apparel industry." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/123905/1/Sumith%20Chandra%20Gopura_Ranathunga%20Arachchilage_Thesis.pdf.

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The export apparel industry in Sri Lanka is seeking to develop higher value fashion products and services for overseas consumers with the support of locally trained fashion designers. This thesis investigates how Sri Lankan designers are prepared by higher education and the apparel industry to acquire the necessary knowledge and skills that can contribute to the industry's development. The thesis identifies the collaborative approach of developing Sri Lankan fashion designers through higher education and apparel industry forming a "Fashion Education Eco-system".

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Nip, Kam-cheong, and 聶錦昌. "Fashion Design Centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983625.

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Bland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.

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陳嘉敏 and Ka-man Carmen Chan. "Museum of fashion in a district of fashion." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986286.

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Juggessur, Joshie. "Luxury designer handbag or counterfeit? An investigation into the antecedents influencing women’s purchasing behaviour of luxury designer and counterfeit brands." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/5453.

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The drive and appeal of luxury designer products has fuelled consumer desire for luxury designer brands and their counterfeit versions. Some women value luxury designer handbags just the way men value their cars. The luxury designer handbag market has witnessed a surge of counterfeit handbag versions. The study focused on women in London, which has been ranked at number one in relation to demand levels of fashion handbags. Several antecedents were investigated for the purpose of this research, which are as follows: •Social consumption factors which incorporates an investigation into brand mea

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