Gotowe bibliografie tematyczne / Female muse

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Gotowa bibliografia na temat „Female muse”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 2 lutego 2022

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Artykuły w czasopismach na temat "Female muse"

Reilly, Eileen. "Rebel, Muse, and Spouse: The Female in ’98 Fiction." Éire-Ireland 34, no. 2 (1999): 135–54. http://dx.doi.org/10.1353/eir.1999.0007.

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Jeom Suk Yeon. "Woman Poet and Female Muse in H.D.’s Trilogy." Feminist Studies in English Literature 16, no. 1 (June 2008): 49–70. http://dx.doi.org/10.15796/fsel.2008.16.1.003.

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Krysowski, Olaf. "Deotyma – Norwid’s “Tenth Muse”." Studia Norwidiana 38, English Version (2020): 5–20. http://dx.doi.org/10.18290/sn.2020.38-1en.

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This article attempts to recreate the image of Jadwiga Łuszczewska from the literary works and letters by Cyprian Norwid. The young improviser sparked controversy not only among the critics, but also among the Warsaw socialites in Romantic period. Norwid, however, considered her personality as original, modern and capable of refreshing Polish poetry. In his poems he describes her as “the tenth Muse” and compares her to Sappho, who was called exactly the same name by Plato in recognition of her poetic talent. Moreover, he depicts her in an idealized manner, like a contemporary sibyl who advises the nation on how to proceed in a tragic historical period. Norwid’s enthusiasm waned at the beginning of the 1860s when it became clear that the poetic works by Deotyma were becoming repetitive, constantly revisiting the same motives, ideas and aesthetic means, unable to go beyond the horizon defined at the onset of her career. He realized that behind the female figure he himself ennobled – as comforter, Samaritan, visionary, and statuesque Muse – there is a human being, imperfect and, in some aspects trivial, affected or even philistine.

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Климбус Ірина Михайлівна. "ЦИКЛ «ПАРНАС» ВІТАЛІЯ МАНИКА ДЛЯ СКРИПКИ СОЛО: ПРОГРАМНИЙ СЮЖЕТ ІЗ АНТИЧНОЇ МІФОЛОГІЇ В СУЧАСНІЙ ІНТЕРПРЕТАЦІЇ". World Science 3, № 8(48) (31 серпня 2019): 54–57. http://dx.doi.org/10.31435/rsglobal_ws/31082019/6648.

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   Vitali Manyk is a modern composer from Ivano-Frankivsk who productively works in various music genres. He is the author of works for symphony orchestra, vocal and chamber instrumental tracks, music background of theatre performances. Lack of critical analysis of his art has caused the topicality of this article. Its main objective is to reveal basic features of the programming principle application in the «Parnassus» cycle which consists of nine pieces for violin solo.Having chosen the figurative music plot which originated from Ancient Greece, V. Manyk declares his interest in European civilization and artistic attainment. On the other hand, he tends to synthesize arts. As you know, the phenomenon of synthesis of the arts also comes from antiquity. According to the Greek mythology, Parnassus is the home of gods and also the residence of the nine muses – the patronesses of arts and sciences.The first piece «Clio» (the muse of history) is aimed at improvisation. At the same time the author accompanies every miniature with remarks concerning instrumentation, manner, tempo, rhythm, provides detailed notes as to the sound dynamics, etc.The second piece «Euterpe» (the muse of lyrical poetry and music) is marked by the lack of lilt organization. Music theme has abundant rhythmics, abrupt texture and dynamic changes.The third and the fourth pieces «Thalia» (the muse of comedy) and «Melpomene» (the muse of tragedy) expose quite the opposite images and emotions of the Greek theatre genres. However, the composer applies means of humorous and tragic music spheres of different epochs.The fifth piece «Polyhymnia» (the muse of sacred poetry and pantomime) is based on the intonations of antique chants. Melody develops gradually, has narrow range, but in the middle of the piece reaches significant dramatic effect. The sixth miniature «Urania» (the muse of astronomy) is the illustration of a starry night. Quiet and peaceful sounding dominates, short motives are directed upwards.In the seventh piece «Terpsichore» (the muse of dance and choral singing), with the help of antiphonous sounding of imaginary male and female groups of singers, the author reproduces the model of an ancient syncretic roundelay. The eighth miniature «Erato» (the muse of love lyrics) resembles the second piece (Euterpe) in images’ character and exposition.The last piece «Calliope» (the muse of epos) reflects V. Manyk’s aspiration to generalize the contents of the entire cycle. That’s why short reminiscences of all previous pieces are quite prominent here.The cycle of short miniatures is enriched with the wide range of historic, cultural and even philosophical connotations. Programme plot embodies by means of expression such as improvisation of musical texture, s broad range articulation, characteristic contrast melodies and motifs, the uniqueness semantic structure work.  

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Manganelli, Kimberly Snyder. "THE TRAGIC MULATTA PLAYS THE TRAGIC MUSE." Victorian Literature and Culture 37, no. 2 (September 2009): 501–22. http://dx.doi.org/10.1017/s1060150309090317.

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Marie Lavington, the runaway octoroonslave in Charles Kingsley's little-read novelTwo Years Ago(1857), makes this declaration of independence in a letter to Tom Thurnall, the novel's hero. Though Tom helped her escape to a Canadian Quaker community, Marie has tired of the “staid and sober” (122; vol. 1, ch. 5) lifestyle of a Quakeress. She reenters the public marketplace by refashioning herself into the Italian diva, La Cordifiamma. Marie's ascent to the stage as La Cordifiamma marks the construction of a new female body in the mid-nineteenth century: the Tragic Mulatta who becomes a Tragic Muse.

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Faber, Sebastiaan. "Can the Female Muse Speak? Chacel and Poniatowska Read against the Grain." Rocky Mountain Review of Language and Literature 53, no. 1 (1999): 47. http://dx.doi.org/10.2307/1347958.

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Kerth, Thomas. "Sibylla Schwarz und die Petrarkisten." Daphnis 44, no. 1-02 (July 21, 2016): 139–54. http://dx.doi.org/10.1163/18796583-04401006.

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In her essays on the sonnets of Sibylla Schwarz, which celebrate a same-sex love relationship, Erika Greber asserts, that these represent a new subgenre: lesbian Petrarchism. This designation emphasizes the gender of the poet and her muse, but ignores Schwarz’s actual innovations in the Petrarchan system. Schwarz adopts and recombines conventions of the male and female variants of the heterosexual Petrarchan sonnet in order to create a new poetic voice that meets the requirements of a de-physicalized female-female configuration.

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고찬미. "The Male Muse and the Female Poetic Voice: Early Poems of Sylvia Plath." Women's Studies Review 26, no. 1 (June 2009): 207–37. http://dx.doi.org/10.18341/wsr.2009.26.1.207.

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Percec, Dana. "Sisters of Inspiration. From Shakespearean Heroine to Pre-Raphaelite Muse." Gender Studies 19, no. 1 (December 1, 2020): 1–15. http://dx.doi.org/10.2478/genst-2021-0001.

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Abstract The paper aims to make a connection between the female models of the Pre-Raphaelite Brotherhood and the portrayal of Shakespearean heroines, given that the 19th-century school of painting was using the Bard not only as a source of legitimation and authority, but also as a source of displacement, tackling apparently universal and literary subjects that were in fact disturbing for the Victorian sensibilities, such as love and eroticism, neurosis and madness, or suicide. As more recent scholarship has revealed, the women behind the Brotherhood, while posing as passive and contemplative, objects on display for the public gaze, had more agency and mobility than the average Victorian women.

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Kenneth J. Fleurant. "The Muse Strikes Back: Female Narratology in the Novels of Hédi Bouraoui (review)." ESC: English Studies in Canada 33, no. 1-2 (2008): 265–67. http://dx.doi.org/10.1353/esc.0.0029.

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Rozprawy doktorskie na temat "Female muse"

Parker, Sarah Louise. "The lesbian muse : homoeroticism, female poetic identity and contemporary muse figures." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3498/.

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This thesis addresses the concept of the contemporary muse in the work of six late-nineteenth and early-twentieth century women poets. In my introduction, I detail the history of the muse in literary tradition. I examine the problems that the gendered dynamic of poet/muse presented, by restricting women to a passive, inspiring role. I argue that, due to these problematic aspects, contemporary feminist criticism of the woman poet’s muse has often elided the homoerotic desire and power-play that structures these relationships. To rectify this, I focus on contemporary, living muse figures. I emphasise why these kinds of figures (as opposed to dead, historical or mythological muses) were particularly inspiring to women poets in the late-nineteenth/early-twentieth centuries. I also address the specific ethical dilemmas of claiming a living muse. My four main chapters detail and theorise the dynamics between poets and their contemporary muses: Michael Field and Bernard Berenson; Olive Custance and Lord Alfred Douglas; Amy Lowell and Eleonora Duse/Ada Russell; and H.D. and Bryher. My conclusion draws these individual studies together to emphasise their illuminating similarities, including the increased fluidity between the roles of poet/muse, destabilisation of gender categories, and the presence of a third term that mediates the muse/poet relationship.

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Dinas, Heather, and com au heather@heatherdinas. "The Virgin and the Temptress: Scintillae." RMIT University. Creative Media, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070111.164249.

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'The virgin, the temptress and the godess' is a visual exploration of love, longing and beauty from the carnal though to the sublime. The narrative of the research has several subtexts: one that explores female archetypes, the muse as figurative source of inspiration and also beauty as a transcendental catalyst. I have sought to represent a comprehensive vision of the female muse that embraces both the spiritual and the sensual and explores the duality of corporeal and metaphysical yearning. This is done through photographic imagery; the journey that it evokes is an interior landscape that takes place in the purgatory that is longing and ascends to a sublime state of stillness and peace through the experience of the divine.

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Hayes, Charles Laforest 1966. "Nocturnal activity of female desert mule deer." Thesis, The University of Arizona, 1992. http://hdl.handle.net/10150/291515.

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I quantified nocturnal activity of female desert mule deer (Odocoileus hemionus crooki) in the Belmont and Bighorn Mountains, Arizona, 1990. I determined seasonal differences in percent of time active and distances moved at night from locations of radio-collared deer. I compared nocturnal home ranges and habitat use to those obtained from daytime locations. Activity differed among seasons (P = 0.046). Nocturnal activity was greatest in spring and summer, and decreased in winter. Movement distances also varied with seasons (P = 0.045). Most of the area of nocturnal home ranges (88%) fell within daytime home ranges. Use of habitat in relation to availability was consistent between day and night for 6 of 8 vegetation associations. Use of disturbed sites increased at night (P < 0.01).

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White, Kevin Robert. "Prey use by male and female cougars in an elk and mule deer community." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Spring2009/K_White_042209.pdf.

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Thesis (M.S. in natural resource sciences)--Washington State University, May 2009. Title from PDF title page (viewed on May 21, 2009). "Department of Natural Resource Sciences." Includes bibliographical references (p. 19-24).

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Bark, Persson Anna. ""You must scare the hell out of humans" : Female masculinity, action heroes, and cyborg bodies in feminist science fiction literature." Thesis, Uppsala universitet, Centrum för genusvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325014.

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McFarlane, Leslie R. "Breeding Behavior and Space Use of Male and Female Mule Deer: An Examination of Potential Risk Differences for Chronic Wasting Disease Infection." DigitalCommons@USU, 2007. https://digitalcommons.usu.edu/etd/6619.

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The dynamics of pathogen and host relationships relative to disease transmission in wildlife populations are important ecological processes to understand, particularly since spatial dynamics of disease can be driven by movement, behavior, and dispersal of animals. Chronic Wasting Disease (CWD) is an example of this important interface, where little is known regarding origin of the disease or routes of transmission. Surveillance data for CWD in free-ranging mule deer indicates that breeding-age male deer have 2-4 times higher prevalence rates than females or younger age males. In an effort to understand differences that might increase risk for exposure to CWD infective agents, I used GPS data to examine breeding behavior and home range sizes of mule 11 deer. GPS radiocollars were placed on adult (> 2 ½ years) males, females, and young ( < 2 ½ years) males. Data collected during the breeding season was used to infer visitation rates of males to females. Cluster analysis was used to separate data into periods of movement (spatio-temporal clusters) and non-movement. Females formed more spatio-temporal clusters and movement paths than males. However, males spent more time moving, had more long-term periods of movement, moved an estimated 1 km/day more than females, and had more tortuous movement paths. Male home ranges for winter, summer, and breeding seasons were also larger than those of females. Overall, data indicates that males may have an increased risk of exposure to CWD relative to females, because of larger movements and greater space use. These male behavioral differences may result in increased encounter rates with CWD infectious material through greater exposure in the environment to sources such as carcasses from infected animals, their excreta, or contaminated soils. Furthermore, during the breeding season increased male sociality, as suggested by increased movement rates and movement path tortuousity, combined with larger space use may further enhance direct contact with infected individuals and increase exposure to excreta sources such as feces and alimentary secretions due to licking and tending behaviors.

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Birkholz, Emma. "Kvinnan som den nödvändiga tomheten i mannens levnadskonst : en psykoanalytisk läsning av Bretons Nadja och Rodenbachs Det döda Brügge." Thesis, Södertörn University College, School of Gender, Culture and History, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1416.

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The starting point of this essay was the frustration I felt after having read the novel Nadja (1928) written by the French surrealist André Breton. The title promises the story of someone called Nadja but the promise stays unfulfilled. Recognition of this phenomenon, where a man writes a book about a woman, but the woman hardly is seen, made me want to examine it further.Using the theories of the French psychoanalyst Jacques Lacan I analyze the relation between the male narrator and his female object. I also compare Nadja to a precursor: the novel Bruges-la-morte (1892) of the Belgian symbolist writer Georges Rodenbach. Their stories are, to a large degree, similar. The male main character meets a woman who becomes the center of his world for a short period of time, before he in Nadja rejects her, and in Bruges-la-morte kills her. What differentiates the two books mainly is, that whereas Breton uses Nadja as a tool to emancipate his unconscious in order to be able to create, Hugues tries to replace his dead wife with Jane in order to be able to desire a living object.The setting for both stories is the City, which seems to be analogous to the Woman. I examine the possible interpretations of the notion of the City as it appears in the two novels.The Lacanian notions of the Thing and objet petit a are essential for the understanding of the function of the Woman in these stories, I argue. Nadja is a femme-enfant, a muse, and the objet petit a for the male poet, i.e. the narrator of Nadja. Jane, the woman in Bruges-la-morte, is a femme fatale, and the Thing for the main character Hugues.

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Kornmeier, Uta. "Taken from life." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2006. http://dx.doi.org/10.18452/15547.

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Wachsfigurenkabinette waren nicht immer die billigen Sensationsmaschinen, als die sie heute verstanden werden. Vor der Erfindung und Verbreitung von Photographie und illustrierten Zeitschriften waren sie Bildmedien, die der Vermittlung von visuellen Informationen dienten. Kein anderes Medium konnte die Protagonisten der Weltgeschichte so unmittelbar darstellen wie die Sammlungen lebensgroßer Wachsfiguren. Das Material Wachs trug wesentlich zu ihrem Erfolg bei, denn es ermöglichte die täuschend echten und bis dahin realistischsten Darstellungen von bekannten Persönlichkeiten. Die Operationsweise dieses Mediums wird am Beispiel von Madame Tussauds Wachsfigurenkabinett genauer untersucht. Dazu wurde, soweit möglich, die Reiseroute, der Aufbau und die “Besetzung” der Ausstellung rekonstruiert, sowie die soziale Herkunft der Besucher in der ersten Hälfte des 19. Jh.s ermittelt. Es wird deutlich, daß Marie Tussaud eine talentierte Portraitkünstlerin und ambitionierte Schaustellerin war, deren sorgfältig gestaltete Ausstellung vor allem Besucher der aufstrebenden Mittelschicht mit Interesse an Menschenkenntnis anzog. Das Wachsfigurenkabinett fiel damit in die Kategorie der “nützliche Unterhaltung”, die der Wissens- und Charakterbildung diente. Madame Tussaud ist vielleicht die bekannteste Betreiberin eines Wachsfigurenkabinetts – keinesfalls aber die erste. Die Geschichte der kommerziellen Ausstellung lebensgroßer Wachsfiguren reicht ins beginnende 17. Jh. zurück, wobei sich das Konzept der Kabinette im Laufe der Jahrhunderte stark gewandelt hat. In dieser Arbeit werden drei Ausstellungsformen unterschieden: a) das barocke Figurengruppen-Kabinett, das programmatische oder allegorische Geschichten erzählt, b) die aufklärerische Portraitgalerie (wie z.B. Madame Tussauds), in der Persönlichkeiten als charakteristische Individuen vorgestellt werden, c) das moderne Tableau-Kabinett, wo alltägliche oder außergewöhnliche Ereignisse auf bis dahin unübertroffen realistische Weise wiedergegeben werden. Als Nachrichtenkanal und als Medium für realistische Wirklichkeitswiedergabe sind Wachsfigurenkabinette seit den 1920er Jahren überholt. Als Spiel mit der menschlichen Sinneswahrnehmung bleiben sie jedoch vorerst aktuell. Waxworks were not always the cheap sensation spinners as which we perceive them today. Before the invention and wide-spread use of photography and illustrated magazines they were an important medium for distributing visual information. No other form of communication could offer such immediate representations the protagonists of world history. Perhaps the greatest part in their success took the material wax which allowed the creation of deceptively lifelike and hitherto most realistic depictions of celebrated individuals. In this thesis, Madame Tussaud’s serves as a prime example for examining the mode of operation of a waxwork exhibition. As far as the sources allow, the itinerary, the ‘cast’ and display of the exhibition is reconstructed, as well as the number and the social background of its visitors during the first half of the 19th century. It emerges that Marie Tussaud was a talented portrait artist and a show woman of ambition whose carefully constructed exhibition attracted mainly middle-class visitors with an interest in human classification. Thus, the waxworks was a ‘rational entertainment’ that was thought to further the development of knowledge and character in its visitors. While Madame Tussaud’s was perhaps the most famous waxworks, it was not the first one. The history of commercial exhibition of life-sized wax figures goes back to the 17th century. Their concept, however, changed significantly over the centuries. Three forms of waxworks are differentiated here: a) the baroque waxworks of groups of figures narrating programmatic and allegorical stories, b) the enlightened portrait gallery – such as Madame Tussaud’s – where celebrities are presented as individual characters, c) the modern tableau waxworks, that represents extraordinary as well as everyday events in a realistic way that was hitherto unprecedented. As a channel for the distribution of news and as a medium for representing reality waxworks have become outdated. As a tickle for the senses, however, they will yet remain effective.

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Mandia, Valérie. "Les prisonniers de l'oeil et de la conscience." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23193.

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Le premier volet de cette thèse en création littéraire, un récit, s’appuie sur une logique orientée à bâtir des passerelles là où c’est possible, et à mettre à plat les disciplines artistiques afin d’en révéler les limites. Cette difficulté particulière au coeur de la thèse met en place des stratégies d’hybridité susceptibles de renforcer l’intensité artistique inhérente à chaque discipline. Intitulé Décorps, le récit devenu ainsi hybride opère donc un rapport de synergie plastico-textuelle. Plus précisément, ce récit, à la frontière entre l’image et les mots, présente une narratrice, Valérie M., dont la voie/voix aboutit à une démarche non conventionnelle ouvrant un espace agonistique entre deux paroles artistiques, entre le même et l’autre, et entre le réel et la fiction. Le deuxième volet de cette thèse en création littéraire, une réflexion au sujet de l’entreprise artistico-littéraire, compte trois chapitres expliquant les raisons sous-jacentes au travail de création hybride. Pour ce faire, le premier chapitre examine les difficultés auxquelles doit faire face l’auteur-artiste dans un monde opaque. L’hybridité s’y découvre comme un outil herméneutique capable parfois d’introduire un minimum de sens dans un univers promis au chaos. Le deuxième chapitre explore pour sa part le métissage générique à partir de la notion d’autofiction à laquelle participe en partie Décorps. Il s’interroge sur les limites et la portée de ce type de représentation littéraire. Enfin, le troisième chapitre consiste en un retour sur Décorps en vue de comprendre ses processus d’hybridation et les tensions survenues au cours de la démarche artisticolittéraire. Ce dernier chapitre se penche sur le langage confronté à ses limites, touchant une forme de mort, de nécrose, là où il n’a plus de prise.

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Temple, Jennifer Lenore. "Nutritional regulation of reproduction in the female musk shrew (Suncus murinus) /." 2002. http://wwwlib.umi.com/dissertations/fullcit/3057499.

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Książki na temat "Female muse"

Poisonous muse: The female prisoner and the framing of popular authorship in Jacksonian America. Iowa City: University of Iowa Press, 2016.

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Rodin, Auguste. Rodin, Whistler et la Muse: 7 février-30 avril 1995. Paris: Musée Rodin, 1995.

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Pursuing the muses: Female education and nonconformist culture, 1700-1900. London: Leicester University Press, 1997.

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Lobo, Baltasar. Baltasar Lobo: [exposición] noviembre 1989, Museo de Arte Contemporáneo de Caracas. Caracas, Venezuela: El Museo, 1989.

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Bernard, Wyder, Sgarbi Vittorio, Bianchi Matteo, and Musée cantonal des beaux-arts Lausanne., eds. Félix Vallotton: Opere dal Museo di Losanna. Milano: Mazzotta, 1988.

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Germany), Haus Opherdicke (Holzwickede, ed. Frauen Ansichten: Mutter-Muse-Femme Fatale : Werke aus der Sammlung Brabant. Bönen: Haus Opherdicke, 2011.

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Muse et madone: Visages de la femme de la Révolution française aux apparitions de Lourdes. Paris: Seuil, 1985.

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Gonzalez, Julio. Julio González: Femme dite "Les trois plis". Bilbao: Museo de Bellas Artes de Bilbao, 1999.

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Herbert, Eichhorn, Koella Rudolf, Schenk-Weininger Isabell, Städtische Galerie Bietigheim-Bissingen, and Kultur- und Sportamt der Stadt Bietigheim-Bissingen., eds. Félix Vallotton: Maler und Grafiker im Paris der Jahrhundertwende. Bietigheim-Bissingen: Städtische Galerie, 2003.

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Vallotton, Félix. Félix Vallotton. Paris: Fondation Dina Vierny-Musée Maillol, 1997.

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Części książek na temat "Female muse"

Parker, Sarah. "The Muse Writes Back: Lyric Poetry and Female Poetic Identity." In Genre Trajectories, 89–108. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137505484_6.

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Eger, Elizabeth. "Living Muses: the Female Icon." In Bluestockings, 32–58. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230250505_2.

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Read, Sara. "‘Women Grieve to Thinke They Must Be Old’: Representations of Menopause." In Menstruation and the Female Body in Early Modern England, 171–80. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137355034_9.

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Petrosillo, Sara. "“As faucon comen out of muwe”: Female Agency and the Language of Falconry." In Animal Languages in the Middle Ages, 31–50. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71897-2_3.

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Frank, S. E., and Jac Dellaria. "Navigating the Binary: A Visual Narrative of Trans and Genderqueer Menstruation." In The Palgrave Handbook of Critical Menstruation Studies, 69–76. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_7.

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Abstract Menstruation is often categorized as a function of the female body that affects women. Trans and genderqueer people contest this biological function as a social signal of gender/sex identity. The comics illustrate the gendered interactions trans and genderqueer people must navigate in their daily lives and visually explore four gendered/ sexed social spheres: (1) gender/sex identity, (2) public bathroom attendance, (3) product marketing and messaging, and (4) healthcare. Each of these arenas is permeated by the biologically and socially constructed gender/sex binary, and as a result trans and genderqueer menstruators confront preexisting constraints ranging from social interactions to the built environment. These micro social symbols of gender/sex distinction are symptoms of a larger gender regime in which gender/sex are interpreted, regulatd, and policed.

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"The male and his muse." In The Female Brain, 15–40. CRC Press, 2009. http://dx.doi.org/10.1201/9781420077452-4.

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Brock, Gerald B. "MUSE and Intracavernosal Therapies." In Male and Female Sexual Dysfunction, 121–28. Elsevier, 2004. http://dx.doi.org/10.1016/b978-0-7234-3266-1.50012-7.

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"Channeling the Ancestral Muse: Lucille Clifton and Dolores Kendrick." In Female Subjects in Black and White, 330–48. University of California Press, 1997. http://dx.doi.org/10.1525/9780520918153-016.

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"Female Violence as Social Power: Joyce Mansour’s Surrealist Anti-Muse." In Rebelles et criminelles chez les écrivaines d’expression française, 199–215. Brill | Rodopi, 2013. http://dx.doi.org/10.1163/9789401209229_014.

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Marcus, Jane. "The Artist as Antichrist." In Nancy Cunard, edited by Jean Mills, 49–74. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979299.003.0004.

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The chapter provides a close reading of “Answer to a Reproof,” and Cunard’s reputation as a poet who rejected Western culture as she strove to define herself in relation to it as an outlaw. The chapter suggests Cunard uses the figure of Thamar, in the role of Antichrist, “as mistress of sexual excess, embodying female agency in the extreme,” as muse. Marcus also gives an analysis of Cunard’s representation in film and other media as a femme fatale and Ezra Pound as an early influence and male mentor, she would grow suspicious of and go on to reject.

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Streszczenia konferencji na temat "Female muse"

Asman, Aulia, Debby Sinthania, and Linda Marni. "The Effect of Epinephrine Administration on the Level of Gonadotropin Hormones of Japan Strain Female Mice (Mus Musculus)." In The Health Science International Conference. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009124301190123.

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Purnamasari, Risa, Nurul Nahdiyah, Eko Teguh Pribadi, Sri Hidayati, Nova Lusiana, Funsu Andriarna, Moch Irfan Hadi, Hanik Faizah, and Mohammad Yusuf Alamudi. "Analysis of Degeneration Hepatosit Cell on Female Mice(Mus musculus) Induced by Ruthab Dates (Phoenix dactylifera) Extract and Paracetamol." In Built Environment, Science and Technology International Conference 2018. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008906600990102.

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Gangakhedkar, M. R., P. Kunwar, A. Layek, M. Mishra, and R. Dua. "Partly Controlled Asthma or MKS (Must Konsider Scanning)! A Serendipitous Diagnosis of Mounier-Kuhn Syndrome (MKS) in a Middle-Aged Female." In American Thoracic Society 2021 International Conference, May 14-19, 2021 - San Diego, CA. American Thoracic Society, 2021. http://dx.doi.org/10.1164/ajrccm-conference.2021.203.1_meetingabstracts.a4097.

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Sances, Anthony, Srirangam Kumaresan, and Richard Clarke. "Biomechanical Analysis of Side Release and Top Release Seat Belt Buckles." In ASME 2003 International Mechanical Engineering Congress and Exposition. ASMEDC, 2003. http://dx.doi.org/10.1115/imece2003-42711.

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Various articles suggest that the maximum release force for buckle according to Federal Motor Vehicle Safety Standards (FMVSS) 109 of 133 N is beyond the capability of a large percentage of our population [1, 2]. Inversion studies with a large male in a three-point production belt showed he could not open a side release buckle [3]. Numerous articles and patents reference the potential for entrapment of inverted occupants unable to release the seat belt buckle [4–11]. Various articles and patents discuss the problems associated with entrapment of individuals in fires, water or emergency situations or where the occupant is deprived of oxygen due to positional asphyxia [12]. While the use of seat belts has increased markedly over the years [13], investigations indicate that rollover accidents showed fatally injured occupants in their seats which were entrapped in their vehicle. The forces to release the buckles under full load of the inverted occupants were beyond the physical capacities of the occupants involved. Canadian motor vehicle safety standard 209 (CMVSS 209) requires that a buckle must release with a force of 133 N to the button with a restraining loop force of 666 N. About 80 % of driver’s could not release a buckle that requires 133 N of force on the button [1]. Females could exert about 80 N with their fingers when opening child restraint buckles [14]. Females were generally found to have about half the physical capacity to open buckles compared to males. The maximum buckle release force of 133 N is not found in literature. Dreyfuss in his book indicates various forces for females and males [15]. European standards require that latch plate be ejected, therefore side release buckles are not allowed.

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Durgun, Özlem. "Child Poverty in Turkey." In International Conference on Eurasian Economies. Eurasian Economists Association, 2016. http://dx.doi.org/10.36880/c07.01711.

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Poverty is one of the biggest problems in developing countries. Poverty is general scarcity or the state of one who lacks a certain amount of material possessions or money. Poverty issue is examined on a sector and national levels. Addition it is examined in households and gender level in many countries.  When these studies are examined, the most affected segments of poverty are women and children. In our study: The relationship between the woman poverty rates and female labour force participation rates were examined in Turkey. Poor children do not only occur in developing countries. In developed countries and in countries with high income levels, poor children are likely to occur.  Adults’ poverty is possible to solve in time with employment, aids and donations. However, child poverty continues in the future. Unfortunately, aid to households are not enough. So the problem must be clearly demonstrated and implemented specific policies for children. Child is the social structure of the subject. Damage to children will be create a domino effect in the future. Consequently, it should be recognized and taken measures taken in advance.

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Pandey, Divya, Neha Pruthi, and Sudha Salhan. "Unusually high serum Ca 19-9 in a benign ovarian tumor." In 16th Annual International Conference RGCON. Thieme Medical and Scientific Publishers Private Ltd., 2016. http://dx.doi.org/10.1055/s-0039-1685327.

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Introduction: Ovarian tumors have a varied spectrum of presentation. Tumors which look malignant clinico-biochemically can ultimately turn out to be benign. Tumor markers help in diagnosing various malignancies. Carbohydrate antigen 19-9 is one such marker seen to be elevated in some ovarian tumors. Case: A 55 year old, lean and thin postmenopausal female presented to Gynae OPD with abdominal mass, anorexia and weight loss developing over last 6 months. During workup, she was found to have unusually high Ca 19-9 along with MRI findings suggestive of ovarian tumor. Staging laparotomy followed by total abdominal hysterectomy with bilateral salpingoophorectomy was performed. Per operative findings were suggestive of benign nature of ovarian tumor of size 18× 20 cm. Patient was kept under follow up. Histopathology report showed benign mucinous cystadenoma. The serum levels of Ca19-9 returned to normal 8 weeks following surgery. This case report shows a rare and significant elevation of Ca19-9 levels with benign mucinous cystadenoma of the ovary, thus showing that women with unusually elevated tumor markers and even symptoms suggesting malignancy may actually harbour a benign disease. Conclusion: Unusually high Ca 19-9 may be associated with benign mucinous cystadenoma but thorough workup to rule out malignancy is a must in every case.

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Hesketh, Peter J., Martha A. Gallivan, Surajit Kumar, Christine J. Erdy, and Zhong L. Wang. "Modeling and Characterization of Dielectrophoretic Assembly Process for Nanobelts." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-81153.

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Robust manufacturing methods are needed for nanocomponent assembly, and one must understand the physics to optimize the processing and to develop control schemes to deal with the inherent uncertainty. We are studying field induced assembly of a new class of semiconducting metal oxides — nanobelts — that have been demonstrated for chemical sensing. We have demonstrated the integration of nanobelts with electrodes to make sensors by dielectrophoresis (DEP). The SnO2 nanobelts (width ~ 100–300 nm, thickness ~ 30–40 nm) were suspended in ethanol and introduced into a microchannel, and were assembled across the electrodes. Modeling suggests that attraction should occur at all frequencies over this range. Targeted experiments were performed to quantify surface and material properties for input to the modeling, and FEMLAB simulations were performed to validate the model. The goal of the modeling is to optimize the assembly of nanostructures in a manufacturing process at the wafer-scale.

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Sato, Takuya, Kenji Yamamoto, Rixing Li, and Hiroteru Ando. "Finite Element Analysis of Load Distribution of Threaded Connections Made of Dissimilar Materials in High Pressure Facilities." In ASME 2008 Pressure Vessels and Piping Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/pvp2008-61424.

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Threaded connections are often used for pressure vessels in high pressure services, and they must be designed to resist the shear forces due to initial tightening and internal pressure. Many investigations of the load distribution in threaded connections have been conducted. One of the most basic investigations was the work of Sopwith, and a design formula was developed. The High Pressure Gas Safety Institute of Japan (KHK) design guide provides design methods based on a modification of Sopwith’s formula for threaded connections. These methods are limited to threads made of similar materials. However, in order to prevent such problems as seizing or corrosion, threaded connections sometimes use dissimilar materials for the female and male threads. In this case, it is necessary to determine whether the modified Sopwith formula can be applied or not. In this paper, linear finite element analyses were performed to calculate the load distribution in threaded connections of dissimilar materials, and the results were compared with those of the modified Sopwith formula. The contact pressure and the friction forces on the surfaces of the threads were considered in the analyses. Two load conditions, the initial tightening and the internal pressure, were considered. From these analyses, the following conclusions were obtained: (1) In practical material combinations with an elastic modulus ratio of 0.5∼2.0, the load concentration factor for threaded connections of dissimilar materials was almost the same as that for threaded connections of similar materials. In other words, it is not necessary to consider the effects of the material combinations in threaded connection design. (2) The load concentration factors were dependent on the load type. The load concentration factor under internal pressure was smaller than that under initial tightening.

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Hamah Saeed, Tahseen. "Assumptions and legal and political intellectual principles of positive discrimination of women and their application to the laws in force in the Kurdistan region." In REFORM AND POLITICAL CHANGE. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdiconfrpc.pp149-170.

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"This research enters into the field of philosophy of law. He investigated it about the positive differentiation of women in legal thought. After defining the assumptions of the concept, such as the necessity to distinguish between formal equality, and real equality, because positive differentiation is a privilege given to the disadvantaged as if it appears to create inequality, and it is formed until it compensates them with the forbidden, which was practiced before and is now practiced. And that positive differentiation is not only concerned with women but also with all other disadvantaged groups, such as minorities, children and the elderly, even if the female component is more visible. So it entered into the global legislative policy, whether in international law or in national law, so would hold international agreements, hold conferences and establish international organizations for that. Positive differentiation is considered a subsidiary legal principle and complementary to the principle of equality and fairness, and for this existence is related to the existence of that principle, and it is known that the principle are not often written in legislation, but the legislator must take them into account when setting legal rules. Positive the positive differentiation as a legal principle that is observed in global legislation, and the legislator in the Kurdistan region of Iraq tried to observe the principle at a time when the federal legislator did not pay much attention to the principle, and this legislative policy in the region is more in line with the global legislative policy, and this is why the Kurdistan legislator tried to repeal or amend federal law Or legislate new laws in implementation of the principle that fall within its powers, so the anti-family violence law is a perfect example of this, which has no parallel in Iraq so far."

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Pinar-Pérez, Jesús María, Roberto Morales-Arsenal, María Fernandez-Moya, Pedro Cuadros-Solas, and Carlos Salvador. "Mitigating deficiencies of generation Z through new educational methodologies in a business statistic course." In INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11821.

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Nowadays, most of the students in first course at University are from the so-called Generation Z. Since a young age, these students have been used digital technology such as internet, mobile phones, tablets and laptops developing certain skills. But a large majority of these students have some deficiencies such as low knowledge of mathematics, scarce levels of motivation, concentration or logical reasoning and little patience (they want to understand everything quickly). These characteristics must be improved being a hard work to do by teachers. New educational methodologies are being adapted taking into account these digital skills and mitigating the deficiencies observed in some students. This paper presents an analysis of the impact of using new methodological techniques in a business statistics course. The work focuses on the problem of increase the student´s motivation through the use of new digital tools such as video-lessons, screencasts and flipped classroom combined with neuroeducation techniques. Our hypothesis is mitigating the deficiencies of students through increasing their motivation. A multiple linear regression model to a set of students is carried out. Empirical results show, in general, that females take advantage of this methodology implemented better than males. Moreover, students with “good” performance reach better outputs (higher final score and a deeper knowledge of the subject) if additional methodological tools are implemented in the traditional class. While, there is not improvement for “bad” students.

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Raporty organizacyjne na temat "Female muse"

Bustelo, Monserrat, Pablo Egana-delSol, Laura Ripani, Nicolas Soler, and Mariana Viollaz. Automation in Latin America: Are Women at Higher Risk of Losing Their Jobs? Inter-American Development Bank, August 2020. http://dx.doi.org/10.18235/0002566.

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New technological trends, such as digitization, artificial intelligence and robotics, have the power to drastically increase economic output but may also displace workers. In this paper we assess the risk of automation for female and male workers in four Latin American countries Bolivia, Chile, Colombia and El Salvador. Our study is the first to apply a task-based approach with a gender perspective in this region. Our main findings indicate that men are more likely than women to perform tasks linked to the skills of the future, such as STEM (science, technology, engineering and mathematics), information and communications technology, management and communication, and creative problem-solving tasks. Women thus have a higher average risk of automation, and 21% of women vs. 19% of men are at high risk (probability of automation greater than 70%). The differential impacts of the new technological trends for women and men must be assessed in order to guide the policy-making process to prepare workers for the future. Action should be taken to prevent digital transformation from worsening existing gender inequalities in the labor market.

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