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Artykuły w czasopismach na temat „Feminine beauty (aesthetics)”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 29 lipca 2024

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1

Rai, Jiwan Kumar. "Narrating the Beauty Myth of Feminine Body Aesthetics in Classic Nepali Songs." JODEM: Journal of Language and Literature 14, no. 1 (August 14, 2023): 65–76. http://dx.doi.org/10.3126/jodem.v14i1.57568.

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This paper analyzes the most celebrated classic Nepali songs of all time – “Gaajalu Tee Thulaathulaa Aankhaa”, “Lolaaeka Tee Thulaa Timraa Dui Najarale”, “Timeelaai Ma Ke Bhanu”, and “Rhritu Harumaa Timee” – the former two songs are penned by M.B.B. Shah, the next one is by Dipak Jangam, and latter one is by Rajendra Rijal. These songs are sung by Gulam Ali, Narayan Gopal, and Arun Thapa respectively. This study aims to explore the mythical narratives of the mainstream feminine body aesthetics embedded in the songs – large and deep black eyes, long black eyebrows, long black blond hair, thin l

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Cerrato Rodríguez, Barbara. "Literary approaches to the theory of thinness aesthetics." Arts & Humanities Open Access Journal 6, no. 1 (April 2, 2024): 61–65. http://dx.doi.org/10.15406/ahoaj.2024.06.00223.

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In this research we will address the negative view of female beauty canons. In addition, we will study what Bourdieu call the ‘paradox of the doxa’ and Barthes' notion of second-level meaning, which apparently contribute to sustaining the tyranny of female beauty. In contrast, we will delve into Lipovetsky's theory of the aesthetics of thinness, which considers thinness a symbol of self-control, success and self-management. In other words, thinness would translate the feminine desire for emancipation and equality. Thus, we will start from this theory to analyze some works by Najat El Hachmi, a

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Thompson, Lanny. "Aesthetics and Empire : The Sense of Feminine Beauty in the Making of the US Imperial Archipelago." Culture & History Digital Journal 2, no. 2 (December 30, 2013): e027. http://dx.doi.org/10.3989/chdj.2013.027.

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Doğan, Setenay Nil. "From national humiliation to difference: The image of the Circassian beauty in the discourses of Circassian diaspora nationalists." New Perspectives on Turkey 42 (2010): 77–101. http://dx.doi.org/10.1017/s0896634600005586.

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AbstractThe Circassian Beauty, attributed to the women of the Caucasus, is a historical image of idealized feminine aesthetics that has prevailed in Orientalist literature, art and knowledge production as well as Turkish popular culture. This article argues that this image has been central to the gendered construction of diasporic identity among Circassian diaspora nationalists in Turkey. It aims to explore the multiple meanings attached to the image of the Circassian Beauty, and the ways in which these meanings are historically transformed in line with the political and historical transformat

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Iqani, Mehita. "Glitter, Shine, Glow." Cultural Politics 18, no. 1 (March 1, 2022): 79–94. http://dx.doi.org/10.1215/17432197-9516954.

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Abstract This article explores the ways in which patina is deployed in gendered celebrity culture, specifically through forms of visual communication in relation to luxury. The article is framed by literature on race and gender from apartheid to postapartheid, and texture in visual communication in relation to luxury in Africa. The author uses three magazine covers featuring beloved Black South African women celebrities to illustrate three aesthetics of Black feminine success: glitter, shine, and glow. Visually, the three patinas are linked and on the surface might seem indistinguishable, but

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Gómez, Andrea. "What is “Asian” beauty? Chinese and South Korean racialized appearances in the Mexican and Peruvian makeup industries1." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 38 (August 1, 2023): 95–117. http://dx.doi.org/10.26563/dobras.i38.1590.

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This article will try to answer, what is understood by “Asian” beauty in Latin America and how race, history and politics have decanted to the almost opposite reception of Chinese and South Korean aesthetics and corporalities. It is based on my research on beauty and the role of makeup in the negotiated construction of appearances. Firstly, I will explore the concepts of beauty and race brought by colonial imposition to the territories that would become Peru and Mexico. I will then explore how these were employed strategically to reinforce the oppression and discriminatory treatment of indigen

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7

Tan, Jiaxin, Pei Yang, and Zimo Wang. "Boys and Beauty: Male Makeup Influencers in Tik Tok A U.S. and China Comparison." Lecture Notes in Education Psychology and Public Media 2, no. 1 (March 1, 2023): 325–37. http://dx.doi.org/10.54254/2753-7048/2/2022476.

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Tik Tok, also known as Dou Yin in its Chinese version, has had a growing reputation in the social networking world since its launching in September 2016. While there are numerous content categories on Tik Tok that attract the many views and likes, beauty and skincare are within the top ten most popular content attracting billions of views. In what used-to-be female influencers dominated field, we witnessed the substantial growth of male makeup influencers with a proportion of them successfully integrated into the worldwide beauty market with high reputation and fame. The objective of this stud

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Perkins, Tiani R., Lucretia Monique Ward, Morgan C. Jerald, Elizabeth R. Cole, and Lanice R. Avery. "Revisiting Self-Objectification Among Black Women: The Importance of Eurocentric Beauty Norms." Journal of Black Psychology 49, no. 6 (November 2023): 868–96. http://dx.doi.org/10.1177/00957984221127842.

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Models of self-objectification utilized by the existing literature have been normed with predominantly White samples and may not account for the unique pressures on Black women to engage in beauty practices that prioritize European appearance expectations. Additionally mainstream media have historically rejected Black women’s bodies and beauty, instead reifying Western European aesthetics. We expand the existing literature by testing the contribution of body surveillance using serial analyses via endorsement of Eurocentric appearance norms (i.e., feminine appearance, thinness, and Eurocentric

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DIENG, Alioune. "La folie féminine dans l’univers capitaliste mauriacien." Revue Africaine de Communication Spécial, Aw (December 1, 2023): 199–225. http://dx.doi.org/10.61585/pud-rac-nsea6.

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The French novels of the 19th century and the first quarter of the 20th century are marked by a close relationship between writing and context, generally based on determinism and the psychology of the characters. François Mauriac is no exception to such a conception of romantic aesthetics, as evidenced by the novels, which retrace the life cycle of the heroine Therese Desqueyroux and revolve around the family nucleus, the forest economy, painting provincial customs, etc. In such a universe, the individual, in general, and the woman, in particular, unnecessarily go to war against the constraint

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Stevens, Erica. "Alice Dunbar-Nelson’s Charm Aesthetics and the Bugbear of Social Equality." MELUS 44, no. 3 (2019): 129–54. http://dx.doi.org/10.1093/melus/mlz034.

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Abstract Alice Dunbar-Nelson’s The Goodness of St. Rocque, and Other Stories (1899) plays with the diminutive description of “charming” often given to local-color writers in order to imagine alternative social relations in an era determined by modes of difference and exclusion. Charm—an aesthetic category most generally understood to be manipulative, feminine, and a distracting accessory to beauty—becomes the method supporting this collection’s challenge to the contemporary discourse of “social equality.” In the late nineteenth century, social equality was a distorted idea meant to accuse thos

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Kalender, Gulcin Ipek. "The Semiotic Analysis of Cosmetic Advertisements on Facebook." Advances in Social Sciences Research Journal 7, no. 12 (January 10, 2021): 658–71. http://dx.doi.org/10.14738/assrj.712.9528.

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The cosmetic industry is one of the major industries in the world, and it continually enhances with the current high-technology developments in the sector. Just from the very early ages, young girls have a curiosity about trying their mother’s make-up products and they satisfy their curiosity by doing make-up to their dolls. When girls become young women, they start trying a variety of cosmetic products and they wear make-up in order to look attractive for the opposite sex. Wearing make up helps women to feel content about their physical appearance. It increases the self-confidence of women an

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Harris, Leigh Coral. "FROM MYTHOS TO LOGOS: POLITICAL AESTHETICS AND LIMINAL POETICS IN ELIZABETH BARRETT BROWNING’S CASA GUIDI WINDOWS." Victorian Literature and Culture 28, no. 1 (March 2000): 109–31. http://dx.doi.org/10.1017/s1060150300281072.

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@FP = CHARLES DICKENS ADAMANTLY DECLARES he will not indulge in “any grave examination into the government or misgovernment of any portion” of Italy, because “that beautiful land” requires only aesthetic reflections that “have ever a fanciful and idle air” (1); and John Ruskin relentlessly insists on turning attention away from the action in the Italian streets and inward toward the motionless stones of buildings, because Venice, “Queen of Marble and of Mud,” has no political dimension (“Stones of Venice” 9: xxix). Elizabeth Barrett Browning, by contrast, masterfully tackles the problem of the

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13

Erkal, Melis Mulazimoglu. "The Cultural History of the Corset and Gendered Body in Social and Literary Landscapes." European Journal of Interdisciplinary Studies 9, no. 1 (October 6, 2017): 153. http://dx.doi.org/10.26417/ejis.v9i1.p153-153.

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This study centers on the significance, uses and changes of the corset in the Western culture and literature through a study of body politics, culture and fashion. The emplacement of corsetry in the West as an undergarment goes back to 1600s. Research shows that the study of corsetry is important as the corset has been a permanent, pervasive, popular object preferred mostly by women from different classes, sometimes by men and even children since the Middle Ages. Moreover, it is important to notice how the corset has gone beyond its use value and has become first a symbol of rank and elegance,

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Erkal, Melis Mulazimoglu. "The Cultural History of the Corset and Gendered Body in Social and Literary Landscapes." European Journal of Language and Literature 9, no. 1 (June 10, 2017): 109. http://dx.doi.org/10.26417/ejls.v9i1.p109-118.

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This study centers on the significance, uses and changes of the corset in the Western culture and literature through a study of body politics, culture and fashion. The emplacement of corsetry in the West as an undergarment goes back to 1600s. Research shows that the study of corsetry is important as the corset has been a permanent, pervasive, popular object preferred mostly by women from different classes, sometimes by men and even children since the Middle Ages. Moreover, it is important to notice how the corset has gone beyond its use value and has become first a symbol of rank and elegance,

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Hussain, Heena. "The Surveillance of Blackness in the Kardashians' Wellness Empire." Review of International American Studies 15, no. 1 (June 15, 2022): 107–25. http://dx.doi.org/10.31261/rias.12748.

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Keeping up with the Kardashians depicts the lives of the Kardashian clan through reality television. The unparalleled success of five sisters managed by their mother has only continued to increase over time along with their participatory self-surveillance through their formidable use of social media. In recent years, a focus on health and wellbeing has led the sisters to endorse products for weight loss and health, using their bodies as spaces of commodification and advertisement online. The family’s interaction with the camera, and the aesthetics of their social media cross-promotions combine

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Vasko, Elisabeth. "Redeeming Beauty? Christa and the Displacement of Women’s Bodies in Theological Aesthetic Discourses." Feminist Theology 21, no. 2 (December 17, 2012): 195–208. http://dx.doi.org/10.1177/0966735012464151.

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This article adopts Edwina Sandys’ Christa as a hermeneutical lens through which to expose new dimensions about the interplay between aesthetics and redemption in the Christian tradition. Contemporary theological aesthetic discourses have ignored ugliness and its causes, especially the patriarchal ways in which Christian tradition has been used to sanctify violence against women. The issue of gender injustice takes on a heightened significance in light of recent claims surrounding the beauty of the cross. As a subversive aesthetic feminist representation, Christa exposes the patriarchal dimens

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Yang, Su Mi. "A Study on the Aesthetic Properties of Feminism Make-up in Cindy Sherman's Instagram Selfie." Journal of the Korean Society of Cosmetology 27, no. 4 (August 31, 2021): 998–1011. http://dx.doi.org/10.52660/jksc.2021.27.4.998.

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Feminism sheds light on women's identities in a variety of ways, along with criticism of gender discrimination and male-centered thinking. In particular, Cindy Sherman's selfie, known as a feminist photographer, expresses various women's images, showing a new identity of women. This study examined feminism makeup that expresses women's self-identification in the recent emergence of Me Too and feminism, and analyzed feminism makeup in Cindy Sherman's self-portrait to find out its aesthetic characteristics. First, the nature of Cindy Sherman's feminism makeup was expressed as dominant masculinit

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Yi, Sitian. "The Embodiment and Effects of Feminism in Disney Films in the 20th and 21st." BCP Social Sciences & Humanities 21 (February 15, 2023): 232–37. http://dx.doi.org/10.54691/bcpssh.v21i.3483.

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With the rise of feminism, the female characters in Disney's animated films break away from the original female stereotypes. The feminist content in Disney has evolved with the wave of the feminist movement. More and more brave, astute and independent female characters appear in movies. Compared with the simple princess movies, which tell the story of the elegant but weak princess who is rescued by the prince, these new female characters reflect the change of people's thoughts. These feminist contents promote the concept of gender equality, show the diversity of women's beauty, and deepen peop

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Wolff, J. "Groundless beauty: feminism and the aesthetics of uncertainty." Feminist Theory 7, no. 2 (August 1, 2006): 143–58. http://dx.doi.org/10.1177/1464700106064407.

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Lintott, Sheila. "Feminist Aesthetics and the Neglect of Natural Beauty." Environmental Values 19, no. 3 (August 1, 2010): 315–33. http://dx.doi.org/10.3197/096327110x519853.

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Alanazi, Meshari S. "Challenging social standards." Linguistics and Culture Review 5, S2 (June 30, 2021): 1594–604. http://dx.doi.org/10.21744/lingcure.v5ns2.2229.

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Prior to the evolution of the Black Arts Movement, the concept of “beauty” in the United States relied on specific standards, among which were being white and having blue eyes. However, this narrow definition changed over time as sociopolitical factors affected such concepts. Therefore, it is not surprising that the Black Arts Movement affected and changed the concept of beauty among Black Americans. African Americans stood not against white individuals but against everything that was unjust toward them in white American society. As a result, the literary works created by Black writers had to

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Song, Zirong, and Wenjing Deng. "Aesthetic Evolution of Female Characters in Animated Films." Philosophy and Social Science 1, no. 1 (January 2024): 78–84. http://dx.doi.org/10.62381/p243115.

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Human aesthetic ideas on beauty are the result of long-time sexual selection. These aesthetic ideas are not only determined by human instinctive preferences, but also by social factors. The social, cultural, and historical differences between China and the United States lead to the differences in female characters portrayed in animated films. By examining the female characters presented in animated films in China and the United States since, this paper reveals the aesthetic evolution of female characters in Chinese and American animated films from the perspective of feminism, and discusses the

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Szychta, Pawel. "Achieving Harmonious Feminine Proportions: A Comprehensive Study on Breast Harmonization with Nanotextured Implants." Plastic and Reconstructive Surgery - Global Open 12, no. 4 (April 2024): e5751. http://dx.doi.org/10.1097/gox.0000000000005751.

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Background: The prevalence of breast augmentation as a strategy for achieving idealized feminine proportions, consistent with contemporary beauty standards, has increased notably. This study focuses on the use of nanotextured implants, examining their efficacy in enhancing body symmetry and conforming to current aesthetic ideals. Methods: Conducted as a prospective cohort study, this research included women who underwent breast augmentation using nanotextured ergonomic implants from 2017 to 2023. A personalized methodology was applied, incorporating an array of anthropometric measurements and

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Telnoni, Wike Yuciana. "Analisis Reflektif Teologi Estetika John Navone." Matheteuo: Religious Studies 2, no. 2 (January 5, 2023): 101–13. http://dx.doi.org/10.52960/m.v2i2.154.

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ABSTRACT: The presence of the media as one of the determinants of ideal body standards in self-esteem and beauty is a product of popular culture that has been created for a long time The ideal body standard is constructed through products from well-known brands advertised by Selebgram, influencers and celebrities through social media platforms. One standard of beauty and body beauty displayed by them is to have white skin. Women who have white skin are considered to have privileges, luxury, cleanliness and show an auara of beauty. One of the product that is being advertised, namely the S

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Wang, Shuchen. "Fashioning Chinese feminism: Representations of women in the art history of modern China." Critical Studies in Fashion & Beauty 12, no. 2 (December 1, 2021): 207–27. http://dx.doi.org/10.1386/csfb_00027_1.

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Artworks record history. The images of women’s fashion and beauty presented in the art history of modern China illustrate explicitly the challenging, changing and circuitous development of women’s rights and feminism in the country. In this study, I analyse and contextualize the most widespread representations of Chinese ‘modern women’s fashion’: (1) the geisha-like ladies of news illustrations before the 1911 Revolution, (2) the poster-calendar girls in the republican aesthetics of an early commercial society, (3) the papercutting folk art that profiles ‘half the sky’ in the uniform aesthetic

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Michna, Natalia Anna. "From the Feminist Ethic of Care to Tender Attunement: Olga Tokarczuk’s Tenderness as a New Ethical and Aesthetic Imperative." Arts 12, no. 3 (May 4, 2023): 91. http://dx.doi.org/10.3390/arts12030091.

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In her Nobel speech in 2019, Olga Tokarczuk presented the category of tenderness as a new way of narrating the contemporary world. This article is a proposal for the analysis and interpretation of tenderness in ethical and aesthetic terms. (1) From an ethical perspective, tenderness is interpreted as an extension and complement of feminist relational ethics, i.e., the ethics of care. In the proposed approach, tenderness is a broader and more universal quality than care in the feminist understanding. This article opens with a brief discussion of feminist interventions in ethics, with particular

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Listyani, Refti Handini, Anggaunita Kiranantika, Diah Ariani Arimbi, and Emy Susanti. "Aesthetic Clinic and Beauty Myths in Indonesia: Discourse Analysis of Beauty Representation in Instagram Accounts." Journal of Society and Media 7, no. 2 (October 28, 2023): 514–45. http://dx.doi.org/10.26740/jsm.v7n2.p514-545.

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The purpose of this study is to uncover the beauty myths displayed in the Instagram accounts of aesthetic clinics in Indonesia. This study uses a qualitative research method with a critical discourse analysis approach by Sara Mills. Results indicates that; First, the existence of women is shown as an object, where women are victims of symbols and beauty standards that arereconstructed and reproduced by the subject (the storyteller), namely the Instagram accounts of beauty clinics @dermaster_id, @ertosbeautyclinic, and @natashaskincare. Women as objects shown cannot be separated from the beauty

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Hope, Jeanelle Kevina. "An Ode to Black British Girls." Race and European TV Histories 10, no. 20 (December 1, 2021): 34. http://dx.doi.org/10.18146/view.266.

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This article delves into Michaela Coel’s Chewing Gum, examining how the cultural text builds upon Black feminist media discourse, and intimately grapples with the nuances of Black women’s sexuality while explicitly challenging misogynoir. This work illustrates how Coel is helping develop a Black British cultural aesthetic that centers Black women’s liberation, specifically from an African immigrant perspective, by using satire, all the beauty, pain, and struggles that come with #blackgirlmagic, eccentric adornments, and ‘awkward’ ostentatious characters that at times play into racist images an

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James, Robin. "Must Be Love On The Brain?" Journal of Popular Music Studies 32, no. 4 (November 30, 2020): 75–94. http://dx.doi.org/10.1525/jpms.2020.32.4.75.

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As #MeToo activism has revealed cascades of famous and influential men to be serial sexual harassers and rapists, the question of what to do about aesthetically pleasing art made by morally and politically disgusting men has received renewed interest and urgency. I identify two different types of feminist responses to this question. The first kind of response modifies post-feminist and post-race approaches to diversity as a kind of beauty: replacing beauty with disgust, these approaches treat sexism and misogyny as individual-level flaws that can be eliminated through appropriate aesthetic jud

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Kratje, Julia. "The Sexual Politics of Beauty: Reflections on Contemporary Argentine Cinema." Latin American Perspectives 48, no. 2 (March 2021): 33–46. http://dx.doi.org/10.1177/0094582x20988719.

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A sketch of the imagery of feminine beauty in contemporary Argentine cinema focusing on the history of regional beauty pageants, the way bodies are displayed, and the critique of conventional aesthetic parameters contributes to a comparative analysis of the documentaries La reina (2013), by Manuel Abramovich, and La más bella niña (2004), by Mariano Llinás, which demonstrate new approaches to old questions about the sexual politics of beauty. Un esbozo de la historia de los certámenes regionales, las condiciones de visibilidad de los cuerpos y la crítica de los parámetros estéticos convenciona

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Danylova, Tetiana. "The Modern-Day Feminine Beauty Ideal, Mental Health, and Jungian Archetypes." Mental Health: Global Challenges Journal 3, no. 1 (November 6, 2020): 38–44. http://dx.doi.org/10.32437/mhgcj.v3i1.99.

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Introduction: It can be argued that beauty is not only an aesthetic value, but it is also a social capital which is supported by the global beauty industry. Advertising kindly offers all kinds of ways to acquire and maintain beauty and youth that require large investments. Recent studies demonstrate that physical attractiveness guided by modern sociocultural standards is associated with a higher level of psychological well-being, social ease, assertiveness, and confidence. What is behind this pursuit of ideal beauty and eternal youth: the life-long struggle for survival, selfless love for beau

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Cheng, Anne Anlin. "Wounded Beauty: An Exploratory Essay on Race, Feminism, and the Aesthetic Question." Tulsa Studies in Women's Literature 19, no. 2 (2000): 191. http://dx.doi.org/10.2307/464426.

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Hearn, Alison, and Sarah Banet-Weiser. "The Beguiling: Glamour in/as Platformed Cultural Production." Social Media + Society 6, no. 1 (January 2020): 205630511989877. http://dx.doi.org/10.1177/2056305119898779.

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Arguing that questions of power expressed through aesthetic form are too often left out of current approaches to digital culture, this article revives the modernist aesthetic category of glamour in order to analyze contemporary forms of platformed cultural production. Through a case study of popular feminism, the article traces the ways in which glamour, defined as a beguiling affective force linked to promotional capitalist logics, suffuses digital content, metrics, and platforms. From the formal aesthetic codes of the ubiquitous beauty and lifestyle Instagram feeds that perpetuate the beguil

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Czakon, Dominika, and Natalia Anna Michna. "Art Beyond the Anthropocene: A Philosophical Analysis of Selected Examples of Post-Anthropocentric Art in the Context of Ecological Change." Journal of Asia-Pacific Pop Culture 6, no. 2 (November 2021): 245–61. http://dx.doi.org/10.5325/jasiapacipopcult.6.2.0245.

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Abstract In this article, the authors discuss selected examples of post-anthropocentric art, which—as they show—is associated with human sensitivity, care, empathy, and the capacity for compassion. Czakon and Michna present artistic creations that serve as examples of art that respond efficiently and quickly to the pressing problems of the contemporary world. This post-anthropocentric art, as they call it, critically reacts to major ecological and social problems of today. For this purpose, in the first and second part of the essay, they briefly characterize the basic differences between tradi

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Yang, Su-Mi. "A Study on the Aesthetic Characteristics of Hetaira Beauty Style Expressed in Greek Pottery." Journal of the Korean Society of Cosmetology 29, no. 2 (April 30, 2023): 456–66. http://dx.doi.org/10.52660/jksc.2023.29.2.456.

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This study studied the aesthetic characteristics of Hetaira's costume and beauty style expressed in pottery paintings of the Greek era as the contents of Greek mythology were recently re-examined as the subject of humanities interest. In ancient Greece, the common name for prostitutes was Hetaira, and she was a religious prostitute who was at the top of the list of prostitutes in Greek society, enjoying the wealth of freedom and status more than any other woman. The aesthetic characteristics of the Hetaira beauty style of the Greek era were largely shown as An ornament beauty, An ostentatious

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Adler, Melissa. "Eros in the library: Considering the aesthetics of knowledge organization." Art Libraries Journal 44, no. 2 (April 2019): 67–71. http://dx.doi.org/10.1017/alj.2019.6.

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Privileging the aesthetic aspects of knowledge organization through a feminist historical lens may open possibilities for reimagining a library's space. This paper reveals the history of a relatively unknown figure in the history of knowledge organization. I will suggest that we might regard Pamphila, a miscellanist who lived in Greece during the 1stcentury, as a ‘radical cataloguer’ who introduced a method associated with weaving and embroidery. Her organizational method privileged beauty and pleasure, along with historical accuracy and usefulness.A version of this paper was presented as a ke

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Moskalenko, Daria Nikolayevna. "Beauty as Aesthetic Category through the Prism of Social Constructivism and Feminist Philosophy." Manuskript, no. 11 (November 2020): 163–67. http://dx.doi.org/10.30853/mns200538.

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Oyeleye, Olayinka. "Ìwà l’ẹwà: Towards a Yorùbá Feminist Ethics". Yoruba Studies Review 3, № 1 (21 грудня 2021): 1–19. http://dx.doi.org/10.32473/ysr.v3i1.129931.

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This paper explores a narrative path towards foregrounding what it calls a gender-relative morality as a core dimension of female subordination. It takes a feminist approach to ethics, which stresses specifically the political enterprise of eradicating systems and structures of male domination and female subordination in both the public and the private domains. The theoretical implications of Feminist narrative ethics is then applied to the philosophical imports of Yorùbá proverbs about women as a way to tease out how female subordination is grounded in Yorùbá ontology and ethics. Spe[1]cifica

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Mashtakova, Liubov V., and Elena K. Sozina. "Poetics of theophany in Kormchiye zvyozdy (1902-1903) and Prozrachnost’ (1904) by Vyacheslav Ivanov: Transformations of Eternal Feminine images." Imagologiya i komparativistika, no. 18 (2022): 94–117. http://dx.doi.org/10.17223/24099554/18/5.

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This article focuses on the images of the Eternal Feminine, which are pivotal in Vyacheslav Ivanov’s system of aesthetic and religious views and in the symbolic motifs of theophany connected with it. Theophany in this case means the manifestation of deity in a sensible form in Ivanov’s poetry, philosophical and critical essays, and diaries at different periods of his life. The concept is largely based on the medieval Christian theosophy: “the soul sees God in a dream, sees in a mirror and divination, and not face to face” (Bernard of Clairvaux). Therefore, according to Russian and American his

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DA SILVA MAGALHAES, JILSEANNY. "EMPREENDEDORISMO FEMININO E EFFECTUATION: UM ESTUDO NO SETOR DE BELEZA E ESTÉTICA EM CORUMBÁ (MS)." Revista Científica Semana Acadêmica 11, no. 231 (March 24, 2023): 1–20. http://dx.doi.org/10.35265/2236-6717-231-12449.

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This study there is object to evidence the Effectuation logic in business creation by women entrepreneurs in the beauty and aesthetics sector in the municipality of Corumbá MS. To undertake, according to the theory, part of the means available, and the following questions, “who am I?”, “What do I know how to do?” and "who do I know?" qualitative descriptive research was used, a semi-structured questionnaire based on the Effectuation tool. With regard to the process of sampling and use of the sample, the research subjects were business women from the city. A qualitative, non-probabilistic, conv

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Fonari, Victoria. "THE IMAGE OF PYGMALION IN THE CREATION OF ARCADIE SUCEVEANU." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(42) (September 2022): 152–57. http://dx.doi.org/10.55383/amtap.2022.1.28.

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Admirer of troubadour poetry, Arcadie Suceveanu (b. November 16, 1952, Suceveni, Chernivtsi region, Ukraine) pays close attention to the image of the woman. The feminine includes admiration and fear, desire and meaning. The woman is delicate in his creation, a beauty without body in which the realities of imagination and the everyday are transparent. The lyrical self takes on the role of Pygmalion with a few differences: it does not turn the statue into a woman, but turns Galatea into poetry; love does not perfect, but constitutes the game of acceptance without external transformations, it has

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Moffat, Amber. "Breast augmentation and artificial insemination: Monstrous medicine and the female body in recent fiction." Australasian Journal of Popular Culture 11, no. 1 (December 1, 2022): 163–77. http://dx.doi.org/10.1386/ajpc_00057_1.

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Recent fiction that depicts medical intervention upon the female body as monstrous reveals societal anxiety around aesthetic and reproductive medicine. As biotechnology rapidly advances, the female body continues to be a site on which improvements, efficiencies and controls are imposed. While Kristeva’s abject and Creed’s ‘monstrous-feminine’ explain the capacity of the female body to imbue horror, this literary analysis explores how the experience of the medicalized female body can convey anxiety relating to escalating aesthetic and reproductive demands. Works of fiction by Kawakami, Mazza, H

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Isha Mittal. "Use of Women’s Beauty and Makeup in Battle: Unveiling Stereotypes and Strength." Creative Saplings 2, no. 09 (December 26, 2023): 35–45. http://dx.doi.org/10.56062/gtrs.2023.2.09.462.

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Since the earliest writings of Bharatmuni's Natyashastra, an essential text in Indian aesthetics written more than two thousand years ago, women have been essentially connected with beauty and makeup. Shringararasa was mostly associated with women in the Rasa philosophy. This link has persisted and can even be seen in current Hollywood productions. It is interesting how beauty has been portrayed in two distinct manners throughout various historical works of literature, films, and books. On one hand, it has supported stereotypes like child marriage and placed restrictions on women's access to h

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White, Shauntae Brown. "Releasing the pursuit of bouncin' and behavin' hair: natural hair as an Afrocentric feminist aesthetic for beauty." International Journal of Media & Cultural Politics 1, no. 3 (December 1, 2005): 295–308. http://dx.doi.org/10.1386/macp.1.3.295/1.

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Sohm, Philip. "Gendered Style in Italian Art Criticism from Michelangelo to Malvasia*." Renaissance Quarterly 48, no. 4 (1995): 759–808. http://dx.doi.org/10.2307/2863424.

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Did the concept of style have gender? Were the styles of particular Renaissance painters considered to have gendered qualities by contemporary critics? Because gender permeated the rhetorical and philological foundations of art criticism, it can provide a useful interpretive lens to examine the critical arsenal of writers on art, their attitudes toward style and the subterranean bias of their language. Feminist art history has grappled with gender more in terms of iconography, biography, or patronage following a social agenda to analyze a misogynist past and to remedy the marginalization of wo

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Braz, André, and Camila Cazerta de Paula Eduardo. "Reshaping the Lower Face Using Injectable Fillers." Indian Journal of Plastic Surgery 53, no. 02 (August 2020): 207–18. http://dx.doi.org/10.1055/s-0040-1716185.

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AbstractThe lower third is very important for the pleasant appearance of the face. A well-contoured jawline is desirable in men and women, giving a perception of beauty and youth. It is also key to sexual dimorphism, defining masculine and feminine characteristics. The nonsurgical rejuvenation and beautification of the lower third of the face is becoming more frequent. Injectable fillers can reshape the jawline, lift soft tissues, and improve facial proportions, effectively improving the appearance of the area.It is paramount to understand the facial anatomy and perform a good facial assessmen

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Bloom, Lisa E. "Jewish “Ghosts”: Judit Hersko and Susan Hiller and the Feminist Intersectional Art of Post-Holocaust Memory." Arts 13, no. 2 (February 29, 2024): 50. http://dx.doi.org/10.3390/arts13020050.

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This article delves into the underexplored intersection of Jewish identities and feminist art. It critically examines artworks by Judit Hersko and Susan Hiller, aligning with evolving identity constructs in contemporary aesthetics. Concepts like “postmemory” link second-generation Jewish artists to past experiences and unveil the erasure of Jewish women’s memory of Jewish genocide. Analyzing Hersko and Hiller’s diverse works, from landscape photography and sculpture to performance art, it underscores their shared pursuit: illuminating lingering “ghosts” of the Holocaust in modern landscapes. S

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Pilane, Pontsho, and Mehita Iqani. "Miss-represented." Communicare: Journal for Communication Studies in Africa 35, no. 1 (October 17, 2022): 126–41. http://dx.doi.org/10.36615/jcsa.v35i1.1606.

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This paper reports on a quantitative content analysis of 2,699 images of women present in oneyear’s worth of the South African edition of Glamour magazine. Motivated by critical race theory,black feminist thought and critical consumption studies, the aim of the study was to determine howoften black women were represented in the sample and, further, to examine the particular bodytypes and hairstyles preferred in the aesthetic of black women featured. The findings showed thateven though Glamour magazine claims that 65% of its readership is comprised of black women,they feature in only 30% of ima

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Song, Geng. "The Afterlife of a Tang Monk: Buddhist Masculinity and Transformations of the Image of Xuanzang in East Asia." NAN NÜ 24, no. 2 (November 9, 2022): 296–318. http://dx.doi.org/10.1163/15685268-02410049.

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Abstract This study focuses on how Xuanzang (602-64), the well-known monk who procured Mahāyāna Buddhist scriptures from India and translated them into Chinese, posthumously became an icon of soft and queer masculinities in East Asian popular culture. Through a historical survey of the transformation of this image in various cultural forms, including literature, films, TV shows, anime and manga, computer games, and memes in China, Japan, and Korea, this article explores the interplay between religion and gender in East Asia, and argues that the image of Xuanzang is the product of the negotiati

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Martínez Collado, Ana. "Estéticas feministas y prácticas artísticas audiovisuales en España. Intervenir en la memoria, sentir el presente, impulsar el futuro." Arte y Políticas de Identidad 25 (December 30, 2021): 246–76. http://dx.doi.org/10.6018/reapi.506291.

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This article analyzes the relationships between current developments in audiovisual practices and feminist aesthetics in Spain. This confluence actively participates in the paradigm shift, both discursive and experiential, of certain contemporary identity issues, thus promoting a rewriting of both concepts and practices, encouraging the creation of alternative imaginaries. Hence, in this symbiotic participation, new forms and experiences are discovered, alterations of the traditional canon of art, of the beauty and the sublime, and a visibility of the everyday through a reaffirmation of the ex

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