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Rozprawy doktorskie na temat „Feminism and the arts”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 30 lipca 2024

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1

Reading, Christina. "Representing melancholy : figurative art and feminism." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/ae432ef0-fe07-4314-b972-11b50495534a.

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Re-presentations of women's melancholic subjectivity by women figurative artists from different historical moments, canonical images of melancholy and theoretical accounts of melancholy are brought together to address the question: 'What aspects of women's experience of melancholy have women figurative artists chosen to represent historically and contemporaneously, and further what is the importance of these artworks for understanding the nature of women's melancholic subjectivity today?

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2

Lima, Caminha Melissa. "Payasas: Historias, Cuerpos y Formas de Representar la Comicidad desde una Perspectiva de Género." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/400011.

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En mi tesis hago un estudio genealógico de la figura de la payasa, a partir de un abordaje interdisciplinar que facilite un dialogo entre la Payasaría y otras disciplinas artísticas y teóricas, como las Artes Visuales, los Estudios de Performance, la Teoría Crítica, Artes y Educación, los Feminismos y las Teorías Queer y Crip. El estudio genealógico se basa en un trabajo de campo por lo cual he realizado entrevistas con payasas, participación en festivales, investigación documental, análisis y crítica de género. La investigación acaba por indagar sobre la diversidad de cuerpos y formas en el c

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3

Melin, Louisa. "Feminism i läroböcker – En visuell analys av feminism i läroböcker för Samhällskunskap 1b." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21810.

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Lumm, Logan Ann. "Post-feminism and the modern day bombshell." Thesis, Boston University, 2014. https://hdl.handle.net/2144/21210.

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Thesis (M.F.A.)<br>Note: The author, Logan Ann (Lumm) Taylor, can be reached at logananntaylor@gmail.com.<br>The bombshell figure is nothing new— she has been a historical site of feminist discourse, both applauded and vilified for her position and influence within celebrity culture. In the post-feminist era in which we may now live, the bombshell has been reimagined in reaction to the ideologies of the post-feminist movement. She emphasizes the problematic aspects of this movement, but also finds agency and power within its confines. This study provides two examples of the modern day bombshel

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5

Preece, Georgia. "Women, painting and critical practice in Britain 1984-1992." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368175.

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Rups-Eyland, Annette Maie, University of Western Sydney, of Arts Education and Social Sciences College, and School of Social Ecology and Lifelong Learning. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual." THESIS_CAESS_SELL_Rups-Eyland_A.xml, 2002. http://handle.uws.edu.au:8081/1959.7/771.

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The outward form of the text in which the spiritual search is housed is 'performance-ritual', that is, performed 'ritual'. This genre has its 'performance' roots in the dance pioneers and its 'ritual' roots in the Christian church. The contents of this performed text is influenced by an emerging ecofeminist consciousness. In this way, the thesis has a grassroots inspiration as well as crossing academic areas of performance studies, ritual studies, and feminist spirituality. The project begins by an examination of 20th Century feminist and ecofeminist writing on spirituality, which evokes the s

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7

Wolk, Magdalena. "Fourth Wave Feminism Through Lana Del Rey." Thesis, Malmö universitet, Malmö universitetsbibliotek, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-46016.

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Tupper, Denise. "My Family of Women: Celebrating Blackness and Exploring Themes of Black Feminism." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/182.

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This paper maps themes (e.g. family, beauty, femininity, gender, blackness, representation) and artists from the Black arts and Feminist art movement who have been very influential when planning this senior art project. I specifically look at the works of Black feminist artists such as Betye Saar, Faith Ringgold, Carrie Mae Weems, Kara Walker, and Mickalene Thomas who navigate themes from both movements. In my project I have painted a series of interpretive acrylic portraits of close friends and family members, all adapted from photographs.

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9

Laurentiis, Gabriela Barzaghi De 1987. "Louise Bourgeois e os modos feministas de criar." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279680.

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Orientador: Luzia Margareth Rago<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-27T13:44:06Z (GMT). No. of bitstreams: 1 Laurentiis_GabrielaBarzaghiDe_M.pdf: 188718690 bytes, checksum: efdce2b517714ad07709da63f618f70c (MD5) Previous issue date: 2015<br>Resumo: Esta dissertação aborda a produção artística de Louise Bourgeois, focando as formas corporais trazidas em suas obras. Trata-se de perceber como sua arte possibilita elaborar críticas ao modelo falogocêntrico do feminino e, simultaneamente,

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10

Ford, Ashley. "Willing Participant: The Emergent Sexuality of Post-Feminist Women." Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1154.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Art

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11

Burris, Jessica Margaret. "Finding Feminism in American Political Discourse : A Discourse Analysis of Post-Feminist Language." UNF Digital Commons, 2012. http://digitalcommons.unf.edu/etd/395.

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The term “feminist” is a widely used label that is often embraced by women who do not advocate feminism. The wide use of the feminist label in contrast to the declining presence of feminist activism indicates a problem with the development of a third wave of feminism in the United States. In this study, I evaluated trends in feminism in the United States through an analysis of public political discourse. A semantic discourse analysis of political discourse from 1870 to 2011 evaluated a shift in the use of inclusive and exclusive pronoun usage by female political speakers. Speeches compiled for

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12

Wong, See-yuen Gina. "Global feminisms in feminist art and their new challenges." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38697245.

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Wong, See-yuen Gina, and 黃思源. "Global feminisms in feminist art and their new challenges." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38697245.

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14

Schwanse, Nina E. "Trouble Every Day." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1535.

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My interests lie in the intersection of the public and private, the corporate and personal, especially with regard to self-representation within cultural power structures. Utilizing video and web technologies, performance, and painting, I create imagined realms of fantasy, desire, obsession, and anxiety. Operating within, but not bound by, feminist discourse, my work explores the vehicles and effects by which both analog and digital technologies influence the relationship between the self and the object of desire (whether physical or virtual, interior or exterior to the body) and have produced

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15

Amano, Fumi. "Re-exploring my identity as a Japanese woman." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4846.

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This document contains reflections on my motivations and the personal decisions made in the realization of selected works leading up to and including my thesis exhibition "Voice". The following text shares the many and varied connections between my life and art-making. My issues in my personal relationships with others has spilled out from my heart and turned into these works. I'm continuously expressing the unsuccessful attempts we make at developing true bonds that bridge the gaps between people.

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16

Mantecon, Laurie. "Feminine Rhyme." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5220.

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'Feminine Rhyme' is a sequence of objects and paintings that resonate with women's experience in contemporary culture. The components I have used are: the structure of the grid, aggressive surface handling, and language derived from text. I have reconfigured these elements to direct the viewer in exploring layers of information that can be viewed in fragments as well as understood within the containment of a sound whole. I have explored the relationship of gender identity in our culture, and the role women play in association to masculine power. Through repetitive use of the grid, combined wit

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17

Kidder, Alana D. "Women Artists in Pop: Connections to Feminism in Non-Feminist Art." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1388760449.

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18

Imre, Anikó. "Allegories of transition : feminism and postcolonial East European cinemas /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9469.

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Neumeister, Scott Leslie. "Circling Back Home: A Lifelong Odyssey into Feminism." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4378.

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What happens when a classroom becomes more than just a site of intellectual growth and evolves into a locus of emotional, social, and spiritual transformation? What happens when a student in such a classroom also occupies the role of teacher and desires to reproduce such a transformative environment for his students? In brief, this thesis answers these questions by offering a narrative and critique of my personal "conscientization" via feminism and elucidates the theory behind, my approaches toward, and the results of my bringing graduate-level feminist theory and pedagogy to a middle school

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20

York, Regina. "Feminism, Selfhood & Emily Dickinson." TopSCHOLAR®, 1991. https://digitalcommons.wku.edu/theses/3019.

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This paper will draw on the work of leading feminist critics and the works of Dickinson, her biographers, and her critics. No effort is being made to trace the history of feminist criticism; that has been done numerous times by critic after critic. Nor does this paper attempt to provide a concordance to critical thought on Dickinson. That, too, is unnecessary. Rather, this paper looks at the relationship between self-identity in Dickinson's poetry and the fundamental need for such a pronounced sense of identity to serve as the cornerstone of feminist criticism. Dickinson's courage to be female

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21

Saraiva, Érica Cristiane. "Visualidades de Luiza Prado: poética da ex-centricidade." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7529.

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22

Lauritis, Beth Anne. "Lucy Lippard and the provisional exhibition intersections of conceptual art and feminism, 1970-1980 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1925733141&sid=11&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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23

Miller, Rosalena L. "The Feminine Ideal." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/17.

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While footwear was originally meant to protect the feet and enable the wearer to span larger distances and rough materials, today shoes are often seen as a fashion statement and a sex symbol for women. In his book, Of Cigarettes, High Heels, and Other Interesting Things, Marcel Danesi examines how high heels have moved away from the original purpose of shoes and now “seem to contravene this function. They are uncomfortable and yet millions of women wear them." They have moved from practicality to a sign of femininity, sexuality, and power.

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24

Boyes, Emma Louise. "The masquerade of the feminine." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16250/1/Emma_Boyes_Thesis.pdf.

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This project investigates the apparent contradiction of a female artist who prioritises embodied presence in her art works, but produces Minimalist installations. It does this by describing in detail and analysing, and thus re-evaluating the significance of, the full range of actions and processes that are performed to produce the work. It further proposes that, in the actions of crafting the individual elements and in designing, planning and installing the work in Modernist gallery spaces, conditions are set up for viewers of the finished work to experience a physical awareness that echoes th

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Boyes, Emma Louise. "The masquerade of the feminine." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16250/.

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This project investigates the apparent contradiction of a female artist who prioritises embodied presence in her art works, but produces Minimalist installations. It does this by describing in detail and analysing, and thus re-evaluating the significance of, the full range of actions and processes that are performed to produce the work. It further proposes that, in the actions of crafting the individual elements and in designing, planning and installing the work in Modernist gallery spaces, conditions are set up for viewers of the finished work to experience a physical awareness that echoes th

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26

Omar, Abdullahi. "THE REALITIES OF SUBURBAN FEMINISM : A study of feminism in the suburbs of Gothenburg among the immigrant communities." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-38812.

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This study on feminism is a study aimed at understanding a reality within feminism (suburban feminism) in the suburbs of Gothenburg and the underlying factors that contribute to the emergence of this new phenomenon, and why women in the suburbs relate to as an alternative social tool in the quest for better social standings. The research was focused on the 2 major issues and they were (1) the effect of intersectionality on feminism in the suburbs and (2), the effect of internal factors like culture and religion on feminism in the suburbs. Intersectional analysis in my study partly explained th

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27

Rups-Eyland, Annette Maie. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/771.

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The outward form of the text in which the spiritual search is housed is 'performance-ritual', that is, performed 'ritual'. This genre has its 'performance' roots in the dance pioneers and its 'ritual' roots in the Christian church. The contents of this performed text is influenced by an emerging ecofeminist consciousness. In this way, the thesis has a grassroots inspiration as well as crossing academic areas of performance studies, ritual studies, and feminist spirituality. The project begins by an examination of 20th Century feminist and ecofeminist writing on spirituality, which evokes the s

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Lejtzén, Louise. "I skuggan av mannen." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-28209.

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Denna projektredogörelse behandlar hur bildlärare på grundskolans senare år gör sitt urval när de undervisar om konstnärer, sett ur ett genusperspektiv. Genom enkät och intervju har jag undersökt hur 10 bildlärare i Skåne resonerar kring sitt urval, då jag ville undersöka vilken syn på konstnärer inom både äldre och samtida konst som förmedlas idag. I min undersökning har jag kommit fram till att det råder en stor avsaknad av kvinnliga konstnärer i bildundervisningen och att det är få lärare som problematiserar detta tillsammans med sina elever. Med utgångspunkt i konstfeministiska teorier har

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Bowman, Claire F. "In between the space of you and I." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent16194375647394.

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Lavigne, Carlen J. "Mirrorshade women: feminism and cyberpunk at the turn of the twenty-first century." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21937.

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This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women's cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women's cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist dis

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Taylor, Luca F. "Intramural: Within Four Walls." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1557366339698542.

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Castro, Laise Lutz Condé de. "O vestir é político: discussões acerca dos ideais de vestuário na imprensa alternativa feminista brasileira nos anos 1975-85." Universidade Federal de Juiz de Fora (UFJF), 2018. https://repositorio.ufjf.br/jspui/handle/ufjf/7117.

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Koplen, Mary Brett. "Leaving The Garden: Essays." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1338575660.

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Kicak, Elizabeth. "Goddesses and Doormats." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1680.

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The following is a collection of original poetry written over a span of two years while attending the University of South Florida. The poetry is divided into three numbered sections, marking the major thematic divisions. Preceding the poetry is a critical introduction to the work which outlines the author's developing thematic ideology.

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Chandler, Patricia Elaine. "Aesthetics of healing : joining feminism, autobiography and landscape /." Online version of thesis, 1993. http://hdl.handle.net/1850/11759.

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Packer, Carolyn E. "The Evolution of Craft in Contemporary Feminist Art." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/23.

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Roberts, Rosalie. "Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19668.

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This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins Freemans The Portion of Labor (1903) exemplify the radical politics and aesthetics that late nineteenth-century literary regionalism shares with the Arts and Crafts Movement. Despite considerable feminist critical accomplishments, scholarship on regionalism has yet to relate its rural folkways, feminine aesthetics, and anti-urban stance to similar ideals in the Arts and Crafts Movement. Jewett,

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Nardandrea, Coral H. "Her Name is Albatross." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1490701861485156.

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Falkner, Aryanna M. "Dislocations: Short Stories." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1586438288966435.

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Birnbaum, Pantzerhielm Clara. "SWIM." Thesis, Konstfack, Textil, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6767.

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41

Seow, Nathalie, and Emilia Hallgren. "Heja Livet – en medvetenhetshöjande grupp där det personliga är politiskt." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22387.

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Vilka erfarenheter har enskilda medlemmar av den svenska separatistiska facebookgruppen Heja Livet? Ur ett feministiskt perspektiv har vi genomfört kvalitativa personliga intervjuer vilket gav ett resultat som visar att gruppen bidrar med något betydelsefullt. Det personliga är politiskt och genom att ta del av andras berättelser kan enskilda kvinnor få ett högre feministiskt medvetande som kan bidra till feministiska handlingar. Det visar sig också att gruppen kan fungera som ett stöd i olika frågor för enskilda kvinnor i deras vardag. Vi presenterar ett teoretiskt resultat, omdefinierar inne

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42

Walker, Wendy. "Three Feminist Artists Respond to The Last Supper." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/732.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf<br>Bachelors<br>Arts and Sciences<br>Humanities

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43

Johnson, Pearlie Mae Wahlman Maude. "African American quilts an examination of feminism, identity, and empowerment in the fabric arts of Kansas City quilters /." Diss., UMK access, 2008.

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Thesis (Ph. D.)--Dept. of Art and Art History and Dept. of Sociology. University of Missouri--Kansas City, 2008.<br>"A dissertation in art history and sociology." Advisor: Maude Southwell Wahlman. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 6, 2009. Includes bibliographical references (leaves 202-247). Online version of the print edition.

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44

Prociv, Patricia Mary. "Personal identity and the image-based culture of Catholicism." Thesis, View thesis View thesis, 2000. http://handle.uws.edu.au:8081/1959.7/318.

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This research is documented in three volumes, and is the study of a series of three Doctoral exhibitions. The first of these, Australian moon over Cumbria and the procession of life, evolved from a series of watercolours based on the biblical figures of Eve and the serpent.The volume contains images and a critique from Australian moon over Cumbria. Also included are images that influenced the work, essays, and information on relevant minor exhibitions. The second, Sisters and spinsters, the Misses Swann of Elizabeth Farm, was designed and executed as site-specific.The Misses Swann were nine si

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Daley, Chrysanna R. "The Ceramic Body: Concepts of Violence, Nature, and Gender." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/784.

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This thesis is an exploration of the connection between women and nature, specifically the violence that has been inflicted upon them both and how it is interrelated. I positioned my research within the field of Ecofeminism, which critiques the language we (as a Western culture) use to associate women with nature and vice-versa. Traditionally, women are more often associated with nature than men are, and the environment is personified as “Mother Nature”. I argue that uncritically gendering nature as “female” is problematic because of the associations we typically make between the two, and the

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McLaurin, Natalie H. "You are a Weird Bird." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1932.

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How a person is treated because of their gender is potentially very frustrating. I use bird plumage patterns to illustrate humans as animals and idioms in language to illustrate these ideas. The artworks by Natalie McLaurin mentioned in the paper are You didn’t see me, Untitled. Nancy Horne, Don’t be such a Nostradamus Wild Beast, Don’t be such a Nostradamus Man Beast, Don’t be such a Nostradamus Air Beast, Don’t be such a Nostradamus Domesticated Beast, Ballet Lessons, Throwing a Fit and Falling in it, Gravel Kick, Cocksure, Peckerhead, Mockery, Naked as a Jaybird, Naked as a Jaybird too, Nak

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Bednarek, Sarah. "We Believe in Nothing." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1196.

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Lopes, Vanessa Biffon 1985. "Contradições entre gênero e classe no teatro de grupo paulistano : a representação poética da mulher no espetáculo A Brava da Brava Companhia /." São Paulo, 2018. http://hdl.handle.net/11449/180435.

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Orientador: Lúcia Regina Vieira Romano<br>Banca: Stela Regina Fischer<br>Banca: Jade Percassi de Carvalho<br>Resumo: Esta dissertação tem como objetivo investigar as contradições entre gênero e classe no teatro de grupo paulistano através dos modos de produção e da análise da representação poética da mulher no espetáculo A Brava da Brava Companhia, única peça deste coletivo a colocar em protagonismo uma figura feminina, em contraste com a construção poética das mulheres nos demais espetáculos e experimentos da Cia (O Errante; Este lado para cima; Corinthians, meu amor; Júlio e Aderaldo; Quadra

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Gunhee, Kim. "Betweenness. La política entre el arte y la vida: análisis de las obras que crean un debate sobre el feminismo." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/670810.

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Este estudio nace de la preocupación feminista por la violencia de género, la pobreza y las asimetrías de presión política sobre las sociedades. La relación entre Arte y sociedad es un hecho que impregna la realidad artística contemporánea con especial vindicación en el feminismo, que ha ido señalando otros valores éticos diferenciales, un ejemplo de ello sería: la solidaridad, como motor de cambio en su objetivo de denuncia y reparación. Esta investigación comenzó con la creencia de que el arte puede hacer algo por la sociedad y con la preocupación de que el arte no puede hacer nada. La pr

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Kapler, Desiree Dawn. "below the neck, above the knees." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4831.

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My thesis explores the act of violation in the context of trauma and healing through the use of personal narratives and experimental film. My research allows personal storytelling to transform into a larger and more universal theme of generational trauma and dysfunction. Through a feminist lens, I challenge social norms of body autonomy for the sick and abused, capitalism’s social effects on the poor, and passed down maternal lessons from the women who are doing the best that they can with the lives and opportunities that they have been given. This work is created in spite of the labels my mo

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