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Artykuły w czasopismach na temat „Feminist writers”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Nugraha, Dipa, and Suyitno Suyitno. "REPRESENTATION OF ISLAMIC FEMINISM IN ABIDAH EL KHALIEQY’S NOVELS." LITERA 18, no. 3 (2019): 465–84. http://dx.doi.org/10.21831/ltr.v18i3.27012.

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The Indonesian literary tradition during the reform period was marked by the rise of female writers who raised the issue of feminism. Within the framework of locality and contextuality, the feminism movement echoed by female writers comes in diverse expressions. This study aims to describe the reference figures and issues of Islamic feminism that are represented in novels by Abidah El Khalieqy. This research uses a feminist literary criticism approach. The data sources of the research are three novels by Abidah El Khalieqiy, namely Perempuan Berkalung Sorban, Geni Jora, and Mataraisa. The tech

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Rani, Ratna Prabha K. V. "Feminism as a Literary Movement in Indian English Literature: A Theoretical Assimilation with Reference to Dalit Feminist Writers." International Journal of Advance and Applied Research 4, no. 24 (2023): 89–96. https://doi.org/10.5281/zenodo.8242439.

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This theoretical study examines feminism as a significant literary movement in Indian English literature, with a specific focus on the contributions of Dalit feminist writers. The paper aims to provide a comprehensive understanding of how feminism has emerged and evolved within the context of Indian English literature, with particular attention to the intersectionality of caste and gender. Through a critical analysis of literary works authored by Dalit feminists, this study explores the unique challenges and perspectives they bring to the feminist discourse in India. By assimilating various th

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Wagaa Ali Al-Juboori, Intisar Mohammed. "Examination of three postcolonial African writers' perspectives on third world feminism." JOURNAL OF LANGUAGE STUDIES 7, no. 3 (2023): 380–94. http://dx.doi.org/10.25130/lang.7.3.21.

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A variation of feminism known as postcolonial feminism emerged in opposition to feminism that exclusively addressed women's experiences in Western societies. In order to demonstrate how racism and the lasting political, economic, and cultural repercussions of colonialism affect non-white and non-Western women in the postcolonial globe, postcolonial feminism examines these issues. African feminism is a subset of feminism developed by African women that is focused on the issues and concerns of women in continental Africa (African women residing on the African continent). These feminism movements

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Fadhil, Dhafar Jamal, and May Stephan Rezq-Allah. "Authorial Stance in Black and Blue Novel by Anna Quindlin." Al-Adab Journal 2, no. 141 (2022): 49–62. http://dx.doi.org/10.31973/aj.v2i141.1108.

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The present study is concerned with the writer's ideologies towards violence against women. The study will focus on analyzing an English novel about violence against women so as to see to what extent writers are being affected and influenced by their genders. It also focuses on showing to what extent writer's ideologies are reflected in their works. Gender influence social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as w

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Jamal Fadhil, Dhafar, and May Stephan Rezq Allah. "A Feminist Discourse Analysis of Writer's Gender Biases about Violence Against Women." Journal of the College of languages, no. 44 (June 1, 2021): 21–45. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0021.

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The present study is concerned with the writer's ideologies towards violence against women. The study focuses on analyzing violence against women in English novel to see the extent the writers are being affected and influenced by their genders. It also focuses on showing to what extent the writer's ideologies are reflected in their works. Gender influences social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as well as beh

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Qbilat, Nizar, and Awni El-Faouri. "The Other’s Image in Arabic Feminist Narrative." Journal of Arts and Social Sciences [JASS] 7, no. 2 (2016): 337. http://dx.doi.org/10.24200/jass.vol7iss2pp337-345.

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This study aims at shedding some light on the images of women in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally, and Arabic women writers specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with man, considering the various humanitarian models: the striver, the lover

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Qbilat, Nizar, and Awni El-Faouri. "The Other’s Image in Arabic Feminist Narrative." Journal of Arts and Social Sciences [JASS] 7, no. 2 (2016): 337–45. http://dx.doi.org/10.53542/jass.v7i2.1124.

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This study aims at shedding some light on the images of women in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally, and Arabic women writers specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with man, considering the various humanitarian models: the striver, the lover

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Lidström Brock, Malin. "Jennifer Cooke, Contemporary Feminist Life-Writing: The New Audacity." European Journal of Life Writing 11 (March 10, 2022): R5—R8. http://dx.doi.org/10.21827/ejlw.11.38362.

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The first two decades of the twenty-first century have seen a plethora of writers, who have challenged and expanded previous notions of feminist life writing. In Contemporary Feminist Life-Writing: The New Audacity, Jennifer Cooke identifies works by thirteen contemporary writers as examples of what she refers to as a new audacity in life writing. Several of these writers are young, early in their careers, and already connected with each other through reviewers or publishers. Defining audacity as a ‘public challenge to conventions, characterized by a disregard for decorum, protocol, or moral r

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Humayun, Sufia. "Projection of Occidental Gaze in Kartography: A Study of the Western Feminist Prism in the Diaspora Narrative." Journal of English Language, Literature and Education 5, no. 3 (2023): 45–62. http://dx.doi.org/10.54692/jelle.2023.0503188.

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The research paper employs Kamila Shamsie’s novel Kartography as a primary text to critique the influence of occidental gaze on the diaspora female writers of Pakistan. It explores how these writers end up projecting the Pakistani women from their personal perspective of affluent, educated status mimicking the western feminist philosophy. The study uses textual analysis and closed reading methods within the post-colonial feminism and narrative theoretical framework. The discourse of the occidental gaze, representation/misrepresentation of the Orient, objectification of women, and Western femin

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S, Banumathi. "Feminist Development in Kaniyazhi Magazine." International Research Journal of Tamil 4, S-8 (2022): 350–57. http://dx.doi.org/10.34256/irjt22s850.

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In a society where men and women live together, equality for women is often not seen. The condition of women has been like this since time immemorial. While trying to investigate this, this research has been carried out on the topic of Feminist Development through Kaniyazhi magazine from 2000 to 2005. In this study, the origin of Kaniyazhi magazine, the purpose for which the magazine was started, the literary development of Kaniyazhi magazine etc. are mentioned. About feminism rhetoric, the way feminism developed in western countries, the way women's rights were said in Kaniyazhi's works, how

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Jarrad, Samah, Raihanah M. M., and Ravichandran Vengadasamy. "Palestinian Women Writers in English: Compromising National and Feminist Agendas." World Journal of English Language 14, no. 5 (2024): 172. http://dx.doi.org/10.5430/wjel.v14n5p172.

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The article analyses the intersection of Palestinian nationalism and feminism as represented in literary and political discourse. Through an examination of well-established historical discourses surrounding the Palestinian situation, this study reframes the notion that feminist political projects and nationalism are incompatible. By utilizing the framework of postcolonial feminism, this analysis scrutinizes the depiction of Palestinian women in narratives of national struggle as agents, symbols, and authors. Employing historical analysis and literary criticism as sources of data, this article

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খাতুন, মোছাঃ রূপালী. "নারীবাদ : একটি তাত্ত্বিক বিশ্লেষণ". Arts Faculty Journal 13, № 18 (2024): 97–113. http://dx.doi.org/10.62296/kop20241318007.

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Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal and social equality of the sexes. The word `Feminism’ originated in the nineteenth century Europe. At the very beginning, the concept of feminism has developed in Pythagorean society in ancient Greece and it introduced by women. In seventeenth century, Feminist ideology enhanced through French women writers. Women awakening in the western society has influenced by Industrial revolution of eighteenth century and American Independence movement. Many scholars consider

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Ghosh, Subho. "Scripting of a ‘New Woman’: Rabindranath Tagore’s Jogajog." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no. 10 (2023): 1–11. http://dx.doi.org/10.55041/ijsrem25935.

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There has been a whole range of both male and female writers who have advocated the cause of women and portrayed the diverse shades of their personality in inventive works. Rabindranath Tagore has been the most countless-minded personality of modern India. He was the first writer to give equal or perhaps more place to women in his writings. The wave of new woman ideology was not only limited to the Western world. It affected women around the world and even men who were sensitive to women’s issues. Rabindranath Tagore was a personality who clearly dealt with issues like women’s will, their righ

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Uma, Abdullahi Dahiru, and Baba Musa Y. M. "The History of Women's Writing." Tasambo Journal of Language, Literature, and Culture 2, no. 01 (2023): 40–53. http://dx.doi.org/10.36349/tjllc.2023.v02i01.006.

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The concept feminism encompasses to an intense awareness of feminine identity and concerns, which has become a significant theme in literature since its rise and development. Despite its controversial nature, this essay offers a comprehensive understanding of feminist literature, including various types such as liberal feminism, radical feminism, Marxist feminism, socialist feminism, cultural feminism, black/African feminism, womanism, African womanism and satanism, and mothers. Women writers have contributed aesthetically and intellectually to the progress and development of society, rejectin

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Yogmaya, Kandel. "The Language of Eco-feminism and Early 20th century Feminist writers Buck and Cather." International Research Journal of Parroha Multiple Campus 1, no. 1 (2022): 22–25. http://dx.doi.org/10.61916/prmn.2023.v0101.003.

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This paper explores the language of eco-feminism and its intersection with the works of early 20th-century feminist writers Buck and Cather. Ecofeminism is a branch of feminism that examines the connections between women and nature, emphasizing the ways both nature and women are treated by patriarchal society. The paper examines the historical evolution of ecofeminist thought and its key tenets, including the revaluing of nonpatriarchal structures and a view of the world that respects organic processes and holistic connections. It also discusses the early critiques of ecofeminism and its relat

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Zainab, Rida, Maria Liaqat, Pakeeza Fatima, and Hassan Bin Zubair. "A Postcolonial Feminist Appraisal of Pakistani English Literature." Journal of Education, Teaching and Social Studies 4, no. 2 (2022): p7. http://dx.doi.org/10.22158/jetss.v4n2p7.

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This research explores women’s position in Pakistani society. Women are considered an interesting topic for researchers. The following research will show women’s empowerment in male-dominant backgrounds. This research offers a close analysis of women’s presentations by Pakistani English writers. This research is qualitative in nature. It provides a detailed account of information about postcolonial feminism and feminist writers of contemporary times. Portraiture of women is clear in the works of Pakistani English writers. The whole task will be accomplished with the impact of Colonialism. Paki

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Zainab, Rida, Maria Liaqat, Pakeeza Fatima, and Hassan Bin Zubair. "A Postcolonial Feminist Appraisal of Pakistani English Literature." Journal of Education, Teaching and Social Studies 4, no. 2 (2022): p7. http://dx.doi.org/10.22158/jetss.v4n2p7.

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This research explores women’s position in Pakistani society. Women are considered an interesting topic for researchers. The following research will show women’s empowerment in male-dominant backgrounds. This research offers a close analysis of women’s presentations by Pakistani English writers. This research is qualitative in nature. It provides a detailed account of information about postcolonial feminism and feminist writers of contemporary times. Portraiture of women is clear in the works of Pakistani English writers. The whole task will be accomplished with the impact of Colonialism. Paki

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Kandel, Y. "The Language of Eco-feminism and Early 20th century Feminist writers Buck and Cather." International Research Journal of Parroha Multiple Campus (IRJPMC) 1, no. 1 (2023): 22–25. https://doi.org/10.5281/zenodo.10258775.

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<i>This paper explores the language of eco-feminism and its intersection with the works of early 20th-century feminist writers Buck and Cather. Ecofeminism is a branch of feminism that examines the connections between women and nature, emphasizing the ways both nature and women are treated by patriarchal society. The paper examines the historical evolution of ecofeminist thought and its key tenets, including the revaluing of non-patriarchal structures and a view of the world that respects organic processes and holistic connections. It also discusses the early critiques of ecofeminism and its r

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Ess, Courtneigh. "’n Feministiese ondersoek na Bettina Wyngaard se misdaadfiksie." Tydskrif vir Letterkunde 61, no. 1 (2024): 24–34. http://dx.doi.org/10.17159/tl.v61i1.16619.

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The recent discourse on black feminism in Afrikaans literature is strongly influenced by powerful and activist-oriented writers like Ronelda Kamfer, Lynthia Julius, and Veronique Jephtas. With their poetry and public statements, they have shaped the feminist discourse significantly. However, the recent discourse on feminism in Afrikaans largely overlooks the contributions of certain black Afrikaans women writers. Bettina Wyngaard, a black Afrikaans woman novelist, attempts to disrupt this silence and through her literature and opinion pieces, she advances an alternative feminist stance. This a

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Wilson, Siona. "I Like Feminism and Feminism Likes Me." Zeitschrift für Kunstgeschichte 87, no. 4 (2024): 569–84. http://dx.doi.org/10.1515/zkg-2024-4009.

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Abstract When high-end block buster venues are the primary focus of curatorial reflections, even for feminist writers, what does the poor feminist curator have to say? What does curatorial “care work” look like from a different place? One semester the gallery budget was slashed so brutally, we had to give up the insurance. So, I co-wrote a two act play about Joseph Beuys’s first trip to the US, in 1974, when he asked to meet with “American feminists.” I Like Feminism and Feminism Likes Me (2020) was part slapstick, part exaggerated amateur dramatics, part allegorical attack on male charisma in

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Altaf, Sana, and Aqib Javid Parry. "Nalo Hopkinson’s Midnight Robber: Blending technology and fantasy in a dystopian narrative." Technoetic Arts 22, no. 1 (2024): 133–44. http://dx.doi.org/10.1386/tear_00126_1.

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In the contemporary postmodern era, the boundaries that once rigidly separated well-established genres have become more fluid, resulting in what scholars Raffaella Baccolini and Tom Moylan call ‘genre-blurring’. This phenomenon of incorporating elements from diverse genres represents a challenge to dominant ideologies and expands the possibilities within fictional texts. The dystopian fiction written by feminist writers towards the end of the twentieth century and beyond significantly exemplifies this form of hybrid textuality. In doing so, these writers seek to renovate the dystopian genre by

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Mohammed, Diyar. "Feminist Criticism in Virginia Woolf’s To the Lighthouse and Ibrahim Ahmed’s Janî Gel." Arab World English Journal For Translation and Literary Studies 5, no. 4 (2021): 140–52. http://dx.doi.org/10.24093/awejtls/vol5no4.10.

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This paper investigates the concepts of Feminism and Feminist Criticisms to identify their features in two novels; Virginia Woolf’s To the Lighthouse and Ibrahim Ahmed’s Janî Gel. The theoretical and historical backgrounds of Feminism and the other Feminist Criticisms are presented according to their importance. The paper then introduces the two novels by presenting their plot summary. This paper tries to answer how two prominent writers, one British and one Kurdish, discuss women issues. The author wants to investigate whether both writers’ cultural upbringing and social background affect the

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Nugraha, Dipa, and Suyitno Suyitno. "Pendekatan Sastra Bandingan Feminis Atas Variasi Gubah Ulang Agni Pariksha Sita dalam Tiga Sajak Indonesia." ATAVISME 23, no. 1 (2020): 62–74. http://dx.doi.org/10.24257/atavisme.v23i1.628.62-74.

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Babak Agni Pariksha (percobaan api atas Sita) di dalam kisah Ramayana telah menginspirasi banyak sastrawan Indonesia di dalam menghasilkan karya-karya sastra. Selama ini kajian mengenai karya yang terinspirasi oleh Agni Pariksha sudah banyak dilakukan, tetapi belum ada yang menggunakan pendekatan sastra bandingan feminis. Di samping itu, masih terdapat keraguan mengenai keterlibatan laki-laki di dalam feminisme dan/atau kritik terhadap sistem patriarki. Penelitian ini menggunakan pendekatan sastra bandingan feminis terhadap tiga sajak: Asmaradana karya Subagio Sastrowardoyo, Sita Sihir karya S

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Dr Vijay Nagnath Mhamane. "A Critique of Twentieth Century Feminist Criticism." Creative Launcher 6, no. 4 (2021): 112–17. http://dx.doi.org/10.53032/tcl.2021.6.4.18.

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Feminist criticism arose in response to developments in the field of the feminist movement. Many thinkers such as John Stuart Mill, Mary Wollstonecraft raised their voice against the injustice done to women in every sphere of life. As this gained momentum throughout the world, feminist also awakened to the depiction and representation of women in literature which is one of the influential medium of socialization and culture. They argued that woman and womanhood are not biological facts but are given social constructs. One is not born a woman, but becomes one through culture and socialization.

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Dr., S. Chelliah. "PROJECTION OF FEMINIST ELEMENTS IN THE FICTIONAL WORLD OF JANE AUSTEN AND GEORGE ELIOT: A NOTE." International Journal of Multidisciplinary Research and Modern Education 2, no. 2 (2016): 475–79. https://doi.org/10.5281/zenodo.204779.

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<em>This article is nothing but a critical evaluation for renowned writers like Jane Austen and George Eliot and the Feminist elements highlighted in their works with their feminine and defiant tone of expression, they left their indelible imprint on the annals of English fiction. In the light of feminist critical theory, it can be the proved that both the writers explored the unexplored sense of agony and complex solitude of women character. This article also throws light on the characters of both the writers, who have developed their self – identity with an optimistic prospect.</em>

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Siber, Mouloud. "Ellen M. Rogers as a Feminist and Orientalist Travel Writer: A Study of her A Winter in Algeria: 1863-4 (1865)." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 213. http://dx.doi.org/10.14198/raei.2016.29.12.

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This article studies the Orientalist and Feminist discourses that underlay Ellen M. Rogers’s A Winter in Algeria: 1863-4 (1865). Her conception of Algeria reproduces the Victorian imperialist attitude toward the Algerian as inferior to the European in order to celebrate British imperial power. Underneath this colonial discourse, the writer proclaims her feminist point of view about empire and juxtaposes feminist attitudes in Victorian Britain with the degraded condition of the Oriental woman. To contribute to Victorian feminist struggle for gender equality, she identifies with the suffering of

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Chowdhury1, Rowshan Jahan. "Restriction, Resistance, and Humility:." Crossings: A Journal of English Studies 10 (August 1, 2019): 47–56. http://dx.doi.org/10.59817/cjes.v10i.79.

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Anglo-American and French feminists focus on women’s equality, women’s experience as writers, and feminine writing. Proponents of black feminism, by contrast, position black women in fundamentally different ways from white women and offer the concept of intersectionality which calls for including women of all races in feminist concerns. Adopting this feminist approach, my paper uses a retrospective analytical methodology and aims at establishing a connection between two women poets of early America: Anne Bradstreet and Phillis Wheatley. Anne Bradstreet writes about her experience of being a wi

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HAMZA REGUIG MOURO, Wassila. "From Feminization of Fiction to Feminine Metafiction in Gaskell’s Wives and Daughters and Woolf’s Orlando." Arab World English Journal For Translation and Literary Studies 4, no. 4 (2020): 187–201. http://dx.doi.org/10.24093/awejtls/vol4no4.13.

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Feminism developed and widened its scope to different disciplines such as literature, history, and sociology. It is associated with various other schools and theories like Marxism and poststructuralism, as well. In the field of literature, feminist literary criticism managed to throw away the dust that cumulated on women’s writing and succeeded in raising interest in those forgotten female artists. Some critics in the field of feminism claim that there are no separate spheres, masculine and feminine, whereas others have opted for post-feminist thinking. Some women writers used metafiction to w

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Muhammad Saleem Akhtar, Mazhar Riaz та Dr. Rafia Malik. "جیلانی بانو کے افسانوں میں نسوانی کرداروں کا تنقیدی جائزہ". GUMAN 7, № 1 (2024): 315–20. https://doi.org/10.63075/guman.v7i1.737.

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Jilani Bano was a famous writer Urdu language. She was born in14 July 1936.She start writing in 1956 her first story Aik nazar ider bhi. She was great feminist. She writes about women rights. She writes about Deccan civilization and culture. Jilani Bano is one of the best short story writers who expressed the feminist approach in her short stories. She pointed out the social exploitation which every women face every day from dawn to dusk. The literature is filled with examples, where women have complained of their subdued status, yet it is important to understand that in order to develop a hea

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Shaohua, Shi, Revathi Gopal, Muhamad Lothfi Zamri, and Nunik Sugesti M. Hum. "A comparative study between Harriet Beecher Stowe’s Uncle Tom’s Cabin and Zhang Ailing’s love in a fallen city." AJELP: The Asian Journal of English Language and Pedagogy 11, no. 1 (2023): 97–107. http://dx.doi.org/10.37134/ajelp.vol11.1.7.2023.

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Harriet Beecher Stowe and Zhang Ailing are two renowned female writers who enjoy highly comments in the history of female feminism literature. They are writing from their own experiences and female perspectives to awaken the females and common people to pursue personal happiness and freedom. Besides, they advocated to transfer feminist ideas into daily behaviors. Harriet Beecher Stowe’s advocation of abolishing slavery promoted the large-scale social thinking, echoing the abolition movements in Britain and France. Her feminist ideas not only broke the shackles from being male’s attachments of

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Olatunbosun, Taofeek, and Olamide Oduwole. "Personological Creation of Language: The Feminist Perspective." Àgídìgbo: ABUAD Journal of the Humanities 12, no. 1 (2024): 261–68. http://dx.doi.org/10.53982/agidigbo.2024.1201.19-j.

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This research stems from Helene Cixous's call for women to invent their language – the language of feminism – by interpreting their identities as a science of feminine creation. This science is a protest of women's subjugation and exploitation using symbolic language to question male supremacy. Thus, this research investigates sexual differentiation as related to language differentiation between men and women. This investigation aims to develop standards and deploy a feminist-specific language known as l’ecriture feminine. Significantly, the argument seeks to challenge masculine realities, jud

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Fong, Grace S. "Feminist Theories and Women Writers of Late Imperial China: Impact and Critique." Journal of Chinese Literature and Culture 9, no. 1 (2022): 105–30. http://dx.doi.org/10.1215/23290048-9681176.

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Abstract Feminism, feminist theory, feminist literary theory were already highly contentious in what they represented to Euro-American critics and theorists in the 1980s, when scholars in Chinese literary studies began sustained research on women writers in late imperial China (ca. 1600–1911). Their research drew on developments in Western feminist theories while problematizing certain applications. In this article, I review major debates in 1980s and 1990s Western feminist literary theory, divided by the different approaches of Anglo-American and French feminist critics and gender studies, ex

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Dr. Safia Niazi, Shazia Naz, and Dr. Naeem Akhtar. "<b>Analysis of Pedagogical Approaches to Pakistani Women Writers and Feminist Themes in English Literature: An Educational Exploration</b>." Journal of Management & Social Science 2, no. 2 (2025): 627–43. https://doi.org/10.63075/bzc85t49.

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This research investigates feminist themes in English-language literature created by Pakistani women authors, analyzing their roles in South Asian feminist discussions within postcolonial and socio-cultural frameworks. Using a secondary qualitative analysis, it explores common themes including female identity, resistance against patriarchy, intersectionality, and diasporic experiences in the writings of authors such as Bapsi Sidhwa, Kamila Shamsie, Qaisra Shahraz, Uzma Aslam Khan, and Moni Mohsin. Employing Elaine Showalter’s three-phase model (feminine, feminist, female) along with feminist t

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Marais, R. "Vrouwees: perspektiewe in die meer onlangse Afrikaanse poësie en prosa." Literator 9, no. 3 (1988): 29–43. http://dx.doi.org/10.4102/lit.v9i3.853.

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This article investigates the views on woman and womanhood that are expressed in the poetry and prose of several contemporary women writers in Afrikaans. The study is conducted against the background of certain tendencies in feminist movements in Europe, Britain and the United States of America as well as views pronounced in the writings (both literary and feminist) of a number of feminist writers in Europe, Britain and the USA. For the purposes of this investigation a short exposition is given of what feminism entails, as well as of a number of the different views and approaches which it acco

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Comfort, Juanita Rodgers. "Becoming a Writerly Self: College Writers Engaging Black Feminist Essays." College Composition & Communication 51, no. 4 (2000): 540–59. http://dx.doi.org/10.58680/ccc20001397.

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This article asserts that personal essays by black feminist writers such as June Jordan might be used to teach first-year and advanced student writers how to connect their personal and social identities in ways that will enhance the rhetorical impact of their writing while transcending mere “confession” or self-indulgence.

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Jingyi, Xu, and Zhong Jingdong. "A Study of Authorial Voice in To the Lighthouse from the Perspective of Feminist Narratology." International Journal of Social Science and Human Research 05, no. 06 (2022): 2066–72. https://doi.org/10.5281/zenodo.6616060.

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The history of Western literature since the 18th century has witnessed some excellent works by women writers, however, due to stereotypes and the authority of male discourse, these writers still endured great pressure from society in the creative process. To break the authority and gain recognition, female writers gradually formed a narrative voice belonging to themselves. In her novel To the Lighthouse, Virginia Woolf uses a great deal of interior monologue and free indirect discourse to cleverly construct her narrative authority. This adequately denotes the essence of feminist narratology, w

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Ramasamy, Ragupathi, Geetha B, T. Charumathy, C. Tharini, V. Kaladevi, and Sathish Kumar C. "Marital Discord and Pursuit of Gender Equality in Manju Kapur’s Custody Novel." Journal of Ecohumanism 3, no. 4 (2024): 450–54. http://dx.doi.org/10.62754/joe.v3i4.3483.

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The landscape of Indian literature has never been found to be equal in contribution from both the genders. It has always been dominated by male writers. It is very fair to say that the aspirations and expectations of Indian women have been largely confined to the ambit of moral and social commitments prevailing in our country. By and large, the Indian women writers in English have come from higher social strata and they do not have felt experience regarding reality of life in India. Despite it, they have started questioning the wisdom of prominent old patriarchal domination and they are no lon

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Salih, Aveen, and Hussein Abdulrahman. "AN ANALYSIS OF MIRIN D ZANGA 12DA NOVEL ACCORDING TO SARA MILLS' FEMINIST STYLISTIC MODEL." Humanities Journal of University of Zakho 13, no. 1 (2025): 194–210. https://doi.org/10.26436/hjuoz.2025.13.1.1551.

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Feminist stylistics’ is a modern and critical approach that integrates linguistics and feminist criticism to examine how societal structures influence the language and style of literary texts. It also explores stylistic differences between male and female writers. This study applies Sara Mills' feminist stylistic framework to analyze the novel Mirin di Zenga 12 da (Death at the 12th Bell), marking the first application of this model to the text within Kurdish literary research. While feminist criticism has been explored in Kurdish studies, this specific interpretative approach remains underexa

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Harper, Mary Catherine. "Incurably Alien Other: A Case for Feminist Cyborg Writers." Science Fiction Studies 22, Part 3 (1995): 399–420. https://doi.org/10.1525/sfs.22.3.0399.

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The fictions of feminist-oriented cyborg writers such as Pat Cadigan, Misha, Laura J. Mixon, Lisa Mason, and Sue Thomas indicate a critique and refiguration of the gendered humanist subject. However, the emerging subjectivity depicted in feminist cyborg literature is not necessarily as anti-humanist as cyberpunk literature. Instead, such novels as Synners, Red Spider White Web, Glass Houses, Arachne, and Correspondence entertain various ways of incorporating the marginalized, feminized body into what is traditionally constructed as the masculine transcendent mind. The cyborgs of these novels,

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Drezgic, Rada, and Dubravka Zarkov. "Feminist troubles with the Balkans." Sociologija 47, no. 4 (2005): 289–306. http://dx.doi.org/10.2298/soc0504289d.

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The paper analyses writings of Slavenka Drakulic and certain number of other feminist writers from ex-Yugoslavia aiming to answer to the following questions: first, how much and in what way the discourses on ex-Yugoslavia Balkans, (post)socialism, nationalism and war have been produced by local feminists and/or imported from the West; second, have these discourses been overlapping with local feminist discourses about masculinity and femininity and how.

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Alphy, Lal V. "Female Subjectivity and Discursive Body: A Feminist Reading of Selected Short Stories of Pakistani Women Writers." Shanlax International Journal of Arts, Science and Humanities 11, S2 (2024): 10–17. https://doi.org/10.5281/zenodo.12606151.

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Female subjectivity arises from the Cartesian mind and body dichotomy, categorising women as emotional subjects. When women began writing to assert their identity, they recognised the inadequacy of patriarchal language in expressing their trauma and inner feelings. Feminists also advocated discussing the specific female experiences related to their maternal bodies using fragmented, non-linear and disrupted language. This paper explores how women reclaim their subjectivity by addressing their tormented and exploited bodies. This investigation is rooted in Islamic feminism and examines selected

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Oliveira, Maria Aparecida de. "VIRGINIA WOOLF E A CRÍTICA FEMINISTA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 18–27. http://dx.doi.org/10.34019/1982-0836.2019.v23.29177.

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O presente artigo estabelece as relações entre a A room of one’s own e a crítica feminista, observando como essa tem revisto e ressignificado o ensaio de Virginia Woolf. Serão problematizadas questões como a exclusão feminina dos espaços públicos, das esferas políticas e, consequentemente, da literatura e da história. Depois disso, abordaremos a personagem Judith Shakespeare. Por último, duas questões problematizadas serão tratadas nesta análise, a primeira refere-se à tradição literária feminina e a segunda refere-se à própria frase feminina. Palavras-chave: Crítica feminista, Judith Sh

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Chu, Tianzhuo. "A Reading of “Female and Feminine” Images in North and South From a Feminist Perspective." Theory and Practice in Language Studies 12, no. 9 (2022): 1858–62. http://dx.doi.org/10.17507/tpls.1209.19.

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Elizabeth Gaskell is one of the most famous female writers of the Victorian age. North and South is one of Mrs. Gaskell’s three social novels. Influenced by feminism, Mrs. Gaskell mainly emphasizes the idea of equality between men and women, that women should be in control of their own lives, have their own ideas, be independent and be strong. This essay mainly represents different female as well as “feminine” male characters in this novel which serve to highlight the ideal perfect female image from a feminist perspective, focusing on the feminist ideas and reflections projected behind these c

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Emanuelle, Glory, and Adiba Qonita Zahroh. "FEMINIST REIMAGINING IN FAIR ROSALINE: NATASHA SOLOMONS’ REVISION OF ROMEO AND JULIET THROUGH HAROLD BLOOM’S REVISIONARY RATIOS." Elite : English and Literature Journal 11, no. 2 (2024): 110–26. https://doi.org/10.24252/elite.v11i2.51285.

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The growing inclusivity in today’s literary world offers female writers the chance to explore a wide range of themes even those that were previously considered exclusive for male writers. It led to the re-examination and reinterpretation of classic literature through a feminist lens. This study seeks to provide a comprehensive analysis of Natasha Solomons’ Fair Rosaline through the lens of Harold Bloom’s “Revisionary Ratios.” This paper employs mainly qualitative research design by combining textual analysis and comparative literary criticism to explore Natasha Solomons’ Fair Rosaline as a fem

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Amato, Felice. "Women and traditional stories in second wave feminism." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 5, no. 2 (2024): 287–312. https://doi.org/10.54103/2724-3346/27698.

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This article examines the reappropriation of traditional stories – myths, fairy tales, and epics – by second wave feminist artists, with a focus on Joan Jonas’s interdisciplinary work. Traditional stories have often been critiqued within feminism because of the way that they portray females and their fate in the plotlines. While there is immense variety within these genres, the stories are often perceived to be male-centric, where women are absent or only exist in service of the male protagonists’ stories. It is surprising then to find them as subject matter in the work of second wave feminist

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Dr. Iram Saba and Dr. Fahmida Tabassum. "The Feminist Urdu Poem And Feminism After The Creation Of Pakistan." Dareecha-e-Tahqeeq 3, no. 3 (2023): 283–95. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.73.

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Urdu women poets are categorized as per the different strands of feminism and forms of women’ consciousness, the notion of sisterhood and the feminist methodology of consciousness raising in the poetry of women.Urdu poets have been explored. In Urdu Poetry here is countless prominent name (i.e Ada Jafri, Zahra Nigah, Sara Saghufta, Parveen Shakir, Fehmeda Riaz and Kishwar Naheed) among the female writers who are flag bearer of feminism and their poems offer a new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture.

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Trevisan, Gabriela Simonetti. "A mulher e a arte: a criação feminina nas palavras de Júlia Lopes de Almeida." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 2 (2020): 189–215. http://dx.doi.org/10.22456/2596-0911.103861.

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Este artigo tem como foco uma análise do texto “A mulher e a arte” (sem data), da escritora carioca Júlia Lopes de Almeida (1862-1934). Este escrito, recém-publicado na íntegra pela primeira vez, em revista acadêmica, constitui uma conferência da autora na qual ela expõe suas opiniões sobre o tema da arte de autoria feminina, tecendo uma série de críticas de cunho feminista à desigualdade entre os gêneros no espaço da criação artística. Em seu texto, a literata cita diversos nomes de artistas e intelectuais mulheres, de modo a sustentar seu argumento em defesa da potência criativa feminina e a

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Dougé-Prosper, Mamyrah A. "Régine Jean-Charles’s Black Feminist Ethical Reading of Twenty-First-Century Haitian Women’s Fiction." Small Axe: A Caribbean Journal of Criticism 28, no. 3 (2024): 195–205. https://doi.org/10.1215/07990537-11592752.

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Looking for Other Worlds: Black Feminism and Haitian Fiction (2022) by Régine Jean-Charles engages scholarship across multiple disciplines and fields—Haitian studies, Caribbean studies, Black feminist studies, media studies, ecofeminism, anthropology, geography, and history—and employs diverse methods that include archival research, social media and artwork analysis, and literary critique. This review essay posits that Jean-Charles uses Black feminism rather than Haitian feminism, arguing for a Black feminist project that is transnational and global and that allows for both/and. Jean-Charles’s

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Comfort, Juanita Rodgers. "Becoming a Writerly Self: College Writers Engaging Black Feminist Essays." College Composition and Communication 51, no. 4 (2000): 540. http://dx.doi.org/10.2307/358911.

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Booth, Marilyn. "Zaynab Fawwāz’s Feminist Locutions." Journal of Arabic Literature 52, no. 1-2 (2021): 37–67. http://dx.doi.org/10.1163/1570064x-12341419.

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Abstract Lebanese-Egyptian Zaynab Fawwāz (ca. 1850-1914) was an unusual presence in 1890s Egypt: an immigrant from Shīʿī south Lebanon, without major family support, she created an intellectual place for herself in the Cairo press, generating a forthright voice on women’s needs as distinct from “the nation’s.” Like most Arabophone writers on “the Woman Question,” Fawwāz addressed girls’ education, but she focused less on domestic training than on work and income, gender-defined dependency, and exploitation. She highlighted gender-prejudiced uses of religious knowledge to further masculine priv

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