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Autor: Grafiati

Data publikacji: 28 marca 2023

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1

1959-, Jarvis Robert M., i Joseph Paul R, red. Prime time law: Fictional television as legal narrative. Durham, N.C: Carolina Academic Press, 1998.

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2

Arnold, Catharine. Lost time. New York, N.Y., U.S.A: Viking, 1987.

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3

Kataev, Valentin Petrovich. Time, forward! Evanston, Ill: Northwestern University Press, 1995.

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4

Yu, Charles. How to live safely in a science fictional universe: A novel. New York: Pantheon Books, 2010.

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5

Martín-Santos, Luis. Time of silence. New York: Columbia University Press, 1989.

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6

Francis, Pauline. The time machine. New York: Skyview Books, 2009.

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7

Alkon, Paul K. Defoe and Fictional Time. University of Georgia Press, 2010.

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8

Predelli, Stefano. Fictional Discourse. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854128.001.0001.

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This book defends a Radical Fictionalist Semantics for fictional discourse. Focusing on proper names as prototypical devices of reference, it argues that fictional names are only fictionally proper names, and that, as a result, fictional sentences do not encode propositions. According to Radical Fictionalism, the contentful outcomes achieved by fiction are derived from the outcomes of so-called impartation, that is, from the effects achieved by the use of language. As a result, Radical Fictionalism pays special attention to fictional telling and to related themes in narrative fiction. In particular, the book proposes a Radical Fictionalist approach to the distinction between homodiegetic and heterodiegetic fiction, and to the divide between storyworlds and narrative peripheries. These ideas are then applied to the discussion of classic themes in the philosophy of fiction, including narrative time, literary translation, storyworld importation, fictional languages, inconsistent fictions, nested narratives, and narrative closure. Particular attention is also given to the commitments of Radical Fictionalism when it comes to discourse about fiction, as in prefixed sentences of the form ‘according to fiction F, … ’. In its final two chapters, the book extends Radical Fictionalism to critical discourse. In Chapter 7 it introduces the ideas of critical and biased retelling, and in Chapter 8 it pauses on the relationships between Radical Fictionalism and talk about literary characters.

9

Spacey, John. Negative Space Time: Fictional Scientific Essay. Independently Published, 2019.

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10

Grossman, Robert M. Another Time/ Another Land: A Fictional Memoir. Xlibris Corporation, 2011.

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11

Payne, Mark. Flowers of Time. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691205946.001.0001.

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The literary lineage of postapocalyptic fiction — stories set after civilization's destruction — is a long one, spanning the biblical tale of Noah and Hesiod's Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, this book reveals how postapocalyptic fiction differs from other genres — pastoral poetry, science fiction, and the maroon narrative — that also explore human capabilities beyond the constraints of civilization. The book places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form. It shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. It considers the genre's appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again. The book looks at how fictional narratives set after the world's devastation represent new conditions and possibilities for life and humanity.

12

(Editor), Robert M. Jarvis, i Paul R. Joseph (Editor), red. Prime Time Law: Fictional Television as Legal Narrative. Carolina Academic Press, 1998.

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13

(Editor), Robert M. Jarvis, i Paul R. Joseph (Editor), red. Prime Time Law: Fictional Television as Legal Narrative. Carolina Academic Press, 1998.

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14

Yu, Charles. How to Live Safely in a Science Fictional Universe. Atlantic Books, Limited, 2011.

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15

Yu, Charles. How to Live Safely in a Science Fictional Universe. Atlantic Books, Limited, 2011.

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16

Yu, Charles. How to Live Safely in a Science Fictional Universe. Corvus, 2010.

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17

Hollock, Mark. The Beyond Now Device: A Fictional Exploration Of Time. Mark Hollock, 2018.

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18

McDonagh, Josephine. Literature in a Time of Migration. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.001.0001.

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Literature in a Time of Migration rethinks British fiction in the light of new practices of human mobility that reshaped the nineteenth-century world. Building on the growing critical engagement with globalization in literary studies, it confronts the paradox that at a time at which transnational human movement occurred globally, on a scale before unknown, British fiction appears to turn inward to tell stories of local places, in which stability and rootedness are rewarded. On the contrary, Literature in a Time of Migration reveals how literary works, from the end of the Napoleonic Wars to the advent of the New Imperialism, were active components of a culture of colonization and emigration. Fictional texts, as print commodities, were enmeshed in technologies of transport and communication, and innovations in literary form were spurred by the conditions and consequences of human movement. Works by canonical writers (Scott, Charlotte Brontë, Dickens, and George Eliot), and other popular contemporaries (Mary Russell Mitford, John Galt, and Thomas Martin Wheeler), examine issues that overlap with an agenda set in public discussions of colonial emigration, which they also helped to shape. Debates concerning, for example, assisted emigration, ‘forced’ and ‘free’ migration, colonization, settlement, and the removal of native peoples, figure in complex ways in fictions. Read alongside writings by emigration theorists, practitioners, and enthusiasts, fictional texts reveal a sustained engagement with British migratory practices and their worldwide consequences. Literature in a Time of Migration is a timely reminder of the place and importance of migration within British cultural heritage.

19

Wodehouse, P. G. Cocktail Time. Penguin Random House, 2009.

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20

Wodehouse, P. G. Cocktail Time. Penguin Random House, 2008.

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21

Wells, H. G., i Lou Cameron. Time Machine. Classic Comic Store, Limited, 2009.

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22

Time Machine. Orion Publishing Group, Limited, 2002.

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23

Wodehouse, Pelham Grenville. Cocktail Time. Penguin Books, Limited, 1987.

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24

Wodehouse, Pelham Grenville. Cocktail Time. Penguin Random House, 1998.

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25

Wodehouse, Pelham Grenville. Cocktail Time. Penguin Random House, 2008.

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26

Fictional Space: Essays on Contemporary Science Fiction (Philosophy and Literary Theory). Humanities Press Intl Inc, 1991.

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27

Yu, Charles. How to Live Safely in a Science Fictional Universe: A Novel. Recorded Books, Inc. and Blackstone Publishing, 2011.

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28

Wells, H. G. Time Machine. Scholastic, 2017.

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29

Wells, H. G. Time Machine. Dalmatian Press, 2006.

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30

Wells, H. G. Time MacHine. Legend Press, 2011.

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31

Wells, H. G. Time Machine. HarperCollins Publishers Australia, 2017.

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32

Wells, H. G., Tod Smith i Terry Davis. Time Machine. Capstone, 2014.

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33

Wells, H. G., i Ken Methold. Time Machine. Compass Media Incorporated, 2008.

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34

Wells, H. G., i Roger Luckhurst. Time Machine. Oxford University Press, 2017.

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35

Wells, H. G. Time Machine. Simon & Schuster, Limited, 2011.

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36

Smith, Tod, i Terry Davis. Time Machine. Capstone, 2014.

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37

Wells, H. G. Time Machine. Open Road Integrated Media, Inc., 2014.

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38

Wells, H. G., Marina Warner, Steven McLean i Patrick Parrinder. Time Machine. Penguin Books, Limited, 2006.

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39

Wells, H. G. Time Machine. Hinkler Books Pty, Limited, 2003.

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40

Wells, H. G. Time Machine. Akasha Publishing, LLC, 2008.

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41

Wells, H. G., i Pearson Education Staff. Time Machine. Pearson Education, Limited, 2008.

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42

Wells, H. G. Time Machine. Horizon Publishing Group (HPG), 2008.

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43

Wells, H. G. Time Machine. Alma Classics, 2017.

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44

Wells, H. G., Virginia Evans i Jenny Dooley. Time Machine. Express Publishing, 2007.

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45

Wells, H. G., Lewis Helfand i Rajesh Nagulakonda. Time Machine. Steerforth Press, 2013.

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46

Time Machine. Akasha Publishing, LLC, 2008.

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47

Wells, H. G. Time Machine. Flame Tree Publishing, 2015.

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48

Wells, H. G. Time Machine. Legend Press, 2018.

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49

Wells, H. G. Time Machine. Oxford University Press, 2017.

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50

Wells, H. G. Time Machine. Penguin Books, Limited, 2012.

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