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1

Shadow of a mouse: Performance, belief and world-making in animation. Berkeley: University of California Press, 2012.

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VanCour, Shawn. Making Radio. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497118.001.0001.

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The opening decades of the twentieth century witnessed a profound transformation in the history of modern sound media, with workers in US film, radio, and record industries developing pioneering production methods and performance styles tailored to emerging technologies of electric sound reproduction that directly shaped dominant forms and experiences of modern sound culture. Focusing on broadcasting’s initial expansion period during the 1920s, Making Radio explores the forms of creative labor pursued for the medium before the better-known network era of the 1930s and 1940s, assessing their ro
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Greenland, Thomas H. Developing “Big Ears”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040115.003.0004.

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This chapter examines how jazz fans, especially the most active concertgoers (the regulars), respond to a musical performance. It first considers how fans become part of jazz communities and how they contribute to the New York City jazz scene. It then shows how nonperforming musicians fill the performance space, suggesting that these offstage participants, who are also “performing” jazz, constitute the unseen scene, the silent and not-so-silent majority that forms an integral part of communal music-making. It also explains what happens when fans are in the house: how their musical tastes devel
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Palmer, Landon. Rock Star/Movie Star. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888404.001.0001.

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When midcentury Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock ’n’ roll stars. Such stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. This book examines how casting rock stars for film provided a tool for bridging new relationships across media industries and pract
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Seam tracking performance of a coaxial weld vision system with pulsed welding current and when making fill passes. [Washington, D.C: National Aeronautics and Space Administration, 1986.

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Manning, Susan, and Lucia Ruprecht. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0001.

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This introductory chapter first sets out the book's purpose, which is to offer fresh histories and theoretical inquiries that will resonate not only for scholars working in the field of dance, but also for scholars working on literature, film, visual culture, theater, and performance. It then sketches the intellectual and artistic trends over the last thirty years that have shaped the scholarship featured in New German Dance Studies. It follows the broadly chronological organization of the volume as a whole: opening essays on theater dance before 1900; then research clusters on Weimar dance, d
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Vander Wel, Stephanie. Hillbilly Maidens, Okies, and Cowgirls. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043086.001.0001.

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Well before the success of Loretta Lynn and Dolly Parton, female artists were integral to the commercial expansion and aural reception of country music. Women in early country music took on and redefined the theatrical and musical roles of the hillbilly maiden, the unruly Okie, the singing cowgirl, and the honky-tonk angel in live performance, on radio, in film, and in the recording studio. This book accounts for the vibrant presence of female country artists through an interdisciplinary focus on performance and vocal expression in relation to the cultural currents of the 1930s and 1950s. Acro
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Estanove, Laurence, Adrian Grafe, Andrew McKeown, and Claire Hélie, eds. 21st-Century Dylan. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501363726.

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Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book hi
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Singleton, Jermaine. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039621.003.0001.

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This introductory chapter provides an overview of the book's main themes. This book explores the disavowed claims of the past on the present through a group of cultural productions—literature, drama, and film—focused on racialized subject-formations and cultural formations. Investigating the intersection of categories of social difference, nation making, and buried social memory, it uncovers a host of hidden dialogues for the purpose of dismantling the legacy effects of historical racial subjugation and inequality. The book brings psychoanalytic paradigms of mourning and melancholia and discus
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Raykoff, Ivan. Liberace’s Musical/Material Appeal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199935321.013.175.

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Inspired by the celebrated pianist-bandleaders Eddy Duchin and Carmen Cavallaro and the cinematic technique of José Iturbi in Hollywood films, pianist-entertainer Liberace (1919–1987) developed a distinctive and highly successful aesthetic and performance style that prioritized visual spectacle and emphasized the tactile elements of his playing. As evident in his first Soundies from 1943, then his nationally syndicated television show in the 1950s, Liberace highlighted the physicality and materiality of his music-making, an approach that later evolved into the signature props and flashy costum
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Silva, Elvira, Spiro E. Stefanou, and Alfons Oude Lansink. Dynamic Efficiency and Productivity Measurement. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190919474.001.0001.

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The book takes on a systematic treatment of dynamic decision making and performance measurement. The analytical foundations of the dynamic production technology are introduced and developed in detail for several primal representations of the technology with an emphasis on dynamic directional distance functions. Dynamic cost minimization and dynamic profit maximization are developed for primal and dual representations of the dynamic technology. A dynamic production environment can be characterized as one where current production decisions impact future production possibilities. Consequently, th
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Hodge, R. Anthony. Towards Contribution Analysis. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817369.003.0018.

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Since the early 1990s, at least forty-five initiatives have been mounted to improve the environmental and social performance of the mining industry. Many changes in the formal legal and regulatory systems have also been introduced. However, no systematic approach has been adopted to test whether this effort is making a difference. Without such monitoring of success, the tension between companies, communities, and governments regarding the role of mining in society will continue. This chapter makes the case for using ‘contribution analysis’ to fill this gap, a systematic means to assess and tra
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Ashton, David, Caroline Lloyd, and Chris Warhurst. Business Strategies and Skills. Edited by John Buchanan, David Finegold, Ken Mayhew, and Chris Warhurst. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199655366.013.15.

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This chapter examines the link between business strategies and skill in the context of the the latter being regarded as key to economic growth and competitive advantage. A high-skilled workforce is viewed both as a driver of this approach and one of its outcomes. A number of countries have attempted to create more high-skilled jobs through raising the qualification levels of their workforces. The idea behind this supply-side intervention is that a high-skilled workforce will attract businesses that wish to or already do compete on quality and/or innovation or will encourage existing organisati
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Woo, Susie. Framed by War. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479889914.001.0001.

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Korean women and children have become the forgotten population of a forgotten war. Framed by War traces how the Korean orphan, GI baby, adoptee, birth mother, prostitute, and bride—figures produced by the US military—were made to disappear. Strained embodiments of war, they brought Americans into Korea and Koreans into America, intimate crossings that defined, and at times defied, US empire in the Pacific. The book looks to US and South Korean government documents and military correspondence; US aid organization records; Korean orphanage registers; US and South Korean newspapers and magazines;
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Santiago Iglesias, José Andrés, and Ana Soler Baena, eds. Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbp.

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Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion aims at advancing the study of anime, understood as largely TV-based genre fiction rendered in cel, or cel-look, animation with a strong affinity to participatory cultures and media convergence. Taking Neon Genesis Evangelion (Shin Seiki Evangerion) as a case study, this volume acknowledges anime as a media form with clearly recognizable aesthetic properties, (sub)cultural affordances and situated discourses. First broadcast in Japan in 1995-96, Neon Genesis Evangelion became an epoch-making anime, and later franchise. The ini
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