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Artykuły w czasopismach na temat "Flowers, symbolic aspects"

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Ли, И. "Межкультурная перспектива в натюрмортах с садовыми цветами: культурный перевод от западной традиции к восточной эстетике". Academic Research Journal 3, № 2 (2025): 139–45. https://doi.org/10.25726/b8383-1478-1749-t.

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В данной статье рассматриваются натюрморты с садовыми цветами как объект исследования, прослеживается формирование символической системы цветочных мотивов в западной традиции натюрморта и анализируется, как китайские художники реконструируют восточную эстетическую парадигму с помощью масляной живописи, исследуя сложный процесс «культурного перевода» в современной художественной практике. Исследование фокусируется на двух основных аспектах: во-первых, философское осмысление отношения «цветы-предметность» в западной традиции натюрморта; во-вторых, инновации в визуальной грамматике «садовых цвето
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Almutairi, Areej Saad. "Exploring the Symbolism of Nature in the Works of Thomas Hardy: An Eco-critical perspective." مجلة العلوم الإنسانية و الإجتماعية 9, no. 4 (2025): 103–9. https://doi.org/10.26389/ajsrp.r150125.

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This paper seeks to portray the employment of symbolism as connected with certain manifestations of nature in Thomas Hardy’s novels from an ecocritical perspective. It examines Hardy's symbolic use of natural aspects, including flowers, trees, animals and other elements of the pure Wessex landscape of Hardy’s novels. The significance of this research stems from the fact that Hardy's style and use of nature symbols has been linked to eco-critical studies, which helps the literary genre of eco-criticism find its proper place in contemporary literary criticism. Through exploring Hardy’s naturalis
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Yang, Yuyan. "Seeing the Peony in Early Qing-Dynasty Art: An Embodiment of Individual Identity." SHS Web of Conferences 180 (2023): 01002. http://dx.doi.org/10.1051/shsconf/202318001002.

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Within the context of the Manchurians’ conquest of the Ming dynasty and their subsequent establishment of a new imperial rule, the intricate symbolic systems embodied in floral imagery, particularly the peony flowers, instilled a profound sense of insecurity in the nascent Qing court. Despite the government’s strict scrutiny of the visual and literary works of literati, as well as the imperial authority’s monopolization of peony portrayals, Yun Shouping and Gao Fenghan’s paintings of peonies exude an air of innocence and purity. However, beneath their seemingly tranquil facade lay internal str
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Putri Hana, Ahmad Tufani, Dede Muhammad Hidayat, and Muhammad Syaifullah. "Nyekar Di Tinjau Dari Pendekatan Filologis Study Islam." BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan 2, no. 2 (2024): 196–202. http://dx.doi.org/10.59841/blaze.v2i2.1222.

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. In Indonesia, there are various cultures and traditions, making Indonesia a beautiful country with traditions and culture. Nyekar is a tradition in Indonesia and is often practiced by Indonesian people, especially Javanese people. Nyekar is an activity of sowing flowers accompanied by prayer, tahlil, and some verses from the Koran. This nyekar tradition is generally carried out by people before Ramadhan. In this research the aim is to find out the meaning and tradition of nyekar through a philological approach in Islamic studies. In this research the researcher used library research with a d
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Asmarani, Ratna. "Reversed Myth and Negative Symbols of Narcissus in Mother-Son Relationship in Hayashi Fumiko’s Narcissus." IZUMI 10, no. 2 (2021): 350–61. http://dx.doi.org/10.14710/izumi.10.2.350-361.

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The famous myth of Narcissus is about a mythical handsome young man who indifferently rejects the love of the nymph Echo leading to Echo’s broken heart and untimely death and his being cursed to excessively adore his own handsome reflection on the pond till his death. The short story entitled Narcissus written by Hayashi Fumiko is intriguing because its title calls to mind the famous myth of Narcissus. However, this short story portrays the myth of Narcissus from a unique perspective. Thus, the aims of this paper are to analyse the reversed myth and negative symbols of Narcissus as reflected i
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Victor, Ferrao. "From A-signifying Semiologies to Living Sympoiesis: Quest for a Humanised Ethics and Social Life." Jnanadeepa: Pune Journal of Religious Studies 24, no. 2 (2020): 95–111. https://doi.org/10.5281/zenodo.4267956.

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The author maintains that we are still enslaved by language, by the logocentrism of language. Derrida did raise the question of logocentrism, but it seems that he also did not fully plunge out of it. Reduction of all meaning and semiologies to semantic content is a kind of logocentrism that is blinding us to the a-signifying semiologies that are being used today to enslave us.  We have a mix of signifying, symbolic and a-signifying semiotics. We have reduced semiotics to only signifying and symbolic signs. This is logocentric. Opening us to the domains of a-signifying semiologies, we open
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CHANG, RUI. "Aesthetics and symbolic meaning of ancient Chinese snowy landscapes from the IV to the XX century." Культура и искусство, no. 5 (May 2024): 1–14. http://dx.doi.org/10.7256/2454-0625.2024.5.70259.

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The article examines the aesthetic and symbolic aspects of ancient Chinese snowy landscapes, covering the period from the IV to the XX century. The focus of the research is Guohua painting, representing classic snowy landscapes, compositions with birds and flowers, as well as snow portraits. An in-depth analysis of the symbolism and meaning of elements such as "four seasons", "snow", "snowy mountains", "three friends of cold time" and "cold beasts" was carried out, as well as the narrative characteristics of snowy landscapes were studied. It was revealed that snow scenes reflect the vitality a
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Verma, Rashmi. "SOCIAL SIGNIFICANCE OF COLOR." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3685.

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India has always been exalted and remembered fondly as country of symbolic colors. To an outsider, its colorful culture, streets, and stories seem like a page out of an ancient folk tale. But color, in essence, has been a large part of the Indian consciousness. From the deep orange marigold flowers that bejewel almost every celebration to the deep hues of red that deck up the bride on her most important day, colour of India has, over time, become synonymous with religion- an expression of faith and beliefs. In a country where a deep understanding of prevalent diversity is perhaps the only comm
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Szoblik, Katarzyna. "Las flores en los códices indígenas de México." Sztuka Ameryki Łacińskiej 3 (2013): 67–88. http://dx.doi.org/10.15804/sal201302.

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The indigenous tribes inhabiting the area of the present Mexico in the pre-Hispanic times managed to develop various systems of graphic register. Although the usage of phonographic writing was well documented only for two of those cultures, namely the Mayas and the Zapotecs, most of the groups of the region had some kind of graphic representation to code chosen messages. The communication used by the Nahua and the Mixtec tribes could be classified as basically semasiogarphic, that is able to represent the ideas but not the language. The main aim of the proposed work is to focus on the represen
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Dr., RashmiVerma. "SOCIAL SIGNIFICANCE OF COLOR." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–2. https://doi.org/10.5281/zenodo.888713.

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India has always been exalted and remembered fondly as country of symbolic colors. To an outsider, its colorful culture, streets, and stories seem like a page out of an ancient folk tale. But color, in essence, has been a large part of the Indian consciousness. From the deep orange marigold flowers that bejewel almost every celebration to the deep hues of red that deck up the bride on her most important day, colour of India has, over time, become synonymous with religion- an expression of faith and beliefs. In a country where a deep understanding of prevalent diversity is perhaps the only comm
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Rozprawy doktorskie na temat "Flowers, symbolic aspects"

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Deslandes, Nicole. "La flore et le paysage dans les images médiévales à l’époque des Valois : une écriture analogique." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP013.

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 la fin du Moyen Âge les fleurs sont fréquemment représentées dans les tapisseries, les manuscrits enluminés et les tableaux. L’objectif de l’étude est d’établir qu’il ne s’agit pas d’un simple procédé décoratif. Les fleurs, support naturel de la couleur, constituent un système symbolique par analogie dont la fonction est de guider le spectateur dans sa lecture de l’image. La construction des images en réseaux signifiants avec la flore symbolique accompagne un comportement nouveau, la Devotio Moderna, sous l’influence des ordres Mendiants, notamment les Dominicains. L’objectif est de guider l
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Tapié, Alain. "Le sens cache des fleurs : symbolique et botanique dans la peinture du xviieme siecle." Caen, 2000. http://www.theses.fr/2000CAEN1304.

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Deja present dans les fresques de l'antiquite ou les enluminures du moyen-age, l'art floral trouve son apogee et son autonomie dans la peinture du xviie siecle. Si le spectateur d'aujourd'hui retient avant tout de ces tableaux la seduction decorative, la richesse de coloris ou la facture minutieuse, il ne doit pas ignorer que les fleurs qui y sont representees constituaient, au-dela de leur fonction ornementale, le vecteur de sens multiples. Dans les ecoles francaise, italienne ou nordique de cette epoque, les artistes ont recueilli et combine un heritage de sens particulierement foisonnant :
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Książki na temat "Flowers, symbolic aspects"

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Todd, Pamela. Forget-me-not: A floral treasury : sentiments & plant lore from the language of flowers. Little, Brown, 1993.

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Guild, Tricia. Cut flowers. C. Potter, 1998.

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Tovah, Martin, ed. Victoria: The ways of flowers. Hearst Books, 1994.

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Heilmeyer, Marina. The language of flowers: Symbols and myths. Prestel, 2001.

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Lee, Cookie. The language of flowers. Ryland Peters & Small, 2007.

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Mother. Flowers and their messages. Lotus Light Publications, 1992.

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Tachihara, Erika. Hana kotoba. Shōgakkan, 1994.

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Donzel, Catherine. The book of flowers. Flammarion, 1998.

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Hazini, Yahya. Gizli lisân: Lisân-ı ezhâr -Çiçeklerin lisânı-. Büyüyenay Yayınları, 2018.

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Cabo, Jesús Callejo. El alma de las flores: Leyendas, mitos y misterios. Ediciones Corona Borealis, 2006.

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Części książek na temat "Flowers, symbolic aspects"

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Gershberg, Nicholas. "When a Titan Arum Blooms During Quarantine." In Transforming Education for Sustainability. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13536-1_7.

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AbstractIt is rare and marvelous when a botanical conservatory acquires a horticultural specimen of the endangered Titan Arum, the euphemism for the corpse flower, Amorphophallus titanum, native to the rainforests of Sumatra, Indonesia. After years of anticipation and optimism, the first blooming of the specimen in Barnard College’s Arthur Ross Greenhouse occurred in April through June 2020, during a lock-down of the campus not only to the public, but to all students and almost all staff. While attending to the rest of the conservatory, Greenhouse Administrator Nick Gershberg pivoted from the
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North, Susan. "Flowers and Dress: Decorative, Dynastic, and Symbolic." In Floral Culture and the Tudor and Stuart Courts. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722490_ch04.

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Flowers adorned the clothing and jewellery of royal and aristocratic men and women at the Tudor and Stuart courts. The textiles with which clothes were made were not gendered, nor was the ornamentation of fabrics, clothing, accessories, and jewellery, except for armour and weapons, worn exclusively by men but also ornamented with floral motifs. The application of flowers to these media was dictated by technical aspects of weaving, embroidery, and metalwork and they fall into three categories: decorative, dynastic, and symbolic. This chapter explores these aspects of floral embellishment and th
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Abramova, Veronika I. "Elements of the “Estate Text” in the Novel “Paths of Heaven” by I.S. Shmelev." In Estate and Dacha in the Literature of the Soviet Era: Losses and Gains. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0758-8-175-184.

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The article studies how the elements of the “estate text” function in the novel “Paths of Heaven” by I.S. Shmelev. The author of the study, based on the typology of V.G. Shchukin, finds and characterizes these elements in the structure of the literary work. In the second volume of the novel, one can find motifs, images, details, plot twists characteristic of the “estate text”: arrival at the native nest, a fresh morning the next day, images of an old house, a library, a linden alley, a flower garden, an old ser- vant, a pure spiritualized girl, a motive of gratifying nostalgic sadness, etc. Th
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Tan, Chekfoung, and Shixiong Liu. "Information Architecture for Pervasive Healthcare Information Provision with Technological Implementation." In Healthcare Ethics and Training. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-2237-9.ch022.

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The Pervasive Healthcare Information Provision (PHIP) is a concept that ensures patients are covered with healthcare services with the appropriate information provision together with the technical infrastructure when needed. Clinicians can obtain the real-time information by accessing the electronic patient record that supports decision-making in providing health services. PHIP aims to provide comprehensive healthcare services to its stakeholders covering the social and technical aspect. Information architecture is a high-level map of information requirements of an organisation that possesses
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Tan, Chekfoung, and Shixiong Liu. "Information Architecture for Pervasive Healthcare Information Provision with Technological Implementation." In Web Design and Development. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-8619-9.ch032.

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The Pervasive Healthcare Information Provision (PHIP) is a concept that ensures patients are covered with healthcare services with the appropriate information provision together with the technical infrastructure when needed. Clinicians can obtain the real-time information by accessing the electronic patient record that supports decision-making in providing health services. PHIP aims to provide comprehensive healthcare services to its stakeholders covering the social and technical aspect. Information architecture is a high-level map of information requirements of an organisation that possesses
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Tan, Chekfoung, and Shixiong Liu. "Information Architecture for Pervasive Healthcare Information Provision with Technological Implementation." In E-Health and Telemedicine. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-8756-1.ch016.

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The Pervasive Healthcare Information Provision (PHIP) is a concept that ensures patients are covered with healthcare services with the appropriate information provision together with the technical infrastructure when needed. Clinicians can obtain the real-time information by accessing the electronic patient record that supports decision-making in providing health services. PHIP aims to provide comprehensive healthcare services to its stakeholders covering the social and technical aspect. Information architecture is a high-level map of information requirements of an organisation that possesses
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Tan, Chekfoung, and Shixiong Liu. "Information Architecture for Pervasive Healthcare Information Provision with Technological Implementation." In Advances in Healthcare Information Systems and Administration. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-4546-2.ch017.

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The Pervasive Healthcare Information Provision (PHIP) is a concept that ensures patients are covered with healthcare services with the appropriate information provision together with the technical infrastructure when needed. Clinicians can obtain the real-time information by accessing the electronic patient record that supports decision-making in providing health services. PHIP aims to provide comprehensive healthcare services to its stakeholders covering the social and technical aspect. Information architecture is a high-level map of information requirements of an organisation that possesses
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Streszczenia konferencji na temat "Flowers, symbolic aspects"

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Elashvili, Ketevan. "The Srtistic Range of "Dancing Snake"." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8922.

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The artistic range of a literary work is mainly crossed by the symbolic spectrum. It is due to the universal essence of the symbol that the boundary between the authors of completely different epochs or cultures disappears and a kind of character tandem is created. A vivid illustration of this is the unforgettable dance of the snake in the artistic thinking of Charles Baudelaire (1821-1867) and Anna Kalandadze (1924-2008). The snake is perceived as a mystical zoomorphic symbol in heterogeneous aspects and therefore – creates a different artistic range. The "biblical biography" of the snake tra
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Tierraseca, Mónica. "Tracing the absent. Hilma af Klint’s mystical language." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-22.

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The main aim of this paper is to study the mysticism of the Swedish artist Hilma af Klint (1862–1944) in relation to her religious experience and her searching for existential answers through contact with divine entities. Although the identity of these figures is not clear, we are aware of their familiarity with Christian beliefs. Thus, in this paper we attempt to approach Af Klint’s Christian, metaphysical and anthroposophical message by analysing her notebooks. Particularly, we focus on the symbolic aspect of one of them made between 1919 and 1920, entitled Flowers, Mosses, and Lichens.
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Raporty organizacyjne na temat "Flowers, symbolic aspects"

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Solomin, Eugen. SOVIET-RUSSIAN PROPAGANDA AS A WAY TO PROMOTE NARRATIVES AND INTERFERE IN THE INFORMATION SPACE: REGIONAL ASPECT. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12152.

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The article updates the activities of regional broadcasters in the information space of the Luhansk region, where numerous enemy information attacks preceded the invasion of the Russian occupation forces. Main objective of the study - mass media activities of the Luhansk region’s television companies in the pre-war and post-war periods and the specifics of the integration of the (pro) Russian agenda into the region’s information space. The study was done out using a descriptive, classification, comparative-historical method, which made it possible to consider the regional telespace in the cont
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Pavlyuk, Іhor. HUMANІTARІAN CONTROVERSY ІN THE WESTERN UKRAІNІAN PRESS DURІNG THE PERІOD BETWEEN THE TWO WORLD WARS. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12139.

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The artіcle hіghlіghts the humanіtarіan polemіcs іn the Western Ukraіnіan press іn the іnterwar (1920-30s) perіod іn three aspects: the polemіcs of Ukraіnіan-language magazіnes among themselves, the polemіcs of the Ukraіnіan-language press wіth the Polіsh and Russіan press, the place of the Ukraіnіan press іnvolved іn the polemіcs іn the colonіal and global cultural – іnformatіonal contexts, іts representatіve relatіons wіth the judіcіal, executіve and legіslatіve authorіtіes іn the process of changes іn the socіal and polіtіcal atmosphere іn thіs tіme-space. The purpose of thіs artіcle іs to
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