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Artykuły w czasopismach na temat „Flowers, symbolic aspects”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 28 lipca 2025

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1

Ли, И. "Межкультурная перспектива в натюрмортах с садовыми цветами: культурный перевод от западной традиции к восточной эстетике". Academic Research Journal 3, № 2 (2025): 139–45. https://doi.org/10.25726/b8383-1478-1749-t.

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В данной статье рассматриваются натюрморты с садовыми цветами как объект исследования, прослеживается формирование символической системы цветочных мотивов в западной традиции натюрморта и анализируется, как китайские художники реконструируют восточную эстетическую парадигму с помощью масляной живописи, исследуя сложный процесс «культурного перевода» в современной художественной практике. Исследование фокусируется на двух основных аспектах: во-первых, философское осмысление отношения «цветы-предметность» в западной традиции натюрморта; во-вторых, инновации в визуальной грамматике «садовых цвето

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Almutairi, Areej Saad. "Exploring the Symbolism of Nature in the Works of Thomas Hardy: An Eco-critical perspective." مجلة العلوم الإنسانية و الإجتماعية 9, no. 4 (2025): 103–9. https://doi.org/10.26389/ajsrp.r150125.

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This paper seeks to portray the employment of symbolism as connected with certain manifestations of nature in Thomas Hardy’s novels from an ecocritical perspective. It examines Hardy's symbolic use of natural aspects, including flowers, trees, animals and other elements of the pure Wessex landscape of Hardy’s novels. The significance of this research stems from the fact that Hardy's style and use of nature symbols has been linked to eco-critical studies, which helps the literary genre of eco-criticism find its proper place in contemporary literary criticism. Through exploring Hardy’s naturalis

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Yang, Yuyan. "Seeing the Peony in Early Qing-Dynasty Art: An Embodiment of Individual Identity." SHS Web of Conferences 180 (2023): 01002. http://dx.doi.org/10.1051/shsconf/202318001002.

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Within the context of the Manchurians’ conquest of the Ming dynasty and their subsequent establishment of a new imperial rule, the intricate symbolic systems embodied in floral imagery, particularly the peony flowers, instilled a profound sense of insecurity in the nascent Qing court. Despite the government’s strict scrutiny of the visual and literary works of literati, as well as the imperial authority’s monopolization of peony portrayals, Yun Shouping and Gao Fenghan’s paintings of peonies exude an air of innocence and purity. However, beneath their seemingly tranquil facade lay internal str

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Putri Hana, Ahmad Tufani, Dede Muhammad Hidayat, and Muhammad Syaifullah. "Nyekar Di Tinjau Dari Pendekatan Filologis Study Islam." BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan 2, no. 2 (2024): 196–202. http://dx.doi.org/10.59841/blaze.v2i2.1222.

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. In Indonesia, there are various cultures and traditions, making Indonesia a beautiful country with traditions and culture. Nyekar is a tradition in Indonesia and is often practiced by Indonesian people, especially Javanese people. Nyekar is an activity of sowing flowers accompanied by prayer, tahlil, and some verses from the Koran. This nyekar tradition is generally carried out by people before Ramadhan. In this research the aim is to find out the meaning and tradition of nyekar through a philological approach in Islamic studies. In this research the researcher used library research with a d

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Asmarani, Ratna. "Reversed Myth and Negative Symbols of Narcissus in Mother-Son Relationship in Hayashi Fumiko’s Narcissus." IZUMI 10, no. 2 (2021): 350–61. http://dx.doi.org/10.14710/izumi.10.2.350-361.

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The famous myth of Narcissus is about a mythical handsome young man who indifferently rejects the love of the nymph Echo leading to Echo’s broken heart and untimely death and his being cursed to excessively adore his own handsome reflection on the pond till his death. The short story entitled Narcissus written by Hayashi Fumiko is intriguing because its title calls to mind the famous myth of Narcissus. However, this short story portrays the myth of Narcissus from a unique perspective. Thus, the aims of this paper are to analyse the reversed myth and negative symbols of Narcissus as reflected i

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Victor, Ferrao. "From A-signifying Semiologies to Living Sympoiesis: Quest for a Humanised Ethics and Social Life." Jnanadeepa: Pune Journal of Religious Studies 24, no. 2 (2020): 95–111. https://doi.org/10.5281/zenodo.4267956.

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The author maintains that we are still enslaved by language, by the logocentrism of language. Derrida did raise the question of logocentrism, but it seems that he also did not fully plunge out of it. Reduction of all meaning and semiologies to semantic content is a kind of logocentrism that is blinding us to the a-signifying semiologies that are being used today to enslave us.  We have a mix of signifying, symbolic and a-signifying semiotics. We have reduced semiotics to only signifying and symbolic signs. This is logocentric. Opening us to the domains of a-signifying semiologies, we open

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CHANG, RUI. "Aesthetics and symbolic meaning of ancient Chinese snowy landscapes from the IV to the XX century." Культура и искусство, no. 5 (May 2024): 1–14. http://dx.doi.org/10.7256/2454-0625.2024.5.70259.

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The article examines the aesthetic and symbolic aspects of ancient Chinese snowy landscapes, covering the period from the IV to the XX century. The focus of the research is Guohua painting, representing classic snowy landscapes, compositions with birds and flowers, as well as snow portraits. An in-depth analysis of the symbolism and meaning of elements such as "four seasons", "snow", "snowy mountains", "three friends of cold time" and "cold beasts" was carried out, as well as the narrative characteristics of snowy landscapes were studied. It was revealed that snow scenes reflect the vitality a

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Verma, Rashmi. "SOCIAL SIGNIFICANCE OF COLOR." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3685.

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India has always been exalted and remembered fondly as country of symbolic colors. To an outsider, its colorful culture, streets, and stories seem like a page out of an ancient folk tale. But color, in essence, has been a large part of the Indian consciousness. From the deep orange marigold flowers that bejewel almost every celebration to the deep hues of red that deck up the bride on her most important day, colour of India has, over time, become synonymous with religion- an expression of faith and beliefs. In a country where a deep understanding of prevalent diversity is perhaps the only comm

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Szoblik, Katarzyna. "Las flores en los códices indígenas de México." Sztuka Ameryki Łacińskiej 3 (2013): 67–88. http://dx.doi.org/10.15804/sal201302.

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The indigenous tribes inhabiting the area of the present Mexico in the pre-Hispanic times managed to develop various systems of graphic register. Although the usage of phonographic writing was well documented only for two of those cultures, namely the Mayas and the Zapotecs, most of the groups of the region had some kind of graphic representation to code chosen messages. The communication used by the Nahua and the Mixtec tribes could be classified as basically semasiogarphic, that is able to represent the ideas but not the language. The main aim of the proposed work is to focus on the represen

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Dr., RashmiVerma. "SOCIAL SIGNIFICANCE OF COLOR." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–2. https://doi.org/10.5281/zenodo.888713.

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India has always been exalted and remembered fondly as country of symbolic colors. To an outsider, its colorful culture, streets, and stories seem like a page out of an ancient folk tale. But color, in essence, has been a large part of the Indian consciousness. From the deep orange marigold flowers that bejewel almost every celebration to the deep hues of red that deck up the bride on her most important day, colour of India has, over time, become synonymous with religion- an expression of faith and beliefs. In a country where a deep understanding of prevalent diversity is perhaps the only comm

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Lang Qianwen та Lilian Lee Shiau Gee. "A STUDY OF FEMALE IMMORTAL IMAGES IN THE "CHAOYUAN XIANZHANG TU"（朝元仙仗图) FROM THE PERSPECTIVE OF THE MYTHIC-ARCHETYPAL CRITICISM". Jurnal Gendang Alam (GA) 14, № 1 (2024): 100–114. http://dx.doi.org/10.51200/ga.v14i1.5185.

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This paper intends to apply the mythic-archetypal critique to study the concept archetypes of human collectives and the archetypes in Taoist literature and mythology corresponding the feminine immortal images in the "Chaoyuan Xianzhang Tu." By means of image and word juxtaposition, the study investigates the emotional impacts of female immortal images on modern audiences as well as their contribution to current feminist movements. Aiming to clarify the several metaphors and underlying logic of the development of Taoist female immortal images as a symbolic system, this study analyses the Song D

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Ali, Almer Hassan. "STUDY OF FORM AND MEANING OF SYMBOLIC INDIGENOUS HOUSE OF GORONTALO." ARTic 4 (September 16, 2019): 203–14. http://dx.doi.org/10.34010/artic.2019.4.2457.203-214.

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This research generally aims to gain knowledge about the traditional values of the Bantayo Po 'Boide Traditional House by trying to express the cultural values of the people of Gorontalo Regency. Specifically: First describe the architectural components of the Bantayo Po' Boide Traditional House of Gorontalo Regency including the roof, parts of the body and the bottom of the building; and second Expressing the meaning of the symbols in the Bantayo Po 'Boide Traditional House of Gorontalo Regency. This research uses descriptive method by collecting various qualitative and quantitative data rela

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Ali, Almer Hassan. "STUDY OF FORM AND MEANING OF SYMBOLIC INDIGENOUS HOUSE OF GORONTALO." ARTic 4 (September 16, 2019): 203–14. http://dx.doi.org/10.34010/artic.v4i0.2457.

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This research generally aims to gain knowledge about the traditional values of the Bantayo Po 'Boide Traditional House by trying to express the cultural values of the people of Gorontalo Regency. Specifically: First describe the architectural components of the Bantayo Po' Boide Traditional House of Gorontalo Regency including the roof, parts of the body and the bottom of the building; and second Expressing the meaning of the symbols in the Bantayo Po 'Boide Traditional House of Gorontalo Regency. This research uses descriptive method by collecting various qualitative and quantitative data rela

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Sornsena, Surasak, Preechawut Apirating, and Sipp Suksamran. "The Beliefs and Aesthetics of Isaan Heritage Trees." Academic Journal of Interdisciplinary Studies 10, no. 3 (2021): 158. http://dx.doi.org/10.36941/ajis-2021-0072.

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This article is a part of a Doctoral Thesis titled “Isaan Heritage Tree: From the Belief and the Aesthetic to the Creation of Visual Arts,” with the objectives of studying the belief and the aesthetic that exist in the Isaan Heritage Tree using the qualitative method. The study’s target groups can be divided into three following groups: the experts, the practitioners, and the related people. The area of study is in the Isaan region. The region is divided into upper Isaan, mid-Isaan, and lower Isaan. The research tools consist of surveys, non-participatory observation, and structured and non-st

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Nazriah, Putri, Rinaldi Mirsa, and Erna Muliana. "Identification Of The Meaning And Form Of Malay Decorative Varieties In The Mabmi Langkat Building." Rumoh Journal of Architecture 15, no. 1 (2025): 41–52. https://doi.org/10.37598/rumoh.v15i1.262.

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Langkat Regency, as one of the regions with strong Malay cultural roots in North Sumatra, shows its cultural existence through various aspects, including building architecture. One of the prominent buildings that represents Malay culture in Langkat is the Indonesian Malay Cultural Council (MABMI) Building. This building was established as a center for Malay cultural and customary activities, so it is inherently expected to display visual characteristics that reflect Malay identity and values. This building is an important representation of Malay cultural identity in the region. This study aims

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Kadurina, A. O. "SYMBOLISM OF ROSES IN LANDSCAPE ART OF DIFFERENT HISTORICAL ERAS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 148–57. http://dx.doi.org/10.31650/2519-4208-2020-20-148-157.

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Background.Rosa, as the "Queen of Flowers" has always occupied a special place in the garden. The emergence of rose gardens is rooted in antiquity. Rose is a kind of “tuning fork” of eras. We can see how the symbolism of the flower was transformed, depending on the philosophy and cultural values of society. And this contributed to the various functions and aesthetic delivery of roses in gardens and parks of different eras. Despite the large number of works on roses, today there are no studies that can combine philosophy, cultural aspects of the era, the history of gardens and parks with symbol

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LADCHYN, Yaroslav. "ARTISTIC FEATURES OF SYMBOLISM IN JAPANESE VISUAL ART DURING THE EDO PERIOD." ART Space 1, no. 4 (2024): 183–207. http://dx.doi.org/10.28925/2519-4135.2024.410.

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This article is dedicated to exploring the artistic characteristics of symbolism in Japanese visual art during the Edo period (1603-1868). Through an analysis of this era, the author investigates the utilization of natural symbols, particularly flowers and birds, in the works of artists. Additionally, the article examines the influence of seasonal symbolism and its impact on artistic practice. Special attention is placed on the use of colors and their significance in conveying emotions and atmosphere. Furthermore, depictions of mythological creatures such as dragons and fairies are studied, al

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TORKUT, Nataliya. "Shakespear’s Birthday Celebrations In Stratford-upon-Avon: HISTORY, TRADITION, CONTEMPORANEITY." Bulletin of Taras Shevchenko National University of Kyiv. Foreign Philology, no. 1 (54) (2023): 56–58. https://doi.org/10.17721/if.54.23.6.

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Background. The idea of this publication is based on the author's personal experience of participating in Shakespear’s Birthday Celebrations 2023 in Stratford-upon-Avon and is determined by the need for interdisciplinary analysis and dissemination of the experience of modelling public memory about a national genius whose scale of greatness transcends geographical and chronological boundaries. This shapes the peculiar form of the author’s narrative, with publicists and analytical components interacting, and the essayistic passages are accompanied by historical and literary excursuses. The artic

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Rismawati, Kadek Juli, and Kadek Fina Cahyuni. "Filosofi Canang Sari Sebagai Simbol Padma Astadala." Pramana: Jurnal Hasil Penelitian 3, no. 2 (2023): 162. http://dx.doi.org/10.55115/jp.v3i2.3778.

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"Canang Sari," a distinctive flower offering in Balinese culture, holds profound significance as a symbol of Padma Asta Dala. Within the concept of Padma Asta Dala, each petal of the lotus represents essential aspects in the pursuit of spiritual balance. This article elaborates on the close relationship between Canang Sari and this concept, revealing how the arrangement and elements of Canang Sari reflect the symbolism of Dharma (duty), Adharma (disobedience), Lobha (greed), and Parama (perfection). Canang Sari serves as a potent visual reflection of life philosophy and spiritual quest in Bali

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Kulakova, Olga Yu. "Dutch Flower Still Life of 17th Century: Interest and Oblivion through the Centuries." Observatory of Culture 18, no. 5 (2021): 496–505. http://dx.doi.org/10.25281/2072-3156-2021-18-5-496-505.

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Over three and a half centuries, the genre of flower still life created by Dutch artists experienced ups of interest and oblivion. There were the maximum assessment of society in the form of high fees of the 17th century artists; the criticism of connoisseurs and art theorists; the neglect in the 19th century and the rise of auction prices and close attention of art critics, manifested from the middle of the 20th century to the present day. In the middle of the 17th century, there was already a hierarchy of genres, based on both the subject and the size of the paintings, which was reflected in

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Ivanova, Teodora, Yulia Bosseva, Mihail Chervenkov, and Dessislava Dimitrova. "Sweet Basil between the Soul and the Table—Transformation of Traditional Knowledge on Ocimum basilicum L. in Bulgaria." Plants 12, no. 15 (2023): 2771. http://dx.doi.org/10.3390/plants12152771.

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The study tracks the utilization of Ocimum basilicum L. (sweet basil)—a garden plant popular for its ritual and ornamental value in the past, that is currently applied in various forms and ways as medicine, food, insect repellent, etc.—in Bulgaria. Previous data for Bulgarian rural home gardens showed a significant number of preserved local landraces; however, it remained unclear how people perceive the large varietal diversity of this species and how the traditions related to its use are preserved. We combined a literature review on the cultural value of sweet basil and the breeding of local

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"Florescencism by Lida Sherfatmand in The Context of Floral Art History." Kupas Seni, no. 9 (June 30, 2021): 104–14. https://doi.org/10.37134/kupasseni.vol9.1.10.2021.

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Florescencism is a new ‘ism’ in contemporary art presented by Iranian-Maltese painter Lida Sherafatmand. Sherfatmand started her career with refined, simple to understand, and distinct concepts relating to global peace and human rights. Florescencism relates to blooms and flowers – to state the literal meaning – since “florescence” is typically defined as the process of flowering. Using interdisciplinary approaches, prior research has suggested the relevance of psychological, sociological, historical, symbolic, political, and even botanical aspects related to this artistic trend. However, the

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Chen, Jiuen. "A Study on Analyzing Symbolism in Literature by Combining Computer Vision Techniques." Applied Mathematics and Nonlinear Sciences 9, no. 1 (2024). http://dx.doi.org/10.2478/amns-2024-2521.

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Abstract The development of computer technology has greatly promoted the analysis and research of literary works, mainly in the aspects of information collection and data analysis. The analysis model of symbolism in literary works is constructed using the Word2vec algorithm and TextCNN text classification algorithm in this paper. Using computer vision-based OCR text recognition technology, text data is collected from poetic literary works related to a watershed. The dataset is analyzed using the constructed text analysis method to uncover the symbols and symbolic meanings in the sample literar

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Briseño-Tellez, Jocelyn M., María Teresa Pulido Silva, Karen Bautista, et al. "Palm Sunday in central Mexico: among sellers, palms and syncretism." Journal of Ethnobiology and Ethnomedicine 19, no. 1 (2023). http://dx.doi.org/10.1186/s13002-023-00587-3.

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Abstract Background Domingo de Ramos, or Palm Sunday, is a traditional Christian religious event where devotees use ramos, which are bouquets currently elaborated from palm leaves and other natural elements. In various countries, it is assumed this use of biodiversity leads to the depletion of the species involved. However, other important aspects must be considered, including the role of the people who produce and sell these ramos, the associated symbolism that has been overlooked, as well as commercial aspects that have barely been documented. This ethnobotanical study evaluates the regional

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Brien, Donna Lee, and Adele Wessell. "Pig: A Scholarly View." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.317.

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In George Orwell’s Animal Farm, the pigs infamously changed the law to read: “some animals are more equal than others” (108). From Charlotte’s Web to Babe, there are a plethora of contemporary cultural references, as well as expressions of their intelligence and worth, which would seem to support the pigs’ cause. However, simultaneously, the term “pig” is also synonymous with negative attributes—greed, dirtiness, disarray, brutality and chauvinism. Pigs are also used to name those out of favour, including police officers, the obese, capitalists and male chauvinists. Yet, the animal’s name is a

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Trofimova, Evija, and Sophie Nicholls. "On Walking and Thinking: Two Walks across the Page." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1450.

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IntroductionTwo writers, stuck in our university offices, decide to take our thoughts “for a walk” across the page. Writing from Middlesbrough, United Kingdom, and Auckland, New Zealand, we are separated by 18,000 kilometres and 11 hours, and yet here, on the page, our paths meet. How does walking, imaginary or real, affect our thinking? How do the environments through which we move, and the things we see along the way, influence our writing? What role do rhythm and pace play in the process? We invite you to join us on two short walks that reflect on our shared challenges as writers from two d

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See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.

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Heřmanová, Marie. "Sisterhood in 5D." M/C Journal 25, no. 1 (2022). http://dx.doi.org/10.5204/mcj.2875.

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Introduction Online influencers play an increasingly important role in political communication – they serve as both intermediaries and producers of political messages. As established opinion leaders in areas such fashion and lifestyle consumption, many influencers recently turned towards more political content (Riedl et al.). For influencers who built their personal brands around aspirational domestic and lifestyle content, the COVID-19 global pandemic created an opportunity (and sometimes even a necessity) to engage in political discourse. The most basic everyday acts and decisions – such as

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Hunt, Rosanna, and Michelle Phillipov. ""Nanna Style": The Countercultural Politics of Retro Femininities." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.901.

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Over the past two decades in the West, practices of ethical consumption have become increasingly visible within mainstream consumer culture (Lewis and Potter). While they manifest in a variety of forms, such practices are frequently articulated to politics of anti-consumerism, environmentalism, and sustainable consumption through which lifestyle choices are conceived as methods for investing in—and articulating—ethical and social concerns. Such practices are typically understood as both a reflection of the increasing global influence of neoliberal, consumer-oriented modes of citizenship and a

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Mahon, Elaine. "Ireland on a Plate: Curating the 2011 State Banquet for Queen Elizabeth II." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1011.

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IntroductionFirmly located within the discourse of visible culture as the lofty preserve of art exhibitions and museum artefacts, the noun “curate” has gradually transformed into the verb “to curate”. Williams writes that “curate” has become a fashionable code word among the aesthetically minded to describe a creative activity. Designers no longer simply sell clothes; they “curate” merchandise. Chefs no longer only make food; they also “curate” meals. Chosen for their keen eye for a particular style or a precise shade, it is their knowledge of their craft, their reputation, and their sheer abi

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Morag, Talia. "Persons and Their Private Personas: Living with Yourself." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.829.

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Public life is usually understood to be whatever we do or say in our formal and professional relationships. At the workplace, at the doctor’s office or at the café, we need to make a good impression and we cannot say everything we think or do anything we want. We need to appear a certain way to be liked, get ahead, or simply stay out of trouble. The distinction between private and public presupposes that we invest efforts in maintaining a public “persona” whereas at home we can “be ourselves.” A closer examination, however, reveals that we also have a persona within the circle of our immediate

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Marsh, Victor. "The Evolution of a Meme Cluster: A Personal Account of a Countercultural Odyssey through The Age of Aquarius." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.888.

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Introduction The first “Aquarius Festival” came together in Canberra, at the Australian National University, in the autumn of 1971 and was reprised in 1973 in the small rural town of Nimbin, in northern New South Wales. Both events reflected the Zeitgeist in what was, in some ways, an inchoate expression of the so-called “counterculture” (Roszak). Rather than attempting to analyse the counterculture as a discrete movement with a definable history, I enlist the theory of cultural memes to read the counter culture as a Dawkinsian cluster meme, with this paper offered as “testimonio”, a form of q

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