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Artykuły w czasopismach na temat „Fluidity of morality”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Harrill, J. Albert. "Ethnic Fluidity in Ephesians." New Testament Studies 60, no. 3 (2014): 379–402. http://dx.doi.org/10.1017/s0028688514000046.

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This essay examines Ephesians in light of current research in ethnic studies. The methodological advance of such an approach is twofold: first, it moves the exegesis of the domestic codes to the wider frame of the letter; and, second, it goes beyond the limited hermeneutical framework of the ‘origins’ of the reconciliation language to the more productive examination of its function in the text. The concept of ‘one new humanity’ provides evidence for the author's ethnic reasoning, which participated in ancient cultural affirmations of the essential fluidity and changeability of all ethnicity. T

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Zhu, Nan, Hui Jing Lu, and Lei Chang. "Understanding the diversity and fluidity of human morality through evolutionary psychology." Evolutionary Behavioral Sciences 14, no. 4 (2020): 404–9. http://dx.doi.org/10.1037/ebs0000220.

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Hammood, Mohammed Sami, and Murtada Ali Hussein. "GENDER FLUIDITY: A CRITICAL STUDY OF JEET THAYIL’S NARCOPOLI." International Journal of Education Humanities and Social Science 08, no. 02 (2025): 663–67. https://doi.org/10.54922/ijehss.2025.0946.

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The major aim of present study has to explore gender fluidity in Jeet Thayil’s Narcopolis. The gender fluidity is postmodern term that shows the psychological, physical, and physiological changes in an individual with the passage of time. It challenges the traditional binary gender system that shows the mental and physical transformations in the individual in identity, desire, and selfperception. Set in the late 1970s Bombay, the novel Narcopolis represents the city of Mumbai as an urban landscape dominated by crime, drug trade, and the sex industry. The novel unfolds dark sides of the city of

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Shivani Mishra and Ritu Pandey. "The Market of Morality: Ethical Dilemmas in the Capitalist World of Aravind Adiga." Creative Launcher 10, no. 2 (2025): 64–72. https://doi.org/10.53032/tcl.2025.10.2.08.

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This paper explores the ethical dilemmas within the capitalist framework depicted in Aravind Adiga’s novels, focusing on The White Tiger, Last Man in Tower, and Selection Day. It critically examines the tension between morality and materialism, analyzing how Adiga’s protagonists navigate corrupt socio-economic structures to achieve success. By drawing on neoliberal critiques, the research highlights the commodification of ethics in modern India and how financial incentives often override traditional moral considerations. Employing a multidisciplinary approach, the study integrates literary cri

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Dr, Neha Kumari, and Kumar Vegad Ravi. "Morality in Crisis: Are God's Commandments Relevant in Brecht's Szechwan?" Criterion: An International Journal in English 15, no. 6 (2024): 485–97. https://doi.org/10.5281/zenodo.14606183.

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Bertolt Brecht’s <em>The Good Person of Szechwan</em> critiques the hegemony of universal moral ideals, particularly the practicality of God’s Ten Commandments in a corrupt and self-serving world. The binary opposition between Shen Te and her alter ego Shui Ta symbolises the clash between idealism and pragmatism. It exposes the limitations of absolute morality in complex societal structures. Shen Te’s kindness and adherence to moral commandments reflect the rigidity of hegemonic ideologies, yet, her survival necessitates the emergence of Shui Ta, embodying the hybridity requi

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Abraham, Nevine. "Censorship, public opinion and the representation of Coptic minority in contemporary Egyptian cinema: The case of Amr Salama’s Lamo’aķhza (Excuse My French) (2014)." Journal of African Cinemas 13, no. 2 (2021): 181–96. http://dx.doi.org/10.1386/jac_00053_1.

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Censorship decisions on cinematic works in Egypt have been characterized by their inconsistency due to the intentional lack of definition of what would constitute a threat to politics, religion and morality. Such fluidity has forced filmmakers to practise self-censorship and deterred them from tackling Coptic problems for fear of igniting sectarianism, as censorship would claim. This article shows the role of public opinion during the period of political instability and aspiration for freedom after the 25 January 2011 Egyptian Revolution in facilitating the approval of the controversial script

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Kovalev, A. A., and V. L. Mrochko. "The Genesis of the Dialectical Connection of Law and Social Theory. Transformation of social — from right to power." Ekonomicheskie i sotsial’no-gumanitarnye issledovaniya, no. 4(28) (December 2020): 77–86. http://dx.doi.org/10.24151/2409-1073-2020-4-77-86.

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The author draws a parallel between social and legal studies. Using the laws of logic and achievements of thinkers of XIX — XX centuries, the author analyzes the complementarity of law and social, when social creates its jurisdiction, and the law provides the structure of social. The integration of legal pluralism into social theory is considered, the atrophy of social theory is shown, as well as the fluidity of thinking systems and theories of society in the post-modern era, according to research by leading theorists. The author designates questions about the revision of the nature and scope

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Veissière, Samuel Paul Louis. "“Toxic Masculinity” in the age of #MeToo: ritual, morality and gender archetypes across cultures." Society and Business Review 13, no. 3 (2018): 274–86. http://dx.doi.org/10.1108/sbr-07-2018-0070.

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Purpose This paper aims to take the “toxic masculinity” (TM) trope as a starting point to examine recent cultural shifts in common assumptions about gender, morality and relations between the sexes. TM is a transculturally widespread archetype or moral trope about the kind of man one should not be. Design/methodology/approach The author revisits his earlier fieldwork on transnational sexualities against a broader analysis of the historical, ethnographic and evolutionary record. The author describes the broad cross-cultural recurrence of similar ideal types of men and women (good and bad) and t

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Einspahr, Jennifer. "The Beginning that Never Was: Mediation and Freedom in Rousseau's Political Thought." Review of Politics 72, no. 3 (2010): 437–61. http://dx.doi.org/10.1017/s0034670510000318.

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AbstractUpon close examination of Rousseau's accounts of human development, we find that Rousseau presents us with paradoxical chronologies in which the experience of supposed immediacy from which humans are said to originate always seems to be informed by, and even require, previous mediation. More specifically, reflection, comparison, and imagination are thought to exist only after the onset of perfectibility, but these mediating capacities are always already present in pity and self-love, as well as for the “independent” savage, calling into question the possibility that any human sentiment

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McDonald, Terrance H. "Conceptualizing an Ethology of Masculinities." Men and Masculinities 21, no. 1 (2016): 56–71. http://dx.doi.org/10.1177/1097184x16652662.

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Rather than a definition or redefinition of masculinity, or masculinities, this article asks what can masculinities do? To explore this question, I map the possibilities that Deleuze and Guattari’s philosophy of immanence offer masculinities theory. Through a theoretical encounter with Deleuze, Guattari, Spinoza, and Gatens, I seek to open up an alternative conceptualization of masculinities that moves away from morality—transcendent judgments of good or bad—and toward an ethics that privileges our capacities for affecting and being affected. While masculinities studies and gender theory has p

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Pagliai, Valentina, and Brooke S. Bocast. "Singing gender." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 15, no. 4 (2005): 437–57. http://dx.doi.org/10.1075/prag.15.4.03pag.

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In this article, we explore the presentation and contestation of discourses of womanhood in verbal art performance. In Tuscan-Italian Contrasto verbal duels the artists, both males and females, may impersonate female characters as they exchange insults between each other. In doing so, they deploy multiple discourses of womanhood to demonstrate their wit and verbal artistry. As a consequence, they often subvert and contest “appropriate” female behavior as well as ideas of morality, which might be connected to those behaviors. This highlights the manipulability of discourses of womanhood to obta

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Bawa, Simmin, and Yash Sharma. "Moral Reasoning And Human Psychology: Exploring The Cognitive, Behavioural, Personality, Emotions & Biological Underpinnings Of Ethical Choices." Shodh Sari-An International Multidisciplinary Journal 04, no. 01 (2025): 369–95. https://doi.org/10.59231/sari7801.

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The complex interactions between cognitive functions, emotions, personality traits, sociocultural factors, neurobiology, and psychopathology provide the psychological foundation of moral judgments. This study attempts to explore the ways in which these many facets of the human psyche mould and impact moral judgments. Emotions like guilt and empathy influence moral decisions, but cognitive processes such as logic and intuition are also important for navigating moral quandaries. These mental processes assist individuals in weighing options, considering consequences, and arriving at ethically sou

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Kořen, Vojtěch. "TECHNOLOGIZED SOCIETY LIQUID POWER, LIQUID EDUCATION AND LIQUID CAREERS." Sociálno-ekonomická revue 20, no. 1 (2022): 43–58. http://dx.doi.org/10.52665/ser20220105.

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This text is a critical - but not criticizing - essay focused on issues of the impact of technologization, globalization and liquid capitalism on the world of work and education. It is divided into four separate parts. The first part (From industrialization to technologization) deals with the definition of the key categories, which are industrialization, industrial revolution and technologization. The second part (Fluidity and Power) deals with the issue of Bauman's fluid modernity and related phenomena, which are fluid capitalism, globalization and changes in area of the division of labor. Th

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Marishta, Markel, Penelope Louka, and Georgios Pilafas. "Johnny Depp and Amber Heard: How Language and Societal Influences Shape Power and Discourses." International Journal of Research and Review 11, no. 2 (2024): 133–47. http://dx.doi.org/10.52403/ijrr.20240216.

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The current paper aims to analyze the case of Johnny Depp and Amber Heard’s claims of domestic abuse, in the context of Foucault’s concepts of a socially constructed society, power, subject positions and discourses. Foucauldian Discourse Analysis goes against the westernized concept of structures such as gender, sexuality morality and norm, as it disregards the notion that these concepts are immutable and mainly biological, and suggests that society is fluid, placing the wider sociocultural and historical context of a society as the basic foundations of creating discourses, placing individual

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Glukhovskii, Andrei S. "Distributed Moral Responsibility in the Field of Artificial Intelligence." Ethical Thought 24, no. 1 (2024): 129–43. http://dx.doi.org/10.21146/2074-4870-2024-24-1-129-143.

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The main goal of the article is to justify the optimality of Luciano Floridi’s concept of distributed morality for describing a model of the relationship of responsibility in complex human – AI systems. The high level of its autonomy in functioning does not correspond to the classical instrumentalist approach to technology, as it turns out to be capable of fundamentally uncontrollable actions in the process of performing the task assigned to it. For the same reason, the classical definition of moral responsibility does not adequately correspond to the actual situation in the field of artif

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Dr., Md. Sazzad Hossain, Md. Abul Kalam Azad Dr., Md. Kamrul Hasan Dr., and Akter Mafia. "Deception and Self-Discovery in R. K. Narayan's The Guide: Analyzing the Themes of Morality." International Journal of Social Science and Human Research 08, no. 05 (2025): 3551–62. https://doi.org/10.5281/zenodo.15501645.

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R.K. Narayan's The Guide (1958) is a transformation journey through the protagonist Raju, which is a masterpiece of profound analysis on human ethics, by intertwining morals, deception, and self-discovery. This paper explores how Raju’s transition away from a&ensp;duplicitous tour guide to an unexpected spiritual figure illustrates the flexibility of moral norms. Raju's spiritual development, contextualized in the sociocultural milieu of&ensp;postcolonial India, deals with the tussle between egoism and altruism and the conventions that dictate identity and restitution. Narayan responds t

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Braverman, Irus. "Governing with Clean Hands: Automated Public Toilets and Sanitary Surveillance." Surveillance & Society 8, no. 1 (2009): 1–27. http://dx.doi.org/10.24908/ss.v8i1.3471.

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To anyone familiar with the story of urban decay in major American cities in the 1980s – and with the subsequent abolition of toilets from city streets – the introduction of automated public toilets (APTs) to urban spaces sounds like very good news. This article explores the re-democratizing message that commonly accompanies the introduction of APTs to North American city streets as well as their on-the-ground manifestations. It focuses on two major components of APTs: privatization and automation. The process of privatization, which characterizes most APT operations in North America, carries

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Skvortsova, E. L. "Nishida Kitaro’s Views on Japanese Culture." Russian Journal of Philosophical Sciences, no. 8 (November 28, 2018): 46–66. http://dx.doi.org/10.30727/0235-1188-2018-8-46-66.

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Nishida Kitaro (1870–1945) is a well-known Japanese philosopher whose work is marked by attempts to combine the world outlooks of the national spiritual tradition with elements of European philosophical thought. The article analyzes Nishida’s views on culture that are an independent part of his original philosophical theory. Religion, art, morality, science are the ideal forms of being in the historical world. The work of a scientist or artist is a manifestation of the formative activity of a person. The historical world as the “sphere of absolute nothingness” is the final point of the introsp

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Verzhihovska, Оlena, Irina Rudzevich, and Anna Havryliuk. "Features of the formation of moral education in young schoolchildren with intellectual disabilities." Actual problems of the correctional education (pedagogical sciences). 24 (December 30, 2024): 19–33. https://doi.org/10.32626/2413-2578.2024-24.19-33.

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The article reveals the theoretical-methodological and practical foundations of moral education of students with normative development (ND) and intellectual disabilities (ID), as an integrative process of combining and highlighting the quality of their characteristic properties in accordance with the moral norms and requirements of the social environment. It is noted that the formation of the moral education of students takes place in the educational process, in which a significant place is given to correctional and educational work. When substantiating and developing the methodology of the ps

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Sharma, Kapil. "Destabilizing Section 377: An Indological Approach to Gender and Sexuality." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies (ISSN 2455 6564) Vol. II, Issue 1 (January 31, 2017): 142–56. https://doi.org/10.5281/zenodo.1343575.

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The modalities of gender and sexuality are not divorced from the over-arching ubiquity of the idea of nation. The politics of gender and sexuality, queer issues, religion, nationalism and nationhood are all inextricably inter-connected and continuously enter into negotiation, intersection, coalition and opposition. Nation is always defined on gendered terms. This has been especially evident during the British colonization of India and other colonies. Imperialist Britain, as a Western nation and as the aggressor in colonial intrigue, forged a masculine identity in its literary and political dis

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Namita Sethi. "From “Neti” to “Deathless Goddess”: The Feminine in Nandini Sahu’s Sita and Shedding the Metaphors." Creative Saplings 1, no. 01 (2023): 4–11. http://dx.doi.org/10.56062/gtrs.2023.1.01.409.

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In both Sita and Shedding the Metaphors, Nandini Sahu offers revolutionary interpretations of womanhood, effortlessly embracing nature, tradition, and modern cultural norms. She says she "pours" her own "image" and "personality" into her characters and stories, drawing on her own experience and interactions (Shedding the Metaphors, Preface, 13). Her approach embraces subjectivity and empiricism as well as her broad variety of readings, including both literary and academic works, even though it is not necessarily autobiographical. Nandini Sahu also makes Sita her own in Sita, revitalizing Sita'

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Mossière, Géraldine. "The Anthropology of Christianity and the Dividual Self: Spiritual Flow, Physical Mobility, and Embodied Callings." Studies in Religion/Sciences Religieuses, July 15, 2020, 000842982093159. http://dx.doi.org/10.1177/0008429820931596.

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In Quebec (Canada), the plural religious landscape has strengthened a rhetoric that structures time, space, and morality dichotomously. In local Pentecostal congregations, identity narratives echo this national discourse as they frame religious trajectories within a paradigm of discontinuity that distinguish before and after being Christian, sin and grace, perdition and salvation. By examining Pentecostal migrants’ narratives that have been collected in ethnographic fieldworks among churches located in Montreal (Quebec, Canada), I question the construction of such a binary view in local migrat

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Rao, Ashok Singh, and Meenakshi. "NARRATIVE DYNAMICS IN CROSS-CULTURAL POETRY: AN ANALYTICAL STUDY OF KANHAIYALAL SETHIA AND WILLIAM WORDSWORTH." ShodhKosh: Journal of Visual and Performing Arts 5, no. 5 (2024). https://doi.org/10.29121/shodhkosh.v5.i5.2024.4316.

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Narratology, the study of narrative structures and techniques, is an effective tool for analyzing Kanhaiyalal Sethia and William Wordsworth’s poetry. Despite their origins in different cultural and historical contexts, both poets demonstrate mastery of narrative strategies that extend beyond their immediate surroundings. Sethia’s poetry, which is rooted in Rajasthani cultural and spiritual traditions, employs allegory, minimalism, and temporal fluidity to explore morality, spirituality, and human connection. Wordsworth, a key figure in English Romanticism, explores the interplay of nature, mem

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Peng, Lijing. "‘Fluid’ Identity in Text-Building: A Study of the Revitalization of Origin Tales in West Hunan, China." International Public History, December 19, 2022. http://dx.doi.org/10.1515/iph-2022-2045.

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Abstract My research looks into the revitalization of Miao origin myths in the West Hunan minority ethnic autonomous prefecture in China. Based on two years of fieldwork and archival studies, I propose that West Hunan people’s active perception and interpretation of origin myths and folklore of the Miao people comprise and emphasize curational practices of restructuring historical narratives with a special focus on counter-narrativization. I argue that these efforts challenge lineal historical narration by providing counter-curational perspectives. Interpretations of myths and folklore over th

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Wisuttipat, Nattapol. "“Keeping Condition”: Gender Ambiguity and Sexual Citizenship of Queer Male Thai Classical Musicians." TRaNS: Trans -Regional and -National Studies of Southeast Asia, November 13, 2023, 1–18. http://dx.doi.org/10.1017/trn.2023.12.

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Abstract Gender pluralism has become a rich scholarly topic in Southeast Asia, especially with the rise of LGBT mobilisations across the region in the past decade. Transgender ritual specialists dominate the field of study, with a growing body of literature on Southeast Asian queer expressive cultures. However, queer performances in several classical performing arts are often excluded from the scholarship due to the field's association with the “traditional”. In this article, I address this scholarly gap by examining the social lives of queer men in Thai classical string music. I focus on a st

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Hookway, Nicholas. "Living Authentic: "Being True to Yourself" as a Contemporary Moral Ideal." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.953.

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IntroductionFrom reality television and self-help literature to exhortations to be “true to yourself,” authenticity pervades contemporary culture. Despite their prevalence, cultures of self-improvement and authenticity are routinely linked to arguments about increasing narcissism and declining care for others. Self-improvement involves self-based practices geared to help realise the “improved” and “better you” while authenticity is focused on developing the unique, inner and “real” you. Critiques of both self-improvement and authenticity culture are particularly evident in a sociological tradi

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Ezzy, Tess. "Black Widow." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3144.

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Introduction “First,” said Charlotte, “I dive at him.” She plunged headfirst toward the fly. As she dropped, a tiny silken thread unwound from her rear end. “Next, I wrap him up.” She grabbed the fly, threw a few jets of silk around it, and rolled it over and over, wrapping it so that it couldn’t move. Wilbur watched in horror. He could hardly believe what he was seeing, and although he detested flies, he was sorry for this one. “There!” said Charlotte. “Now I knock him out, so he’ll be more comfortable.” She bit the fly. “He can’t feel a thing now,” she remarked. “He’ll make a perfect breakfa

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Rahimi, Sadeq. "Identities without a Reference." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1847.

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The process of modernisation can be understood to have contributed to a radical loss of collective and individual orientation, by depriving geography of identity, and replacing place by space. "Space", writes Klapp, "robs identity. Place, on the other hand, nurtures it, tells you who you are" (28). If the replacement of place by space is an achievement of modernity, the replacement of space by time can be considered a postmodern hallmark. The fact is that cultures are now bounded as entities more in time than in space, and "time depth now prevails over field depth" (Virilio 24). It is, in

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Cook, Peta S., and Nicholas Osbaldiston. "Pigs Hearts and Human Bodies: A Cultural Approach to Xenotransplantation." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.283.

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Introduction Animals have a significant presence in human lives, with many human interactions involving animals. This role of animals in social life, however, has largely been ignored and marginalised. In the words of Tovey (197), “to read most sociological texts, one might never know that society is populated by non-human as well as human animals”. Human-animal relations are evident in everyday human uses of animals as companions, pets, meat sources, and entertainment. This list is by no means exhaustive, but it does demonstrate how humans create and perpetuate systems of human/animal differe

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Comerford, Chris, and Tracey Woolrych. "Becoming the Shadows." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3142.

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Introduction The dark silhouette of Batman (Robert Pattinson) emerges from the shadows on a rainy night, confronting a gang at a train station. One of their members asks, “what the hell are you supposed to be?”, before moving to attack. Batman quickly disarms the gang member, but in contrast to many of the character’s incarnations – on the screen and the comic book page – who would knock the criminal out before moving on, this Batman pummels the gang member even after he’s been knocked to the ground. With a throaty growl Batman responds, “I’m vengeance”, then proceeds to violently assault the

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