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Artykuły w czasopismach na temat „Franses (Firm)”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Baarsen, R. J. "'In de commode van Parijs tot Den Haag' Matthijs Horrix (1735 -1809), een meubelmaker in Den Haag in de tweede helft van de achttiende eeuw." Oud Holland - Quarterly for Dutch Art History 107, no. 2 (1993): 161–256. http://dx.doi.org/10.1163/187501793x00171.

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AbstractSince 1988, when this journal carried an article on Andrics Bongen (ca. 1732-1792), probably the first cabinet-maker in Amsterdam to have made marquetry furniture in the French style in the third quarter of the eighteenth century, not one item has been added to his small oeuvre. It is therefore still not clear whether Bongen had a long and successful career, nor whether his production was large. This article deals with the eighteenth-century activities of Matthijs Horrix (1735 -1809), a furniture maker who in certain aspects may be regarded as Bongen's Hague counterpart. He, too, haile

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Dulk, Allard den. "New Sincerity and Frances Ha in Light of Sartre: A Proposal for an Existentialist Conceptual Framework." Film-Philosophy 24, no. 2 (2020): 140–61. http://dx.doi.org/10.3366/film.2020.0136.

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There is a growing discourse on “new sincerity,” and related terms like “quirky” and “metamodernism,” as a movement or sensibility in contemporary cinema developing from the late 1990s onward, exemplified by the work of filmmakers such as Wes Anderson and Charlie Kaufman. However, what this new concept means in the context of cinema has so far remained under-defined and requires further philosophical analysis. This article provides such an analysis by offering a reconceptualization of Jean-Paul Sartre's existentialist-phenomenological notions of good faith and sincerity, which will be connecte

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Boubaker, Sabri. "Ownership-Control Discrepancy and Firm Value: Evidence from France." Multinational Finance Journal 11, no. 3/4 (2007): 211–52. http://dx.doi.org/10.17578/11-3/4-3.

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Schadewaldt, Annika M. "“I’m Not a Real Person Yet”: Queering Coming of Age in Frances Ha." aspeers: emerging voices in american studies 12 (2019): 97–116. http://dx.doi.org/10.54465/aspeers.12-07.

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The 2012 film Frances Ha, portraying twenty-seven-year-old Frances Halladay’s everyday struggles in New York City, poses a problem of genre classification: No critical consensus exists on whether Frances Ha’s portrayal of Frances should be called critical or affirmative. Yet even the sympathetic descriptions of what is perceived as Frances’s arrested development suggest that Frances as a character continually fails at being a ‘proper adult.’ This essay, however, posits that this alleged indecisiveness of the film’s central message should be understood as a conscious strategy insofar as Frances

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Hardiyanti, Ayu Fitri, I. Gusti Agung Sri Rwa Jayantini, and I. Wayan Juniartha. "Analysis of Three Dimensional Aspects of the Main Character in Frances Ha Film." Journal of Language and Applied Linguistics 5, no. 1 (2024): 110–19. http://dx.doi.org/10.22334/traverse.v5i1.92.

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In literary works such as short stories, novels, dramas, and films, the characters in the film play a very important role in conveying the story. Having a character with a strong personality can make a good impression on the audience and readers. In this case, the role of the author is very important in creating characters that have strong personalities through character development so that they can create a realistic character. This study aims to determine how the author portrays the main character, Frances Halladay, in terms of three dimensions of characterization, by using the character dim

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Brazzoduro, Andrea. "Il nemico interno. La guerra d'Algeria nel cinema francese." PASSATO E PRESENTE, no. 76 (March 2009): 127–42. http://dx.doi.org/10.3280/pass2009-076007.

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- Starts from France, that established the state of emergency according to an act dating back to the Algerian war (1955) to cope with the revolt which set on fire the banlieues in 2005. Siri's L'Ennemi intime, which came out in cinemas shortly afterwards, brought to the big screen exactly the French Algerian conflict. Contextualizing the film in the plentiful French production about this issue, the A. wonders whether we are faced with a new stage of "the Algerian syndrome" 50 years after the event or whether the Algerian war, caught up in a complex device of censorship and self censorship (off

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Landberg, S. Topiary. "In the Best Interests of the Children." Feminist Media Histories 11, no. 2 (2025): 144–65. https://doi.org/10.1525/fmh.2025.11.2.144.

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This essay concerns the documentary In the Best Interests of the Children (1977) by the feminist collective Iris Films about lesbian mothers fighting to retain custody of their children in the 1970s. Comparing the original concept of the film, as a tool for education and social change, to its recent reemergence as a “forgotten” chapter of LGBTQ+ history, the article demonstrates the fluidity of useful film across time. Working with the personal papers of Frances Reid/Iris Films, and interviews with Reid and her “stepdaughter” Julie Stevens, this article provides a personal, contemporary queer

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Das, Saswato R. "Review: Catching Fire by Richard Wrangham and Fire by Frances D. Burton." New Scientist 202, no. 2711 (2009): 47. http://dx.doi.org/10.1016/s0262-4079(09)61525-6.

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Zhou, Wuna, and Siyu Huo. "Different Selves in Cross-Media Narratives: An Analysis of Sally Rooney’s Conversations with Friends." Literature 5, no. 2 (2025): 7. https://doi.org/10.3390/literature5020007.

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Conversations with Friends by Sally Rooney depicts a love story between Frances, a Dublin college student, and Nick, a married, middle-class actor. The author creatively integrates film narrative and digital media narrative into the novel, thus employing different media for expression. When the novel was successfully adapted into a TV series in 2022, fan participation, media interviews, and actors’ interpretations fleshed out the characters, extending the process of cross-media remediation. Frances gradually accomplishes self-construal in the process of cross-media narrative, searching for the

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10

Lally, Joe. "Fire: The Spark That Ignited Human Evolution. Frances D. Burton." Journal of Anthropological Research 66, no. 3 (2010): 423–25. http://dx.doi.org/10.1086/jar.66.3.20798843.

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Benjamin, Kallan. "Writing in Sound: Frances Marion at MGM, 1925–1933." Film History: An International Journal 34, no. 4 (2022): 59–82. http://dx.doi.org/10.2979/fih.2022.a900042.

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ABSTRACT: This paper examines screenwriter Frances Marion's use of sound in scripts she wrote during the transitional period from silent to sound film. Engaging feminist historiography, screenwriting studies, and sound studies, I argue that Marion's expressive use of narrativized sound in both sound and silent scripts was remarkably innovative, yet underappreciated. Her skillful use of integrated sound helps account for her success in the early 1930s and aligns with the style of sound filmmaking that later came to dominate.

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POWER, CAMILLA. "Fire: the spark that ignited human evolution - By Frances D. Burton." Journal of the Royal Anthropological Institute 17, no. 2 (2011): 409–10. http://dx.doi.org/10.1111/j.1467-9655.2011.01698_12.x.

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Smith, Bradford. "Nuclear Industry: France's privatization plans come under fire." Physics World 7, no. 8 (1994): 6. http://dx.doi.org/10.1088/2058-7058/7/8/4.

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Legette, Roy M. "Here Am I, Send Me: The Life, Career and Legacy of Mary Frances Early." Journal of Historical Research in Music Education 43, no. 2 (2022): 228–47. http://dx.doi.org/10.1177/15366006221084156.

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The purpose of this article is to chronicle the life and contributions of Mary Frances Early (b. 1936), the first African American to graduate from the University of Georgia in 1962. After suffering many indignities and being forgotten for more than three decades, Early became one of the University’s most celebrated graduates. Teaching music in segregated schools in Atlanta, Mary Frances Early worked tirelessly to provide her students with a high-quality music education, and she developed excellent music programs wherever she went. Throughout her long and distinguished career in the public sch

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Ostrowska-Chmura, Elżbieta. "Kto polubi Mary Lennox? „Tajemniczy ogród” Agnieszki Holland i współczesne kino familijne." Kwartalnik Filmowy, no. 81 (March 31, 2013): 52–68. https://doi.org/10.36744/kf.2768.

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Tajemniczy ogród (The Secret Garden, 1993), pierwszy film zrealizowany przez Agnieszkę Holland w Hollywood, jest adaptacją powieści Frances Hodgson Burnett powszechnie uznawanej za klasykę literatury dziecięcej. Autorka artykułu twierdzi, że film ten jest efektem różnorodnych negocjacji między różnymi modelami i tradycjami estetycznymi kina – głównie hollywoodzkiego kina familijnego oraz europejskiego kina artystycznego. W pierwszej części artykułu omówiony jest kontekst produkcyjny Tajemniczego ogrodu i jego wpływ na ostateczny kształt artystyczny filmu. Następnie przedmiotem analizy jest kat

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16

William, Jennifer Marston. "Through Amateur Eyes: Film and Photography in Nazi Germany by Frances Guerin." Shofar: An Interdisciplinary Journal of Jewish Studies 32, no. 1 (2013): 139–42. http://dx.doi.org/10.1353/sho.2013.0124.

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Zacks, Jeffrey M., Trevor Ponech, Jane Stadler, and Malcolm Turvey. "Book Reviews." Projections 15, no. 2 (2021): 116–35. http://dx.doi.org/10.3167/proj.2021.150205.

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Gallese, Vittorio, and Michele Guerra. The Empathic Screen: Cinema and Neuroscience. Trans. Frances Anderson. Oxford: Oxford University Press, 2019, 272 pp., $45.00, ISBN: 9780198793533.Rawls, Christina, Diana Neiva, and Steven S. Gouveia, eds. Philosophy and Film: Bridging Divides. New York: Routledge, 2019, 389 pp., $160 (hardback), ISBN: 978-1-138-35169-1.Moss-Wellington, Wyatt. Narrative Humanism: Kindness and Complexity in Fiction and Film. Edinburgh: Edinburgh University Press, 2019, 256 pp., $29.95 (paperback), ISBN: 9781474454322.Perez, Gilberto. The Eloquent Screen. Minneapolis: Unive

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Migone, Paolo. "Problemi di psicoterapia." RUOLO TERAPEUTICO (IL), no. 122 (February 2013): 69–78. http://dx.doi.org/10.3280/rt2013-122006.

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Vengono presentati i principali problemi del processo di costruzione del DSM-5, cioč della quinta edizione del Diagnostic and Statistical Manual (DSM) dellA' merican Psychiatric Association, previsto per il maggio 2013. In particolare, vengono illustrati principali cambiamenti introdotti dal manuale e le nuove diagnosi proposte, alcune delle quali poi ritirate per le polemiche suscitate (ad esempio quella di "Sindrome da rischio psicotico"). Robert J. Spitzer e Allen Frances, che sono i capi delle task force dei due pre- cedenti DSM (rispettivamente il DSM-III e DSM-IV), hanno guidato una camp

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Benci, Antonio. "Il "film della rivoluzione": il '68 francese in prima pagina." MEMORIA E RICERCA, no. 30 (July 2009): 153–69. http://dx.doi.org/10.3280/mer2009-030014.

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- Due to its time setting, iconography, interconnections with the world revolution of 1968, the French May "event" is charged with visual representations, both during its unfolding and in the years and decades to come. This essay ventures a reflection on the connections between images and memory, analyzing the most significant snapshots of the French May and filtering them through the militants' recollections, such as the images conveyed through movies or the photographs which with the years turned into icons, one for all, the ‘68 "Marianna". It follows that the image, even when not authentic,

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Iqbal, Abdullah, and Ortenca Kume. "Impact of Financial Crisis on Firms’ Capital Structure in UK, France, and Germany." Multinational Finance Journal 18, no. 3/4 (2014): 249–80. http://dx.doi.org/10.17578/18-3/4-3.

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Muntahana, Nuratul, and Ma’rifatul Munjiah. "Tahwiil Ar-Riwayah Al-Fata An-Nabiil ila Al-Fiilm: Dirasah Ikranisasiah li Pamusuk Eneste." Buletin Al-Turas 30, no. 1 (2024): 67–92. http://dx.doi.org/10.15408/bat.v30i1.32325.

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PurposeThe study aimed to reveal the forms of changes that occur in the plot, setting, and social values in the novel Al-Fata An-Nabiil and its film version seen from Pamusuk Aneste’s ecranization theory.MethodThis qualitative study made uses of descriptive qualitative research design. The primary data source was the novel Al-Fata An-Nabiil by Frances Hodgson Burnett and its film version by Kozo Kusuba. The data collection procedures included several techniques, including reading the novel, watching the film, and note-taking technique. In analyzing the data, researchers followed Miles and Hube

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Landais Choimet, Monique. "El nuevo humanismo en la novela contemporánea francesa." Anuario de Letras Modernas 16 (January 10, 2012): 113–21. http://dx.doi.org/10.22201/ffyl.01860526p.2011.16.630.

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Si se plantea la razón de ser del hombre en función de su apertura al otro, cabe privilegiar la lectura de una novelista francesa contemporánea llamada Sylvie Germain, quien destaca por el enfoque ético levinasiano que le da a su obra.Esta perspectiva insólita para nuestra época recalca la firme voluntad de ir a contracorriente. De hecho, en sus personajes figuran las presentes plagas: abandonados,marginados y pordioseros, y dejan entrever la indiferencia colectiva frente a su indigencia. Pero, lejos de caer en el deprimismo, la novelista reencanta con admirable maestría poética la esperanza n

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Callwood, Dan. "Anxiety and Desire in France’s Gay Pornographic Film Boom, 1974–1983." Journal of the History of Sexuality 26, no. 1 (2017): 26–52. http://dx.doi.org/10.7560/jhs26102.

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Nye, John Vincent. "Firm Size and Economic Backwardness: A New Look at the French Industrialization Debate." Journal of Economic History 47, no. 3 (1987): 649–69. http://dx.doi.org/10.1017/s0022050700049044.

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This article challenges the traditional view of French industry—that small, inefficient family firms retarded France's economic growth—by examining data for the French textile and flour milling industries taken from the industry census of 1861–1865. The evidence suggests that the average size of French firms suited the economic and technological conditions of the day. The industries studied exhibit constant returns to scale over a wide output range. France would not seem likely to have gained much from larger firms. This is consistent with revisionist contentions that French industry was as ra

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Marangon, Giorgia. ""La Sépulture" di Gabriel Marie Legouvé da una prospettiva traduttologica: analisi e riflessioni. Proposta di una traduzione italiana ad opera di Giorgia Marangon." Revista de Filología Románica 36 (July 5, 2019): 259–69. http://dx.doi.org/10.5209/rfrm.63516.

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In questo articolo affrontiamo la difficile sfida di analizzare filologicamente La Sépulture di Gabriel Marie Legouvé per proporre ai lettori una traduzione italiana della sua elegia. È importante sottolineare che la prima ed unica traduzione del poemetto francese in italiano è datata 1802, quattro anni appena dopo la pubblicazione dell’originale. Firma questa traduzione Luigi Balochi e la inserisce in una raccolta intitolata: Il merto delle donne, Le rimembranze, La malinconia e Le pompe funebri. La nostra, in sostituzione della traduzione – reinvenzione del Balochi, è una traduzione i

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Calvez, Marcel. "Un paradosso francese secondo gli epidemiologi. Sullo sviluppo della Sociologia della salute in Francia." SALUTE E SOCIETÀ, no. 2 (October 2012): 68–78. http://dx.doi.org/10.3280/ses2012-002005.

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The article discusses a paradox pointed out by epidemiologists and consisting in the quasi-absence of French sociologists in research on social determinants of health whereas references to Durkheim and Bourdieu are central in that field. It considers the handbooks of medical sociology and sociology of health published since the 1970s and gives an overview of the theoretical frameworks in use in French sociology of health. It examines the formation of this orientation in three periods to which correspond three layers of research topics and approaches: the foundation in the 1960s in which Americ

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Brenneis, Sara J. "El fotógrafo de Mauthausen/The Photographer of Mauthausen (Targarona 2018): Francesc Boix’s legacy from page to screen." Studies in Spanish & Latin American Cinemas 19, no. 2 (2022): 151–67. http://dx.doi.org/10.1386/slac_00079_1.

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El fotógrafo de Mauthausen/The Photographer of Mauthausen () is the first feature film on Spaniards deported to Nazi concentration camps during the Second World War and represents a watershed moment for the country’s collective memory. The film focuses on Francesc Boix, a young Catalan photojournalist who spearheaded a clandestine operation to save photographic evidence of the Nazi’s crimes while a prisoner in Mauthausen. Despite its visual acuity, Targarona’s entry is a complicated addition to the canon of recent concentration camp films, given the director’s positioning of Boix as a macho he

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Waterfield, Daniel. "‘My brain is on fire!’ Anglican Womanhood and the Limits of Politeness in Frances Burney's Cecilia." Journal for Eighteenth-Century Studies 42, no. 1 (2018): 49–66. http://dx.doi.org/10.1111/1754-0208.12587.

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ANDERSON, LAURA. "Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960)." Twentieth-Century Music 12, no. 2 (2015): 197–224. http://dx.doi.org/10.1017/s1478572215000031.

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AbstractJean Cocteau (1889–1963) is recognized as one of France's most well-known film directors, directing six films over a thirty-year period. This article argues that his film soundscapes occupy a unique position in the history of French film sound, providing a key link between contemporary experimentation in art music and the sonic experimentation of the New Wave filmmakers. This argument is best exemplified byLe Testament d'Orphée(1960), which represents the apotheosis of Cocteau's artistic output as well as the stage at which he was most confident in handling the design of a film soundsc

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Pele, Antonio. "Humour et subjectivités: retour critique sur le film Intouchables." Tempo Social 30, no. 3 (2018): 271–88. http://dx.doi.org/10.11606/0103-2070.ts.2018.127032.

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O artigo procura entender algumas das bases socioculturais que presidem a construção das relações entre os dois personagens principais do filme Os Intocáveis. Essa ficção nos permitirá identificar os códigos implícitos que definem certas subjetividades da sociedade francesa atual. Ao estudar o cruzamento da esfera pública com a privada, e inversamente, podemos ver como são construídos processos de assimialção e de reprodução de uma cultura específica. Assim, nosso objetivo consiste em mostrar como a análise dessas intersecções ocultas pode revelar algumas potencialidades críticas e políticas.

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Smith, Michael S. "Putting France in the Chandlerian Framework: France's 100 Largest Industrial Firms in 1913." Business History Review 72, no. 1 (1998): 46–85. http://dx.doi.org/10.2307/3116595.

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This article presents a new list of France's 100 largest publicly-held manufacturing firms in 1913 and compares them to the 100 largest American, British, and German firms identified by Alfred D. Chandler, Jr., in Scale and Scope. The largest French firms clustered in the same industries as the largest firms in the other countries. They were much smaller than their American counterparts, but in some industries they compared favorably with their German counterparts in size. More importantly, many of the largest French firms were behaving like the leading industrial firms elsewhere, developing c

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Wardani, L. Dyah Purwita, Fina Rifqiyah, and Dina D. Kusumayanti. "TRANSFORMATIONS IN A LITTLE PRINCESS MOVIE: AN ADAPTATION ANALYSIS." JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN 6, no. 2 (2021): 117–28. http://dx.doi.org/10.51673/jurnalistrendi.v6i2.767.

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A Little Princess is a novel written by Frances Hodgson Burnett (1905). This novel has been adapted several times into film, one of which is Alfonso Cuaron's (1995) work produced by Warner Bross Picture. This film was released in 1995 with the same title, "A Little Princess". This article focuses on the motives and ideologies of the adaptation process from novel to film. The changes that occur are a consequence of using media that change from text to screen scenes. This study will compare the intrinsic elements contained in novels and films. This research will also discuss how the transformati

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SCHOULER, Clément. "Are there still alternatives to confinement in France? The tropism for confinement in France: is the firm judge the one who locks up?" Cahiers du cedimes 20, no. 1 (2025): 19–36. https://doi.org/10.69611/cahiers20-1-04.

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: The number of people detained in French penitentiary establishments has never been as high as in 2024. This figure should not, however, mask the reality of the human rights country's tropism for confinement.

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Pheasant-Kelly, Fran. "Supernatural surveillance and blood-borne disease in Bram Stoker's Dracula: Reflections on mesmerism and HIV." Northern Lights: Film & Media Studies Yearbook 17, no. 1 (2019): 9–24. http://dx.doi.org/10.1386/nl_00002_1.

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Abstract Surveillance and/or voyeuristic viewing are central to certain horror productions and are often related to control and dominance. While such modes of looking are usually less obvious in the vampire film, the vampiric gaze nonetheless exerts a more definitive and immediate effect, causing its victims to fall prey to inevitable death and an extended afterlife. Although all vampire films tend to exploit these mesmeric aspects of Victorian culture, Bram Stoker's Dracula (1992), directed by Frances Ford Coppola, progresses the notion of 'supernatural surveillance'. Coppola uses numerous cr

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Ondriaš, Juraj, Mykola Palinchak, and Kateryna Brenzovych. "THE ECONOMIC INFLUENCE OF FRANCE IN WEST AND CENTRAL AFRICA." Baltic Journal of Economic Studies 10, no. 5 (2024): 40–52. https://doi.org/10.30525/2256-0742/2024-10-5-40-52.

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Despite the decolonisation process, France has retained a considerable degree of influence over its former colonies in Sub-Saharan Africa. However, in recent years, this influence has diminished markedly. The purpose of this article is, therefore, to examine the extent of French economic influence in its former colonies in West and Central Africa. The paper begins by examining the long-term impact of France on the extraction of two key commodities, oil and uranium, on the African continent. This is primarily accomplished through French multinational corporations, which have historical ties to

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Amulya, Chikoti, and Bhaskar* Jimidi. "FORMULATION DEVELOPMENT AND IN-VITRO EVALUATION OF POSACONAZOLE LOADED TRANSFEROSOMES GEL." World Journal of Pharmaceutical Science and Research 2, no. 6 (2023): 273–80. https://doi.org/10.5281/zenodo.10931155.

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The goal of the current research was to create Posaconazole (PSZ) transferosome gel that would be effective against fungal infections. The gel was created by thin film hydration method. A study of the interactions between drugs and excipients was then conducted using the Fourier transform infrared (FTIR) spectroscopy method. The formulations were prepared and evaluated for measurement of pH, viscosity, spreadability, % entrapment efficiency, drug content estimation and in vitro diffusion study. Eight formulations were developed(PF1-PF8). In a Franz's diffusion cell, in vitro diffusion studies

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Gillespie, Michael Boyce. "Death Grips." Film Quarterly 71, no. 2 (2017): 53–60. http://dx.doi.org/10.1525/fq.2017.71.2.53.

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Black death in contemporary cinema requires understanding how film blackness always means provoking new entangled measures of the aesthetic, political, social, and cultural capacities of black visual and expressive culture. As a result, the critical consequence of film blackness always entails issues of affect, narrativity, visual historiography, and genre/modalities. Black death, then, signifies both the violent injustice of African American deaths and the rendering of death in cinema. Three short films by black women filmmakers represent an ever-growing archive of recent works that merit cri

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de Mesnard, Louis. "More firms, more competition? The case of the fourth operator in France's mobile phone market." International Journal of Production Economics 130, no. 2 (2011): 186–95. http://dx.doi.org/10.1016/j.ijpe.2010.12.011.

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Rivero, Elizabeth G. "Más allá de los límites: Memorias, silencios y afectos en "Secretos de lucha" (2007)." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 10 (September 30, 2024): 159–78. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.20241010780.

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Secretos de lucha, documental producido por la compañía filmográfica francesa S.M.A.C, es la ópera prima de la directora Maiana Bidegain (1977), nacida en Bayona, Francia. Hija de exiliados de la dictadura cívico-militar uruguaya (1973-1985), en este film Bidegain intenta desvelar una historia familiar plagada de silencios que refleja una historia comunitaria no menos censurada y fragmentada. A partir de un marco teórico interdisciplinar que se nutre fundamentalmente de los Estudios de la Memoria, los Estudios Fílmicos y la Teoría de los Afectos, propongo en este ensayo que el documental de Bi

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Zabalza, Sergio. "Nomadland y la negación sobre el predicado." Ética y Cine Journal 11, no. 2 (2021): 91–93. http://dx.doi.org/10.31056/2250.5415.v11.n2.34192.

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Nomadland es un precioso ejercicio de exploración de aquella zona subjetiva en que la razón, lejos de abandonarse al escepticismo, cede un lugar al horizonte siempre contingente de nuestra existencia. Si el lector encuentra algún símil con la lógica del No Todo que Lacan emplea en sus fórmulas de la sexuación para describir el campo femenino, está en lo cierto. El juicio indefinido, al que Emmanuel Kant apela para resolver las antinomias que las ideas trascendentes imprimen en la razón, brinda sostén a la posición subjetiva de la que Chloé Zhao (directora) y Frances Mc Dormand (actriz y coprod

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Reyna, Carlos P. "Film and Ritual: epistemological dialogs between filmic anthropology and anthropological practice." Vibrant: Virtual Brazilian Anthropology 9, no. 2 (2012): 431–68. http://dx.doi.org/10.1590/s1809-43412012000200016.

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This article discusses the dialog between filmic anthropology's procedures and methods and anthropological practice, with a focus on ritual, which is captured by the moving image in a more direct and fluid way. For this, the ritual of reproduction and preservation of cattle in Santiago, a peasant village in the Peruvian Andes is used as an empirical base. As an anthropologist-filmmaker I will try to make explicit the relationship between the observed process filmed and the informant, combining two important epistemological grids: Claudine de France's deferred observation, and Clifford Geertz's

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Hess, Steven. "Tomás Navarro Tomás : fonética, geografía lingüística, y compromiso político." Epos : Revista de filología, no. 26 (January 1, 2010): 89. http://dx.doi.org/10.5944/epos.26.2010.10636.

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Tomás Navarro Tomás, discípulo de Menéndez Pidal, se formó en Fonética y Dialectología en universidades francesa y alemanas. En Madrid, estableció el primer laboratorio fonético de España, y su «Manual de pronunciación» llegó a ser el clásico de la materia. Inició trabajos para un Atlas Lingüístico, frustrado por la Guerra Civil. Firme en su lealtad a la causa republicana, tuvo que exiliarse a Nueva York, donde prosiguió su carrera con estudios de dialectología (Puerto Rico), fonología, y métrica. Rotos sus lazos con España, su clásico manual quedó congelado en su última revisión (1932), a pes

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Castellano Martínez, José M. "La traducción institucional y el concepto de equivalencia en la Unión Europea: oficialidad y divergencia en las versiones francesa e inglesa de la Declaración de Berlín." SKOPOS. Revista Internacional de Traducción e Interpretación. e-ISSN: 2695-8465. ISSN: 2255-3703 6 (December 1, 2015): 85–103. http://dx.doi.org/10.21071/skopos.v6i.5655.

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El presente trabajo centra su atención en las versiones francesa e inglesa de la Declaración con motivo del quincuagésimo aniversario de la firma de los Tratados de Roma que tuvo lugar en Berlín en 2007 y analiza el concepto de equivalencia que se pretende en el marco del multilingüismo oficial de la Unión Europea en donde la traducción, el TO y TM quedan relegados frente al instrumento en cuestión. Tras la pertinente introducción de la temática, se comentan las divergencias lingüísticas y conceptuales detectadas en ambas versiones para hacer referencia posteriormente a la hegemonía textual qu

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Kim, Seonah. "A Study on Film Support System and Governance in the Media Convergence Era Focusing on France’s CNC and the Korean Film Council." JOURNAL OF THE KOREA CONTENTS ASSOCIATION 24, no. 5 (2024): 601–13. http://dx.doi.org/10.5392/jkca.2024.24.05.601.

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Neilson, Lisa. "Book review: Luc Fransen, Corporate Social Responsibility and Global Labor Standards: Firms and Activists in the Making of Private Regulation." Work, Employment and Society 27, no. 6 (2013): 1042–43. http://dx.doi.org/10.1177/0950017013501949.

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González, Rigoberto. "Review: Fire and Ink: An Anthology of Social Action Writing. by Eds. Frances Payne Adler, Debra Busman, and Diana García." Ethnic Studies Review 32, no. 2 (2009): 136–38. http://dx.doi.org/10.1525/esr.2009.32.2.136.

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Fernández García, Marcos. "“No hay boticario ni especiero en este reino que no pone su parte para armar navíos e ir a las Indias”. El corso francés en el Caribe español durante la paz de Cateau-Cambrésis (1559-1578)." Revista de Indias 85, no. 293 (2025): 1770. https://doi.org/10.3989/revindias.2025.1770.

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El asentamiento español en las Indias durante las primeras décadas del siglo XVI dio comienzo a un proceso de cambio con implicaciones sin precedentes dentro del tablero geopolítico europeo, extendiendo el mapamundi a contextos territoriales nunca antes vistos. La ventaja española durante los primeros compases de la centuria comprometió las pretensiones hegemónicas de sus rivales, excluidos en un principio de las oportunidades que ofrecía el escenario americano. Con el fin de debilitar a una Corona hispánica en amenazante expansión, el corso se instituyó como una herramienta bélica perfecta, u

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Amores García, Montserrat. "El cuento como señuelo: la firma de Francisco de Paula Mellado en el Museo de las familias." Anales de Literatura Española, no. 31 (September 1, 2019): 33. http://dx.doi.org/10.14198/aleua.2019.31.02.

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El artículo analiza las narraciones firmadas con diferentes rúbricas por Francisco de Paula Mellado en el Museo de las Familias (1843-1870), con el propósito de recabar suscriptores para sus publicaciones. La autora analiza los diferentes recursos utilizados por el editor, entre los que se encuentran las adaptaciones de textos franceses con referencias explícitas a la revista, la vinculación de narraciones publicadas en el Museo con otras obras del catálogo de Mellado o la relación de acontecimientos presentados como verídicos en los que el narrador se ve involucrado.

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Chambers, Jamie. "Consolidating an experimental pedagogy: Exploring ecologies of film education within France’s Cinéma Cent Ans De Jeunesse and Scotland’s Understanding Cinema project(s) between 2013 and 2019." Film Education Journal 3, no. 2 (2020): 138–59. http://dx.doi.org/10.14324/fej.03.2.03.

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The Cinémathèque Française’s long-running Cinéma Cent Ans De Jeunesse (CCAJ) has become one of the most influential film education projects in the world today. This article reflects critically and in detail upon five years of the delivery of the project in Scotland, considering the changing pedagogical shapes of the project’s ‘curriculum’ alongside changing ecological factors (such as class size and age and lesson time) in considering how a small nation such as Scotland might best employ CCAJ as a means of addressing foundational film education.

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Blanquer-Adam, Paula. "Autofiction in Contemporary Film as a Constructing Medium for the Woman Autor-Character-Narrator." Asparkía. Investigació feminista, no. 45 (July 24, 2024): 1–20. http://dx.doi.org/10.6035/asparkia.7849.

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Un total de 59 producciones desde el año 2000 refleja el auge de la autoficción contemporánea dirigida por mujeres y constata el vasto volumen de producción y coproducción francesa. Este trabajo revisa la relevancia de la autoficción en el contexto de subordinación de las cineastas en la industria y en su condición de sujetos de la enunciación. En una contribución a la valoración de la subjetividad femenina ficcionada, se estudia la construcción del yo a través de lo real, los personajes, el tiempo y el espacio en las películas de mayor recaudación: National Theatre Live: Fleabag (2019), de Ph

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