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Rozprawy doktorskie na temat „French fiction”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 31 lipca 2024

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1

Shagalova, Marianna. "On the French novel at the turn of the century : the pain of existence in a world deprived of meaning /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1196396521&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 204-210). Also available for download via the World Wide Web; free to University of Oregon users.

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2

Ladouceur, Marlene. "Voices in French fiction a journey of self-discovery /." [Denver, Colo.] : Regis University, 2005. http://165.236.235.140/lib/MLadouceur2005.pdf.

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Thesis (M.A.)--Regis University, Denver, Colo., 2005.<br>Title from PDF title page (viewed on Dec. 5, 2005). "Specialization: French literature." Includes bibliographical references. Also available in print (2006 printed on spine).

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3

Rutherford-Chapman, Claire. "Representations of child abuse in contemporary French teenage fiction." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/31869/.

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Child abuse began to emerge as a central topic depicted in Western children’s and teenage realist fiction from around the 1990s, peaking in prevalence around the turn of the century and into the early years of the twenty-first century. In this thesis I explore the formal expression of abuse and trauma in a corpus of twenty French texts published between 1992 and 2008 for young-adolescent readers aged between 10 and 16 years. The project begins with a Propp-inspired structural model of child-abuse plot features and characters, which identifies a set cast of protagonists across the corpus which

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4

Kemp, Simon Robert. "Crime-fiction pastiche in late-twentieth-century French literature." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619787.

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5

Ganofsky, Marine. "Night in eighteenth-century French libertine fiction (1730-1789)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610662.

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6

Morrissey, James Rodger. "Political engagement in the French fiction film 1968-2008." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542026.

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7

Hartford, Jason J. "Queer Martyr-Figures in Fiction in French 1876-1985." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491381.

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This thesis examines the appearance, development and use of queer martyrs as they appear in French literature, mainly fiction, during the indicated period. It charts these in relation to two distinct manners of representation used for this leitmotiv. The first, exemplified in Flaubert, approaches it as a vehicle for reconciling divergent, and potentially conflicting philosophies. With the second, observable first in the work of the Belgian Naturalist Georges Eekhoud, the queer martyr becomes a means of asserting a homosexual identity, with chiefly political and pornographic applications.

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8

Matthies, Rich John. "Fort Apache : the literary lives of the Parisian banlieue savage /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/8303.

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9

Arguin, Maurice. "Le roman québécois de 1944 à 1965 symptômes du colonialisme et signes de libération /." Québec : Centre de recherche en littérature québécoise, Université Laval, 1985. http://catalog.hathitrust.org/api/volumes/oclc/15581996.html.

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Présenté à l'origine comme thèse (de doctorat de l'auteur--Université Laval) sous le titre: Symptômes du colonialisme et signes de libération dans le roman québécois, 1944-1965.<br>Comprend un index. Bibliogr.: p. 205-217.

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10

Lemay, Christian. "Pour une érotologie de la fiction québecoise contemporaine." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/29028.

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L'objet de cette thèse est de faire apparaître, à partir d'oeuvres representatives de la littérature romanesque québecoise des années 1960 à 1996, l'évolution du récit érotique en tant que genre utilisant une structure narrative particulière, ainsi que des procédes littéraires qui mettent en valeur l'ingéniosité de l'auteur et son pouvoir sur le lecteur. La problèmatique essentielle de la représentation des scènes, de leur évolution, des jeux de statut, ainsi que de l'autodérision est au centre de nos préoccupations. La conception du texte, sa construction aussi, modifient considérablement l'e

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11

Kershaw, Angela. "Gender, politics and fiction in 1930s France." Thesis, University of Nottingham, 1998. http://eprints.nottingham.ac.uk/14337/.

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This study examines French political fiction of the 1930s, taking gender as its primary category of analysis. It considers texts by female novelists whose work has been largely excluded from critical attention, in order to bring their particular contribution to inter-war French literature to light. It integrates this analysis into a consideration of relevant and representative texts of the exclusively male canon of French political fiction dating from the 1930s, exploring points of contact and divergences to show how the work of the female authors relates to the wider context of French inter-w

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12

Villeneuve, Lisa. "Dwelling space in post-war French fiction (Camus, Sollers, Perec)." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487146.

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This thesis examines the concept of dwelling space in works written between 1957 and 1978. Our study emphasises a concern for the problematics of 'place'. By inscribing our reading within the parameters of the 'housing question' and economic modernisation in post-war France, we draw attention to the role ofthe habitable in transforming everyday private experience. The final chapter addresses four recent works (1985-1999) that draw together these concerns. Our readings proceed chronologically, beginning with Albert Camus's 'Jonas' (L 'Exil et Ie Royaume, 1957) in Chapter One. This is followed b

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13

Tyers, Meryl Lois Sylvia. "Figures of fiction : a study of Nerval's Les Illumines." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282008.

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14

Hall, Daniel James Alan. "Gothic fiction in France and Germany (1790-1800)." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324030.

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15

Cohen, Marcel Nessim. "Le "Mobutisme" : expression d'une volonte nationale ou fiction litteraire." Thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/23116.

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16

Cornford, Sharon Mary. "Responses to the human condition in the prose fiction of Jean Genet." Thesis, University of Hull, 1994. http://hydra.hull.ac.uk/resources/hull:14330.

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17

Desandere, A. "'The short form' in Colette' : with reference to La Chambre eÌclaireÌe, Journal aÌ€ rebours, Pour un Herbier." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269091.

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18

Coyle, Richard Daniel. "Commerce and exchange in eighteenth-century English and French Oriental fiction." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429042.

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19

Cadenhead, Stefanie. "1980s and 1990s French fiction and the 'retour au reÌcit'." Thesis, University of Liverpool, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402408.

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20

Hardwick, Joseph Brian. "Romans et theses : french "existentialist" fiction, literary history and literary modernism /." St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16410.pdf.

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21

Beaulé, Sophie. "L'institution de la science-fiction française, 1977-1983." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65469.

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22

Lawson-Ananissoh, Laté E. "Le roman nouveau en Afrique francophone Henri Lopes, Sony Labou Tansi : Eléments d'une poétique /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=wltcAAAAMAAJ.

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23

Duffy, William Lawrence. "Le Grand Transit Moderne : changing patterns of mobility in French naturalist fiction." Thesis, University of Hull, 2001. http://hydra.hull.ac.uk/resources/hull:5865.

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24

Stone, Lucy. "Men, masculinity and the female rebel in French women's fiction, 1900-1913." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/men-masculinity-and-the-female-rebel-in-french-womens-fiction-19001913(44e53c38-4d98-4339-b4dd-23168236c967).html.

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This thesis examines representations of men and constructions of masculinity in eight female-authored French novels published between 1900 and 1913: Rachilde's La Jongleuse (1900), Marcelle Tinayre's La Maison du péché (1902), Colette Yver's Les Cervelines (1903), Gabrielle Réval's Le Ruban de Vénus (1906), Jeanne Marni's Pierre Tisserand (1907), Daniel Lesueur's Nietzschéenne (1908), Lucie Delarue-Mardrus's Douce moitié (1913) and Colette's L'Entrave (1913). It approaches the issues of men and masculinity by analysing male characters' relationships and interactions with female protagonists en

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25

O'Donovan, Patrick Thomas. "Values of style in French narrative fiction : Flaubert, the Goncourts and Proust." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315275.

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26

Newland, Jane Elizabeth McDonald. "Difference reading : a Deleuzian analysis of contemporary French series fiction for adolescents." Thesis, University of Southampton, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433827.

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27

Hertaud-Wright, Marie-Helene. "Masculinity, hybridity and nostalgia in French colonial fiction films of the 1930s." Thesis, Loughborough University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327684.

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28

Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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29

Fonkoue, Ramon Abelin. "Esthétique et éthique de l'agentivité dans le roman antillais /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://hdl.handle.net/1794/10204.

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Typescript. Includes vita and abstract. "The major argument of this work is that French Caribbean novels pursue a political agenda"--P. iv. Includes bibliographical references (leaves 179-185). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.

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30

Zadi, Samuel. "L'écriture hybride dans le roman francophone African et Antillais : resemblances et différences /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3115603.

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31

Decouvelaere, Stephanie Francoise. "The elusive better break the immigrant worker in Maghribi fiction in French and Caribbean fiction in English, 1948-1979." Thesis, University of Kent, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504465.

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32

Sugden, Rebecca Ann. "Conspiracy in Balzac and Sand's July Monarchy fiction." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289912.

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This thesis explores the representation of conspiracy in the literature of the July Monarchy (1830-1848) and its engagement with conspiracy thinking, with particular reference to the work of Honoré de Balzac (1799-1850) and George Sand (1804-1876). In providing the first sustained scholarly exploration of conspiracy and cultural production in nineteenth-century France, it situates the novel within wider discourses on European political history in the years leading up to the upheaval of 1848. Through close readings of Balzac and Sand's common investment in conspiracist modes of explanation, th

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33

Partanen, Susanne. "“Fiction is woven into all” –The Deconstruction of the Binary Opposition Fiction/Reality in John Fowles’s The French Lieutenant’s Woman." Thesis, Högskolan Dalarna, Engelska, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:du-4186.

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34

Barfoot, Nicola. "Frauenkrimi : generic expectations and the reception of recent French and German crime novels by women = Polar féminin /." Frankfurt am Main [u.a.] : Lang, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015744779&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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35

Magedera, Ian Hollis. "Subjectivity, gesture and language consciousness in the early prose fiction of Jean Genet (1910-1986)." Thesis, Queen Mary, University of London, 1997. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1637.

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This thesis interprets the language of the self in both editions of Jean Genet's five works of early prose fiction. Its appendices present the first list of the 65000 words of excisions and variants between the subscribers' (1943-48) and public editions (1949-53). Many critics have interpreted Genet's works in terms of his life, applying to them a reductive notion of the self. Subjectivity in this thesis is a broader concept which addresses the (self-) representation of narrators and characters. I apply close textual analysis to two types of passage (relating to gestures and language conscious

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36

McNamara, Josephte Isabel. "Fact or fiction : L'Histoire du Canada and its influence on French Canadian novels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ39925.pdf.

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37

McRae, A. "The useful journey : Travellers through life in eighteenth-century French and English fiction." Thesis, University of Reading, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373763.

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38

Boardman, Kirsty Louise. "Notions of time and epoch in contemporary French fiction : Montalbetti, Lenoir & Pireyre." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16398.

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This thesis examines the notions of time and epoch through the works of three contemporary French authors: Christine Montalbetti, Hélène Lenoir and Emmanuelle Pireyre. The theoretical framework for this study draws upon literary criticism, time studies and cultural theory: it investigates in particular the ways in which literary fiction may respond to what has been called a ‘culture of speed' in capitalist economies of the twenty-first century. This culture of speed is traced back two major epochal shifts: the revolution in information technology, which has permitted the generating and shari

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39

Morton, Nina. "Freeing fossils the novel as organism in John Fowles's The French lieutenant's woman /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1462.

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40

Darby, Robert. "Flaubert and the literary absolute : the emergence of a new aesthetic in the early works." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365593.

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41

Morris, Alan I. "The German Occupation in recent French fiction : an analysis of the literary 'mode retro'." Thesis, University of St Andrews, 1985. http://hdl.handle.net/10023/6462.

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This thesis attempts to analyse and characterise the mode rétro, the remarkable renewal of interest in the German Occupation of France, which is coloured by an extensive re-evaluation of the period's significance. An introduction places this fashion in its literary, social and historical context, revealing how, from 1940 to 1969, a collective and predominantly Gaullist 'myth' of the Resistance became established, with the result that the national response to invasion was accepted to be one of wide-spread heroism and revolt. Part I studies the reaction to such résistancialisme, showing how this

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42

Rose, Kathryn Germaine. "Digesting Modernism: Representations of Food and Incorporation in Nineteenth and Twentieth-Century French Fiction." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11175.

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This dissertation examines the link between food and writing about food in French modernist texts in nineteenth and twentieth-century French novels, tracing the central role of food in realist fiction as an encoder of bourgeois discourse to its persisting, yet altered, role in modernist texts. While the propagation of gastronomy and culinary discourse through realist texts presupposes and relies on the seamless conversion of diners into readers and the meal into text, this dissertation has at its root the exploration of the narrative potential inherent in the creation of space in conspicuous

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43

Edwards, Rachel. "Myth in contemporary French fiction with particular reference to Michel Tournier and Patrick Grainville." Thesis, University of Exeter, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481193.

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44

Rosso, Ana. "Female sexuality in French naturalism and realism, and British new woman fiction, 1850-1900." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/14126.

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The Victorian need to compartmentalise and define women’s sexuality in terms of opposing binaries was paralleled by the vague idea that the period’s French and British literatures were at odds with one another. Elucidating the deep connections between, and common concerns shared by, French Naturalist and Realist and British New Woman authors, this thesis shatters the dichotomies that attempted to structure and define women’s sexuality in the mid- to late- nineteenth century. The thesis focusses on novels and short stories by French authors Émile Zola and Guy de Maupassant, and New Woman author

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45

Lacey, Karen Elizabeth. "Recruitment, recompense and masculinity : the military man in French and British fiction 1740-1789." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/recruitment-recompense-and-masculinity(fa64a63f-27fc-4bf8-9144-44ee608282ae).html.

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This thesis looks at the conception and representation of military men in British and French literature 1740-1789 as the military man moved from non-national ‘archetype’ (warrior, knight, noble) toward nationalised professional (officer, soldier, sailor). The dates that frame the corpus contain the last two European wars before the French Revolution: the War of the Austrian Succession (1740-48) and the Seven Years War (1756-1763). In literature, the ancient concepts of heroism and glory had to contend with newer models of merit and virtue. Drawn together by warfare, this transformation also un

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46

Jurney, Florence Ramond. "Voix/es libres : expression de la maternité et constitution d'une identité feminine dans une sélection d'œuvres francophones des Caraïbes /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3045089.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 272-293). Also available for download via the World Wide Web; free to University of Oregon users.

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47

Dallaire, Julie. "Pour une narratologie relative : la narratologie à l'épreuve de la science-fiction /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2004. http://theses.uqac.ca.

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Wolfgang, Bonnie J. "The silence of the forest : a translation from French to English with analysis and literature review." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1033635.

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The Central African Republic is a small country located in the center of Africa. It is a very young nation in terms of political independence, but as the CAR emerges as a nation, it has begun to produce valuable authors who write for the French speaking world. This thesis is an attempt to bring part of the CAR's literature to the United States.Le Silence de la Foret was written by Etienne Goyemide and not only describes the culture of the mainstream population of the CAR, but also that of Pygmies. Although the book is a novel, the cultural aspects are not fictitious. This thesis is a translati

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49

Fraiture, Pierre-Philippe. "Sous l'empire du royaume : poét(h)ique de la fiction coloniale issue du Congo belge (1945-60)." Thesis, University of Nottingham, 2002. http://eprints.nottingham.ac.uk/29012/.

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This thesis intends to explore colonial fictions written in French and set in the former Belgian Congo between 1945 and 1960. The investigation will focus on George Duncan (1898-1967), Henri Cornélus (1913-1983), Marcel Tinel (1904-?) and Joseph Esser (1901-?). The thesis - throughout - will endeavour to focus on both ethics and poetics. In order to achieve this overarching (double) objective it will attempt to address the following questions: (1) how are colonised subjects and colonisers represented by this fictional material? (2) how do colonial novelists account for and/or sympathise with t

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50

Aadnanii, Rachid. "Cultural resistance in contemporary Maghrebi fiction Mohammed Khair-Eddine and Assia Djebar's intersecting linguistic trajectories /." Diss., Online access via UMI:, 2004.

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