Gotowe bibliografie tematyczne / Friendship – drama

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Gotowa bibliografia na temat „Friendship – drama”

Autor: Grafiati

Data publikacji: 25 lipca 2024

Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Friendship – drama"

Vasić Rakočević, Branislava V. "„LIPTONOV ČAJ“ RADOMIRA KONSTANTINOVIĆA I IZAZOV RADIO-DRAME." Nasledje Kragujevac XIX, no. 52 (2022): 299–309. http://dx.doi.org/10.46793/naskg2252.299vr.

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This paper begins with an overview of the history of radio drama as well as its charac- teristics. Radio dramas of Radomir Konstantinović represent a very specific part of his work mostly due to the historical position of this genre. The central part of the paper is the analysis of his radio drama called The Lipton Tea. There are some characteristic poetic elements in it which are connected to his novels. The crucial problems are problems of identity in a modern world and a dream of happiness and friendship. Since his radio dramas are fully published in 2019 for the first time, this paper traces the path for further research in this area.

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Maurice, Lisa. "AMICI ET SODALES: AN EXAMINATION OF A DOUBLE MOTIF IN PLAUTUS." Mnemosyne 56, no. 2 (2003): 164–93. http://dx.doi.org/10.1163/156852503321625132.

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AbstractOne of the ways in which Plautus investigates friendship is through his use of the stock characters so central to Roman comedy. Among the twelve stock characters of comedy that Apuleius lists, appears the figure of the sodalis opitulator (the 'helpful mate'), who has not so far drawn much attention. Not only does Plautus use this character frequently, in five of his twenty extant plays he employs not one friend, but two, as a double motif. In these plays, Plautus uses these double stock characters to parody the ideals of friendship which had developed in the literary tradition, and to play with the conventions of drama as part of a metatheatrical approach to comedy. By a doubling of this motif, Plautus highlights friendship, in order to look at other literary or dramatic themes that include the ideal literary friendship, the supremacy of the Plautine slave and drama itself.

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Švábová, Božena. "Tvorivý proces dramatickej hry rozvíjajúci sociabilitu a emocionalitu dieťaťa." Studia Scientifica Facultatis Paedagogicae Universitas Catholica Ružomberok 22, no. 2 (2023): 120–26. http://dx.doi.org/10.54937/ssf.2023.22.2.120-126.

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In the creative process, drama play allows children to become an active subject of the educational process. It is a very lively and flexible process, it teaches children to communicate, express their opinion, argue, get to know themselves and the world around them. In the article, we point out the importance and possibilities of using drama games in the kindergarten environment, which allow children to realize themselves in induced drama situations and role-play. They bring them joy, freshness, friendship, tension, relaxation, the possibility of self-expression in all activities during the day.

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Ivan, Peshkov. "Friendship Test: the “Chineseness” Drama in the Border City Conditions." Journal of Siberian Federal University. Humanities & Social Sciences 11, no. 11 (2018): 1742–61. http://dx.doi.org/10.17516/1997-1370-0337.

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Kurniawan, Willy Putranto, Vika Andriani, and Tasha Rikayama. "Pembuatan Film Pendek Bertemakan Persahabatan “How Bromance Us”." JTIM : Jurnal Teknologi Informasi dan Multimedia 2, no. 2 (2020): 109–15. http://dx.doi.org/10.35746/jtim.v2i2.97.

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A good relationship is not always shared by most teenagers especially in socializing, even not just teenagers, the bigger a person, the more difficult it will be for them to have sincere friendships. In the present era there are many bad things that cause a problem and also have a negative impact that starts from a friendship that is not good. According to an extreme statement by British anthropologist Robin Dunbar, we could have hundreds of friends, but no more than 5 could understand us. This statement and phenomenon is the inspiration for this short film work entitled "How Bromance Us". How Bromance Us is a short film with a fictional drama genre, this friendship has been going on for more than nine years, started from the thought of Edgar who strongly does not believe that there are friends in this world who are truly sincere in undergoing friendship. In one situation Edgar realized that what he always believed was the wrong thing because he realized that his little relative Ryan was a true friend because he had gone through good and bad things together and gave each other support to each other. This work uses steps for developing ideas, writing scripts, determining players, selecting sets and properties, reading, shooting and, and editing. The results of this work last 20 minutes accompanied by a moral message that being yourself is very important, but do not forget to keep the feelings of others, especially true friends. It is hoped that this non-thesis work can change the way the viewer views his friendship relationship and can inspire other filmmakers to continue producing works that have a strong moral message.

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Hamzah, Yuyun, Pahrul Idham Kaliky, and Antasari Bandjar. "Media Persona and Parasocial Relations of K-Drama Viewers on Instagram." International Journal of Science and Society 3, no. 3 (2021): 417–26. http://dx.doi.org/10.54783/ijsoc.v3i3.387.

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This research is a qualitative descriptive study that aims to provide an overview of the interactions and parasocial relationships of k-drama audiences with the characters in The World of The Married drama as the impact of mass communication. And to find out the characteristics, factors that influence parasocial relationships and at what level these parasocial relationships are intertwined with the S.O.R (Stimulus, Organism, Response) theory as a framework of thought. Primary data collection was carried out through online interviews with a number of informants from the k-drama audience of The World of The Married who were taken randomly from Instagram accounts. The results of this study indicate that the interaction between the audience and k-drama. The World of The Married gives rise to parasocial relationships with the following three characteristics, empathy toward the performer, seeking companionship, and imagined friendship. Parasocial relationships that exist are influenced by factors of motivation, identification and similarity. Thus, in the concept of interaction and parasocial relationships, Korean drama audiences can be grouped at the level of entertainment social-value and intense-personal feeling.

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Besio, Kimberly. "A Friendship of Metal and Stone: Representations of Fan Juqing and Zhang Yuanbo in the Ming Dynasty." NAN NÜ 9, no. 1 (2007): 111–45. http://dx.doi.org/10.1163/138768007x171731.

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AbstractThis essay examines representation of male friendship in Ming vernacular literature through an analysis of works that retell the story of two late Han friends, Fan Juqing and Zhang Yuanbo. Throughout the Ming, versions of the tale were produced in a variety of literary genres including a zaju play and a vernacular short story. Both the drama and the short story are extant in multiple editions, providing us insights into how they were interpreted by various literati editors. The durability of the friendship between Fan and Zhang—an essential aspect in all depictions of their story—is vividly evoked by the phrase that characterizes their relationship in dramatic literature: "a friendship of metal and stone." The late Ming editions of the play and the short story underline the two friends' unbending commitment to their friendship through a variety of textual and paratextual additions and emendations. In the hands of these late Ming literati editors the two friends Fan and Zhang thus become heroic figures worthy of eternal respect.

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Lanphier, Elizabeth. "Friends and Citizens in Plato’s Crito." Philosophy in the Contemporary World 27, no. 1 (2021): 44–67. http://dx.doi.org/10.5840/pcw20212713.

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I propose a revisionary reading of Plato’s Crito focusing on the dramatic rendering of the friendship between Crito and Socrates, which I argue affords a model for political participation in a social contract. Their friendship models how citizens can come to be conventionally related to one another, and how they should treat one another internal to that relationship. This approach is apt for contemporary democratic theory, perhaps more so than standard interpretations of the political theory traditionally mined from the text, rather than drama, of the Crito. My account moves beyond questions of civility in deliberative democratic politics and deepens an account of how and why we ought to regard those with whom we disagree, but to whom we have nonetheless quasi-voluntarily bound ourselves within the same project of democracy. Friendship also addresses regard for those who have not previously received equal consideration within a putatively democratic social contract.

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Sherman, Jason, Michel Marc Bouchard, Linda Gaboriau, John Palmer, and Reid Gilbert. "Canadian Brash: New Voices in Fiction, Drama, Poetry, Lilies, or The Revival of a Romantic Drama, The End / A Day At The Beach." Canadian Theatre Review 72 (September 1992): 79–81. http://dx.doi.org/10.3138/ctr.72.016.

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Canadian Brash presents an exciting – sometimes challenging – sampling of contemporary writing in all genres. Although the work is often postmodern in approach, it generally fits within traditional genre definitions and, with some exceptions, moves within narrative structures to closure: this is not writing as avant-garde as can be found in the little mags, nor is it writing which avoids the narratological or standard grammars of usage. It does, however, extend the cultural and political grammars of Canadian society to redefine gender roles, friendship, family love, sexual love, and responsibility, often in themes or subtexts which concern homosexual issues.

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Asiska, Milasari, and Misnah Mannahali. "Perwatakan dan Nilai Moral Tokoh Utama dalam Kumpulan Dongeng Ludwig Bechstein." Phonologie : Journal of Language and Literature 3, no. 1 (2023): 29. http://dx.doi.org/10.26858/phonologie.v3i1.36283.

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Abstract. This research purpose the value of character building in the drama Nathan der Weise, and its relevance to German lessons at SMA. The data analysus technique used is content analysis. This analysis technique consists of there stages. They are data reduction, data display and conclusion. Based on the result obtained from the Fed analysis that there are six values in the Drama Nathan der Weise that are relevant to the value of character building snd the German lesson Kurikulum 2013 at SMA. The six values are wisdom, tolerance, self-confidance, humalitiy, mutual help, and friendship. The relevance of these six values to German lessons using the role-playing method.Keywords: Nathan der Weise, Character buiding, Kurikulum 2013, Role-playing, Conten-Analysis.

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