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Artykuły w czasopismach na temat „Genre”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Devitt, Amy J., Carol Berkenkotter, Thomas N. Huckin, Aviva Freedman, and Peter Medway. "Genre, Genres, and the Teaching of Genre." College Composition and Communication 47, no. 4 (1996): 605. http://dx.doi.org/10.2307/358606.

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Lecarme-Tabone, Éliane. "Genres et genre." Littérature 191, no. 3 (2018): 5. http://dx.doi.org/10.3917/litt.191.0005.

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Devitt, Amy J. "Review: Genre, Genres, and the Teaching of Genre." College Composition & Communication 47, no. 4 (1996): 605–15. http://dx.doi.org/10.58680/ccc19968677.

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Polack, Jean-Claude. "Genres et mauvais genre." Les Lettres de la SPF N° 31, no. 1 (2014): 35–41. http://dx.doi.org/10.3917/lspf.031.0035.

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Ford, Andrew. "The Genre of Genres." Poetica 38, no. 3-4 (2006): 277–95. http://dx.doi.org/10.30965/25890530-038-03-04-90000004.

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Ford, Andrew. "The Genre of Genres." Poetica 38, no. 3-4 (2006): 277–95. http://dx.doi.org/10.30965/25890530-0380304004.

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Varakuta, Maryna, Daryna Kupina, and Maryna Votintseva. "Genre Hybrids in the Symphonical Creativity of Ye. Petrychenko as a Reflection of Time Trends." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (2021): 193–211. http://dx.doi.org/10.24193/subbmusica.2021.2.13.

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"Some peculiarities of genre interaction are considered (based on the symphonic creativity of a modern Ukrainian composer – Yevhen Petrychenko). It was found out that the symphony genre is open to various interactions, resulting in complex genre hybrids that allow the symphony to realize all its potential and extend the “life” of the genre. It has been proved that the awareness of the peculiarities of the genre hybrid is possible only at the level of seperate works and is situational. Two types of interactions that characterize genre hybrids are identified. This is an equal combination of genr

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Shahla, HUSEYNLI. "THE PROBLEM OF FUNCTIONAL GENRE IN AZERBAIJANI FOLKLORE STUDIES." Epic studies 1, no. 33 (2024): 36–44. http://dx.doi.org/10.25587/2782-4861-2024-1-36-44.

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In this article the problem of functional genre, which is an important issue in folklore studies, is studied scientifically and theoretically. The formation of a new genre as a result of the process of deriving a genre from a genre has been brought to attention on the basis of specific texts. These genres are called functional genres and it has been considered on the basis of which specifics functionalize the genres such as “bayati”, “gerayli”, “goshma”, “temsil” and fairy tales. Thus, it was initially noted that the genre of “bayati” (quatrain) is not a specific genre, like many other genres,

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Russell, Alisa. "Toward Genre Access: A Micro-level Analytical Approach." Written Communication 41, no. 2 (2024): 319–51. http://dx.doi.org/10.1177/07410883231222953.

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Many genre scholars have focused on how individuals might build genre knowledge, generally understood as the enculturation processes, gradual stages, or ingredients that lead to one’s facility with a genre in context. While genre knowledge describes whether people can engage genres, it does not describe the various factors that shape how people may engage genres. By consolidating scholarship across Rhetorical Genre Studies (RGS), this article characterizes genre access as the power, opportunity, permission, and/or right to engage genre. Furthermore, this article integrates Network Gatekeeping

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Bawarshi, Anis. "Beyond the Genre Fixation: A Translingual Perspective on Genre." College English 78, no. 3 (2016): 243–49. http://dx.doi.org/10.58680/ce201627655.

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This essay examines what a translingual orientation offers to the study and teaching of genre, in particular what we gain when we think of genre difference not as a deviation from a patterned norm but rather as the norm of all genre performance. A translingual perspective draws our attention to genre uptake as a site of transaction where memory, language, and other semiotic resources, genre knowledge, and meanings are translated and negotiated across genres, modalities, and contexts. Focusing on genre uptake performances shifts attention from genre conventions to the interplays between genres

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Cressens, Axelle. "GenERe (éd.) : Épistémologies du genre." Nouvelles Questions Féministes 39, no. 1 (2020): 145. http://dx.doi.org/10.3917/nqf.391.0145.

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Dementyev, Vadim V. "Do genre studies need the concept of genre sphere?" International Journal “Speech Genres” 20, no. 1 (45) (2025): 24–33. https://doi.org/10.18500/2311-0740-2025-20-1-45-24-33.

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The article discusses the legitimacy and appropriateness of using the concept of genre sphere in modern genre studies, by analogy with other “spheres” used in many modern humanities, for example, in conceptology. The author concludes that the genre sphere objectively exists, but the use of the genre sphere as a concept in genre studies also has objective pros and cons. The paper analyzes the possible composition of the genre sphere: the totality of all speech genres/speechgenre space of a separate national culture in a given period and in dynamics; a separate intra-cultural subculture; a separ

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Tarasova, Irina A. "“Genre”: A nomadic concept or an aesthetic universal?" International Journal “Speech Genres” 32, no. 4 (2021): 252–58. http://dx.doi.org/10.18500/2311-0740-2021-4-32-252-258.

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The article raises the problem of the metadisciplinary interpretation of the term “genre”, which can be equally well defined as a nomadic concept or as an artistic universal. The author focuses on the question of the configuration of features defining the concept of genre in philology, art history, and musicology. Taking as a basis the general aesthetic principles of genre specification – functional, thematic, and structural – the author analyzes their genre-forming potential in various artistic forms and comes to the conclusion that understanding genre as a communicative and formally meaningf

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Saragih, Amrin, Anggraini T. T Saragih, and Isli Pane. "PEMBELAJARAN GENRE TULIS DALAM SISTEM PERSEKOLAHAN INDONESIA DI SUMATERA UTARA (LEARNING OF WRITTING GENRE IN INDONESIA SCHOOL SYSTEM IN NORTH SUMATERA)." Widyaparwa 44, no. 1 (2016): 24–39. http://dx.doi.org/10.26499/wdprw.v44i1.125.

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Kajian ini bertujuan mendeskripsi capaian genre tulis oleh pembelajar sekolah (SD, SMP, SMA) di Sumatera Utara (selanjutnya dirujuk sebagai pembelajar SU) dan mengajukan model pembelajaran berdasarkan genre-based language learning yang sejalan dengan Kurikulum 2013. Desain penelitian adalah deskriptif kualitatif. Sumber data adalah 1025 pembelajar dan 18 orang guru, yang terdiri atas guru SD, SMP, dan SMA serta orang tua pembelajar dari sekolah-sekolah itu. Data kajian ini ialah teks atau genre yang ditulis pembelajar SU, deskripsi pembelajaran genre di kelas, dan transkripsi wawancara dengan

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Akhmadulin, Evgeny V. "Genre Creation and Genre Formation." Proceedings of Southern Federal University. Philology 2020, no. 3 (2020): 227–38. http://dx.doi.org/10.18522/1995-0640-2020-3-227-238.

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The article focuses on the topic of genre formation in Soviet journalism, and how genres have developed in the contemporary Russian mass media. The author is of the view that journalistic genres developed intuitively, rather than on the basis of a thorough investigation of the typology of mass media texts, and therefore bear all the hallmarks of a professional agreement. These practical, formally logical standards have no basis in scholarship, and as a result many publications dealing with questions of journalistic genres have no connection with the theory of journalism. They merely serve the

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ACAR, Barış Berhem. "Weird and Eerie: Yeşil Elmalar as an Inter-Genre-Al Novel." Akademik Dil ve Edebiyat Dergisi 6, no. 2 (2022): 0. http://dx.doi.org/10.34083/akaded.1145332.

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Genre theories determine that texts no longer belong to a single genre but can be included into various genres. As the borders of genres become more indistinct, interaction between genres are observed to increase. The presence of common discursive codes of genres helps authors be freed of the limits of a single genre, which enables the same texts to be read within the scope of various genres. In addition, genre differentiations with traditional strict rules are replaced with discursive genres that can change with new invented ones according to each text. The determination of usage values of ge

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17

Dementyev, Vadim Viktorovich. "“Questionnaire of a Speech Genre” of T. V. Shmeleva: Past, Present, Future (for the 30th Anniversary of the Genre Model)." International Journal “Speech Genres” 28, no. 4 (2020): 252–62. http://dx.doi.org/10.18500/2311-0740-2020-4-28-252-262.

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The article reflects the scientific fate of the main genre model – the “questionnaire of the speech genre” of T. V. Shmeleva. The author discusses the reasons for the high demand for the “questionnaire” in genre studies: the parameters of the “questionnaire” affect the most important aspects, the “pain points” of the genre; the formal simplicity and consistency of the “questionnaire”. Along with the advantages and achievements (the article gives their brief description), the author points to a few critical issues concerning the “questionnaire”: the lack of items of the “questionnaire” (the jux

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Tsimokh, Natalia. "Trends in the Development of Genres of Modern Television Programs." Culture and Arts in the Modern World, no. 18 (June 15, 2017): 201–19. https://doi.org/10.31866/2410-1915.18.2017.155696.

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Research aim. To analyse classification of genres of modern television, and educe reasons, that assisted birth of the new CRT forms, переосмисленню of traditional genres, becoming of new types of the televisional broadcasting. To extend an idea about genre aspects and investigate progress of genres trends on modern television. Research methodology. By means of analysis of modern telecasts, to investigate socio-economic and political changes in the state, that influenced on diffusions of all genre system, educe reasons that assisted the origin of new genre formations, and also educe b

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Sinelnikova, Olga V. "FROM OPERAS AND CONCERTS TO "PROVERBS" AND "FRAGMENTS": RODION SHCHEDRIN'S GENRE EXPERIMENTS IN THE XXIST CENTURY." Arts education and science 2, no. 35 (2023): 43–51. http://dx.doi.org/10.36871/hon.202302043.

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The article is devoted to Rodion Shchedrin's genre experiments in the last two decades. During this time, the composer has created a large number of works covering many typical genres, mixed compositions and new, original musical genres. Among them are operas (4), concerts (5), a concert symphony, piano cycles (4), a vocal cycle, a sonatina, variations, numerous program orchestral and chamber-instrumental compositions, choral miniatures and cycles. At the same time, none of these areas of creativity looks traditional in the catalog of Shchedrin's opuses of recent decades. The article examines

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20

Dementyev, Vadim V. "About “genres of speech and language of speech” again: what has linguistics given to genre studies?" International Journal “Speech Genres” 17, no. 1 (2022): 6–20. http://dx.doi.org/10.18500/2311-0740-2022-17-1-33-6-20.

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This is the second article in a cycle on the connection between genre studies and linguistics. The previous article discussed the question “What have genre studies given to linguistics?” This article focuses on linguistic methods used in speech genres theory: more traditional for linguistics, starting with the descriptive method and its later varieties – structural – and less traditional (component analysis, the method of immediate constituents, the generative method, the method of describing external and deep content structures, the method of semantic fields). Speech genres theory is studied

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21

Ю., В. Коваленко. "ОСОБЛИВОСТІ ОСУДУ ЯК МОВЛЕННЄВОГО ЖАНРУ". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 174–82. https://doi.org/10.5281/zenodo.1048791.

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<em>The problem of evaluating speech genres is currently relevant, since modern journalistic discourse often indicates the need to express a particular position or attitude of the speaker; evaluation of an event, object or personality. In particular, negative evaluation can be expressed by the speech genre of condemnation. The purpose of this work is to define the concept and relevant features of the speech genre of condemnation. The achievement of the purpose includes a number of tasks: analyzing the differences between the speech act and the speech genre; outlining of genre peculiarities of

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Dementyev, Vadim V. "Genrogenic situations (on the example of boltovnya ‘≈chatter’)." International Journal “Speech Genres” 19, no. 2 (42) (2024): 110–24. http://dx.doi.org/10.18500/2311-0740-2024-19-2-42-110-124.

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The article deals with genrogenic situations (GgS), i.e. situations marked by speech genres, indicative of the representation of a particular speech genre in a given national culture. The G gS as a cognitive image corresponding to a speech genre in the human mind includes, on the one hand, a set of components of a communication situation, necessary and sufficient for the generation of this genre, and, on the other hand, the memory of the GgS, real or reconstructed (by writers, psychologists), in which this genre was generated and developed. These factors determine the theory and practice of sp

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Wan, Ya Ping, Xiao Hua Yang, Zhi Ming Liu, et al. "Study on Metric of Genreic Intertexuality Based on User Behavior." Applied Mechanics and Materials 263-266 (December 2012): 1503–9. http://dx.doi.org/10.4028/www.scientific.net/amm.263-266.1503.

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Using the genre perspective, we studied the electronic communication of knowledge users collaborating on a movie community and found that their work and interactions were mediated by the use of genres. Drawing on these findings, we develop the concept of genre repertoire to designate the set of genres enacted by groups, organizations, or communities to accomplish their work. Automatic discourse classification according to genre in social information sharing, transfer and knowledge communication provides a higher level of service quality. By investigating user behavior in movie community, the r

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FROW, JOHN. "“Reproducibles, Rubrics, and Everything You Need”: Genre Theory Today." PMLA/Publications of the Modern Language Association of America 122, no. 5 (2007): 1626–34. http://dx.doi.org/10.1632/pmla.2007.122.5.1626.

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If you had typed genre into amazon.com's search engine on a certain day in March 2007, you would have come up with an initial ten listings that included two gay men's magazines (Genre and Instinct Magazine), one introductory theoretical text (my own Genre), a compact disc by a group called D-Genre, a composition textbook (Tom Romano's Blending Genre, Altering Style: Writing Multigenre Papers), three resource kits for children (Carson-Dellosa's Literary Genres, Susan Ludwig's Twenty-Four Ready-to-Go Genre Book Reports: Engaging Activities with Reproducibles, Rubrics, and Everything You Need to

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Flavigny, Christian. "Le genre ou les genres : quelle “théorie du genre” chez Jean Laplanche ?" Le Carnet PSY N° 248, no. 9 (2021): 36–38. http://dx.doi.org/10.3917/lcp.248.0036.

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Jarc, Mojca. "Multilingual Genre Practices in International Relations." Journal for Foreign Languages 12, no. 1 (2020): 241–60. http://dx.doi.org/10.4312/vestnik.12.241-260.

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Globalisation has produced not only denser, but also linguistically more complex communication networks. Multilingual practices have transformed the academic and professional lives of language learners, and imposed new requirements on LSP teaching. This article foregrounds genres in multilingual globalised contexts. Genres have been recognised as one of the key focuses of LSP. Although previous research highlighted the importance of developing relevant field-specific genre practices, little attention has been paid to the nature of genre repertoires in the field of International Relations (IR).

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Wijati, Ningrum, Fitriani Siregar, and Nur Widya Ningsih. "WRITING, APPROACHES, AND GENRES." EXCELLENCE: Journal of English and English Education 3, no. 1 (2023): 8–12. http://dx.doi.org/10.47662/ejeee.v3i1.578.

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This article describes a brief description about writing, approach, genre, and writing genre. There are many classification of writing genres. The big genre category falls into fictional genre and non-fictional genre. There are more specific categories of writing genre as taken from many resources. It is expected that the readers of this article will be able to grasp understanding about writing and its genre in order to become a good reader or writer.

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Doody, Sara, and Natasha Artemeva. "“Everything Is in the Lab Book”: Multimodal Writing, Activity, and Genre Analysis of Symbolic Mediation in Medical Physics." Written Communication 39, no. 1 (2021): 3–43. http://dx.doi.org/10.1177/07410883211051634.

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Writing and genre scholarship has become increasingly attuned to how various nontextual features of written genres contribute to the kinds of social actions that the genres perform and to the activities that they mediate. Even though scholars have proposed different ways to account for nontextual features of genres, such attempts often remain undertheorized. By bringing together Writing, Activity, and Genre Research, and Multimodal Interaction Analysis, the authors propose a conceptual framework for multimodal activity-based analysis of genres, or Multimodal Writing, Activity, and Genre (MWAG)

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Bojsen-Møller, Marie, Sune Auken, Amy J. Devitt, and Tanya Karoli Christensen. "Illicit Genres: The Case of Threatening Communications." Sakprosa 12, no. 1 (2020): 1–53. http://dx.doi.org/10.5617/sakprosa.7416.

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This study takes a novel approach to the study of threatening communications by arguing that they can be characterized as a genre – a genre that generally carries strong connotations of intimidation, fear, aggression, power, and coercion. We combine the theoretical framework of Rhetorical Genre Studies (RGS) with results from theoretical and empirical analyses of threats to arrive at a more comprehensive perspective of threats. Since threats do not form part of any regular curriculum of genres, we designed a survey to test how recognizable they are. While scholars on threats describe threateni

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Tyukaeva, Nadezhda, and Konstantin Brinev. "Texts of Natural Written Speech as an Object of Genre Analysis: The Problem of Method." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 2 (June 2021): 99–110. http://dx.doi.org/10.15688/jvolsu2.2021.2.9.

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The article defines the methodological problems of constructing a model of the speech genre and suggests the way of solving them. The existing models of Text – Text components – Genre type are recognized as the main tool for the study and description of speech genres. It is argued that the speech genre description methodology in modern linguistics should be focused on the ideas of systematic construction. The principles of text analysis in the aspect of speech genre studies are determined and some errors of scientifically employed approaches are identified. The elimination of these errors will

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Dahlan, Hadi Akbar. "Perbandingan Penerbitan dan Harga Buku Mengikut Genre di Malaysia dan Jepun Menggunakan Data Akses Terbuka dan Simulasi Monte Carlo." Kajian Malaysia 39, no. 2 (2021): 179–202. http://dx.doi.org/10.21315/km2021.39.2.8.

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Reading habits are often associated with an increased cognitive level. However, book genre can also affect the cognitive level. This is because different book genres can be attributed to different types of knowledge and tendency towards a specific book genre can be viewed as a preference towards a specific type of knowledge. Research on Malaysians’ interest and the tendency towards book genre and type of knowledge can be investigated using the publication data of each book genre and its prices. The objective of this research is to analyse and compare the book publications and the average price

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Carliner, Saul, and Timothy Boswood. "Genre." Information Design Journal 12, no. 2 (2004): 124–36. http://dx.doi.org/10.1075/idjdd.12.2.05car.

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This paper presents a case for a genre-based approach to research into online communication. Questions about the appropriateness and extensiveness of research-based guidelines for communicating online exist. These questions include the appropriateness of transferring guidelines from research on print communication online without first re-verifying them, the appropriateness of generalizing conclusions from context-based, small sample-sized usabilty studies, the extent of generalizability of empirical studies, and the limited scope of guidelines that focus almost exclusively on physical features

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Flores, R. M. "Don Quixoteas a Genre of Genres." Romance Quarterly 40, no. 4 (1993): 211–25. http://dx.doi.org/10.1080/08831157.1993.10545042.

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Butterfield, Ardis. "Medieval genres and modern genre theory." Paragraph 13, no. 2 (1990): 184–201. http://dx.doi.org/10.3366/para.1990.0014.

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Zymohliad, Nataliia. "Trends in Genre Modification in Contemporary Ukrainian Piano Music: from Meta to Anti-Genre." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 60–65. https://doi.org/10.31866/2410-1176.44.2021.235312.

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The purpose of the study is to identify the determinants and specifics of trends in the modification of genre models in contemporary Ukrainian piano music and the associated transformations of the performer’s status and artistic communication. The research methodology of the article consists of cultural, art studies and comparative approaches that made it possible to understand the ways of genre transformation in the paradigmatic dimensions of modern culture, as well as the principles of musicological, in particular genre analysis, which provided awareness of the specifics of the transfo

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Chernyavskaya, Valeria E., and Natalia E. Gorschkova. "Hybrid genre in persuasive communication." Slovo.ru: Baltic accent 16, no. 1 (2025): 74–89. https://doi.org/10.5922/2225-5346-2025-1-5.

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This paper discusses the notion of hybridity as related to text genres. The study pinpoints a particular kind of hybrid genres referring to texts that mix and combine in their structure the features of two or more different genres but maintain their primary genre identity. This kind of genre mixing results inter alia in an advertisement that is shaped as a chat in internet, private talk or recipe but sustains its genre status as an advertisement. The analysis is based on advertisement texts functioning as hybrid genres in modern Russian socio-cultural practice. The theoretical framework of th

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Rizvić-Eminović, Edina, and Đelaludina Šukalić. "CORPUS-BASED STUDY OF THE MODAL VERBS IN THE SPOKEN AND ACADEMIC GENRES OF THE CORPUS OF CONTEMPORARY AMERICAN ENGLISH." Zbornik radova 17, no. 17 (December 15, 2019): 351–75. http://dx.doi.org/10.51728/issn.2637-1480.2019.17.351.

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This corpus-based study focuses on the nine English central modal verbs (can, could, will, would, may, might, shall, should, and must) across the two chosen genres of the COCA corpus – Spoken and Academic genres, which show the greatest number of differences in terms of genre characteristics, such as formality or intended audience. Because research on modal verbs across genres, especially one inclusive of the spoken genre, is limited, this study investigates these two genres to test the hypothesis that the general genre characteristics influence the choice of modal verbs. As a result, the dist

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Dergach, Dmytro. "Language intellectualization in new media: evolution of genre paradigm." Current issues of Ukrainian linguistics: theory and practice, no. 44 (2022): 48–67. http://dx.doi.org/10.17721/apultp.2022.44.48-67.

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The article verbalizes author's position, concerning the intellectualization of genre system of media communication (as a result of communication forms' changes in modern society) and determines the criteria for its professional analysis. These are linguistic, functional and stylistic, linguocultural and sociolinguistic dimensions of evolution of forms of social communication in mass-media sphere. The research focuses on the non-specific communicative principles of the dynamics of genres in traditional and new media, that, according to extra- and intralinguistic factors, provide different ways

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Kumari, Neha. "Music Genre Classification for Indian Music Genres." International Journal for Research in Applied Science and Engineering Technology 9, no. 8 (2021): 1756–62. http://dx.doi.org/10.22214/ijraset.2021.37669.

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Abstract: Due to the enormous expansion in the accessibility of music data, music genre classification has taken on new significance in recent years. In order to have better access to them, we need to correctly index them. Automatic music genre classification is essential when working with a large collection of music. For the majority of contemporary music genre classification methodologies, researchers have favoured machine learning techniques. In this study, we employed two datasets with different genres. A Deep Learning approach is utilised to train and classify the system. A convolution ne

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Е., И. Вышинская. "РАССКАЗ-ИМИТАЦИЯ Н. Н. БЕРБЕРОВОЙ «СКАЗКА О ТРЁХ БРАТЬЯХ»". Російська філологія. Вісник Харківського національного педагогічного університету імені Г.С. Сковороди, № 3(59) (8 листопада 2016): 44–48. https://doi.org/10.5281/zenodo.165459.

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The aim of the article is to study the genre originality of the story, “The Fairy Tale of the Three Brothers”. It is shown that the genre originality of the story “The Fairy Tale of the Three Brothers” is the presence of the imitation discourse of the fairy tale genre. The so-called imitation stories are those in which there is the combination of features of different genres, moving from one genre to the other forms. Genre imitation in the story includes the presence of allusive field, borrowing of features and functions that refer to different genres. Thus, the traditional story takes on addi

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Yikang, Kang. "A Music Genre Classification and Feature Discovery Method based on XGBoost." Journal of Scientific and Engineering Research 8, no. 4 (2021): 150–56. https://doi.org/10.5281/zenodo.10589186.

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<strong>Abstract</strong> We proposed a method to measure music similarity, and proved that songs within the same genre are more similar than songs between genres by calculating Between-genre similarity and Within-genre similarity. Then we proposed a method that combines the results of multiple binary classifiers based on XGBoost to tackle the problem of music genre classification. By comparing the results with five other machine learning algorithms, we proved that the method based on XGBoost is the best-performing one in terms of prediction range and accuracy. Finally, we further proposed XGB

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Rodman. "Television Genre / Musical Genre / Expressive Genre." American Music 37, no. 4 (2019): 435. http://dx.doi.org/10.5406/americanmusic.37.4.0435.

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Steksova, Tatyana I. "Speech genres of negative reaction." International Journal “Speech Genres” 18, no. 3 (39) (2023): 219–28. http://dx.doi.org/10.18500/2311-0740-2023-18-3-39-219-228.

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The article presents a study of a group of speech genres, where the factor of the past is relevant, i.e. which are reaction genres. The relevance of the research is determined by the need for the next step in the study of speech genres: from the description of specific genres to the identification and description of systemic relationships between them. The study is a genre analysis of the statements of the Russian language, recorded in the Corpus of the National Russian Language. The article identifies subgroups of genres of negative reaction in relation to the type of initial remark: reaction

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Xiao, Liang, and Liming Deng. "Generic Variation & Private Intention: A Multi-Dimensional Exploration of Book Reviews and Prefaces." Chinese Journal of Applied Linguistics 41, no. 1 (2018): 47–66. http://dx.doi.org/10.1515/cjal-2018-0003.

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AbstractBased on Bhatia’s multi-dimensional analytical framework for discourse analysis, we explore key issues involved in genres construction such as private intention, manipulation of generic value and interdiscursive strategies. Two prefaces and two book reviews by expert linguists were collected and analyzed at great length from both text-internal and text-external perspectives. Meanwhile, four professionals from relevant disciplines were interviewed for their insights into the issues investigated. Through examining textual features, covert interdiscursivity and narrative accounts of the p

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Gershon, Ilana, and Michael M. Prentice. "Genres in new economies of language." International Journal of the Sociology of Language 2021, no. 267-268 (2021): 117–24. http://dx.doi.org/10.1515/ijsl-2020-0055.

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Abstract This article suggests that one of the understudied and substantive ways in which actors produce and transform social hierarchies and classifications is by aligning and mis-aligning genres. Alignments within and across genres have furnished methods for construing and evaluating qualities of people – as examples, the genre repertoires of job applications or promotion dossiers. A fine attunement to new and emergent semiotic alignments via genres can also reveal how people are engaging with social and technological transformations. To study this, we advocate turning to four focal points:

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Жұмабайқызы Есбалаева, Роза. "ҚАЗАҚ САТИРАСЫНЫҢ ЗЕРТТЕЛУІ МЕН ЖАНРЛЫҚ ЕРЕКШЕЛІГІ". SCIENTIFIC WORK 53, № 04 (2020): 21–24. http://dx.doi.org/10.36719/aem/2007-2020/53/21-24.

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Ismanto, Brizky Ramadhani, Tubagus Maulana Kusuma, and Dina Anggraini. "Indonesian Music Classification on Folk and Dangdut Genre Based on Rolloff Spectral Feature Using Support Vector Machine (SVM) Algorithm." IJCCS (Indonesian Journal of Computing and Cybernetics Systems) 15, no. 1 (2021): 11. http://dx.doi.org/10.22146/ijccs.54646.

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Music Genre Classification is one of the interesting digital music processing topics. Genre is a category of artistry, in this case, especially music, to characterize and categorize music is now available in various forms and sources. One of the applications is in determining the music genre classification on folk songs and dangdut songs.The main problem in the classification music genre is to find a combination of features and classifiers that can provide the best result in classifying music files into music genres. So we need to develop methods and algorithms that can classify genres appropr

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GHAFIL, MOHHAMED. "The Application of Appraisal Theory in Rendering Shared SportTerminologiesin Political Genres from English into Arabic." Journal Ishraqat Tanmawya 26 (June 2021): 1–84. http://dx.doi.org/10.51424/ishq.27.27.

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Languages are butter and bread of communication among people. Studying languages and their genres are worth researching to know their roots, points of similarities, differences and shared constructions.The current paper is concerned with the role of the written translator in translating the shared terms and constructions of sport genre in political genre of English language into Arabic.I selected ten different examples taken from six sub-genres of Sport genre: (Baseball, Basketball, Football, Boxing, Ice Hockey and Running) whose functions are shared with the political genres. Besides, I chose

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Arsenault, Dominic. "Video Game Genre, Evolution and Innovation." Eludamos: Journal for Computer Game Culture 3, no. 2 (2009): 149–76. http://dx.doi.org/10.7557/23.6003.

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This paper provides a critical overview of the notion of genre in game studies and in the video game industry. Using the concept of genre requires one to acknowledge the recent developments of genre theory in other fields of research; one such development is the contestation of the idea of generic evolution. After a comparative analysis, video game genres are found to differ from literary and film genres precisely on the basis of evolution. The technological imperatives that characterize video game production are also pinpointed as relevant to the establishment and development of video game ge

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Bui Linh, Hue. "APPLYING CULTURAL STUDIES IN STUDYING BIOGRAPHICAL GENRE." Journal of Science Social Science 65, no. 11 (2020): 64–71. http://dx.doi.org/10.18173/2354-1067.2020-0072.

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The acknowledgment of several nonfiction genres as literature along with the claim that genres are not pre–determined but socially constructed by cultural materialists suggests an approach to study biographical genres in general and Vietnamese kí in particular from the perspectives of cultural studies, a historical approach to genre. In this article, I will summarize the international and domestic scholarship of historical approach to biographical genre and kí to show the potential of applying this approach to conduct further research on this genre.

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