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1

Kicak, Elizabeth. "Goddesses and Doormats." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1680.

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The following is a collection of original poetry written over a span of two years while attending the University of South Florida. The poetry is divided into three numbered sections, marking the major thematic divisions. Preceding the poetry is a critical introduction to the work which outlines the author's developing thematic ideology.
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Miller, Aimee H. "Goddesses of Color: Interfaith Altars." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/773.

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This paper explores the intertwined history of certain goddesses of the Middle East and the Americas. This history informs the original invented contemporary deities that my project centers around. Using recycled materials and collected objects, my project displays two religious altars, one from my heritage and one from my experience living in Brazil. One altar is based on afro-Brazilian sea goddesses, and one is a contemporary imagined interpretation of a Judeo-Christian female figure. The two altars together compose an installation that seeks to unify a pagan practice and two distinct monoth
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Ståhle, Göran Viktor. "Det religiösa självet i praktik vid ett hinduiskt gudinnetempel : ett kulturpsykologiskt angreppssätt för religionspsykologi/." Uppsala : Uppsala universitet : Religionspsykologi, Teologiska institutionen, Uppsala universitet [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4695.

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Kwok, Crystal Lee, and 郭錦恩. "Ghosts and goddesses: women, cinema, & the image." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950978.

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Kwok, Crystal Lee. "Ghosts and goddesses : women, cinema, & the image /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14040220.

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Gowdy, Robert Douglas. "Redemption and the Other: The Supernatural Narrator and the Intertextual (Sub)version of the Miltonic Command." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2530/.

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In literary discourse from the Genesis creation myth through John Milton's Paradise Lost and beyond, Eve has been patriarchally considered to be the bringer of Sin and Death into the world. In Paradise Lost Eve is depicted as deceiving Adam into the Fall by way of the Serpent. Paradise Lost creates a Miltonic command that helps to further blame Woman for Sin and Death. Milton's poem is based on the Genesis creation myth written by Canaanite authors. In this myth the Canaanite authors wished to rid the world of Goddess worship and, by humanizing Eve, they successfully obliterate that form of wo
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Randsalu, Donna. "Who were the daughters of Allah?" Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28267.

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Who were the Daughters of Allah, the three Arabian goddesses mentioned in the Qur'an and venerated by the pagan Arabs prior to the rise of Islam, and who since have vanished into obscurity? Can we reconstruct information about these goddesses by reference to earlier goddesses of the Near East? It is our intention to explore this possibility through an examination of their predecessors in view of the links between the Fertile Crescent and the Arabian Peninsula. Moving back in time from the seventh century A.D. (Arabia) through the Hellenistic Period (Syro/Phoenicia 300 B.C.-A.D. 300 ) to the en
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Johnson, Lauren Marie. "Fashioning the Goddesses: Idealizing and Celebrating the Female Form." Miami University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1178301027.

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Matos, Gwenael. "Re-fashioning goddesses| Exploring women's archetypal fashion in the classroom." Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3599362.

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<p> Mythological studies deepens and layers the significance of fashion and dress through an archetypal exploration of Greek goddess fashion archetypes--Aphrodite, Athena, Artemis, and Hestia. The research reveals how these archetypes and their shadows influence the fashion industry from the creation of a garment to when it is worn on the body. The production component of the dissertation entails archetypal fashion design curriculum that contains an instructor's guide for an archetypal women's fashion design course at the collegiate level. The study is tailored to expand fashion design student
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Dedes, Eleni. "Oracular priestesses and goddesses of ancient Krete, Delphi, and Dodona." Thesis, California Institute of Integral Studies, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3712244.

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<p> This dissertation discusses the roles of oracular priestesses and Goddesses in Krete and Greece. The appointment of oracular priestesses to the service of a particular Goddess such as Gaia or Athena is reviewed. In addition, this study demonstrates the extent to which the worship of Goddesses, led by oracular priestesses, was a pre-eminent aspect of religion in ancient Krete and Greece. Various types of conduits and methods used to receive oracular messages are also considered, including trees, baetyls, the inhalation of gaseous vapors, the chewing of laurel leaves, and the possible use of
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Morley, Brendan Arkell 1982. "The Goddesses' Shrine Family: The Munakata through the Kamakura Era." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9881.

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viii, 137 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This thesis presents an historical study of the Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset of Japan's medieval age in the fourteenth century. The tutelary deities of the Munakata Shrine are held to be the progeny of the Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites
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West, David Reid. "Some cults of Greek goddesses and female daemons of oriental origin : especially in relation to the mythology of goddesses and demons in the Semitic world." Thesis, University of Glasgow, 1990. http://theses.gla.ac.uk/1263/.

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In Chapter One we discuss the evidence for Mycenaean trade and colonisation in the Orient, and for oriental trade and colonisation in the Aegean and Greece. We begin with such subjects as archaeological artefacts, artistic motifs and styles of architecture, then consider the linguistic evidence, such as toponyms, personal names and the LA tablets. The evidence for contact is overwhelming. In Chapter Two we consider the evidence for Semitic motifs in the iconography, mythology and names of Greek goddesses connected with nature. Thus Semitic influence is clear in the case of Artemis and Rhea as
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Broadwin, Julie. "Intertwining threads : silkworm goddesses, sericulture workers and reformers in Jiangnan, 1880s-1930s /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9936842.

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Foulston, Lynn. "At the feet of the goddess : a comparative study of local goddess worship in Khurdapur, a village settlement in Orissa and Cholavandan, a small town in Tamilnadu." Thesis, University of South Wales, 1999. https://pure.southwales.ac.uk/en/studentthesis/at-the-feet-of-the-goddess(7d6fe66d-ec25-4015-a2c9-63fe219d71e6).html.

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This thesis is an examination of the local goddesses and their worship in two contrasting field sites. The settlement of Khurdapur consists of five small villages situated a short distance outside Bhubaneswar in Orissa. Cholavandan, on the other hand, is a small town located near to Madurai in southern Tamilnadu. While this study seeks to provide a comprehensive view of local goddess worship in differing environments it also addresses three questions. 1) Is the goddess-centred literature, written at the beginning of the century, still applicable to contemporary goddesses? 2) Do local goddesses
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Bhogal, Anoop. "Goddesses of consumerism : an interpretivist study of young female consumers in contemporary India." Thesis, University of Leicester, 2011. http://hdl.handle.net/2381/9390.

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Marketing and consumer research scholars have paid little attention to the contemporary Indian consumer landscape, with even less focus on the particular experiences of female consumers in this context. This thesis contributes to a partial redress of this parochial and Eurocentric status quo in consumer culture research by presenting the voices and critically exploring the lived experiences of consumer culture of a sample of young female Indians. A selective review of the multidisciplinary literatures on globalization, consumer culture and India is used to develop a conceptual framework for th
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Wimber, Kristina Michelle. "Four Greco-Roman era temples of Near Eastern fertility goddesses : an analysis of architectural tradition /." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd2152.pdf.

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Litchfield, Allen W. "Behind the Veil: The Heavenly Mother Concept Among Members of Women's Support Groups in The Church of Jesus Christ of Latter-Day Saints." Diss., CLICK HERE for online access, 1987. http://patriot.lib.byu.edu/u?/MTGM,23533.

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Pettersson, Joanna. "From Rome to Ireland : a comparative analysis of two pagan goddesses and a Christian saint." Thesis, Uppsala universitet, Teologiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-353022.

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In Celtic religious studies, it is often difficult to find reliable textual sources if you are working with pre-Christian religion, since all text is written in a Christian context. As a result, Celtic scholars have to look outside of the pre-Christian Celtic context, to search for knowledge elsewhere. For example, one may use texts from Classical writers (such as Caesar) who wrote about Celts they encountered, or look to Christian material (in particular saints’ lives) to search for clues of pagan traditions which may have survived into Christianity. This has resulted in that certain Celtic p
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Wimber, K. Michelle. "Four Greco-Roman Era Temples of Near Eastern Fertility Goddesses: An Analysis of Architectural Tradition." BYU ScholarsArchive, 2007. https://scholarsarchive.byu.edu/etd/1277.

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Lucian, writing in the mid-second century AD, recorded his observations of an "exotic" local cult in the city of Hierapolis in what is today Northern Syria. The local goddess was known as Dea Syria to the Romans and Atargatis to the Greeks. Lucian's so-named De Dea Syria is an important record of life and religion in Roman Syria. De Dea Syria presents to us an Oriental cult of a fertility goddess as seen through the eyes of a Hellenized Syrian devotee and religious ethnographer. How accurate Lucian's portrayal of the cult is questionable, though his account provides for us some indication tha
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Beck, Noémie. "Goddesses in Celtic Religion : cult and mythology : a comparative study of ancient Ireland, Britain and Gaul." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20084.

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This work consists of a comparative study of the female deities venerated by the Celts of Gaul, Ancient Britain and Ancient Ireland from the 8th c. BC to around 400 AD. The Celts had the peculiarity of transmitting their culture, religious beliefs and myths exclusively by oral means, from one generation to another. The available data relating to Celtic goddesses are thus all indirect and of a different nature and period according to the country concerned. They fall into three categories: contemporary Classical texts, which mainly pertain to Gaul and are very rare; the vernacular literature of
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Adadevoh, Anthonia. "Personified Goddesses: An archetypal pattern of female protagonists in the works of two black women writers." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2013. http://digitalcommons.auctr.edu/dissertations/763.

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This dissertation investigates the works of two Black female writers: Flora Nwapa(African and Nigerian) and Zora Neale Hurston (African American). Although theycome from different geographical regions, both writers use the same rchetypal patterns to create strong female protagonists. By characterizing protagonists in their novels from an African religious cultural perspective, both authors dismantle the stereotypical images of how black women are typically portrayed in fiction. Using Jung's theory of the collective unconscious and archetypal criticism the study finds that both authors create b
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Davis, Robert. "The origin, evolution, and function of the myth of the white goddess in the writings of Robert Graves." Thesis, University of Stirling, 1987. http://hdl.handle.net/1893/2265.

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This is a study of the development of the myth of the White Goddess in the work of Robert Graves, a subject related to the wider field of the place of myth in modern culture. It begins by looking at the conditions which promoted Graves' interest in myth, principally his experience of the Great War. The responses of other writers are examined to provide a context for understanding Graves' transition from Georgianism to myth, as reflected in his early poetry, autobiography and writings on psychology. Before looking at how Graves' myth was formed, the history of the concept of myth is examined, f
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Abraham, Susan. "The razor's edge of sanctity images of the divine feminine in India /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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Mello, Jéssica Frutuoso. "Outros cantos, começa agora, deusa : as representações de Jasão e a epopeia de Valério Flaco /." Araraquara, 2019. http://hdl.handle.net/11449/182254.

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Orientador: Brunno Vinicius Gonçalves Vieira<br>Banca: Márcio Meirelles Gouvêa Júnior<br>Banca: Márcio Thamos<br>Resumo: Considerando as múltiplas representações que o herói Jasão recebe desde a Antiguidade, escolheu-se a epopeia de Valério Flaco, autor do século I d.C., como principal objeto de análise para refletir sobre a construção do líder dos argonautas. Oferece-se um panorama dos autores que trabalham com as narrativas relacionadas ao herói em obras literárias anteriores a Flaco, de modo a que se possa ter uma visão geral da tradição que foi construída acerca do herói e das diferenças q
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Watkins, Angela Denise. "Mambos, priestesses, and goddesses: spiritual healing through Vodou in black women's narratives of Haiti and New Orleans." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/5875.

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My dissertation titled "Mambos, Priestesses, and Goddesses: Spiritual Healing Through Vodou in Black Women's Narratives of Haiti and New Orleans" reclaims the practice of Vodou as an integral African spiritual tradition through fiction by black women writers. I discuss how the examination of Vodou necessitates the revision of colonial history, serves as an impetus for reevaluating the literary representation of the black female migrant subject, and gives voice to communities silenced by systemic oppression. I parallel novels by contemporary women writers such as Erna Brodber, Jewell Parker Rho
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Garman, Alex G. "The cult of the Matronae in the Roman Rhineland /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3074404.

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Auanger, Lisa. "A catalog of images of women in the official arts of ancient Rome /." free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841130.

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Stevens, Rachael. "Red Tara : lineages of literature and practice." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:27381b38-c580-4d0b-b7d5-f87abcc50afd.

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Tārā is arguably the most popular goddess of the Tibetan Buddhist pantheon. She is well known in her Green, White, and Twenty-one forms. However, the numerous red aspects of the divinity have long been overlooked in both popular and academic literature on the goddess. This thesis aims to redress this balance. This thesis presents the various manifestations of Red Tārā in the form of a survey of the literary and practice lineages of this goddess throughout Tibetan Buddhist history. The intention of the thesis is to examine individual forms of Red Tārā, excluding Kurukullā (who has receiv
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Drakeman, Cynthia Leigh. "Portable goddesses: The use and significance of pipeclay figurines of Venus in the Northern Roman Provinces from the First-Third Centuries CE." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491552.

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This thesis presents an iconographic and archaeological analysis of figurines of Venus produced in pipeclay in the Northern Roman Provinces from the first through third centuries CE and seeks to examine what uses and significance they may have had.
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Stucky-Abbott, Leona. "The relationship between a female's God representation and her self identity a clinical case study /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com/search.cfm?p100-0090.

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Negrea, Irina C. ""She's a friend of my mind" manifestations of the Great Goddess archetype in Toni Morrison's fiction /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1997. http://www.kutztown.edu/library/services/remote_access.asp.

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Hedman, Hanna. "Hindu goddesses as role models for women? : a qualitative study of some middle class women’s views on being a woman in the Hindu society." Thesis, University of Gävle, Ämnesavdelningen för religionsvetenskap, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-3627.

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<p>Denna uppsats baseras på en fältstudie genomförd i Faridabad, Indien våren 2007. Syftet är att undersöka vilken roll hinduiska gudinnor spelar för kvinnor. För att uppfylla det syftet studeras också de intervjuade kvinnornas underliggande uppfattningar om jämställdhet.</p><p>För att kunna uppfylla syftet med uppsatsen har en kvalitativ metod använts och 19 intervjuer har genomförts. Informanterna har fått svara på frågor som handlar om att vara kvinna i det hinduiska samhället och deras åsikter om hur kvinnors situation bör ändras. När resultaten från intervjuerna analyserats har jag inspir
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Dobia, Brenda. "Śakti Yātrā locating power, questioning desire : a women's pilgrimage to the temple of Kāmākhyā /." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/32785.

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Thesis (Ph.D.)--University of Western Sydney, 2008.<br>A thesis presented to the University of Western Sydney, College of Arts, Centre for Cultural Research, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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Basson, Danielle. "The Goddess Hathor and the women of ancient Egypt." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20292.

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Thesis (MPhil)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: In studying ancient Egypt researchers have a great advantage, in that there is a multitude of recorded material to draw from. Unfortunately for anyone interested in studying ancient Egyptian women, the recorded material was most often recorded by, commissioned by, and concerned with, men; royal or high-ranking men to be precise (Robins, 1993: 11-12). Thus, we must look into non-textual artefacts and offerings which may have a symbolic meaning. Though, the textual sources should not be neglected, since these may hold clues to t
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Hansen, Inge Lyse. "Roman women portrayed in divine guises : reality and construct in female imaging." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/17577.

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The thesis concerns representations of Roman women of the imperial period depicted in the guise of a divinity. Portraits of women of all social levels have been included as have representations in any media excluding numismatic evidence. The latter, with its specific contextual characteristics, is only included and discussed as comparanda for the main body of material. The juxtaposition of a recognisable reality and a heightened reality in these representations raises a variety of interpretative questions: whether it is possible to establish a correlation between the mythological interpretatio
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Pereira, Vera Lucia Crepaldi 1945. "As deusas gregas virgens face ao poder de Afrodite." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251534.

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Orientador: Joaquim Brasil Fontes Junior<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-14T19:56:09Z (GMT). No. of bitstreams: 1 Pereira_VeraLuciaCrepaldi_M.pdf: 1014426 bytes, checksum: 4bf613cfdbab6c42a9ff6682500f548c (MD5) Previous issue date: 2009<br>Resumo: O objetivo deste estudo, as deusas gregas virgens, Ártemis, Atena e Héstia, é demarcar a existência e a significação especial dessas deusas no mundo arcaico grego frente à posição ocupada por Afrodite, como representação do desejo. O sistema mítico prevê a q
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Leiva, del Valle Alfia. "Diosas primigenias, sus mitos, estática e influencia en las sociedades hiper-modernas líquidas." Doctoral thesis, Universitat Politècnica de València, 2020. http://hdl.handle.net/10251/156046.

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[ES] «Diosas Primigenias, sus mitos, estética e influencia en el arte y las sociedades hipermodernas líquidas», tiene sus fuentes en distintas áreas del conocimiento como la arqueología, la antropología, la sociología, el arte, los feminismos, la teología, etc., con el fin de facilitar la comprensión de la compleja sociedad actual. Para sustentar las hipótesis y objetivos del trabajo, en una primera parte, hemos elaborado un marco teórico con antecedentes en los mitos primigenios, a partir las teorías de Carl Jung o Mircea Eliade entre otros. En el segundo capítulo revisamos los datos
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Ferlut, Audrey. "Le culte des divinités féminines en Gaule Belgique et dans les Germanies sous le Haut-Empire romain." Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30071/document.

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La thèse sur le sujet suivant : le culte des divinités féminines en Gaule Belgique et dans les Germanies sous le haut empire romain consiste en une analyse la plus exhaustive possible des divinités féminines rencontrées dans les trois provinces de l'empire romain que sont la Gaule Belgique et les Germanies. Tout d'abord, il s'agit de faire une recherche approfondie concernant des caractères des divinités féminines, qu'elles soient indigènes, importées de Rome ou importées de la partie orientale de l'empire romain. Cette thèse a aussi pour but d'analyser les formes de cultes et les rites consac
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Alameen, Antwanisha V. "Women's Access to Political Power in Ancient Egypt and Igboland: A Critical Study." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/214768.

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African American Studies<br>Ph.D.<br>This is an Afrocentric examination of women's use of agency in Ancient Egypt and Igboland. Most histories written on Kemetic women not only disconnect them from Africa but also fail to fully address the significance of their position within the political spiritual structure of the state. Additionally, the presence of matriarchy in Ancient Egypt is dismissed on the basis that patriarchy is the most visible and seemingly the most dominant form of governance. Diop contended that matriarchy was one of the key factors that connected Ancient Egypt with other part
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Carver, Dax Donald. "Goddess Dethroned: The Evolution of Morgan le Fay." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04282006-082115/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Timothy Renick, committee chair; Kathryn McClymond, Jonathan Herman, committee members. Electronic text (p. 54 p.) : digital, PDF file. Description based on contents viewed Apr. 30, 2007; title from title screen. Includes bibliographical references (p. 51-54).
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Xanthouli, Paraskevi. "De la maternité à l’infanticide : la construction de la figure maternelle dans la mythologie grecque." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL195.

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La principale question à laquelle cette thèse tente de répondre, c’est la façon dont est abordée et révélée la question de la maternité et, plus largement, de la parentalité dans la mythologie grecque et comment, par le biais de cette approche, nous pouvons déceler et expliquer la situation sociale des femmes et leur statut maternel dans le système de valeurs que véhicule la mythologie. En utilisant la catégorie du genre dans le traitement de cette thématique, cette thèse s’efforce de proposer de nouvelles possibilités pour interpréter et expliquer l'abolition de la maternité et plus largement
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Matos, Sue Hellen Monteiro de. "NÃO TEMAS! GRITEI POR TEU NOME: Estudo da concepção materna de Javé em Dêutero- Isaías a partir da análise exegética de Is 43,1-7." Universidade Metodista de São Paulo, 2013. http://tede.metodista.br/jspui/handle/tede/282.

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Made available in DSpace on 2016-08-03T12:19:31Z (GMT). No. of bitstreams: 1 SUEHELLEN MONTEIRO DE MATOS.pdf: 677634 bytes, checksum: 59a28d5b0f6afe29b7c40c031f6365be (MD5) Previous issue date: 2013-08-26<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This exegetical study aims to demonstrate the maternal face of Yahweh revealed in the writings of Deutero-Isaiah, having as main source the oracle of salvation Is 43.1-7. To this end, we start from the analysis of the literary context, historical and religious Deutero-Isaiah, so that make the exegetical analysis of the text p
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Silva, Mariza Miranda da. "MAIS DEUSA DO QUE ESCRAVA: A MULHER DE PROVÉRBIOS 31,10-31." Pontifícia Universidade Católica de Goiás, 2006. http://localhost:8080/tede/handle/tede/937.

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Made available in DSpace on 2016-07-27T13:48:58Z (GMT). No. of bitstreams: 1 MARIZA MIRANDA DA SILVA.pdf: 15415159 bytes, checksum: 99cb01c3e040bee563efb5078f9fa54e (MD5) Previous issue date: 2006-08-31<br>This dissertation considers that Pr 31,10-31 possess helenistc traces and can be interpreted in the perspective of the greek goddesses Aphrodite, Athene, Artemis, Demeter and Hestia that are present in the space between lines of this acrostic. Therefore, the research continues to enter in the questions of the myth, of the imaginary, gender and feminist hermeneutics; finishing through the b
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Onda, François-Joseph. "Le féminin dans les paysages pré-chrétiens irlandais." Phd thesis, Université Rennes 2, 2012. http://tel.archives-ouvertes.fr/tel-00725801.

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La présente étude s'intéresse aux popula-tions installées en Irlande avant l'arrivée du christianisme (aux environs du Ve siècle de notre ère), et plus précisément aux bâtisseurs des tombes à couloirs du Néolithique ainsi qu'aux Celtes. L'omniprésence d'une com-posante féminine symbolique dans les pay-sages pré-chrétiens (qu'ils soient naturels, mégalithiques ou littéraires) est au centre de cette analyse, qui prend en considération le caractère matrifocal des sociétés archaïques et en évalue l'impact sociétal et rituel chez les Celtes. La thèse examine la spécificité de la perception des reli
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Lundgren, Veronika. "Gudinnetro : En kartläggning över gudinnetemplet i Forsbacka." Thesis, Högskolan i Gävle, Akademin för utbildning och ekonomi, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-8392.

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Detta är en kartläggande uppsats som har i uppgift att beskriva en ”ny” religiös tradition. Det är även en jämförande uppsats mellan Glastonburys tempel och templet i Söderhamn. År 2002 grundades templet i Glastonbury, som var det första templet som grundades inom denna gren av gudinnetron. År 2006 grundades templet i Söderhamn, det är det enda templet i Sverige med denna inriktning. Genom att jämföra dessa tempel, och studera deras tro, vill jag komma fram till likheter och olikheter mellan dessa tempel och studera svårigheter denna religiösa gren har stött på. På grund av ett ökat intresse i
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Leong, Siang-Nuan. "Windows to the polemics against the so-called Jews and Jezebel in Revelation : insights from historical and co(n)textual analysis." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/4453.

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The thesis mainly studies social-historical co(n)texts to understand the polemic in Revelation against the so-called ‘Jews’ and a self-professed prophetess named ‘Jezebel’ (Rev 2-3). The enquiry centres on two areas: (1) the underlying issues to the polemic against the abovenamed contenders, and (2) a reading of a polemical technique in the text against prophetess ‘Jezebel’ through a specific web of associations involving two ‘Jezebels’ and a great harlot. Preliminary studies provide the framework for the main enquiry. ‘Historical anchorage’ is attained in the echoes/allusions of the beast fro
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Abdou, Hebatallah Sobhy. "The scorpion goddess Selkis." Thesis, University of Liverpool, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540043.

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Vieira, Ana Paula Raspini. "Goddess or countertop dancer." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/123230.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2014.<br>Made available in DSpace on 2014-08-06T17:57:44Z (GMT). No. of bitstreams: 1 326986.pdf: 302403 bytes, checksum: 2594189ec3b8727d90d5a209b1ca2349 (MD5) Previous issue date: 2014<br>Personagens mitológicas são referências recorrentes na escrita de Margaret Atwood e aparecem, frequentemente, de maneira revisitada, questionando o cânone, a própria mitologia clássica e atuando como metáforas complexas d
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Caillaud, Annaïg. "À la rencontre d'Iris - Déesses ailées dans la céramique attique (VIe-Ve siècles av.notre ère)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0160.

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Iris, l’arc-en-ciel, la rapide messagère « aux ailes d’or », est une divinité de rang B dont les représentations sur la céramique attique des VIe et Ve siècle avant notre ère ont été peu étudiées. Cet état de fait est dû aux très nombreuses représentations de déesses ailées dans la céramique attique, lesquelles entraînent nécessairement confusions et problèmes d’identification : avec Niké en premier lieu, avec Éos, Hébé, et d’autres divinités dans une moindre mesure. Nous avons alors cherché à comprendre ce lieu d’expérimentations et de jeux qu’est l’image attique et, plus particulièrement, qu
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Nugent, Lynn Louise. "The search for the goddess, an analysis and critique of feminist Wiccan goddess history." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0006/MQ34904.pdf.

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