Gotowa bibliografia na temat „Gujarati Legends”

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Artykuły w czasopismach na temat "Gujarati Legends"

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Abbasi, Mubashir, and Sarma Sreeramula Rajeshwar. "Astrolabe by Bulhomal and Pīr Bakhsh of 1841 CE: A Unique Testimonial to an Intercultural Collaboration." History of Science in South Asia 11 (December 26, 2023): 210–49. http://dx.doi.org/10.18732/hssa93.

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From the middle of the sixteenth century up to the end of the seventeenth, Lahore was the leading centre where Allāhdād and his descendants produced a large number of exquisitely crafted astrolabes, with legends and numerals in Arabic. In the same period, Sanskrit astrolabes with legends in Sanskrit and numerals in Devanagari were made sporadically in Rajasthan-Gujarat region. Then in the eighteenth century, the production of both types of astrolabes ended abruptly for various reasons. Towards the middle of the nineteenth century, however, both these traditions came together in the work of Bul
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Francis, Peter. "Baba Ghor and the Ratanpur Rakshisha." Journal of the Economic and Social History of the Orient 29, no. 2 (1986): 198–205. http://dx.doi.org/10.1163/156852086x00108.

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AbstractAs the patron saint of the Indian agate bead industry, Baba Ghor is very important in any reconstruction of its history. The facts about him are quite scanty; we can only hypothetically reassemble them and understand his myth. Abbas, or Habash, a scion of the Malwa Ghors, died in a skirmish near Ratanpur in the early 15th century, probably fighting Ahmed Shah of Gujarat. He was buried on the hill which had long been sacred and was once graced with a fine temple of Makkhan Devi, the Mother Goddess. Her temple was likely destroyed by Ahmed's troops, not those of the Malwa Ghors. Ghor's g
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Dr., Ram Lalit. "TRANSCENDING FAMILY/UNIVERSALITY: A PSYCHOANALYTIC STUDY OF ROHINTON MISTRY'S SUCH A LONG JOURNEY." International Journal of Multidisciplinary Research and Modern Education 3, no. 1 (2017): 507–12. https://doi.org/10.5281/zenodo.823277.

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Tracing the origin of psychoanalytical interpretation of the literary texts M.A.R. Habib writes: Critics, rhetoricians, and philosophers since Aristotle have examined the psychological dimensions of literature, ranging from an author’s motivation and intentions to the effect of texts and performances on an audience. The application of psychoanalytic principles to the study of literature, however, is a relatively recent phenomenon, initiated primarily by Freud and in other directions by Alfred Alder and Carl Jung. The notion of the “unconscious” was not in itself new, and it can be found in man
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Ghosh, Soma. "Kalakacarya-katha: A Jaina Monk’s Tryst with the Scythians as Represented in the Illustrated Manuscripts from Western India." Chitrolekha Journal on Art and Design 8, no. 2 (2024). http://dx.doi.org/10.21659/cjad.82.v8n203.

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The article discusses an ancient Jaina legend dating back 2000 years, which revolves around the abduction of a nun named Sarasvati by the king of Ujjayini, and the subsequent involvement of a Saka (Scythian) king in her rescue. The story was recorded in Prakrit and Gujarati a thousand years later and was illustrated and included in Kalpasutra manuscripts five hundred years after that. The article explores the illustrations from manuscripts commissioned in Western India, particularly Gujarat, for their patrons, the Sultanates of Jaunpur, Ahmedabad, and Malwa. These illustrations shed light on t
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Рыжакова, Светлана, and Svetlana Ryzhakova. "Indian Artistic Communities and Trance Practices: Local Traditions of Gujarat, Assam and Kerala." Russian Foundation for Basic Research Journal. Humanities and social sciences, October 7, 2019, 170–81. http://dx.doi.org/10.22204/2587-8956-2019-095-02-170-181.

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The paper provides a comprehensive comparative cultural and anthropological study of Indian artistic communities — dynasties of musicians, dancers, actors, performers of epic legends playing ritual drama, martial arts masters. A peculiar common Indian feature is the combination of three factors in their activity: artistic skills passed during regular training; religious service (most artistic activities are in one way or another devoted to certain cults and/or turn out to be part of ceremonies) and skills of controlled trance, specific psychophysical states, which in this case include on-stage
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MALECKA, Anna. "Naming of the Koh-i-Noor and the Origin of Mughal-Cut Diamonds." June 16, 2022. https://doi.org/10.15506/JoG.2017.35.8.738.

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For centuries, the Koh-i-Noor, or Mountain of Light, has been a diamond of exceptional renown in the East as well as in the West. Several legends circulate regarding this stone, and among these are tales of its origin and the way it received its name. This article attempts to verify the authenticity of these accounts and shows that the true origin of the diamond's name is connected to its appearance achieved through the faceting style known today as the Mughal cut. Although the provenance of this cut has thus far not been determined, this article proposes that it possibly originated in the
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Pathak, Bhumika, Nirali Panchal, Sunny R. Mevcha, and Madhavi Chaudhari. "Redefining the Role of Ketamine for Topicalisation and its Comparison with the Legend Lignocaine for OesophagogastroduodenoscopiesA Randomised Clinical Study." JOURNAL OF CLINICAL AND DIAGNOSTIC RESEARCH, 2022. http://dx.doi.org/10.7860/jcdr/2022/55049.16671.

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Introduction: Endoscopy is a minimally invasive procedure for visualisation of gastrointestinal tract performed under topicalisation with or without sedation. Lignocaine is one of the most popular local anesthetic used for topicalisation for endotracheal intubation in different forms like spray, gargles, nebulisation, gel. Recently ketamine has emerged as an effective antinociceptive and anti-inflammatory agent. Aim: To observe and compare the effect of ketamine and lignocaine gargles for decreasing sore throat, coughing and change in voice. Also to observe various side-effects following use o
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Książki na temat "Gujarati Legends"

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The Legend of Krishna: In Wall Paintings of Gujarat and Rajasthan. Niyogi Books, 2018.

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