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Artykuły w czasopismach na temat „Hamler”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Andersen, Torben Arboe. "Hyvl i Grob og Hamler i Gras – det er en lied Kongkyren." Ord & Sag 5 (December 1, 1985): 39–50. http://dx.doi.org/10.7146/ordogsag.v5.142206.

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2

Kelley, Jessica. "JOURNAL OF GERONTOLOGY SOCIAL SCIENCES: FEATURED 2022 EDITOR’S CHOICE ARTICLES." Innovation in Aging 7, Supplement_1 (2023): 134–35. http://dx.doi.org/10.1093/geroni/igad104.0439.

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Abstract Social science inquiry on age, aging, and the life course spans many topics and methodologies. This symposium highlights papers that were selected as Editor’s Choice articles in the Journal of Gerontology Social Sciences in 2022. These papers highlight methodological innovations, important advancements in our state of knowledge in an area, or emerging issues in the study of aging and older adults. Moen et al. trace the divergence in later-adulthood work trajectories at the intersection of race, gender, and class. Hamler et al. discuss the impact of skin tone on mental health among old

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3

Tokhtar, Abilzhanuly, Iskakov Ruslan, Abilzhanov Daniyar, and Darkhan Orazakhin. "Determination of the average size of preliminary grinded wet feed particles in hammer grinders." Eastern-European Journal of Enterprise Technologies 1, no. 1 (121) (2023): 34–43. https://doi.org/10.15587/1729-4061.2023.268519.

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In the conditions of farms, it becomes necessary to grind feed that has a different degree of moisture. Therefore, the choice of universal working bodies is the object of research, and the theoretical determination of the average size of pre-crushed feed particles is of great scientific and practical importance and is a problem that needs to be solved. Proceeding from this, a constructive-technological scheme of a grinder with a universal grinding working body is proposed. The grinding apparatus is equipped with a hammer working body which has cutting edges. In this case, hammers with cutting

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4

Martinák, Lukáš. "Příčiny vojenského převratu: syntetizovaný kauzální model." Středoevropské politické studie Central European Political Studies Review 18, no. 1 (2016): 31–63. http://dx.doi.org/10.5817/cepsr.2016.1.31.

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The article is an advancement of a preceding text which analyzed particular substantive theories of military coup in mainstream Anglo-Saxon political science literature. It provides a synthesis analysis of the previously analyzed literature specialized in military coup research, and because each substantive theory provides explanations of the occurrence of military coups through different independent variables, these factors are categorized for research purposes. Working with the definition of a military coup, the article’s goal is to set ten separate theories together into a formal concept of

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5

Lupton, J. R. ""Hamlet" without Hamlet." Modern Language Quarterly 69, no. 3 (2008): 418–20. http://dx.doi.org/10.1215/00267929-2008-006.

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6

Charnes, Linda. ""Hamlet" Without Hamlet (review)." Shakespeare Quarterly 58, no. 4 (2007): 538–42. http://dx.doi.org/10.1353/shq.2007.0054.

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7

Chin, Gilbert. "A hammer is a hammer is a hammer." Science 358, no. 6361 (2017): 317.1–317. http://dx.doi.org/10.1126/science.358.6361.317-a.

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8

Schwarz, Robert, and Peter Bichsel. "Cherubin Hammer und Cherubin Hammer." World Literature Today 73, no. 4 (1999): 721. http://dx.doi.org/10.2307/40155124.

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9

Dunnette, Marvin D. "My hammer or your hammer?" Human Resource Management 32, no. 2-3 (1993): 373–84. http://dx.doi.org/10.1002/hrm.3930320212.

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10

Dwi Aksa, Yudha Asmara, Abdul Haris, and Silfani Hariska. "REPRESENTATION OF SOCIAL CRITICISM IN AN EPISODE OF INDONESIAKU TITLED “WE ARE THE ISOLATED ONES AT THE END OF THE COUNTRY”." Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya 13, no. 2 (2023): 45–67. http://dx.doi.org/10.33558/makna.v13i2.2439.

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Social criticism is a way to express opinions and functions as a social control while criticizing a problem in society. In this regard, television show can be used to convey social criticism as it has a strong effect for influencing people's minds and change the audience's point of view. Indonesiaku is a documentary TV show that explores the problems in remote villages in Indonesia such as the lack of infrastructure development or the social welfare of Indonesian people. One of Indonesiaku’s episodes titled “WE ARE THE ISOLATED ONES AT THE END OF THE COUNTRY” represents underprivileged people

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11

Neill, Michael, Cedric Watts, Alexander Leggatt, Adrian Poole, and Peter Davison. "Hamlet." Modern Language Review 85, no. 3 (1990): 692. http://dx.doi.org/10.2307/3732220.

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12

Richardson, Anne, William Shakespeare, Christopher DeVore, and Franco Zeffirelli. "Hamlet." Sixteenth Century Journal 22, no. 4 (1991): 862. http://dx.doi.org/10.2307/2542450.

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13

Evans, G. Blakemore, William Shakespeare, and Harold Jenkins. "Hamlet." Modern Language Review 81, no. 3 (1986): 710. http://dx.doi.org/10.2307/3729205.

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14

Moosa, Hassana. "Hamlet." Shakespeare Bulletin 40, no. 1 (2022): 139–43. http://dx.doi.org/10.1353/shb.2022.0006.

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15

Aebischer, Pascale. "Hamlet." Shakespeare Bulletin 38, no. 3 (2020): 540–43. http://dx.doi.org/10.1353/shb.2020.0042.

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16

Cressler, Loren. "Hamlet." Shakespeare Bulletin 39, no. 1 (2021): 168–72. http://dx.doi.org/10.1353/shb.2021.0018.

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17

Lease, Joseph. "Hammer." Grand Street, no. 46 (1993): 29. http://dx.doi.org/10.2307/25007668.

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18

Thomas, Alfred, and William Shakespeare. "Hamlet." Theatre Journal 40, no. 1 (1988): 118. http://dx.doi.org/10.2307/3207799.

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19

Sorgenfrei, Carol Fisher, William Shakespeare, and Charles Marowitz. "Hamlet." Theatre Journal 38, no. 1 (1986): 98. http://dx.doi.org/10.2307/3207827.

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20

McLennan, Kathleen A., and William Shakespeare. "Hamlet." Theatre Journal 38, no. 1 (1986): 101. http://dx.doi.org/10.2307/3207828.

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21

Carlson, Marvin, and William Shakespeare. "Hamlet." Theatre Journal 41, no. 3 (1989): 396. http://dx.doi.org/10.2307/3208187.

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22

Dieckman, Suzanne Burgoyne, and William Shakespeare. "Hamlet." Theatre Journal 41, no. 3 (1989): 398. http://dx.doi.org/10.2307/3208188.

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23

Krasner, David, William Shakespeare, Anton Chekhov, and Geroge Calderon. "Hamlet." Theatre Journal 44, no. 4 (1992): 528. http://dx.doi.org/10.2307/3208779.

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24

Troy, Shari, and William Shakespeare. "Hamlet." Theatre Journal 44, no. 4 (1992): 530. http://dx.doi.org/10.2307/3208780.

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25

Favorini, Attilio, and William Shakespeare. "Hamlet." Theatre Journal 44, no. 4 (1992): 543. http://dx.doi.org/10.2307/3208787.

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26

Londre, Felicia Hardison, and William Shakespeare. "Hamlet." Theatre Journal 46, no. 1 (1994): 128. http://dx.doi.org/10.2307/3208964.

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27

Fisher, James, and William Shakespeare. "Hamlet." Theatre Journal 45, no. 4 (1993): 552. http://dx.doi.org/10.2307/3209026.

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28

Meldrum, Brenda. "Hamlet." Dramatherapy 34, no. 2 (2012): 101–3. http://dx.doi.org/10.1080/02630672.2012.704191.

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29

Wayman, Tom. "Hammer." Anthropology of Work Review 6, no. 4 (1985): 52–53. http://dx.doi.org/10.1525/awr.1985.6.4.52.2.

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30

Vivier, Jean. "Hamlet." Cahiers Élisabéthains: A Journal of English Renaissance Studies 103, no. 1 (2020): 201–3. http://dx.doi.org/10.1177/0184767820946175ae.

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31

Price, Eoin. "Hamlet." Cahiers Élisabéthains: A Journal of English Renaissance Studies 103, no. 1 (2020): 187–89. http://dx.doi.org/10.1177/0184767820946175z.

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32

Sokolova, Boika. "Hamlet." Shakespeare Bulletin 31, no. 3 (2013): 553–58. http://dx.doi.org/10.1353/shb.2013.0050.

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33

McCarthy, Harry R. "Hamlet." Shakespeare Bulletin 36, no. 1 (2018): 151–55. http://dx.doi.org/10.1353/shb.2018.0010.

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34

Dhar, Amrita. "Hamlet." Shakespeare Bulletin 36, no. 1 (2018): 156–59. http://dx.doi.org/10.1353/shb.2018.0011.

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35

De Ferrari, Chela. "Hamlet." Theater 53, no. 2 (2023): 26–51. http://dx.doi.org/10.1215/01610775-10350524.

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36

ISMOILOVA, Fotima Izzat qizi. "HAMLET." МАДАНИЯТ ВА САНЪАТ ЖУРНАЛИ 2, no. 2 (2023): 102–6. https://doi.org/10.5281/zenodo.7861241.

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Ushbu maqolada buyuk ingliz dramaturgi Uilyam Shekspirning “Hamlet” tragediyasi haqida ma’lumot berilib, poytaxtimizdagi “Rus Akademik Drama teatri” da qanday qilib sahnalashtirilganligi, yutuq va kamchiliklari tahlil qilinadi.

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37

Huang, Yidan. "This is I, Hamlet the Dane: Hamlet and Kingship in Hamlet." Lecture Notes in Education Psychology and Public Media 35, no. 1 (2024): 186–90. http://dx.doi.org/10.54254/2753-7048/35/20232103.

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Hamlet is Shakespeares most famous play. Scholars have engaged in extensive debates regarding the themes of revenge and procrastination in Hamlet. However, existing research falls short in fully exploring Hamlets thoughts on kingship and his relationship with power. Despite the extensive examination of Hamlets complex character, a more in-depth analysis from this perspective is warranted. This paper, therefore, aims to further explore the connection between Hamlet and political power from three key angles. Firstly, it examines Hamlets reflections on kingship as presented through the drama and

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38

Hunt, Cameron. "Homophonic Hamlet: Making Hamlet Ma(i)d." Explicator 67, no. 3 (2009): 209–12. http://dx.doi.org/10.3200/expl.67.3.209-212.

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39

Fochi, Anna. "Through Hamlet, with Hamlet, against Hamlet: Giovanni Testori's Translation of the Ultimate Character." New Readings 12 (January 1, 2012): 73. http://dx.doi.org/10.18573/newreadings.87.

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40

Song, Chang-Heon, Ki-Beom Kwon, Dae-Young Shin, Woon-Kyu Hwang, Jong-Hyuk Lim, and Jung-Woo Cho. "Trend Analysis of Drilling Technology for Top-Hammer Drilling Machine." Journal of Korean Society For Rock Mechanics 23, no. 4 (2013): 271–79. http://dx.doi.org/10.7474/tus.2013.23.4.271.

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41

Kellerhoff, Peter. "Gelände-Hammer." VDI nachrichten 75, no. 18-19 (2021): 40. http://dx.doi.org/10.51202/0042-1758-2021-18-19-40-5.

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42

Kelly, Charles Adams, and Dayna Leigh Plehn. "Q1 Hamlet." Critical Survey 31, no. 1-2 (2019): 153–67. http://dx.doi.org/10.3167/cs.2019.31010212.

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The case for Q1 Hamlet as a pre-Q2 text is coming into focus as the findings of several scholars are reconciled. Additionally, a finding related to the Brudermord text has helped mark that text as a predecessor to both Q1 and Q2/F, with further implications for Q1 as a pre-Q2 text. As this view of Q1 becomes accepted, patterns of Q1 vs. Q2 variance advance the case for Q1 as being the author’s draft of the text that became the censor-approved ‘allowed book’. There is no way to know how most of the Q1 vs. Q2 textual variants progressed from Q1 as printed, to the non-extant allowed book from whi

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43

Holderness, Graham, and Bryan Loughrey. "Q1 Hamlet." Critical Survey 31, no. 1-2 (2019): 187–95. http://dx.doi.org/10.3167/cs.2019.31010214.

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While the articles in this volume are focussed on new research in Hamlet studies, this editorial ‘Afterword’ reverts to an earlier stage of the debate around Q1, specifically the ‘culture wars’ of the 1990s, and re-examines the controversy surrounding the publication of the Shakespearean Originals series, which was launched with a new edition of Hamlet First Quarto (1992). Shakespearean Originals sought to situate texts within the historical conditions of textual production by decomposing conflated modern editions into the various discrete, and to some degree incommensurable, textualisations t

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44

Lomax, Marion, Paul Cantor, Michael Cohen, and Barbara Everett. "Shakespeare: 'Hamlet'." Modern Language Review 87, no. 3 (1992): 696. http://dx.doi.org/10.2307/3732954.

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45

Asche, Stefan. "Der Hammer." VDI nachrichten 76, no. 13 (2022): 40. http://dx.doi.org/10.51202/0042-1758-2022-13-40-5.

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46

Bell, Millicent. "Hamlet, Revenge!" Hudson Review 51, no. 2 (1998): 310. http://dx.doi.org/10.2307/3853055.

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47

Parcerisas, Francesc, and Lawrence Venuti. "Wicker Hamper." World Literature Today 83, no. 5 (2009): 46. http://dx.doi.org/10.1353/wlt.2009.0192.

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48

Rhu, Lawrence. "Hamlet 3." Conversations: The Journal of Cavellian Studies, no. 5 (February 27, 2018): 115–17. http://dx.doi.org/10.18192/cjcs.v0i5.2413.

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On 42nd Street, beyond the bright marquee, alight with Hamlet 2,We find its star, Steve Coogan. He plays Dana Marschz,Who came from Canada to Tucson, my hometown, or so it seemsAt least as much as Hamlet seems a myth of originsEnabling our imaginations to conceive of selfhoodIn terms of consciousness as process, self-awarenessStruggling to proceed, man or woman thinking,The American scholar in Wittenberg or Elsinor, Concord or Tucson—Wherever that might be or we might find ourselves.

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49

Young, S. "Recognising Hamlet." Shakespeare in Southern Africa 26, no. 1 (2014): 13. http://dx.doi.org/10.4314/sisa.v26i1.2.

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50

Barrow, Susan Makiesky, Antonio Lauria-Perricelli, Anne Lovell, Constance Sutton, and Linda Winston. "Muriel Hammer." Anthropology News 58, no. 3 (2017): e435-e437. http://dx.doi.org/10.1111/an.490.

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