Gotowe bibliografie tematyczne / Haunted settings

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Gotowa bibliografia na temat „Haunted settings”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Haunted settings"

Potter, Caroline. "Henri Dutilleux, haunted by Baudelaire." Journal of Romance Studies 21, no. 3 (2021): 399–417. http://dx.doi.org/10.3828/jrs.2021.22.

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One of the leading French composers of the twentieth and early twenty-first centuries, Henri Dutilleux (1916-2013) set only one text by Baudelaire, though he said that the poet was the artist in any medium who had the strongest impact on him; indeed, he said that ‘Baudelaire continues to haunt me.’ This article explores how this ‘haunting’ affected Dutilleux’s oeuvre, from his cello concerto Tout un monde lointain… [‘A Far Distant World’] (1967-1970) whose five movements are each preceded by a Baudelaire epigraph, through to his final completed work, the song cycle Le Temps l’horloge [‘Time th

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Liddicoat, Stephanie. "SPATIAL METAPHORS AND HAUNTED SPACE: SEMANTICS OF ARCHITECTURAL THERAPEUTIC ENCOUNTERS." Messages, Sages and Ages 5, no. 1 (2018) (2018): 7–19. https://doi.org/10.5281/zenodo.1621108.

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Spaces for therapy and counselling are haunted spaces, spaces whose physical characteristics manifest past inhabitation and cue connections to another’s trauma. This paper explores findings from a research project which examined the perceptions of spatiality of individuals who self harm, and the interior encounters they were exposed to which are of particular significance to this group. This data collection involved a series of semi-structured interviews with mental health service users who self harm, their carers, therapists/counsellors, architects, and design experts/researchers. Also

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Raidel, Ella. "A Pile Of Ghosts: A Cinematic Heterotopia of Spectral Urbanization." International Journal of Film and Media Arts 7, no. 1 (2022): 11–26. http://dx.doi.org/10.24140/ijfma.v7.n1.01.

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A Pile of Ghosts (2021) is an artistic hybrid film in-between fiction and documentation created through the process of the art based research project Of Haunted Spaces. This research on Chinese ghost cities was a journey in exploring locations and looking for protagonists for the film, that would embody the urbanization processes surfaced as the phenomena of haunted cities by the spectral production of capitalism. As the process of filmmaking goes, settings and castings are staged to re-enact situations that have been observed during the field trips that were undertaken in many parts of China.

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Sunaryo, Agus. "Moderatism Maslahah: Rereading the Concept of Maslahah at-Tufi and al-Buti in Answering Contemporary Issues." International Journal of Social Science Research and Review 5, no. 3 (2022): 6–21. http://dx.doi.org/10.47814/ijssrr.v5i3.190.

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The maslahah discourse is almost always faced with the problem of Islamic legal ability to answer the challenges of the Times. The ever-dynamic complexity of life demands that every jurist can make decisions that not only get the legitimacy of revelation but also with the interests of the people who move following the changing times. Al-Tufi and Al-Buti are representations of Islamic thinkers who try to offer conceptual ideas and ideas so that Islamic law does not lose its spirit as a living institution that is always relevant to be applied in all conditions and at all times. Departing from li

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RAYCHAUDHURY, ARCAPROVA. "The Retriever and the Rebel: Horror and the Non-Human Category in Sharadindu Bandyopadhyay's "The Red Fireflies" (1929) and "Pintu" (1933)." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies IX, no. 1 (2024): 67–100. https://doi.org/10.5281/zenodo.10658082.

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Sharadindu Bandyopadhyay’s horror stories reveal a distinct form of engagement with the non-human and nature with regard to colonial interventions. From haunted landscapes, ‘uncanny’ non-human activities to natural settings which are readily permeated by horrifying presences, the stories address the plight of native ecologies as well as the non-human under the expansionist, gain-based designs of colonialism and its instrumentalist worldview which presupposes nature and the non-human as passive and expendable. The presence of the uncanny in the stories raises the issue of boun

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Sitzia, Emilie. "Ghost stories: Redon’s ‘transmission’ of Gothic literature." Journal of Illustration 10, no. 1 (2023): 133–51. http://dx.doi.org/10.1386/jill_00065_1.

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This article focuses on a rarely studied set of images: Redon’s album La Maison Hantée, published in 1896 (M 160-166) based on his friend and patron Philipon’s translation of Edward Bulwer-Lytton’s story The Haunted and the Haunters: Or, the House and the Brain (1859). Bulwer-Lytton was regarded as a significant writer in the 1830s and The Haunted and the Haunters was a well-known ghost story that contributed to establishing some recurrent narrative strategies of Gothic literature. Odilon Redon (1840–1916) was an avid reader who believed in the power of reading to explore the imagination. Whil

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CUADRADO, ALVARADO ALFONSO. "THE ORIGINS OF THE SINISTER LOCUS IN JAUME BALAGUERÓ'S BARCELONA." L'Atalante. Revista de estudios cinematográficos 30 (June 5, 2020): 75–88. https://doi.org/10.5281/zenodo.10621217.

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Barcelona has been used as the location for several films that have promoted the city’s image as a cosmopolitan tourist estination, presenting it as a historical, cultural, and artistic centre. But it has also come to be known as the setting for a number of horror films, such as the REC saga or Sleep Tight by the Catalan filmmaker Jaume Balagueró. Film tourism is inspired by an imaginary that is the result of viewing a real location through the filter of cinematic creation. For many of his films, Jaume Balagueró has created a specific setting, a sinister locus res

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Thornton, Joyce K. "Carpal Tunnel Syndrome in ARL Libraries." College & Research Libraries 58, no. 1 (1997): 9–18. http://dx.doi.org/10.5860/crl.58.1.9.

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Carpal tunnel syndrome (CTS), commonly found in manufacturing operations, is spreading from this traditional haunt to nontraditional settings. Libraries are one setting where employees are sustaining an increasing number of CTS injuries. This study reports the results of a survey of the libraries holding membership in the Association of Research Libraries. Based on information obtained via a questionnaire, the study reports the incidences of CTS and the measures libraries are taking to cope with this pervasive health condition. Repeated comments from respondents also are included. This article

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Marushchak, Nika. "Blurring the Boundaries of Poetics: A Stylistic and Narrative Analysis of Poe’s “The Fall of the House of Usher” and “The Haunted Palace”." Acta Humanitatis 3, no. 1 (2025): 25–40. https://doi.org/10.5709/ah-03.01.2025-02.

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This article focuses on the intersection of poetic and narrative forms in Edgar Allan Poe’s prose and poetry, offering a close study of “The Fall of the House of Usher” and “The Haunted Palace.” While Poe argues that poetry and prose serve different artistic purposes (Beauty for the former and Truth or Passion for the latter), his literary works prove the contrary. The research aims to analyze Poe’s language choices across both genres and to determine whether the formal boundaries between them are deliberately blurred. A qualitative comparative method is employed, analysing core narrative comp

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Iriana, Sidney, Sally Ibrahim, Dustin Peth, Shikha Mistry, Catherine Di Lisio, and Kingman Strohl. "1205 Haunted Slumbers: Decoding a Trauma-Induced Sleep Disorder in a Teen Patient." SLEEP 47, Supplement_1 (2024): A514. http://dx.doi.org/10.1093/sleep/zsae067.01205.

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Abstract Introduction This case examines a complex inpatient sleep presentation of a teenager with a history of foster care, depression, anxiety, PTSD, and ADHD, presenting with features of parasomnia. Key symptoms included excessive sleepiness, waking hallucinations, partial awareness, and significant uncontrolled movements reaching a level of severity requiring hospitalization. Report of case(s) A 14-year-old female presented with severe nocturnal episodes arising from sleep characterized by hallucinations of a dark figure, observed limb thrashing, screaming, and impaired arousal that gradua

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Rozprawy doktorskie na temat "Haunted settings"

Günther, Julia Katharina [Verfasser], Johann J. [Akademischer Betreuer] Hauner, Johann J. [Gutachter] Hauner, and Regina [Gutachter] Ensenauer. "Effects of lifestyle counselling in the antenatal routine care setting on dietary behaviour and maternal and offspring weight development / Julia Katharina Günther ; Gutachter: Johann J. Hauner, Regina Ensenauer ; Betreuer: Johann J. Hauner." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1216626219/34.

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Hoffmann, Julia Rebecca [Verfasser], Johann J. [Akademischer Betreuer] Hauner, Johann J. [Gutachter] Hauner, and Renate [Gutachter] Oberhoffer-Fritz. "'Healthy living in pregnancy' (GeliS) - Effects of a lifestyle intervention in the antenatal routine care setting on physical activity and breastfeeding behaviour and maternal weight development / Julia Rebecca Hoffmann ; Gutachter: Johann J. Hauner, Renate Oberhoffer-Fritz ; Betreuer: Johann J. Hauner." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1213898919/34.

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Książki na temat "Haunted settings"

Dickinson, Joy. Haunted city: An unauthorized guide to the magical, magnificent New Orleans of Anne Rice. Carol Pub. Group, 1998.

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Dickinson, Joy. Haunted city: An unauthorized guide to the magical, magnificent New Orleans of Anne Rice. 3rd ed. Citadel Press, 2004.

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Dickinson, Joy. Haunted city: An unauthorized guide to the magical, magnificent New Orleans of Anne Rice. Carol Pub. Group, 1995.

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Matos, A. Campos. Imagens do Portugal queirosiano. Impr. Nacional-Casa da Moeda, 1987.

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Thisse, Claude. Illiers-Combray au temps de Marcel Proust. A. Sutton, 2009.

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internazionale, Centro nazionale di studi dannunziani e. della cultura in Abruzzo Convegno. Terre, città e paesi nella vita e nell'arte di Gabriele D'Annunzio: XX Convegno internazionale, Pescara, 6-7 dicembre 1996. Centro nazionale di studi dannunziani e della cultura in Abruzzo, 1996.

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Centro nazionale di studi dannunziani e della cultura in Abruzzo. Convegno internazionale. Terre, città e paesi nella vita e nell'arte di Gabriele D'Annunzio: XX Convegno internazionale, Pescaro, 6-7 dicembre 1996. Centro nazionale di studi dannunziani e della cultura in Abruzzo, 1996.

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Shelley, Ron. George Washington, Moutain Road lottery: Setting the record straight. R. Shelley, 1992.

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Giachery, Emerico. Luoghi di Ungaretti. Edizioni scientifiche italiane, 1998.

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Simonsen, Thordis. Dancing girl: Themes and improvisations in a Greek village setting. Fundamental Note, 1991.

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Części książek na temat "Haunted settings"

Taplin, Oliver. "Boustrophedon between Hellas and Home." In Seamus Heaney and the Classics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198805656.003.0002.

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Seamus Heaney did not actually visit Greece until 1995, a trip ‘long promised, long deferred’, followed by a later visit to Delphi, which added a tribute to Zbigniew Herbert and two further ‘Sonnets from Hellas’ to the four set in the Peloponnese. These were all published in Electric Light in 2001, as was the superb poem ‘Out of the Bag’, which works in a ‘pilgrimage’ to Epidaurus. The aim of this short study will be to trace the topography of Heaney’s Hellas poems in order to bring out his vivid observation of locality and landscape. At the same time it will consider the associations that the

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Applegate, Celia. "Musical Itinerancy in a World of Nations." In Cultures in Motion. Princeton University Press, 2013. http://dx.doi.org/10.23943/princeton/9780691159096.003.0003.

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This chapter examines the world of the traveling musicians who produced European musical culture and haunted its literary imagination. Focusing on the history of musical itinerancy and travel, mainly in German-speaking Europe, it explores the ways in which Germans shaped and expressed their collective identity. The chapter investigates how traveling performers, often disparaged as rootless musical peddlers, carted new musical styles, forms, and techniques between local musical settings. It looks at the role of choral societies in nation building in the nineteenth century and large choral festi

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Edmundson, Melissa. "Irish Women Writers and the Supernatural." In Irish Gothic. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399500555.003.0012.

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This chapter focuses on Irish women writers and their contributions to supernatural fiction from c.1850-1950. The chapter examines how women incorporated social themes in their short fiction, an emphasis that often differentiates these narratives from ones written by men through the utilization of distinct Irish settings, Irish historical moments, and the foregrounding of the lives of Irish women. These writers responded to rapid social and political changes by creating literary ghosts that reflected contemporary concerns about marriage, domestic abuse, women and children, haunted houses, mone

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Sobol, Valeria. "In Search of the Russian Middle Ages." In Haunted Empire. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750571.003.0003.

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This chapter analyzes the Livonian tales of the 1820s penned by future Decembrists and set in medieval times in what would later become the Baltic provinces of the Russian Empire. This setting provided the Russian Romantics of a liberal political leaning with “access” to the European Middle Ages. It also allowed them to explore the bloody legacy of feudalism, which they were intent on fighting at home. Despite their subtle critique of contemporary Russia in these tales, the Decembrists' imperial imagination fully justifies the Russian expansion in the region by contrasting the Baltics' “dark”

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Kukrić, Irena. "Performance Installation as a Haunted Landscape." In Space Oddity: Exercises in Art and Philosophy. Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-675-6/011.

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As humans today so often relate to people who are not physically present and to media governed by code, this essay proposes that in a performance without humans acting, the audience might find more sensory connection than with the human actor at the centre of it. Looking into what is left once the human actor is not present, this study will focus on the notion of hauntology and landscape and how the two might be entangled. It explores how past, present, and future come together in the space of a performance, as well as the notion of landscape as a model to organise our thoughts and performance

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Obrecht, Jas. "Setting the Stage." In Stone Free. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469647067.003.0001.

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This detailed account of James Marshall Hendrix’s life before he transformed into “Jimi” Hendrix covers his hardscrabble childhood in Seattle, his early musical inspirations, first instruments and bands, and stint in the U.S. Army. Following his discharge, Hendrix embarks on his professional career, playing the chitlin circuit and making his first recordings as a studio musician. He then lands in New York City, where he lives in abject poverty until his “discovery” by Linda Keith and Bryan “Chas” Chandler. Chandler sees him perform “Hey Joe” and Bob Dylan’s “Like a Rolling Stone” in a Greenwic

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Church, David. "Queer Ethics and the Urban Ruin-Porn Landscape: The Horrors of Monogamy in It Follows." In Post-Horror. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475884.003.0006.

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Building off the previous chapter’s focus on wild natural spaces, this chapter offers an extended case study of one of the earliest and most influential post-horror films, It Follows, whose overall aesthetic is rooted in its specifically urban, postindustrial setting. Through the film’s ironic critique of monogamy as a monstrous force, the chapter argues that the film advances, by way of negative example, a queer ethics of open, responsible sexuality—albeit an ethics constrained by the film’s class-based setting in a neoliberal Detroit increasingly stripped of public services. By examining the

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Hayes, Marisa C. "Nature of the Curse – Analysis." In Ju-On: The Grudge. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325291.003.0004.

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This chapter presents a detailed analysis of Ju-on: The Grudge (2002). The film's links to the revenge hauntings outlined in onryō tales are undeniable, yet it is also true that Kayako's angry ghost does not always adhere to the formula outlined in folklore for tormented spirits of her kind. In the most traditional sense of the term, Ju-on: The Grudge is a kaidan film: few would deny that a strange and ghostly tale is central to its plot. However, the film's contemporary setting and integration of various national and international cinematic influences make it much more than a straightforward

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Attebery, Brian. "How Fantasy Means." In Fantasy. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192856234.003.0002.

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Abstract Abstract and hidden realities are best revealed through the mechanisms of fantasy, which invites us to throw out common-sense assumptions and to look to the mysteries of riddles, metaphors, and myths. Despite its disavowal of direct representation, fantasy can reveal and convey truths about experience in three main ways: by reference to traditional myths and supernatural legends from various cultures, by literalizing metaphors, and by setting up parallels to the underlying structures, rather than the surface details, of reality. These structures include the components of the self, the

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Minh-ha, Trinh T. "Feeling the way out." In Lovecidal. Fordham University Press, 2016. http://dx.doi.org/10.5422/fordham/9780823271092.003.0009.

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This chapter details the personal experiences of those in the line of combat, with a particular focus on Vietnam and the battle of Điện Biên Phủ. It describes the setting of the battle and the sobering prelude to future U.S. military defeat, particularly the subterranean warfare employed by the Viet Cong. The chapter then looks to the psychological costs of having been involved in the conflict in Vietnam, and how soldiers today are haunted by their experiences. Here the chapter asserts that, “[a]nimalizing the human other goes hand in hand with humanizing the animal.” In addition, the chapter

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