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Artykuły w czasopismach na temat „Haunted settings”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Potter, Caroline. "Henri Dutilleux, haunted by Baudelaire." Journal of Romance Studies 21, no. 3 (2021): 399–417. http://dx.doi.org/10.3828/jrs.2021.22.

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One of the leading French composers of the twentieth and early twenty-first centuries, Henri Dutilleux (1916-2013) set only one text by Baudelaire, though he said that the poet was the artist in any medium who had the strongest impact on him; indeed, he said that ‘Baudelaire continues to haunt me.’ This article explores how this ‘haunting’ affected Dutilleux’s oeuvre, from his cello concerto Tout un monde lointain… [‘A Far Distant World’] (1967-1970) whose five movements are each preceded by a Baudelaire epigraph, through to his final completed work, the song cycle Le Temps l’horloge [‘Time th

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Liddicoat, Stephanie. "SPATIAL METAPHORS AND HAUNTED SPACE: SEMANTICS OF ARCHITECTURAL THERAPEUTIC ENCOUNTERS." Messages, Sages and Ages 5, no. 1 (2018) (2018): 7–19. https://doi.org/10.5281/zenodo.1621108.

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Spaces for therapy and counselling are haunted spaces, spaces whose physical characteristics manifest past inhabitation and cue connections to another’s trauma. This paper explores findings from a research project which examined the perceptions of spatiality of individuals who self harm, and the interior encounters they were exposed to which are of particular significance to this group. This data collection involved a series of semi-structured interviews with mental health service users who self harm, their carers, therapists/counsellors, architects, and design experts/researchers. Also

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Raidel, Ella. "A Pile Of Ghosts: A Cinematic Heterotopia of Spectral Urbanization." International Journal of Film and Media Arts 7, no. 1 (2022): 11–26. http://dx.doi.org/10.24140/ijfma.v7.n1.01.

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A Pile of Ghosts (2021) is an artistic hybrid film in-between fiction and documentation created through the process of the art based research project Of Haunted Spaces. This research on Chinese ghost cities was a journey in exploring locations and looking for protagonists for the film, that would embody the urbanization processes surfaced as the phenomena of haunted cities by the spectral production of capitalism. As the process of filmmaking goes, settings and castings are staged to re-enact situations that have been observed during the field trips that were undertaken in many parts of China.

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Sunaryo, Agus. "Moderatism Maslahah: Rereading the Concept of Maslahah at-Tufi and al-Buti in Answering Contemporary Issues." International Journal of Social Science Research and Review 5, no. 3 (2022): 6–21. http://dx.doi.org/10.47814/ijssrr.v5i3.190.

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The maslahah discourse is almost always faced with the problem of Islamic legal ability to answer the challenges of the Times. The ever-dynamic complexity of life demands that every jurist can make decisions that not only get the legitimacy of revelation but also with the interests of the people who move following the changing times. Al-Tufi and Al-Buti are representations of Islamic thinkers who try to offer conceptual ideas and ideas so that Islamic law does not lose its spirit as a living institution that is always relevant to be applied in all conditions and at all times. Departing from li

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RAYCHAUDHURY, ARCAPROVA. "The Retriever and the Rebel: Horror and the Non-Human Category in Sharadindu Bandyopadhyay's "The Red Fireflies" (1929) and "Pintu" (1933)." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies IX, no. 1 (2024): 67–100. https://doi.org/10.5281/zenodo.10658082.

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Sharadindu Bandyopadhyay’s horror stories reveal a distinct form of engagement with the non-human and nature with regard to colonial interventions. From haunted landscapes, ‘uncanny’ non-human activities to natural settings which are readily permeated by horrifying presences, the stories address the plight of native ecologies as well as the non-human under the expansionist, gain-based designs of colonialism and its instrumentalist worldview which presupposes nature and the non-human as passive and expendable. The presence of the uncanny in the stories raises the issue of boun

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Sitzia, Emilie. "Ghost stories: Redon’s ‘transmission’ of Gothic literature." Journal of Illustration 10, no. 1 (2023): 133–51. http://dx.doi.org/10.1386/jill_00065_1.

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This article focuses on a rarely studied set of images: Redon’s album La Maison Hantée, published in 1896 (M 160-166) based on his friend and patron Philipon’s translation of Edward Bulwer-Lytton’s story The Haunted and the Haunters: Or, the House and the Brain (1859). Bulwer-Lytton was regarded as a significant writer in the 1830s and The Haunted and the Haunters was a well-known ghost story that contributed to establishing some recurrent narrative strategies of Gothic literature. Odilon Redon (1840–1916) was an avid reader who believed in the power of reading to explore the imagination. Whil

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CUADRADO, ALVARADO ALFONSO. "THE ORIGINS OF THE SINISTER LOCUS IN JAUME BALAGUERÓ'S BARCELONA." L'Atalante. Revista de estudios cinematográficos 30 (June 5, 2020): 75–88. https://doi.org/10.5281/zenodo.10621217.

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Barcelona has been used as the location for several films that have promoted the city’s image as a cosmopolitan tourist estination, presenting it as a historical, cultural, and artistic centre. But it has also come to be known as the setting for a number of horror films, such as the REC saga or Sleep Tight by the Catalan filmmaker Jaume Balagueró. Film tourism is inspired by an imaginary that is the result of viewing a real location through the filter of cinematic creation. For many of his films, Jaume Balagueró has created a specific setting, a sinister locus res

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Thornton, Joyce K. "Carpal Tunnel Syndrome in ARL Libraries." College & Research Libraries 58, no. 1 (1997): 9–18. http://dx.doi.org/10.5860/crl.58.1.9.

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Carpal tunnel syndrome (CTS), commonly found in manufacturing operations, is spreading from this traditional haunt to nontraditional settings. Libraries are one setting where employees are sustaining an increasing number of CTS injuries. This study reports the results of a survey of the libraries holding membership in the Association of Research Libraries. Based on information obtained via a questionnaire, the study reports the incidences of CTS and the measures libraries are taking to cope with this pervasive health condition. Repeated comments from respondents also are included. This article

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Marushchak, Nika. "Blurring the Boundaries of Poetics: A Stylistic and Narrative Analysis of Poe’s “The Fall of the House of Usher” and “The Haunted Palace”." Acta Humanitatis 3, no. 1 (2025): 25–40. https://doi.org/10.5709/ah-03.01.2025-02.

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This article focuses on the intersection of poetic and narrative forms in Edgar Allan Poe’s prose and poetry, offering a close study of “The Fall of the House of Usher” and “The Haunted Palace.” While Poe argues that poetry and prose serve different artistic purposes (Beauty for the former and Truth or Passion for the latter), his literary works prove the contrary. The research aims to analyze Poe’s language choices across both genres and to determine whether the formal boundaries between them are deliberately blurred. A qualitative comparative method is employed, analysing core narrative comp

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Iriana, Sidney, Sally Ibrahim, Dustin Peth, Shikha Mistry, Catherine Di Lisio, and Kingman Strohl. "1205 Haunted Slumbers: Decoding a Trauma-Induced Sleep Disorder in a Teen Patient." SLEEP 47, Supplement_1 (2024): A514. http://dx.doi.org/10.1093/sleep/zsae067.01205.

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Abstract Introduction This case examines a complex inpatient sleep presentation of a teenager with a history of foster care, depression, anxiety, PTSD, and ADHD, presenting with features of parasomnia. Key symptoms included excessive sleepiness, waking hallucinations, partial awareness, and significant uncontrolled movements reaching a level of severity requiring hospitalization. Report of case(s) A 14-year-old female presented with severe nocturnal episodes arising from sleep characterized by hallucinations of a dark figure, observed limb thrashing, screaming, and impaired arousal that gradua

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Fitriati, Trimalda Nur, and Reza Ramadani Firman. "Analysis of the Scary Element in a 360˚ Technique Horror Movie Trailer. (Case study of the Nun Film Trailer)." KnE Social Sciences 10, no. 3 (2025): 25–32. https://doi.org/10.18502/kss.v10i3.17892.

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In the digital 4.0 era, horror films no longer only use conventional techniques, but many have also used 360˚ video techniques. The use of this technique allegedly can make a difference from the elements forming the film which are considered to be the most fearful for the audience. With this in mind, this study aims to find out which film-forming elements are considered the most able to frighten the audience when watching a 360˚ horror film using a virtual reality headset. The method used in this study is qualitative. Primary data from this research was collected by interview technique. Interv

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Connor, Christina. ""Cut to the bone": An Interview with Grady Hendrix." Studies in the Fantastic 18, no. 1 (2025): 105–13. https://doi.org/10.1353/sif.2025.a953109.

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Abstract: Grady Hendrix is the best-selling author of Horrorstör (2014), My Best Friend's Exorcism (2016), We Sold Our Souls (2016), The Southern Book Club's Guide to Slaying Vampires (2020), The Final Girl Support Group (2021), How to Sell a Haunted House (2023), and Witchcraft for Wayward Girls (2025), most of which have been developed or optioned for film and television. His book Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction (2017) won the Bram Stoker Award for Best Non-Fiction. In this interview, Hendrix discusses personal experience as a starting point for horr

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Ochonicky, Adam. "‘Something to be haunted by’: Adaptive monsters and regional mythologies in ‘The Forbidden’ and Candyman." Horror Studies 11, no. 1 (2020): 101–22. http://dx.doi.org/10.1386/host_00013_1.

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Since Bernard Rose’s Candyman (1992) was first released more than 25 years ago, there has been a great deal of scholarly commentary on the film’s treatment of class, race, gender and urban legends. To a lesser degree, Clive Barker’s short story, ‘The Forbidden’ (1986), has received some critical attention largely because of its status as the source material for the film’s general premise and now-iconic central monster. This article expands on such existent scholarship by analysing regional mythologies and the cross-cultural adaptation of place-specific monsters within and across both texts. To

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Kay L. Oaks. "Gothic and Historical Elements in Washington Irving’s “The Legend of Sleepy Hollow”." International Journal of Literature Studies 4, no. 3 (2024): 84–88. https://doi.org/10.32996/ijts.2024.4.3.12.

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Washington Irving’s short story “The Legend of Sleepy Hollow” still haunts us today 200 years after it was written. Irving incorporated Gothic elements such as ancient and isolated settings, nature, superstitions, and supernatural ambiguity into his short story. Irving also included historical figures such as the British Major John André and the headless Hessian soldier. The author wove elements of the Gothic with historical facts from the American Revolution to create a memorable, uniquely American story.

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Meisami, Julie Scott. "Allegorical Gardens in the Persian Poetic Tradition: Nezami, Rumi, Hafez." International Journal of Middle East Studies 17, no. 2 (1985): 229–60. http://dx.doi.org/10.1017/s0020743800029019.

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A striking feature of medieval Persian poetry is the abundance of nature imagery that permeates every poetic genre, and especially imagery relating to gardens. The royal gardens and parks evoked in the descriptive exordia of the qasīda, the luxuriant gardens of romance that provide settings for tales of love, the spiritual gardens of mystical writings, the flowery haunts of rose and nightingale in the courtly ghazal—all provide eloquent testimony to the importance of the garden in Persian culture.

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Н., Киносьян,. "Cultural landscapes of the Arctic: Soviet heritage in Svalbard." Историческая география, no. 6 (December 30, 2022): 79–107. http://dx.doi.org/10.21267/aquilo.2022.38.39.001.

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Культурные ландшафты являются «оттиском» социальных отношений, интересов и ценностей. В то же время наблюдатель может интерпретировать и переосмысливать воспринятую визуальную информацию и наделять ландшафт новыми смыслами. Ландшафты, насыщенные читаемыми символами, диктуют зрителю, что можно в них увидеть. С другой стороны, заброшенные, разрушенные, частично стертые и лишенные деятельности, акторов и политического контекста ландшафты представляют собой иную ситуацию. Что из них можно извлечь? Что или кого они представляют? Могут ли нынешние теории помочь уловить их значения? В этой статье дел

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Woroniec, Jacqueline Wiktoria. "We Have Always Lived in the Mind: The Freudian Topographic Model of the Mind as Depicted in Shirley Jackson’s We Have Always Lived in the Castle (1962)." Polish Journal for American Studies, no. 16 (2022) (December 22, 2022): 93–102. http://dx.doi.org/10.7311/pjas.16/2022.07.

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The literary setting of Shirley Jackson’s 1962 novel We Have Always Lived in the Castle is eerie, symbolic, and inextricably interconnected with the main characters of the book. The Blackwood family, haunted by its macabre past, is confined to its mansion, which is a manifestation of its dwellers’ troubled minds. The Blackwoods abide in a reciprocal influence with their house, the titular castle. The aim of this paper is to contribute to the discourse on Jackson’s work and to illustrate a symbolic rather than mimetic reading of the novel. The theory of psychoanalysis, and more specifically the

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Ursulenko, Anna. "Questions about solidarity in the dystopian world (inspired by Dmytro Ternovyi’s 'High Resolution')." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/3 (December 17, 2018): 119–33. http://dx.doi.org/10.26881/bp.2018.3.06.

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The article discusses the means of creating images and argumentation lines used to achieve a multidimensional representation of the concept of solidarity in the 2012 drama High Resolution by Ukrainian playwright Dmytro Ternovyi. The story of inhabitants of a certain Ukrainian city and their experiences during anti-regime protests coinciding with the hunt for immigrants organized by the authorities is interspersed with fantastic and grotesque scenes featuring animate objects, which allowed the author to create a range of social worlds haunted by traumas and fears. By definition, a dystopian rea

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Gottesman, Zachary Samuel. "The Rotoscopic Uncanny: Aku no Hana and the Aesthetic of Japanese Postmodernity." Animation 13, no. 3 (2018): 192–206. http://dx.doi.org/10.1177/1746847718799416.

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CGI has led to a theoretical revolution in media studies. What is cinema when reality can be created on a computer? What is animation when superflat 2D aesthetics are becoming haunted by 3D digital graphics? This article adds a third term to the debate: rotoscoping. The author analyzes the first exclusively rotoscoped Japanese anime, Aku no Hana (The Flowers of Evil), a contemporary reinterpretation of Charles Baudelaire’s Les Fleurs du Mal that reflects on postmodern malaise, rural decay and depopulation, and otaku escapism, in order to examine the aesthetic of the rotoscope in relation to ci

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Bandini, Julia I., Sangeeta C. Ahluwalia, George Timmins, Armenda Bialas, Lisa Meredith, and Courtney Gidengil. "“It Haunts Me”: Impact of COVID-19 Deaths on Frontline Clinicians In Acute Care Settings—A Qualitative Study." American Journal of Critical Care 32, no. 5 (2023): 368–74. http://dx.doi.org/10.4037/ajcc2023257.

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Background The COVID-19 pandemic created unprecedented conditions for clinicians providing end-of-life care in acute care settings, yet almost 2 years since the start of the pandemic, little is known about its impact on clinicians. Objectives To qualitatively explore how clinicians experienced their role as they cared for dying patients with COVID-19 during the pandemic and the impact of these experiences on their lives as health care professionals. Methods In-depth, hour-long interviews were conducted by phone in the spring of 2022 at a single time point with 23 physicians and nurses in criti

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Ramirez Motoa, Camilo. "Process Externalism and mental causation: setting metaphysical bounds on cognitive science." Adaptive Behavior 27, no. 1 (2018): 61–73. http://dx.doi.org/10.1177/1059712318793836.

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In this article, I examine the argument by which Process Externalism—an interesting empirical theory that echoes 4E’s core ideas—undermines Kim’s supervenience argument. If mental properties do not depend exclusively on neurological properties but depend on external or extra-cranial properties, mental causation cannot be pre-empted by or reduced to neurological properties. In this sense, Keijzer and Schouten argue that this theory entails a robust nonreductive materialism (RNM) that vindicates a notion of mental causation. However, I will argue that this maneuver produces different kinds of ov

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Zeitlin, Froma I. "Euripides' Hekabe and the Somatics of Dionysiac Drama." Ramus 20, no. 1 (1991): 53–94. http://dx.doi.org/10.1017/s0048671x00002836.

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The stage setting of Euripides' Hekabe is a sinister place. Its denizen is an ogre-like king who masquerades as an ally of the Greeks and a friend of the Trojans. He is a host who takes in a xenos (‘stranger/guest’) along with his golden hoard, both of which he promises to keep safe within his house. Site of death, site of thesaurization, Polymestor's locale bears an uncanny and parodic resemblance to the house of Hades and he to the form of that death god called Plouton. Paradoxically, the names of the victims who die there, the one he killed (Polydoros) and the one whom others sacrificed (Po

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Lungisa, Sithenkosi, Ogochukwu Iruoma Nzewi, and Nqobile Sikhosana. "Adapting enterprise risk management principles to local government in a developing country." Journal of Governance and Regulation 12, no. 4 (2023): 38–49. http://dx.doi.org/10.22495/jgrv12i4art4.

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This article seeks to analyze the role enterprise risk management (ERM) theory plays in consequence management (CM) in the South African local government context. We advance the argument that CM, which is regarded as the synchronization of initiatives undertaken to respond and lessen the impacts of a security-related occurrence, has not been fully exploited in the local government set-up. The South African local government has been haunted by service rendering challenges due to a lack of leadership ethics among other maladministration practices (Kroukamp & Cloete, 2018). As such, they have

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Noad, Benjamin. "'His Madness Held No Affinity': Reimagining Arkham Asylum." Studies in Gothic Fiction 7 (November 15, 2021): 41–50. https://doi.org/10.18573/sgf.51.

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The Gothic madhouse present in H. P. Lovecraft’s fiction is not a dimly lit padded cell situated in a former manor house. Rather, Lovecraft gives little description to his mental hospitals, which is curious given the many narrators who end up in such institutions. Twenty-first century popular culture, on the other hand, enjoys a fascination with the madhouse as a physical space associated with criminality, monstrosity, and themes of imprisonment. Though the figures encountered within Batman’s Arkham may be inspired by the horror of Lovecraft’s Weird tales, it is striking that the solitary name

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Bone, Jane. "Ghosts of the material world in early childhood education: Furniture matters." Contemporary Issues in Early Childhood 20, no. 2 (2018): 133–45. http://dx.doi.org/10.1177/1463949117749599.

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This philosophically driven work is intended to trouble the position of the small chair in early childhood settings. It is theoretically driven by an aspect of sociological and cultural theory called hauntology, and by the theories of new feminist materialism. The work of Sara Ahmed influences the direction taken here. An assemblage of personal narratives, memories, works of fiction, history, conversations and media reports, along with the documentation of a performative act, is produced. The methodological approach is intra-active and diffractive. The article argues that the small chair is a

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Listyani, Listyani. "Gender-based Responses to Peer Reviews in Academic Writing." Theory and Practice in Language Studies 9, no. 1 (2019): 89. http://dx.doi.org/10.17507/tpls.0901.14.

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We are living in a digital era in which everybody who is not participating will be left behind. Yes, that is true. We are all chased by the rapid changes of this era, and we are running faster and faster to catch up with the latest technology. It seems as if we are all haunted to go deeper and deeper into the “tunnel of the digital era”. The same thing happens in the world of education. However, if we notice more closely, there are still some aspects that can be done directly without necessitating the use of technology. One example is student-student direct interactions. Technology can be used

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Downs, David. "The Specter of Exile in the Story of Jonah." Horizons in Biblical Theology 31, no. 1 (2009): 27–44. http://dx.doi.org/10.1163/187122009x419934.

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AbstractFocusing particularly on elements of spatial setting in the narrative, this essay explores the ways in which memories of exile haunt the story of Jonah. While Jonah is not a book about exile, the traumatic experience of expatriation and captivity casts a spectral shadow across Jonah's narrative. At the same time, intimations of God's openness towards Israel's enemies—even those ultimately responsible for the violent deportation from the land—reflect a strand of Jewish discourse with a markedly positive view of the nations. Violent nationalism, either that of Israel or that of its oppre

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Newman, Judie. "Saul Bellow in Utah: “Leaving the Yellow House”." Studies in the American Short Story 4, no. 1 (2023): 69–76. http://dx.doi.org/10.5325/studamershorstor.4.1.0069.

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ABSTRACT Saul Bellow wrote “Leaving the Yellow House” with a setting in Utah although it is based on his sojourn in Nevada in 1955 and 1956. The location at Sego Desert Lake is historically significant in relation to the theme, which concerns economic networks of exchange, notably gift exchange (potlatch). Central to the narrative is the treatment of native Americans, past and present, and the gifts they gave to the early Mormon settlers, which rebounded upon them. The protagonist, a self-styled pioneer who relies on gifts that come back to haunt her, is a woman and one of the few in Bellow’s

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Mailza, R. Toledo e. Souza. "Do ato analítico ao ato poético: da psicanálise transmatricial à elasticidade da técnica psicanalítica para apreender e compreender os fenômenos psíquicos em tempos de pandemia." Via Litterae [ISSN 2176-6800]: Revista de Linguística e Teoria Literária 13, no. 1 (2021): 127–38. https://doi.org/10.5281/zenodo.5592350.

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<strong>Resumo</strong>: Neste texto, busco registrar a minha apreensão teórico-clínica de um fenômeno psíquico desencadeado a partir da narrativa de uma paciente no <em>setting, </em>mas que continuou ressoante fora do espaço analítico. Orientando-me pelos aportes teóricos de Sandor Ferenczi e Thomas Ogden, por meio desta vinheta clínica busco ilustrar as similaridades entre o processo de psicanalisar, poetar e filosofar. Tais fenômenos podem também ocorrer mediante a escuta ou leitura de uma canção po&ea

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Balachandran, Anitha. "Time-travelling imaginaries: Animation at the memorial museum." Animation Practice, Process & Production 10, no. 1 (2021): 11–49. http://dx.doi.org/10.1386/ap3_000025_1.

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Animation as a site-specific intervention in historic settings draws on the powerful affective potentials of both medium and place, enabling long past events to be experienced in immersive, intimate ways. In particular, I examine here my hand-drawn animated film He Ram, permanently installed at the site of Gandhi’s assassination, now a museum in New Delhi. In this context, the multi-layered animated presence of Gandhi becomes at once nostalgic and eerie, evoking a figure’s potential to haunt space and time, piercing the present to connect us to the last walk he took and the last breath he drew

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Persinger, M. A., S. G. Tiller, and S. A. Koren. "Experimental Simulation of a Haunt Experience and Elicitation of Paroxysmal Electroencephalographic Activity by Transcerebral Complex Magnetic Fields: Induction of a Synthetic “Ghost”?" Perceptual and Motor Skills 90, no. 2 (2000): 659–74. http://dx.doi.org/10.2466/pms.2000.90.2.659.

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To test the hypothesis that experiences of apparitional phenomena with accompanying fear can be simulated within the laboratory, a 45-yr.-old Journalist and professional musician who had experienced a classic haunt four years previously was exposed to 1 microTesla, complex, transcerebral magnetic fields. Within 10 min. after exposure to a frequency-modulated pattern applied over the right hemisphere, the man reported “rushes of fear” that culminated in the experience of an apparition. Concurrent electroencephalographic measurements showed conspicuous 1-sec-to-2-sec. paroxysmal complex spikes (

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Silver, Jake. "Cruising the Jerusalem Light Rail." differences 31, no. 2 (2020): 115–51. http://dx.doi.org/10.1215/10407391-8662202.

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This article explores the shape of queer sexual habits and gendered forms of desire along the Jerusalem light rail, a route whose role in normalizing Israeli occupation and colonialism has been hotly contested during its construction and since its opening in 2011. Analyzing how this infrastructure can invite both colonial and sexual relations, which slip and slide into one another, the author argues that the train provides a shared setting to cruise for both security dangers and enticing strangers. The light rail—the national and security interests that went into producing it, the eventual mat

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Lestari, Widya, and Desi Wildayani. "The Readiness to Take on Family Life in Midwifery’s Student of Mercubaktijaya Padang." Proceedings of the International Conference on Nursing and Health Sciences 3, no. 2 (2022): 333–40. http://dx.doi.org/10.37287/picnhs.v3i2.1378.

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Marriage is human nature that someone will have great responsibilities in their family. But in fact, sometimes candidate bride haunted with feeling worry will happening bad things in their marriage. To prevent that, the teenager need tobe prepared before build a household. Midwife candidate is future seeds, they will becomes counselor to prepare the teenager or premarital women in building a household. The purpose of this study is to describe preparation for midwifery students of MERCUBAKTIJAYA to take on the family life. The type of this research was descriptive study. Population of this stud

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Rarastesa, Zita. "Feeling the Pain Down Memory Lane: On-going Trauma in Octavia E. Buttler’s Kindred." Humanus 22, no. 2 (2023): 226. http://dx.doi.org/10.24036/humanus.v22i2.124914.

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This paper attempts to discuss the ongoing Trauma of slavery as the collective Trauma for African American people in the US. It not only investigates the memory of Trauma experienced by the main character, Dana, in the novel Kindred but also describes how the author recalls the memory of the traumatic event and expresses it in the novel through a series of events the main character encountered. Although the traumatic event itself has long gone in the past, the memory of it still haunts the African American people through what Dana is going through. The narrative technique Butler uses in the no

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Azizah, Nurul, Siti Gomo Attas, and Herlina Herlina. "STRUCTURES IN THE NOVEL OF BIDADARI-BIDADARI SURGA BY KARYA TERE LIYE ( STRUCTURALISM ANALYSIS)." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 17, no. 2 (2018): 128–39. http://dx.doi.org/10.21009/bahtera.172.10.

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Abstract This study aims to describe the character and characterization, plot, background, style of language, the point of view, theme and the mandate of Tere Liye's novel of Bidadari-Bidadari Surga. The method in this study is the content analysis of qualitative approach. Based on data analysis, the following results are summarized as follows: 1) The main character in Tere Liye's Novel of Bidadari-Bidadari Surga is Laisa, additional characters are Mamak, Babak, Dalimunte, Ikanuri, Wibisana, Yashinta. 2) The mixed flow, covering the situation Mother send Message to his children about the

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Zatorska, Izabella. "Le mythe de Paul et Virginie à travers trois romans francophones de l’océan Indien." Romanica Wratislaviensia 65 (August 4, 2020): 169–83. http://dx.doi.org/10.19195/0557-2665.65.14.

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Ex oriente lux? From the Southern Tropics in any case, since certain myths from former times, forgotten and buried under indifference, come back to us rejuvenated and transformed. In this article, we treat one myth — ‘myth’ given the extent of its cultural hypertext — which arose, strangely but almost necessarily, in an ancient French colony: the Île-de-France (Mauritius). It may seem fairly obvious that Paul and Virginie (hero and heroine of Bernardin de Saint-Pierre’s eponymous novel) should have returned to haunt the literature of the Île-de-France and her “sister island”, La Réunion. We ex

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Ramya, B., and Poonam. "Gothic imagination: mapping the cultural memory and remembrance of the epidemic plague." Salud, Ciencia y Tecnología - Serie de Conferencias 3 (June 11, 2024): 911. http://dx.doi.org/10.56294/sctconf2024911.

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Narratives about the epidemic plague create a sense of mystery and fear associated with the cultural landscape. Incorporating the backdrop of the plague, the first part of this research explores the portrayal of the epidemic as the setting against which a Priest engages in a ritualistic transgression to safeguard his soul. The second part focuses on the enigmatic events that unfold when the tomb of the priest inside the church is disturbed, giving rise to a series of mysterious occurrences. By employing Linda Hutcheon's historiographic metafiction, the study focuses on remembering the epidemic

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Welch, Tara S. "Est locus uni cuique suus: City and Status in Horace's Satires 1.8 and 1.9." Classical Antiquity 20, no. 1 (2001): 165–92. http://dx.doi.org/10.1525/ca.2001.20.1.165.

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Horace's Satires 1.8 and 1.9 have long interested commentators for the enticing glimpse they provide of the changing Roman cityscape in the 30s BCE In light of the recent problematization of the strict correspondence between the poet Horace and his elaborately constructed satiric persona, locations in the Satires should be read not so much as autobiographical accounts of the poet's movement through the city but rather as functions of other themes and motifs in the Satires. This paper examines the moral and aesthetic encoding of the urban landscape in Horace's Satires Book I.Satires 1.9 and 1.8

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Azura, Atika, and Joesana Tjahjani. "Banlieue et la construction d’identité du personnage principal dans le film Divines." Digital Press Social Sciences and Humanities 3 (2019): 00006. http://dx.doi.org/10.29037/digitalpress.43279.

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<p class="Abstract">This article reveals the suburbs as a place of residence and the&nbsp;<span style="font-size: 1rem;">construction of the identity of the main character in the film Divines&nbsp;</span><span style="font-size: 1rem;">(2016) by Houda Benyamina. This film tells of a life of teenagers in&nbsp;</span><span style="font-size: 1rem;">France of African immigrants in a suburb. Dounia who is a teenager&nbsp;</span><span style="font-size: 1rem;">has the ambition to leave the suburbs and have the life out of the&nbsp;&lt

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Widyaevan, Dea Aulia. "Analyzing monstrous maternal in “Jendela” and “A Mother’s Love” interior mise-en-scene." ProTVF 7, no. 1 (2023): 34. http://dx.doi.org/10.24198/ptvf.v7i1.36107.

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Background: The storytelling and narrative approaches surpassed the study of the interior and cinematic by the idea of staging. In film production, the use of interior elements to aid storytelling is called interior mise-en-scene. However, more research still needs to be done on how spatial metaphors in the interior mise-en-scene are explored. The spatial metaphor is central to creating atmosphere and setting based on film narratives. Therefore, this article examines a spatial metaphor in the horror film mise-en-scene, focusing on monstrous maternity. The case studies are the film ‘A Mother’s

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Armianu, Irina. "Memory and Strategies of Displacement in Malika Mokeddem, Nina Bouraoui, and Paulina Chiziane's Literature." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies ISSN 2455 6564 Vol. V, Issue 1 (January 31, 2020): 36–69. https://doi.org/10.5281/zenodo.3633238.

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In cosmopolitanism as a unity of global differences, women are still considered second-class citizens, as exposed by contemporary African women writers. Such details on different female characters as reconstructed by Malika Mokkedem, Nina Bouraoui, and Paulina Chiziane, are fictional but essentially born from a collective truth of a much-culturally diversified African population, corroborating traditions with western influences.  A deep identity crisis continues to haunt African women at home or as refugees. Particularly, nationalism and sexism pose a critical issue in performing identiti

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Malmgren, Carl D. "Towards a Definition of Science Fantasy." Science Fiction Studies 15, Part 3 (1988): 259–81. https://doi.org/10.1525/sfs.15.3.259.

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SF and fantasy have a locus of intersection, science fantasy, an unstable narrative form which combines features from each genre. A science-fantasy world is one in which the characters or settings or events presuppose at least one clear violation of natural law or scientific necessity, but which explicitly provides an organized or scientific explanation for that violation and which grounds its discourse in a scientific episteme. Science fantasy, like SF, assumes an orderly universe with regular laws, but, like fantasy, contains at least one explicit reversal of current natural law. An examinat

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Dal Lago, Enrico. "“States of Rebellion”: Civil War, Rural Unrest, and the Agrarian Question in the American South and the Italian Mezzogiorno, 1861–1865." Comparative Studies in Society and History 47, no. 2 (2005): 403–32. http://dx.doi.org/10.1017/s0010417505000186.

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To date, only a handful of scholars, most notably C.L.R. James and Eugene Genovese, have seen slave rebellions and peasant revolts as having anything in common. Fewer scholars still would be prepared to accept the assumption that slaves and peasants were agrarian working classes that shared significant characteristics. Yet, the issues of rural unrest and class formation continue to haunt the historiography of both slave and peasant societies long after James' and Genovese's studies, and have forced several historians to revise and broaden their definitions of class conflict as a means to descr

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Mohanty, Tapan R., Adil Hasan Khan, and Gaurav Kamal. "Law, Labour, and Legitimacy: The Complexion of WTO." Vikalpa: The Journal for Decision Makers 29, no. 4 (2004): 83–92. http://dx.doi.org/10.1177/0256090920040407.

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The WTO as an institution was set up ‘to help trade flow as freely as possible,’ thus ensuring smooth passage towards economic globalization but, unfortunately, this has not been the case. The provisions and instrumentality of WTO have been used to scuttle the independence of developing nation-states and disempowering them economically. The fissure between the developed and the developing nations has been broadened due to the vexing issue of labour standardization that has created a major hurdle in defining and describing the ambit and access of WTO. This issue has haunted the WTO since its in

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Kalin, Ibrahim. "The Genesis of Young Ottoman Thought." American Journal of Islam and Society 18, no. 1 (2001): 110–14. http://dx.doi.org/10.35632/ajis.v18i1.2040.

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This book, originally published in 1962, has now become a classic on the historyof modemTurkish political thought, whose beginning is usually traced back to theT-t period (1836-1878), the most turbulent and crucial period of modemTurkish history. Serif Mardin, the famous Turkish historian and political scientist,is like a household name to those interested in modern Ottoman and Turkishintellectual history. In his numerous books and articles, which followed thepublication of the present work, Mardin took the herculean task of unearthing theparameters of modem Turkish thought with an almost soli

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R., Chandra Sekhar. "So Many Hungers! Still an Existing Reality in the Country In Reference to Bhabani Bhattacharyas Novel, So Many Hungers." International Journal of Trend in Scientific Research and Development 2, no. 2 (2018): 1121–25. https://doi.org/10.31142/ijtsrd9589.

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Bhabani Bhattacharyas So Many Hungers! is a story about different hungers of the people representing different sections of the country during pre independence. These hungers demonstrate their spiritual and psychological statuses. As other novels of the period, this novel also highlights a theme of social importance. The author deals in detail with the social setting of the time, with his own style of objective treatment. The famine of 1943 brings so many hungers, the hunger for food, money and sex, the exploitation of man by man seemed to him to have become the creed of the day. The prevailing

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Ferm, Almqvist Cecilia, Cathy Benedict, and Panagiotis A. Kanellopoulos. "Pedagogical encounters in music." European Journal of Philosophy in Arts Education 02, no. 01 (2017): 6–48. https://doi.org/10.5281/zenodo.3384931.

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This paper employs aspects of Hannah Arendt’s thought to explore different but interrelated questions that haunt contemporary music education. We see the importance of a return to Arendt now more than ever as we find ourselves, three authors in three different countries, trying to contribute to democratic music education practices and to researching the conceptual base of such practices, in countries where technocratic approaches to policy development prevail. More specifically in this article we address the following questions: how can we re-think the political and creative dimensions o

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Ben-Youssef, Fareed. "Disrupted Genre, Disrupted Lives: „Adieu Gary” and the Post-9/11 Banlieue as Ghost Town." Studia Filmoznawcze 38 (June 21, 2017): 75–89. http://dx.doi.org/10.19195/0860-116x.38.6.

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The War on Terror was made global in 2001 through U.N. Resolution 1373. Nassim Amaouche’s 2009 Adieu Gary appears distant from this transformation in international law. Yet its French-Arab protagonists negotiate mass media envisionings of the “terrorist” in ways that highlight the pressures the controversial resolution placed upon Arab and racially mixed populations. Adieu Gary subversively refashions the Western aesthetic and its iconic heroes for this post-9/11 context to signify not strength but weakness. In its appropriation of the ghost town convention, the film thus becomes a unique exam

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Xie, Pan. "A gothic Taoism and its dual facets: possible worlds in The Haunted Monastery." Humanities and Social Sciences Communications 11, no. 1 (2024). http://dx.doi.org/10.1057/s41599-024-03256-2.

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AbstractRecent scholarship has argued for a Western basis for the Judge Dee Mysteries, a detective fiction series by Sinologist Robert van Gulik (1916–1967) set in Tang China. But these studies primarily focus on how Chinese elements are recreated to cater to Anglophone readers’ tastes, neglecting to discuss their actual Western origins in any detail. This paper will make the attempt by focusing on one of the novels, The Haunted Monastery, to investigate how Gothic Taoism is projected through the internal organization of the semantic universe (characters, settings, and conflicts) in the multip

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Al-joborae, Fadhil Farhood M., Sawsan S. Al-Rawi, Ahmad H. Ibrahim, Abbas Washeel Salman, and Muhammad Adnan Iqbal. "Advances in synthesis and anticancer applications of organo-tellurium compounds." Reviews in Inorganic Chemistry, September 2, 2024. http://dx.doi.org/10.1515/revic-2024-0039.

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Abstract The present review deeply delves the major methods for the synthesis of organotellurium compounds along with their biological significance. Elaboration of various precursors (ligands) including Schiff bases, naphthoquinones, amino acids, β-hydroxy alkylated compounds, β-phenyltelluro alcohols, β-aryltelluro amines, β-aryl-chalcogenium azides, chalcogenobiotin, benzenesulfonamide, carbonic anhydrase, and Sulpha compounds has been briefly described. Furthermore, the article investigates their possible biological uses, specifically as antioxidant and anticancer agents while comparing the

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