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Gotowe bibliografie tematyczne / Heterosexual Performance

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Gotowa bibliografia na temat „Heterosexual Performance”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Heterosexual Performance"

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Schneider, Britta. "Heteronormativity and queerness in transnational heterosexual Salsa communities." Discourse & Society 24, no. 5 (2013): 553–71. http://dx.doi.org/10.1177/0957926513486071.

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Salsa dance and music has become popular worldwide and Salsa communities outside of Latin America offer a fertile environment for studying gender and heteronormativity in cultural contact zones. Often, the desire to reconstruct ‘traditional’ heteronormative gender roles in these contexts is striking. Interestingly, informants of the qualitative, ethnographic study presented here display high degrees of reflexive consciousness regarding the constructed nature of their gendered performance. This article also discusses and analyses non-heteronormative performances that do not adhere to ‘tradition

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RAHMAN, QAZI, GLENN D. WILSON, and SHARON ABRAHAMS. "Sexual orientation related differences in spatial memory." Journal of the International Neuropsychological Society 9, no. 3 (2003): 376–83. http://dx.doi.org/10.1017/s1355617703930037.

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The purpose of this study was to investigate and extend previously reported sex differences in object location memory by comparing the performance of heterosexual and homosexual males and females. Subjects were 240 healthy, right-handed heterosexual and homosexual males and females. They were instructed to study 16 common, gender-neutral objects arranged randomly in an array and subsequently tested for object recall, object recognition and spatial location memory. Females recalled significantly more objects than males, although there were no group differences in object recognition. Decompositi

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Bookbinder, Samantha, Ravi Kant, Siddharth Patel, et al. "PMON279 Variability in Cognitive Performance by Sexual Orientation among US Older Adults: Findings from the National Health and Nutrition Examination Survey (NHANES) 2011-2012 and 2013-2014." Journal of the Endocrine Society 6, Supplement_1 (2022): A706. http://dx.doi.org/10.1210/jendso/bvac150.1456.

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Abstract Aim Previous evidence suggests that some fields of cognitive function are man dominated while others are woman dominated. Recent research has additionally associated sexual orientation with cognitive function. However, data on the effect of sexual orientation on various cognitive subdomains are limited. We aim to explore the variability in a range of cognitive subdomains (working memory, language, attention, processing speed, and executive functioning) by cis-gender hetero versus homo sexual orientation. Methods We combined NHANES 2011–2012 and NHANES 2013–2014 datasets to study the i

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Deng, Yingwei. "An Analysis of Cloud Atlas from the Perspective of Queer Theory." Education, Language and Sociology Research 5, no. 3 (2024): p98. http://dx.doi.org/10.22158/elsr.v5n3p98.

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British author David Mitchell’s novel Cloud Atlas is set in 1930s England and tells the story of Frobisher’s growing experience as a homosexual. Frobisher, the protagonist, suffers from unequal treatment as a result of his homosexual identity and is disciplined and oppressed by heterosexual hegemony and gender dichotomy. Therefore, he performs different gender identities and changes his gender identity. Finally, Frobisher bravely challenged heterosexual hegemony and gender dichotomy to realize self-identity. Based on queer theory, combined with Michel Foucault’s power discourse theory and Judi

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O'Bryan, Jill. "Ontology and Autobiographical Performance: Joanna Frueh's Aesthetics of Orgasm." TDR/The Drama Review 55, no. 2 (2011): 126–36. http://dx.doi.org/10.1162/dram_a_00075.

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Frueh's performance piece, The Aesthetics of Orgasm, begins with a primal scene — Frueh, as a child, walks in on her parents having sex. Weaving thinking into sex, orgasm, and the erotic, Frueh positions herself within feminist scholarship, performing language that enables a kind of heterosexual eroticism that does not objectify.

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Edwards, Katie M. "Incidence and Outcomes of Dating Violence Victimization Among High School Youth: The Role of Gender and Sexual Orientation." Journal of Interpersonal Violence 33, no. 9 (2015): 1472–90. http://dx.doi.org/10.1177/0886260515618943.

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The purpose of this study was to examine rates of dating violence (DV) victimization and DV victimization outcomes as a function of sex and sexual orientation. Participants were 25,122 high school students who participated in the 2013 New Hampshire Youth Risk Behavior Survey study. Heterosexual youth, especially heterosexual male youth, were less likely to report experiencing physical and sexual DV victimization than lesbian, gay, bisexual, and questioning (LGBQ) girls and boys. Among LGBQ girls and boys, there was little variability in rates of DV victimization with the exception of questioni

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Phillips, Hannah. "Heterophobia: subverting heterosexual hegemony through intermedial applied performance for young people." Research in Drama Education: The Journal of Applied Theatre and Performance 21, no. 3 (2016): 319–31. http://dx.doi.org/10.1080/13569783.2016.1194190.

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Keener, Terrah. "Queerly Inside and Out in School…A Conversation." Sexual and Gender Diversity in Schools 22, no. 1 (2020): 48–59. http://dx.doi.org/10.7202/1071465ar.

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“Queerly Inside and Out in School ... A Conversation” draws upon the research from See Me, Hear Me ... Queerly Visible: Conversations About Family and School with Non-Heterosexual Parents and Their Children (Keener, 2012) that explored the schooling experiences of non-heterosexual parents and their children in Nova Scotia. Leveraging visual arts and performance as both a means of data generation and data representation, the generated artifacts illustrated how dominant cultural practices and narratives surrounding school and family perpetuate heteronormative ideology, while excluding and silenc

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Kowalczyk, R., M. Kaluga, K. Jacek, and K. Nowosielski. "Sexual excitation, sexual inhibition and a prevalence of sexual disorders among msm and heterosexual men." European Psychiatry 41, S1 (2017): s850. http://dx.doi.org/10.1016/j.eurpsy.2017.01.1686.

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IntroductionDual control model of the sexual response (DCM) indicates, that there are two separate, but cooperating systems of sexual excitation and inhibition. Previous studies using DCM concept have shown, that MSM (men having sex with men) had higher excitation (SES) and one of the types of inhibition (SIS1) levels, in comparison to the exclusively heterosexual men. MSM also reported more frequent occurrence of sexual disorders (erectile disorders, premature ejaculation and decreased sexual desire).ObjectivesComparison of the MSM and heterosexual men groups in order to verify erenow observe

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Sousa, Breno Felix de, Geiser Chalco Challco, Marcelo Reis, et al. "Flow Experience, Performance Expectation and Performance: An LGBTQ+ Diversity Perspective on Gamified Systems." Revista Brasileira de Informática na Educação 33 (April 27, 2025): 197–215. https://doi.org/10.5753/rbie.2025.4474.

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Cis-heteronormative stereotypes in STEM fields are responsible for making minority groups like LGBTQ+ people feel like they don’t belong in these areas of science. To identify and analyze the effects of such stereotypes, we carried out a quasi-experiment with N = 70 participants in a gamified system. The results indicate that self-identified cis-heterosexual participants had better flow experiences in environments with stereotypes that disagreed with their sexual orientation. Regarding expected performance, stereotypes not aligned with sexual orientation were harmful. These results reflect the

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Rozprawy doktorskie na temat "Heterosexual Performance"

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Hartman, Julie Ellen. "Bi outside the bedroom the performance of bisexual identity among women in "heterosexual" relationships /." Diss., Connect to online resource - MSU authorized users, 2008.

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Lundell, Erika. "Förkroppsligad fiktion och fiktionaliserade kroppar : Levande rollspel i Östersjöregionen." Doctoral thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-103211.

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This dissertation concerns live action role-playing (larp). Larp may be described as improvised theater without an audience, as participants simultaneously embody both audience and actor in their constant interaction with one another. Hence, larp can be seen as a participatory culture. The study is based on participant observation, interviews and online ethnography in Denmark, Latvia, Sweden and Norway. The aim of the thesis is to analyze how bodies materialize, take and are given space in larps. At the heart of the study lie questions on how processes of embodiment are enacted before, durin

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Książki na temat "Heterosexual Performance"

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Bosse, Joanna. Bringing Coherence to the Sensuous Life. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039010.003.0006.

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This chapter explores the nature of partnership and connection in ballroom dance as well as the convention of leading and following. In particular, it explains how ballroom dance provides an opportunity to bring coherence to the sensuous life, a coherence that is tested by the contradictory expectations placed upon Regent dancers as middle-class, heterosexual men and women in twenty-first-century America. The chapter first describes how men and women relate to one another on and off the dance floor before discussing the “princess factor” in ballroom dance. It also considers the rhetorical and

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Seham, Amy. Performing Gender, Race, and Power in Improv Comedy. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.27.

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As taught by Viola Spolin, Keith Johnstone, and others, improv is a mode of playing that depends on group consensus, through such concepts as “agreement” and “groupmind,” as a basis for the release of individual creativity and the freedom to bypass both internal and external censorship. Improv comedy on stage, however, most often reflects the white, male, heterosexual perspective of its dominant players. This article explores the “spontaneous” performances of gender and race in improv comedy in light of power dynamics that often silence difference and encourage shallow stereotypes. Using Judit

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Julier, Alice P. Dinner Parties in America. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037634.003.0003.

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This chapter uses stories from both formal and informal interviews to travel from those who dutifully adhere to the cultural template of dinner parties to those who deliberately alter some important aspects while still insisting that what is occurring can be considered a dinner party. The first stories are about “traditional” dinner parties where women in heterosexual marriages perform interactional and physical labor to ensure the social networks of their family. It then examines a dinner party that is potentially a burlesque of normative ideas about dinner parties and who holds them. Questio

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Farfan, Penny. “I think very few people are completely normal really, deep down in their private lives”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190679699.003.0005.

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This chapter focuses on Noël Coward’s 1930 comedy Private Lives to illustrate how queer modernist performance might pass as light entertainment in the theatrical mainstream. Written shortly after Coward read Virginia Woolf’s Orlando, Private Lives engages with classical and early twentieth-century ideas about androgyny and in doing so subverts interlinked sexual and aesthetic norms. The play’s main characters, Amanda and Elyot, are ambiguously gendered, yet together form a heterosexual couple that recalls the separated halves of the lost androgyne or third sex of Aristophanes’s myth of love in

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Diamant, Louis, and Richard McAnulty. The Psychology of Sexual Orientation, Behavior, and Identity. Greenwood Publishing Group, Inc., 1995. http://dx.doi.org/10.5040/9798216002833.

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This comprehensive overview of research, issues, and theories relating to sexual orientation, behavior, and identity by experts in various disciplines is unique in providing both historical perspectives and a synthesis of the recent advances in understanding homosexuality and heterosexuality. Drawing from biological and psychological research, this handbook critically reviews the major theories about sexual orientation and examines each theory on the basis of empirical support. One section summarizes recent developments in genetic and neuroanatomic research. Another section discusses problems

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Cannon Harris, Susan. The Flaming Sunflower: The Soviet Union and Sean O’casey’s Post-Realism. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424462.003.0006.

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Sean O’Casey came to see the Soviet Union as a market for the kind of ideologically-committed and antirealist drama that neither the Abbey Theatre’s directors nor London’s commercial producers wanted. Many of the plays O’Casey wrote after his move to England in 1928 become legible only in the context of the history charted during this book’s first four chapters, the Stalinised British left organizations with which O’Casey worked, and the genre of socialist realism. Investigating the genesis and performance history of O’Casey’s 1939 Communist play The Star Turns Red, this chapter shows how O’Ca

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Mayer, Peta. Misreading Anita Brookner. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620597.001.0001.

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Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. This book offers a queer rereading of Brookner by demonstrating the performative Romanticism of her novels to narrate multiple historical forms of homoerotic desire. It draws on diverse nineteenth-century intertexts from Charles Baudelaire to Henry James, Renée Vivien to Freud to establish a cross-historical and temporal methodology that emphasises figures of anachronism, the lesbian, the backward

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Pahom, Olga. Conversational Storytelling in Spanish-English Bilingual Couples. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350405165.

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For more than three decades, the percentage of people who married someone of a different race, ethnicity, culture, or linguistic background has been on the rise in the United States, but the communication practices of such couples have remained understudied. Combining bilingualism, gender studies, and conversation analysis, this book explores and describes the storytelling practices and language choices of several married heterosexual Spanish-English bilingual couples, all residing in Texas but each from different geographic and cultural backgrounds. Based on more than 900 minutes of conversat

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Gilchrist Hadyk, Sabrina. The Waltzing Body in Victorian Literature. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198932550.001.0001.

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Abstract The Waltzing Body in Victorian Literature: Narratives of Sexuality and Power traces the evolution of the waltz from a taboo dance in the early nineteenth century to a gracefully nostalgic practice that must be preserved by century’s end (and even into the twenty-first century). While it references eighteenth-century authors to frame the waltz’s initial reception in England, the book focuses primarily on Victorian authors who shape how and why this dance was paradoxically viewed as elegant, effeminate, and sterile. The book’s chapters explore female sexuality and the concept of choice

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Máximo, Matías, ed. Que el mundo tiemble. Editorial de la Universidad Nacional de La Plata (EDULP), 2016. http://dx.doi.org/10.35537/10915/57876.

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Effy Beth se apoyó en el arte performático para construir su afirmación identitaria transexual. Estudió cine, artes, guión, escribió, pintó y realizó intervenciones públicas disruptivas frente al binomio heterosexual, donde la fórmula obra/espectador se disputaba y la comodidad no era lo corriente. Pasó su infancia en Israel y vivió hasta su muerte, a los 25 años, en Buenos Aires, lugar en el que se centraron sus performances y reclamos, que fueron compartidos en varias partes del mundo. “Artista conceptual, performática y feminista queer”, se dijo Effy. A lo largo de sus producciones se puede

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Części książek na temat "Heterosexual Performance"

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"Up on the Roof." In Jill Johnston in Motion. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478060017-003.

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In 1963 Andy Warhol created the short film Jill and Freddy Dancing, a black-and-white experimental study featuring Johnston and Fred Herko in a free-form dance performance. The film splices man and woman together in ways that resist seeing the two of them as a heterosexual couple.

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Manley, Elizabeth S. "Developing an Economy of Sex." In Transnational Hispaniola. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9781683400387.003.0009.

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This chapter connects the social and economic history of tourism in the Dominican Republic and Haiti with its impact on masculinity, gender identity, and heterosexual performance. Elizabeth Manley's analysis builds on recent research in anthropology that views sex work as contributing substantially to conflicts of gender relations and changing gender norms. Manley analyzes how these relate to the political economy and development.

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Bayton, Mavis. "The Position of Women in Popular Music." In Frock Rock. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166153.003.0001.

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Abstract The world of popular music is highly structured in terms of gender. Traditionally, women have been positioned as consumers and fans, and in supportive roles (wife, mother, girlfriend) rather than as active producers of music: musicians. When they have been on stage, on TV, on record, it has nearly always been as singers. They have sometimes written their own lyrics, rarely their own music, and there are very few women playing instruments. Currently, women’s lives are accompanied by a male soundtrack. This has important implications, for popular music permeates modern life and helps to

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Lothian, Alexis. "Science Fiction Worlding and Speculative Sex." In Old Futures. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479811748.003.0006.

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Chapter 4 extends part 2’s analysis of queered and gendered black futurities to the realm of racialized queer masculinity, focusing on the work of Samuel R. Delany. His writing provides a bridge between the discourse of “world-making” developed in utopian theories of queer performance and the idea of “world-building” common in science fiction studies. Delany’s fiction shows how the narrative tactics of science fiction, a genre whose most popular literary and media versions have tended to proffer timelines reliant on unmitigated heterosexuality, can turn against assumptions that the future must

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Naremore, James. "Romantic Cary." In Some Versions of Cary Grant. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197566374.003.0004.

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The heterosexual Hollywood romances in Grant’s era followed the formula of boy meets girl, boy loses girl, and boy gets girl. They could be comic or melodramatic and were usually tailored to the images of individual stars. Grant, for example, was different from Gable—he seldom swept women off their feet and was a polite, reserved, somewhat discreet lover. His romantic films were unusual because the impediments to romantic relationships had nothing to do with male rivals or temperamental conflicts. This chapter focuses on two such films, the melodrama An Affair to Remember (1957) and the comedy

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Rapport, Evan. "“Pure Rock and Roll with No Blues or Folk or Any of That Stuff in It”." In Damaged. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496831217.003.0004.

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This chapter focuses on the emergence of the first fully identifiable punk style in New York and Boston in the early to mid-1970s. Bands such as the Ramones, Blondie, New York Dolls, Modern Lovers, and the Real Kids used musical materials from the late 1950s and early 1960s. This source material of doo-wop, early rock and roll, and rhythm and blues connected to the vernacular “common stock” schemes and patterns shared among white and Black blues and country musicians. This music harked back to early punk musicians’ baby boomer childhoods, underscoring the fact that—contrary to the general perc

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Mayer, Peta. "The Storyteller Returns: Hotel du Lac (1984)." In Misreading Anita Brookner. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620597.003.0007.

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The epilogue reads Hotel du Lac through the figure of the storyteller, which it links to the genius woman writer, and argues that Brookner’s Booker Prize winner proleptically anticipates her aestheticist emphasis on beauty, form and technique. Utilising Walter Benjamin’s essay on the storyteller, and iconic figures of Staël, Colette, Woolf and Proust, the storyteller is produced through narratives of exile and return and focuses on the craft of the writer and artist persona including misreading, reversal, orality, frame narrative, epistolary form, paraprosdokian and anagnorisis. Colette’s The

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Chattopadhyay, Deepanjan, and Debayan Chattopadhyay. "AN OVERVIEW ON STRATEGICAL PROCESS OF DEVELOPMENT OF HIV AND THERAPEUTIC PROCESS IN INDIAN POPULATION." In Futuristic Trends in Contemporary Mathematics & Applications Volume 3 Book 3. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bfcm3p6ch3.

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Globally, approximately 75 million individuals have been affected with HIV, since some instances were initially discovered in California, USA, in 1981. The first few HIV cases in India were found in sex workers in Chennai in 1986. 25 to 30% of HIV infections are transmitted during the late stages of pregnancy or antenatally, whereas Labour and delivery are the times when 70 to 75 percent of HIV transmission occurs. India has one of the top HIV surveillance systems in terms of size, durability, and performance. Heterosexual relationships were responsible for 87% of new HIV infections in India.

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DeFillipo, Cassie. "‘Your Vagina is a Rice Paddy’." In Money and Moralities in Contemporary Asia. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463723107_ch06.

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In Thailand, there is an adage that a woman’s vagina is her rice paddy wherein it is considered a natural resource she can harvest when necessary or desired. In a culture where sexual relationships are defined by norms of masculinity and femininity, women’s sexual decisions are often aimed at using this natural resource to perform femininity in culturally idealized ways. Through ethnographic work in commercial sex establishments, this chapter argues that heterosexual sex practices help women express and enact hegemonic femininities in Northern Thailand. In contributing to the literature on heg

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Margolin, Leslie. "Sex Therapy Without Male Privilege and Power." In The Etherized Wife. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190061203.003.0010.

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This chapter addresses the question of what sex therapy looks like when men are not involved as patients and partners. This chapter asks how professional wisdom about sex therapy with lesbian couples might differ from sex therapy with heterosexuals. The conclusion, based on examination of published case studies, is that when both partners are women, sex therapy appears more attentive to the couple’s relationship, more attentive to how sex fits into the relationship, the underlying meanings that sex has for the partners, and the possibility of working out compromises. In addition, when both par

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Streszczenia konferencji na temat "Heterosexual Performance"

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Wang, Yangchao, Changxu Chen, Mingming Liu, and Yong Ding. "Structure design of image acquisition device for cotton heterosexual fiber." In 2022 2nd International Conference on Algorithms, High Performance Computing and Artificial Intelligence (AHPCAI). IEEE, 2022. http://dx.doi.org/10.1109/ahpcai57455.2022.10087741.

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Sousa, Breno Felix de, Geiser Chalco Challco, Marcelo Reis, et al. "Do gamified tutoring systems hinder sexual diversity? An experimental study with cis-heteronormative stereotype." In Anais Estendidos do Congresso Brasileiro de Informática na Educação. Sociedade Brasileira de Computação, 2023. http://dx.doi.org/10.5753/cbie_estendido.2023.234674.

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Cis-heteronormative stereotyping in STEM fields is responsible for making minority groups like LGBTQ+ feel like they don’t belong in these fields of science. To identify and analyze the effects of such stereotypes, we performed a quasi-experiment with N = 70 participants in a gamified system. The results indicate that self-declared cis-heterosexual participants had better flow experiences in environments with stereotypes that disagreed with their sexual orientation. As for the expected performance, stereotypes not aligned with sexual orientation were harmful. These results reflect the importan

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