Gotowa bibliografia na temat „Historical fiction. Southern fiction”

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Artykuły w czasopismach na temat "Historical fiction. Southern fiction"

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Ajdačić, Dejan. "O genetski izazvanim bolestima u romanu „Kralj Bola i skakavac” (Król Bólu i pasikonik) Jaceka Dukaja." Slavica Wratislaviensia 177 (December 30, 2022): 221–29. http://dx.doi.org/10.19195/0137-1150.177.19.

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The author discusses the historical changes in attitudes towards infectious diseases in the mythological, Christian-religious and scientific worldview before and after the discovery of the causes of these diseases in the context of the types of futuristic fiction. One narrative line of the novel by contemporary Polish writer Jacek Dukaj King of Pain and the Grasshopper (Król Bólu i pasikonik, 2010) is centred on to the production of retroviruses and carcinogenic agents by genetic engineering companies that cause epidemics and destroy wildlife in the southern hemisphere. The text points out the
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Lucena, Sarah C. "The Mercosur fiction: politics and literature in Gabriela Aguerre’s O quarto branco." Cadernos PROLAM/USP 21, no. 44 (2022): 131–51. http://dx.doi.org/10.11606/issn.1676-6288.prolam.2022.201022.

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This paper discusses the viability of speaking of a Southern Cone identity as a Mercosur’s project by analyzing Gabriela Aguerre’s O quarto branco (2019). Departing from the official Mercosur’s discourse about its project of regional cultural integration and in connection with Diego Olstein’s (2017) concept of American Divergence, I argue that the lack of success of Mercosur in creating the notion of a common identity for the Southern Cone is linked to the historical foundation in which lies the creation of the bloc. By reading Aguerre’s novel in view of such divergent framework, I propose tha
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Ricci, Luca. "Inventing Patron Saints: The Cult of St Fulk between Civic Reality and Historical Fiction." Classica et Mediaevalia 72 (October 28, 2023): 145–75. http://dx.doi.org/10.7146/classicaetmediaevalia.v72i.141498.

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Seventeenth-century sources attest the cult of English pilgrims in southern Lazio. Focusing on the case of Fulk, I argue that the seventeenth-century tradition is supported neither by the literary accounts nor by topographical analyses. Instead, Fulk’s cult, based on Peter Deacon’s twelfth-century Vita Fulconis, was central in processes of civic formation. Changing religious attitudes in the twelfth/thirteenth century are linked with lay sainthood. An English pilgrim coming back from the Holy Land, through the sanctuary on Mount Gargano, brought great prestige to the urban centre vis-à-vis ot
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Stone, Albert E. "The Return of Nat Turner in Sixties America." Prospects 12 (October 1987): 223–53. http://dx.doi.org/10.1017/s0361233300005597.

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One of the less publicized public events of that annus mirabilis 1968 was the annual meeting in November of a venerable academic institution, the Southern Historical Association. Convened in New Orleans was a group of intellectuals knit together by, among other professional ties, a common preoccupation with the Southern past. Prominent among these was C. Vann Woodward of Yale, arguably America's most eminent historian of the South. Also present were three famous novelists: Robert Penn Warren, Ralph Ellison, and William Styron. All native-born Southerners (if Oklahoma City, Ellison's birthplace
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Lavery, Charne. "The Southern Indian Ocean and the Oceanic South." Global Nineteenth-Century Studies 1, no. 1 (2022): 63–72. http://dx.doi.org/10.3828/gncs.2022.10.

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The southern Indian Ocean constitutes a distinct oceanographic region that offers useful links, connections, and perspectives as an area of inquiry, in the domain of colonial and postcolonial literature but also more widely. The region is both particularly oceanic and particularly southern, making it a key part of the ‘oceanic South’, a formulation which overlays the postcolonial poverty of the Global South with its oceanicity. As an area of inquiry it complicates Indian Ocean studies by drawing its purview into colder, wilder, more oceanic regions; centralizes questions of the global - and oc
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Chekalov, Kirill A. "ALEXANDRE DUMAS AND A GOTHIC NOVEL (DEDICATED TO 150TH ANNIVERSARY OF THE WRITER’S DEATH)." Vestnik of Kostroma State University, no. 3 (2020): 134–40. http://dx.doi.org/10.34216/1998-0817-2020-26-3-134-140.

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The article considers the characteristics of interpretation by Alexandre Dumas père of a genre of gothic fiction based on the writer’s less popular works: Le Château d’Eppstein, 1843 and Le Pasteur d’Ashbourn,1853. Alexandre Dumas père deviates from the genre’s traditional surrounding, i.e. the southern France, Italy, Spain. Le Château d’Eppstein is set in Germany; by connecting the legendary past with the historical time, Dumas enhances one of the genre’s inherent features, at the same time enriching the narrative with a dense intertextual component. The events of Le pasteur d’Ashbourn happen
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Collins, Christiane Crasemann. "Urban Interchange in the Southern Cone: Le Corbusier (1929) and Werner Hegemann (1931) in Argentina." Journal of the Society of Architectural Historians 54, no. 2 (1995): 208–27. http://dx.doi.org/10.2307/990968.

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The Southern Cone of the Americas, although geographically remote, had evolved in the 1920s and 1930s into a vital arena for architectural and urban ideas. For European visitors expecting a tabula rasa on which their visions and dreams could be explored, this proved to be a fiction when they encountered sophisticated local schemes and ambitions. This essay provides a look at the urban discourse in Buenos Aires and Rosario that coalesced around the presence of two international urbanists representing distinct positions: Le Corbusier and Werner Hegemann. Consideration is given to the cultural an
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Thomas, Brook. "Albion W. Tourgée's Forgotten Dystopia: How the South Conspired with Northern Monopolists to Win the Post-Civil-War Peace." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 80, no. 1 (2024): 1–27. http://dx.doi.org/10.1353/arq.2024.a921515.

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Abstract: Albion W. Tourgée wrote best-selling novels based on his days fighting the Klan and trying to reconstruct North Carolina. Recently his fiction and his role as Homer Plessy's lead attorney have received renewed attention. But the work to which he devoted most energy remains forgotten. Speaking directly to today's world of ongoing racial injustice and income inequality, "89 (1888) is told by the Grand Master of the Order of the Southern Cross. He and a northern monopolist based on J.D. Rockefeller conspire to bring about peaceful secession of the South and suppression of northern worke
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Butkus, Vigmantas. "The Image of Ancient Lithuania in Latvian Literature of the First Half of the 20th Century." Colloquia 51 (July 24, 2023): 13–30. http://dx.doi.org/10.51554/coll.23.51.02.

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The image of ancient Lithuania in Latvian fiction of the first half of the 20th century is usually revealed through works of various genres and uneven artistic quality depicting the ancient history of Latvia and not the history of Lithuania directly. Nearly all such literary pieces are on the tribes that lived in the southern part of Latvia: the Selonians, and especially the Semigallians, whose history is inseparable from Lithuanian history. Unlike the works of 19th-century Latvian authors, 20th-century works no longer depict ancient Lithuanians only in a romantic way, as heroic people that be
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Herman, John. "The Kingdoms of Nanzhong China's Southwest Border Region Prior to the Eighth Century." T'oung Pao 95, no. 4 (2009): 241–86. http://dx.doi.org/10.1163/008254309x507052.

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AbstractThis article utilizes recent ethno-historical scholarship and archaeological discoveries in southwest China to examine the accuracy of the earliest Chinese historical sources dealing with the peoples and cultures in Nanzhong, the most common name for the southwest region (Yunnan, Guizhou, and southern Sichuan) prior to the Tang dynasty. Archaeology makes clear that Nanzhong was a settled border region with several highly sophisticated and divergent cultures. Early Chinese incursions into Nanzhong left an indelible mark on the peoples living there, but these brief and generally unsucces
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Rozprawy doktorskie na temat "Historical fiction. Southern fiction"

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Solomon, Kelsey Alannah. "New Appalachians of the Twenty-First Century: Reinventing Metanarratives and Master-Images of Southern Appalachian Literature." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3022.

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The Appalachian studies tradition ascertains that Appalachian people politically, socially, and academically represent a heterogeneous minority group of our own. In post-capitalistic America, however, the Appalachian region serves as a hotspot for media misrepresentation and tourism that perpetuate through works of fiction, nonfiction, and scholarship both negative and positive stereotypes in the overall American consciousness. Twenty-first-century Appalachian authors, I contend, are reinventing Appalachia from its postmodern rubble through fictionalized reconceptualizations of our region’s hi
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Pettersson, Petter. "What about historical fiction? : Ways to use historical fiction in an ESL-classroom setting." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-35275.

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Nichols, Ian. "Hybrid texts and historical fiction." Thesis, Curtin University, 2011. http://hdl.handle.net/20.500.11937/2060.

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The Bloodiest Rose is based on the premise that the fair copies of Shakespeare’s plays are discovered, and a production of his previously unknown Henry VII takes place in Sydney. It is an attempt to create a narrative which is factual, entertaining and truthful. The exegesis is an analysis of how fiction is able to form a framework by which the facts may be told differently, but still faithfully, as human truths.
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Tait, Meg. "Taking sides : Stefan Heym's historical fiction." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624152.

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Strain, Catherine B. "Folk medicine in southern Appalachian fiction." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-1107102-135027/unrestricted/StrainC120902a.pdf.

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Strain, Catherine Benson. "Folk Medicine in Southern Appalachian Fiction." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etd/720.

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The region of Southern Appalachia, long known for its colorful storytellers, is also rich in folk medical lore and practice. In their Appalachian novels, Lucy Furman, Emma Bell Miles, Mildred Haun, Catherine Marshall, Harriette Arnow, Lee Smith, and Charles Frazier, feature folk medicine prominently in their narratives. The novels studied, set against the backdrop of the rise of official medicine, are divided into three major time periods that correspond to important chapters in the history of American medicine: the 1890s through the 1930s; the 1940s through the 1960s; and the 1970s through
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Bavasah, Tessa. "Parodic imagination and resistant form in historical fiction: A study of Ann Harries' manly pursuits." Thesis, University of the Western Cape, 2007. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_5657_1242111847.

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<p>In this dissertation, the author examines the historical novel Manly pursuits (1999), by Ann Harries. The novel deals with the late nineteenth century in Oxford, England, and inparticular the year 1899 in Cape Town. The focus of the novel is on Cecil John Rhodes and his entourage, and their obsession with empire, which culminates in the South African war in 1900. Featured characters include Chamberlain, Jameson, Kipling, Oscar Wilde, Charles Dodgson, John Ruskin and Olive Schreiner. Harries novel is interpreted as showing resistance to the Victorian society which is the framework which is s
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Hadley, Louisa A. "Rewriting historical narratives in neo-Victorian fiction." Thesis, University of Edinburgh, 2005. http://hdl.handle.net/1842/24661.

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This thesis explores the contemporary form of neo-Victorian fiction in relation to both contemporary and Victorian literature. I argue that neo-Victorian fiction needs to be considered in relation to but as distinct from postmodern literary practices. Although neo-Victorian texts are often considered postmodern, I argue that they should be differentiated from the categories of postmodernism. Whilst interrogating history, often considered a postmodern characteristic, neo-Victorian fiction retains a commitment to the historical specificity of the Victorian era. The interrogation of history under
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Kellar, Pinard Katrina. "Settler Feminism in Contemporary Canadian Historical Fiction." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39608.

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Canada has seen a veritable explosion in the production and popularity of historical fiction in recent decades. Works by women that present a feminist revision of national narratives have played a key part in this phenomenon. This thesis discusses three contemporary Canadian historical novels: Gil Adamson’s The Outlander (2007), Ami McKay’s The Birth House (2006), and Margaret Atwood’s Alias Grace (1996). By examining these novels through a settler colonial lens and with a specific interest in the critique of settler feminism, this thesis offers readings that can reveal how feminism operates w
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Kocela, Christopher. "Fetishism as historical practice in postmodern American fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38213.

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This study contends that postmodern American fiction dramatizes an important shift of philosophical perspective on the fetish in keeping with recent theories of fetishism as a cultural practice. This shift is defined by the refusal to accept the traditional Western condemnation of the fetishist as primitive or perverse, and by the effort to affirm more productive uses for fetishism as a theoretical concept spanning the disciplines of psychoanalysis, Marxian social theory, and anthropology. Analyzing the depiction of fetishistic practices in selected contemporary American novels, the dissertati
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Książki na temat "Historical fiction. Southern fiction"

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Maxwell, Patricia Anne Ponder. Southern Rapture. ereads.com, 2002.

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Dale, Madeline Montgomery. Southern cross. Galde Press, 1998.

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West, Nick. The great southern circus. Xlibris, 2010.

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Morgan, Ronald E. Southern thunder. Triangle Books, 1996.

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Gabriel, Susan. Daisy's Fortune: Southern Historical Fiction. Wild Lily Arts, 2019.

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Gabriel, Susan. Daisy's Fortune: Southern Historical Fiction. Wild Lily Arts, 2019.

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Gabriel, Susan. Wildflower Trilogy: Southern Historical Fiction Box Set. Wild Lily Arts, 2019.

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Gabriel, Susan. Trueluck Summer : Southern Historical Fiction: A Lowcountry Novel. Wild Lily Arts, 2016.

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Axsom, Dora. Mountain Mama: Courageous Backwoods Mistress/Historical Fiction. Little Red Hen, Incorporated, 1988.

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Ayers, E. Historical Fiction - A Rancher's Request - A Victorian Southern American Novel. Indie Artist Press, 2017.

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Części książek na temat "Historical fiction. Southern fiction"

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Monteith, Sharon. "Southern Fiction." In A Companion to Twentieth-Century United States Fiction. Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310108.ch7.

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Ludlow, Elizabeth. "Historical Fiction." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_24-1.

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Ludlow, Elizabeth. "Historical Fiction." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_24.

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Johnson, Denise. "Historical Fiction." In The Joy of Children's Literature, 3rd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003015680-9.

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Patell, Cyrus R. K. "Historical Fiction." In Cosmopolitanism and the Literary Imagination. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137107770_4.

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Charlton, Kenneth. "Historical Fiction." In Handbook for History Teachers. Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-25.

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Bentley, Nick. "Contemporary Historical Fiction." In Contemporary British Fiction. Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-137-00965-4_7.

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Wesseling, Elisabeth. "3.1.3 Historical Fiction." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xi.23wes.

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Pinsent, Pat. "Historical Studies." In Teaching Children's Fiction. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230379404_2.

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Mitchell, Kate, and Nicola Parsons. "Reading the Represented Past: History and Fiction from 1700 to the Present." In Reading Historical Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291547_1.

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Streszczenia konferencji na temat "Historical fiction. Southern fiction"

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Senkar, Patrik. "HISTORICAL ASPECTS IN NON-FICTION LITERATURE." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s11.25.

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Whitlock, Annie. "Historical Fiction and Its Commonplace in Classrooms." In 2022 AERA Annual Meeting. AERA, 2022. http://dx.doi.org/10.3102/1882947.

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Jones, Anne Hudson. "Bioengineering, Science Fiction, and Medical Ethics: How Goes the Flow?" In 2016 32nd Southern Biomedical Engineering Conference (SBEC). IEEE, 2016. http://dx.doi.org/10.1109/sbec.2016.94.

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McMillian, Rachel. "Historical Fiction: A Critical Policy Analysis of Teaching Hard History." In 2020 AERA Annual Meeting. AERA, 2020. http://dx.doi.org/10.3102/1582571.

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Рогацкина, Марина Леонидовна. "HISTORICAL POEMS BY N. I. RYLENKOV. POEM “GREAT FLUFF ” (1940): TRUTH AND FICTION." In Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.67.85.036.

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Статья посвящена анализу поэмы Н. И. Рыленкова «Великая замятня», написанной в 1940 г. В ней повествуется о восстании «черных людей» Смоленска против представителей власти Великого князя Литовского в XV в. Автор статьи рассматривает данное произведение» с точки зрения соотношения правды и художественного вымысла. Законы исторического документа требуют, как известно, однозначного соответствия факту, документу. Художественное произведение строится по другим законам - писатель имеет право трансформировать исторические события в соответствии со своим видением, идеей, включать художественный вымысе
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Brooks, Wanda. "Through the "Black Narrator's Gaze": Depictions of White Supremacy in Historical Fiction Novellas." In 2023 AERA Annual Meeting. AERA, 2023. http://dx.doi.org/10.3102/2005398.

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Nicoglo, Diana. "Reflection of the events of the “Balkan” period in the Gagauz fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.

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The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also
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Teodorescu, Camelia. "CULTURAL-HISTORICAL TOURISM OR FICTION TOURISM IN ROMANIA? CASE STUDY: VLAD THE IMPALER OR DRACULA." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/14/s04.024.

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Kozmina, E. "GENRE OF THE STORY IN SOVIET SCIENCE FICTION OF THE 1950S-1970S." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3702.rus_lit_20-21/100-103.

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The article presents the results of a study of Soviet science fiction stories of the 1950s-1970s in the aspect of N.D. Tamarchenko’s genre theory. The analysis methodology presented in the researcher’s works on the structure of the story is used. The genre of the story is considered in three aspects: chronotope and plot scheme; compositional and speech organization of the work; the nature of the relationship between the reality of the author and reader and the world of the character, including the problem of evaluation. Similar features of fantastic and non-fantastic stories are revealed, and
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Vasileva, Irina. "ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.

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Anton Chekhov is generally acknowledged as a writer who symbolizes a transition period, marks the end of the Classical Russian literature of the 19th century and establishes the basics of the poetics of the 20th century. Scholars are traditionally focused on Chekhov’s innovations but not on the connections with the previous tradition. This contribution makes an attempt to reassess the aspect of Chekhov’s poetics which could be called historical “form’s thinking” (in Alexander Mikhailov’s terminology). I mean the features of tradition which result from historical dynamics of culture and are bey
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Raporty organizacyjne na temat "Historical fiction. Southern fiction"

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Pelinka, Darlene. The use of junior historical fiction in the classroom. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1598.

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Tabinska, Iryna, та Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters wh
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Demchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.

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The article aims to analyze a complicated process of the society’s main components – elite, mass communication, and masses – in their interaction and interdependence from the historical perspective. Due to industrialization and modernization of the life quality, the social life changes radically, and the essence of every component of the society changes as well. The elite loses its dynastic character. The media stop to play the role of a mediator taking on the obligations of a collective agitator and propagandist, and the mass stops to be cloth for wiping shoes. It starts to form a mass audien
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