Gotowe bibliografie tematyczne / History and Theory of Photography

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Gotowa bibliografia na temat „History and Theory of Photography”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "History and Theory of Photography"

Kanicki, Witold, and Geoffrey Batchen. "Magical Thinking: Conversation with Geoffrey Batchen." Magic, Vol. 5, no. 1 (2020): 4–9. http://dx.doi.org/10.47659/m8.004.int.

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His long-standing interest in the history of early photography makes Geoffrey Batchen the appropriate speaker to discuss the question of photographic magic. Therefore, our conversation oscillates between magic and realism, but also other antonyms within the medium: negative and positive, analogue and digital. Taking in consideration all these oppositional notions, Batchen suggests that theoreticians “need to acknowledge and embrace photography’s abstractions and contradictions”. Different contradictions within photography’s theory and history became pivotal in our conversation. We also discuss

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Kloster Poulsen, Steffen. "Når eksplosioner er kunst." Periskop – Forum for kunsthistorisk debat, no. 31 (June 13, 2024): 100–115. http://dx.doi.org/10.7146/periskop.v2024i31.146623.

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This article argues for an expanded effort to search for, and actively utilize, concepts and methods from the sociolinguistic periphery of the otherwise anglocentric academic lit- erature on photography in order to achieve a more level playing field between vernacular concepts and purportedly universal ones. Taking the history of public debate on photo- graphy in Japan as a departure point, this article aims to map out a new area of explora- tion for photographic research in the academic field of art history. Japan has been home to a vivid public and intellectual debate on photography since th

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Witkovsky, Matthew S. "Photography as Model?" October 158 (October 2016): 7–18. http://dx.doi.org/10.1162/octo_a_00267.

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Witkovsky argues that decades into photography's institutional acceptance as art, widespread inadequacies remain in the art historical treatment of photographs, which can no longer be defended as manifestations of a separate or distinctive “medium.” Insufficient attention to formal procedures, such as darkroom interventions between the stages of negative and print, as well as to disciplinary history—including the introduction of the very term “medium” in photographic discourse around 1930—remain commonplace. Yet despite a persistent tendency to totalize photography as a creative domain, photog

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Battin, Justin Michael. "Explorations on the Event of Photography: Dasein, Dwelling, and Skillful Coping in a Cuban Context." Review of International American Studies 15, no. 2 (2022): 49–70. http://dx.doi.org/10.31261/rias.14868.

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In the summer of 2016, the author traveled to Havana to begin preliminary work on an interdisciplinary visual ethnography project. While venturing primarily on foot, he took hundreds of high-resolution photographs and interviewed people at random across several localities about their daily routine, their neighborhood, and their expectations about what was to come following the [then] normalizing of relations with the United States. Of the utmost importance to this work was the special attention granted to the inhabited locale where each photograph and interview took place. This article explore

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Baker, George. "Sharing Seeing." October 174 (December 2020): 163–75. http://dx.doi.org/10.1162/octo_a_00412.

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In 2007, artist Sharon Lockhart made a large-scale photograph of two young girls reading braille, based on a specific photograph by August Sander from the 1930s made in an institute for blind children. Turning to the widespread iconography of blindness in the history of photography, this essay considers the importance of such images for a larger theory of photographic spectatorship. Lockhart's image of blind children relates to Sander's photograph, but does not duplicate it in all respects; her alteration of the historical image opens onto the larger non-coincidence of vision that photographic

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Stafford, Andy. "Bazin and Photography in the Twenty-First Century: Poverty of Ontology?" Paragraph 36, no. 1 (2013): 50–67. http://dx.doi.org/10.3366/para.2013.0077.

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According to André Rouillé (2005) the search for photography's ontology is both fruitless and pointless. Six decades after André Bazin's seminal essay, ‘The Ontology of the Photographic Image’ (1945), there is a concerted attempt to remove photography from the ‘reliquary’ of death in which Bazin had (seemingly) locked it. Preferring ‘genesis’ to ‘result’, Bazin had suggested that photography benefited from an ‘essential objectivity’ and that it was close to being a ‘natural phenomenon’: for the first time in history, representation of the external world emerges, mechanically, without human int

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McQuire, Scott. "Medium Rare. Photography and Media Theory." Media Theory 8, no. 1 (2024): 19–52. http://dx.doi.org/10.70064/mt.v8i1.1067.

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Photography’s definition as a distinctive medium has often been contested, but seems increasingly challenged in foundational terms in the 21st century. This article will explore photography’s rather unsettled relation to media and media theory by drawing on the writings of Vilém Flusser, Friedrich Kittler, and Bernard Stiegler, who have all — albeit in different ways — positioned the emergence of photography in the 19th century as a signal event in the history of media. Photography marks the point at which cultures long organized around ‘writing’ began to cede ground to cultures in which ‘tech

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Wakelin, Daniel. "A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies." Anglia 139, no. 1 (2021): 71–93. http://dx.doi.org/10.1515/ang-2021-0005.

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Abstract Since c. 2008 many special collections libraries have allowed researchers to take photographs of medieval manuscripts: this article calls such self-service photography ‘DIY digitization’. The article considers some possible effects of this digital tool for research on book history, especially on palaeography, comparing it in particular to the effects of institutionally-led digitization. ‘DIY digitization’ does assist with access to manuscripts, but less easily and with less open data than institutional digitization does. Instead, it allows the researcher’s intellectual agenda to guide

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Tom, Martin, and Balaji Ranganathan. "Beyond the Frame: Exploring Dimensions of Colonial Photography in India." Shanlax International Journal of Arts, Science and Humanities 11, no. 3 (2024): 91–97. http://dx.doi.org/10.34293/sijash.v11i3.6913.

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The paper “Beyond the Frame: Exploring Dimensions of Colonial Photography in India” delves into the multifaceted dimensions of photography’s inception in India during the colonial era. Investigating photography as both an art form and a technological import by the British, it explores its role in representing and often misrepresenting India and its people. Focusing on early pioneers such as the Daniel brothers, Fox Talbot, Louis Daguerre, and Monsieur Montaino, the paper discusses the challenges of early photographic techniques and their evolution. It highlights figures like Linnaeus Tripe, Jo

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Mavrokordopoulou, Kyveli. "Images of Pollution and the Pollution of Images." Environmental Humanities 17, no. 1 (2025): 107–28. https://doi.org/10.1215/22011919-11543431.

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Abstract The photographic image has been a loyal companion to environmental movements far and wide, yet a closer look at the contemporaneous appearance of photography and industrialism complicates that dependence. This article examines contemporary artistic representations of postindustrial landscapes through their entanglement with the history and materiality of photography. Drawing on elemental media theory as well as the history of science, it traces two key moments in the history of photography through two material components: bitumen and uranium. By suggesting the visual and the material

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Rozprawy doktorskie na temat "History and Theory of Photography"

Shanks, Sarah M. "Re:Visions : A Mother's Secondary Images." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417785128.

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Postlewait, Mariah A. "Miniatures Matter: Agency and Affect in Photographs by Lori Nix." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395676896.

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Kutesko, Elizabeth. "Fashioning Brazil : globalization and the representation of Brazilian dress in National Geographic." Thesis, Courtauld Institute of Art (University of London), 2016. http://ualresearchonline.arts.ac.uk/12111/.

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As a popular ‘scientific’ and educational journal, National Geographic, since its founding in 1888, has positioned itself as a voice of authority within mainstream American print media, offering what purports to be an unprejudiced ‘window onto the world’. Previous scholarship has been quick to call attention to the magazine’s participation in an imperialist representational regime. Catherine A. Lutz and Jane L. Collins, Tamar Rothenberg and Linda Steet have all argued that National Geographic’s distinctive, quasi-anthropological outlook has established hierarchies of difference and rendered su

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Gallagher, Meghan M. "Claiming Images: The Production and Preservation of Desire in Richard Prince's Re-Photography." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/679.

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This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.

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Laing, Morna. "The 'woman-child' in fashion photography, 1990-2015 : childlike femininities, performativity, and reception studies." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9818/.

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The childlike character of ideal femininities has long been critiqued in feminist literature, from Mary Wollstonecraft (1792) to Susan Faludi (1992). Yet, despite the partial gains of feminism the ‘woman-child’ continues to be a prominent subject-position in fashion photography of the West. This thesis builds upon earlier feminist critiques of the infantilisation of women by considering the meaning of childlike femininities in the period spanning 1990 to 2015. In particular, it questions whether representations of childlike femininities can shed their dehumanising, ‘second sex’ connotations an

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Leffler, Laura Sutton. "Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116938975.

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Brandt, Nicola. "Emerging landscapes : memory, trauma and its afterimage in post-apartheid Namibia and South Africa." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:9dfe7938-670a-40fc-a063-5617c0503fcd.

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Visual records of place remain to a large degree inadequate when attempting to make visible the ephemeral states of consciousness that underlie the damage wrought by brutal regimes, let alone make visible the extraordinary histories and power structures encoded in images and views. This practice-led dissertation examines an emerging critical landscape genre in post-apartheid South Africa and Namibia, and its relationship to specific themes such as identity, belonging, trauma and memory. The landscape genre was traditionally considered inadequate to use in expressions of resistance under aparth

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Morgan, Emily Kathryn. ""True Types of the London Poor": Adolphe Smith and John Thomson's Street Life in London." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/255192.

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In February 1877, publisher Sampson Low, Marston, Searle and Rivington began release of a monthly serial called Street Life in London, by journalist Adolphe Smith and photographer John Thomson. The work aimed to reveal to readers, through novel use of photographic illustrations combined with essays, the conditions of a life of poverty in London. Appearing also as a book in late 1877, Street Life in London did not achieve commercial success in either format and was cancelled after just one year's run. This dissertation aims to demonstrate how Street Life in London was subject to and shaped b

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McDowell, Felice. "Photographed at ... : locating fashion imagery in the cultural landscape of Post-War Britain 1945-1962." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/7174/.

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This thesis explores a history of fashion and art in post-war Britain. The historical analysis of this study focuses on how institutions and spaces of public culture – such as museums, galleries, exhibitions and art schools – were used as locations for editorial photo-spreads published in the British editions of Vogue and Harper’s Bazaar between 1945 and 1962. Fashion magazines participate in the cultural production of art by depicting its institutions, its products and producers as fashionable. This thesis interrogates the ways in which the field of fashion, and fashion media in particular, t

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Perry, Shannon. "The Eastman Kodak Co. and the Canadian Kodak Co. Ltd : re-structuring the Canadian photographic industry, c.1885-1910." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/13060.

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Within the accepted historiography of photography, the importance of George Eastman and the Eastman Kodak Company (EKC) has become unassailable. They have been placed as the key, and often sole, agent in “revolutionizing” the amateur photography market in the late nineteenth century. While the photographic landscape and market of 1885-1914 was indeed radically altered, the historiographical dominance of what can be identified as the “Kodak story” has obscured the means through which EKC’s successful re-structuring of the existing manufacturing and distribution networks of photographic material

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Książki na temat "History and Theory of Photography"

Glendinning, Peter. Color photography: History, theory, and darkroom technique. Prentice-Hall, 1985.

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Hannouch, Hanin. Gabriel Lippmann's Colour Photography. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728553.

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Physicist Gabriel Lippmann’s (1845–1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann’s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reasses

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Bartlett School of Architecture and Planning., ed. Artifice: Architecture, film theory, photography, design history, art and things. Artifice in association with the Bartlett School, 1995.

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1958-, Westgeest Helen, ed. Photography theory in historical perspective: Case studies from contemporary art. Wiley-Blackwell, 2011.

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Bergstein, Mary. Mirrors of memory: Freud, photography, and the history of art. Cornell University Press, 2010.

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Dancyger, Ken. The technique of film and video editing: History, theory, and practice. 4th ed. Focal Press, 2007.

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Beckett, Stephen L. Theory of the gum dichromate photographic process: History and technique. University of Derby], 1993.

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Liechtenstein), Interlibrum Buchantiquariat (Vaduz. Sourcebooks in the history of photography: Theory and technology of optics, light, colours, physiology of colour-vision : rare books from the 16th-19th centuries. Buchantiquariat Interlibrum, 1988.

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Moriyama, Daidō. Daido Moriyama: Retrospective since 1965. RM Verlag, 2007.

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Moriyama, Daidō. Daido Moriyama: Shinjuku 19xx-20xx. Codax Publisher, 2005.

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Części książek na temat "History and Theory of Photography"

Hood, Stephanie L. "Science, Photography, and Objectivity? Exploring Nineteenth-Century Visual Cultures through the HMS Challenger Expedition (1872–1876)." In Scientific Visual Representations in History. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11317-8_9.

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AbstractPreparing to set off from England in 1872 on an oceanographic expedition around the globe, the officers and crew of HMS Challenger gathered on board the ship for a photographic portrait. It was one of the first photographs of crew on a scientific voyage of exploration ever taken. Over eight hundred photographs were taken or acquired on the Challenger in addition to drawings and paintings. This chapter uses these photographs to reexamine Daston and Galison’s theory that photography was successful in nineteenth-century science on account of its perceived “objectivity” as an epistemic ide

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Crompton, Paul. "A history of clinical photography." In Clinical Photography — Theory and Practice. Routledge, 2024. http://dx.doi.org/10.4324/9781315709567-1.

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Phu, Thy, Elspeth H. Brown, and Andrea Noble. "Feeling in photography, the affective turn, and the history of emotions." In The Routledge Companion to Photography Theory. Routledge, 2019. http://dx.doi.org/10.4324/9781315727998-2.

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Roberts, Gordon. "History and development." In Mastering Photography. Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-13506-6_1.

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Raymond, Claire. "Reclaiming History." In Photography and Resistance. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96158-9_9.

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Friedman, Avner, and David S. Ross. "History of Photography." In Mathematics in Industry. Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-642-55755-2_2.

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Crompton, Paul, and Simon Brown. "Photography essentials." In Clinical Photography — Theory and Practice. Routledge, 2024. http://dx.doi.org/10.4324/9781315709567-4.

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Berle, Ian. "Clinical photography." In Clinical Photography — Theory and Practice. Routledge, 2024. http://dx.doi.org/10.4324/9781315709567-2.

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Costello, Diarmuid. "Foundational intuitions and folk theory." In On Photography. Routledge, 2017. http://dx.doi.org/10.4324/9781315266688-2.

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Hand, Martin, and Ashley Scarlett. "Habitual photography." In The Routledge Companion to Photography Theory. Routledge, 2019. http://dx.doi.org/10.4324/9781315727998-28.

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Streszczenia konferencji na temat "History and Theory of Photography"

Shabangu, Bongani, and Louis Botha. "DECOLONISING SCHOOL HISTORY EDUCATION THROUGH CULTURAL-HISTORICAL ACTIVITY THEORY (CHAT): FOREGROUNDING INDIGENOUS IDEAS OF HISTORY." In 17th annual International Conference of Education, Research and Innovation. IATED, 2024. https://doi.org/10.21125/iceri.2024.2347.

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Kebsi, Dr Jyhene. "Decolonizing the Veil: The Headscarf in Literature, Fashion, Paintings and Photography." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-018.

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There is a wrong tendency to equate the veil with the stereotypical photo of the blue burqa that pervades right-wing media in Western countries. However, the veil and veiling styles are much more diverse than this clichéd picture that aims at giving the impression of submissiveness. My keynote speech sheds light on the diversity of Muslim women’s veiling styles and tries to understand the reasons that lie behind associating the Muslim headscarf with female subordination. Accordingly, my presentation has 3 main focal points that respond to 3 key questions: 1. What is the veil? 2. Why is the hij

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Magoni, Davide. "The Fallacy of Images in Space Representation Photography in Selected Works by DeLillo and W.G. Sebald." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8907.

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The need to describe space proves to be increasingly urgent in contemporary times. From the various forms by which literature has incorporated this theme: travel reportage, eco-literary narratives, in which space and the importance of place are increasingly gaining prominence, some works experiment new formal strategies to attempt to reformulate not only the concept of space but the way we observe it. What role, for example, does a photograph play when annexed to the literary text? While it is expected to help reinforce the “reality effect” of the story, as Barthes would have called it, on the

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Stewart, Michelle. "Ghostly Imprints: Revisiting the Tradition of the Death Mask in Digital Clay." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35905.

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This paper explores the representation of the dead through a creative project that involves 3D digital sculptures inspired by forensic facial photographs of unclaimed deceased in government morgues as well as posthumous photographs of the author’s mother-in-law. The project draws on the tradition of death masks and aims to create final portraits that commemorate the individuals and acknowledge the transcendental aspects of death masks. The author’s work is situated within the discourse of art theory and history, rather than forensic art, and emphasises the artistic and conceptual nature of the

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Sardenberg, Victor, and Mirco Becker. "Aesthetic Measure of Architectural Photography utilizing Computer Vision: Parts-from-Wholes." In Design Computation Input/Output 2022. Design Computation, 2022. http://dx.doi.org/10.47330/dcio.2022.ggnl1577.

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The existing methods for solution space navigation require numerical values to score solutions. The authors introduce a method of quantitative aesthetic evaluation utilizing Computer Vision (CV) as a criterion to navigate solution spaces. Therefore, aesthetics can complement structural, environmental, and other quantitative criteria. The work stands in the extended history of quantifying the visual aesthetic experience. Some precedents are: Birkhoff [1933] and Max Bense [1965] built an approach with experiments to empirically support a measure, whereas Birkin [2010], Ostwald, and Vaughan [2016

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Boutilier, Célia. "Inhabiting the Edges." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-6-short-boutilier-inhabiting-the-edges.

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SHORT PAPER. My doctoral project in art-creation-research, which began in October 2021, is entitled "Imaginal photography: for an aesthetic of symbiosis." In my practice as a photographic artist, making symbiotic relationships, unexpected alliances, allows me to provoke a "suspension of evidence" which, through the intermediary of the image, invites the viewer to share the experience of a different look. From this point on, the very nature of perception is to admit ambiguity. The interdependencies in ecosystems, the principle of hybridization between different species are themes addressed by t

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Kelsch, Kristen, Joss Kiely, and Anca Matyiku. "The Vessel, the Tower, and the Ruin: Investigating Presentiments in Beginning Design." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.52.

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The Vessel, the Tower, and the Ruin was a sequence of exercises which combined rudimentary elements of an architectural education with tactics that oscillated between the impulsive provocation of hunches, to the ascetic discipline of rigorous measurement, to exploiting curiosities and flirting with collapse. We probed, at times in earnest and at times irreverently, what it might mean to vessel, to tower, and to ruin. We took this both literally, figuratively, metaphorically and everything in between, and we enlisted a motley crew of accomplices, some dignified by history, photography, and made

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Nascimento, Suely. "Marlene's house." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.

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As an artist-researcher, I have been developing the research “Marlene's house” in the Doctorate in Arts, Graduate Program in Arts, Institute of Art Sciences, Federal University of Pará, since 2018. An extension of the research I produced in the Master's Degree in Arts, at the same institution of higher education, from 2016 to 2018. It is a poetics built from family and affective memory, in which photography, video, sound, writing, smell, taste, touch and feeling merge. And it is part of research line 1, on poetics and acting processes, dedicated to research in the arts, with a focus on poetics

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Vicente, José. "Vernacular Products: An Example to Circular Design." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002026.

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Throughout most mankind’s history our daily life artifacts have been designed, produced, and used with respect for social and environmental constrains and within the carrying capacity of ecosystems. Also, they have been created to fulfill tangible and specific needs (not desires) of individuals and communities to their daily tasks and have sustained a thorough process of evolution and adaptation to the cultural and environmental context and, so, have been perfected over time. It has been only with the technological and cultural changes implemented with the industrial revolution that several un

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Hurduzeu, Nicolae, and Dana Craciun. "ACTING LIKE A HISTORIAN IN A TECHNOLOGY BASED CLASS." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-124.

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Current students are surrounded by ICT since an early age, being used to communicate, collaborate and access short informations, generally presented in a visual form. In this context, education should take into account both the informal preconceptions/knowledge of students and their previously acquired competencies, their learning style based on visuals, their need to communicate and collaborate in the virtual environment. There are many strategies one can adopt to encourage students to study history. Perhaps, one of the most effective strategies in the context described above is one in which

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Raporty organizacyjne na temat "History and Theory of Photography"

Dong, Huanjiao. History of Fashion Photography in America Teaching Portfolio. Iowa State University, 2021. http://dx.doi.org/10.31274/cc-20240624-833.

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Tabinska, Iryna, та Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters wh

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made w

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Tooker, Megan, and Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/41025.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark

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Taylor, Alan. Convergence and International Factor Flows in Theory and History. National Bureau of Economic Research, 1996. http://dx.doi.org/10.3386/w5798.

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Roth, Alvin. Deferred Acceptance Algorithms: History, Theory, Practice, and Open Questions. National Bureau of Economic Research, 2007. http://dx.doi.org/10.3386/w13225.

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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations

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Avery, Christy, and Anne Matsov. Olympic National Park Consensus Determination of Eligibility: Sol Duc Road (ineligible). National Park Service, 2025. https://doi.org/10.36967/2310377.

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Sol Duc Road (Olympic National Park) consensus Determination of Eligibility (cDOE) of ineligible for the National Register of Historic Places. Document includes text, sources, maps, photographs, signed by Acting Park Superintendent, and includes concurrence letter from WA State Historic Preservation Office. Document also includes evaluation of 2 additional buildings (OLYM buildings 1155 and 1156) and one site (Sol Duc RV Park), also determined ineligible for the National Register. The Consensus Determination of Eligibility process allows Federal decision makers, in consultation with SHPOs, FPO

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Baker, James, and Sofya Shahab. Preserving Communities' Heritage: A Workbook for Heritage Capturers. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/creid.2021.006.

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This is a practical workbook to guide local communities and heritage gatherers through the process of capturing and storing their heritage for future generations. Through initiatives with the British Academy and the Coalition for Religious Equality and Inclusive Development (CREID), the Institute of Development Studies (IDS) has been working with young people in Egypt, Iraq and Syria to capture their oral heritage, so that it may be preserved for future generations. Alongside life history interviews and topic interviews - which cover particular aspects of communities’ heritage - a key componen

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Damron, Jason. Transgressing Sexuality: An Interdisciplinary Study of Economic History, Anthropology, and Queer Theory. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.622.

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