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Gotowe bibliografie tematyczne / Humanitarian visual culture

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Gotowa bibliografia na temat „Humanitarian visual culture”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Humanitarian visual culture"

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Nair, Gaana J. "Visual Culture, Spectatorship and Humanitarian Disaster." Journal of Creative Communications 7, no. 1-2 (2012): 121–34. http://dx.doi.org/10.1177/0973258613501064.

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Siddiqi, Anooradha Iyer. "Architecture Culture, Humanitarian Expertise:." Journal of the Society of Architectural Historians 76, no. 3 (2017): 367–84. http://dx.doi.org/10.1525/jsah.2017.76.3.367.

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Architecture Culture, Humanitarian Expertise: From the Tropics to Shelter, 1953–93 recovers a history of architecture and humanitarianism through an examination of institutions and the development of a subfield of professional practice. Charting mutual interest between major humanitarian agencies and the architecture and planning professions, Anooradha Iyer Siddiqi maps the joint construction of expertise, tying together three sets of concerns: preoccupations with the tropics and climate as anchor points for the science and rationalization behind building design, the institutionalization of hu

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Zucconi, Francesco, and Nicola Perugini. ""Enjoy Poverty": humanitarianism and the testimonial function of images." Visual Studies 32, no. 1 (2017): 24–32. https://doi.org/10.1080/1472586X.2016.1246066.

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The overlap between production of humanitarian images and interventions in contexts of natural and man-made catastrophes is growing on a global scale. An increasingly close relationship exists between image production, news production and humanitarian industry. In this article, we argue that this process is transforming the meaning of the social, political and ethical act of bearing witness. We analyse the epistemic and political implications of visual humanitarian testimony through the documentary film <em>Enjoy Poverty </em>(2008), shot in Congo by the Dutch artist Renzo Martens. Examining s

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Izmailova, E. V. "The role of visual communications in the formation of the Soviet childhood culture of 20–30 years of XX century." Vestnik of Saint Petersburg State University of Culture, no. 4 (45) (December 2020): 39–44. http://dx.doi.org/10.30725/2619-0303-2020-4-39-44.

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In modern Russia, which is gradually overcoming the post-Soviet transition period, symptoms of culture stabilization are manifesting themselves, with the emergence of its new ordered historical type. A separate direction in the implementation of the task is a targeted impact on the culture of childhood through the appropriate humanitarian technologies, the essence of which boils down to the use of special forms of influence on human consciousness and behavior. The article is devoted to the study of visual communications in the formation of Soviet childhood culture in the 20-30s of the XX centu

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Trach, Yuliа. "The Essence of the Concepts of «Visual Literacy» and «Visual Culture»: Cultural Aspects." Issues in Cultural Studies, no. 32 (November 16, 2016): 170–86. https://doi.org/10.31866/2410-1311.32.2016.155725.

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The purpose of the article – identify the nature of some of visual studies – «visual culture» and «visual literacy». The study used the method of interpretation, which helped to clarify the nature of the objects, which are present equally spiritual and physical, and artistic forms of objectivity. Scientific novelty – the essence of visual culture and visual literacy as new facilities socio-humanitarian knowledge. Results and conclusions – emphasized the content blur the concepts of «visual literacy», «visual culture», &laq

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Zaitseva, Marina L., Regina R. Вudagyan, and Alexei I. Chekmenev. "Interpretation of the Concepts of “Mass Culture” in Presentday Humanitarian Sciences." ICONI, no. 4 (2019): 53–60. http://dx.doi.org/10.33779/2658-4824.2019.4.053-060.

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The article is devoted to the analysis of the concepts of “mass culture” in present-day humanitarian scholarship. The article highlights three groups of interpretations of this concept: the pessimistic, the apologetic and the problemoriented. The characteristic features of each of the presented groups are specified. Mass culture presents a complex and multilayers phenomenon, which is relevant among large strata of the population. The main particularities of mass culture are in the blending together of numerous various cultural codes and traditions, mobility, directedness at wide strata of the

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Petrenko, Dmitry, and Lydia Starodubtseva. "AUGMENTED REALITY ART IN CONTEMPORARY VISUAL CULTURE." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 69 (June 30, 2024): 6–15. https://doi.org/10.26565/2306-6687-2024-69-01.

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The article considers the artistic strategies of augmented reality (AR) art in the context of the «spatial turn». It is proposed to consider augmented reality art separately from the theories of culture that have developed around the phenomenon of virtual reality. The thesis is substantiated that the art of virtual reality was reflected within the framework of postmodernist theories that proceeded from the understanding of culture through the theory of the simulacrum. Instead, the art of augmented reality must be understood through the latest theories of culture that rely on post-discursive fa

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Pinto, S. "Radical Sensations: World Movements, Violence, and Visual Culture / Humanitarian Violence: The US Deployment of Diversity." American Literature 87, no. 1 (2015): 209–11. http://dx.doi.org/10.1215/00029831-2865355.

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Mamoona Khan. "Metamorphosis of Aesthetic Visual Culture, an Aftermath of War." PERENNIAL JOURNAL OF HISTORY 2, no. 2 (2021): 187–209. http://dx.doi.org/10.52700/pjh.v2i2.71.

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Creative brains are kept only by sensitive creatures, and the most empathetic are of those associated with visual arts fields, affected even by a minor stir in their surroundings, which is reflected in their creative endeavours. They sub consciously interpret their time. Unpleasantness of war or situations analogous to war have always left a negative mark on their aesthetic interpretations. History is replete with such examples. But the most stunningly heinous transgressions were exercised by modern mechanisms of war that violated ethics par human perception. The era shattered beliefs of man o

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Polenova, A.L. "Inter-Korean cultural and humanitarian cooperation at the present stage." East Asia: Facts and Analytics, no. 2 (July 2, 2022): 47–55. https://doi.org/10.24412/2686-7702-2022-2-47-55.

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The cooperation of the DPRK and the Republic of Korea (ROK) in the spheres of culture, sports and science is a crucial component of relations between these countries. The latest decade, which began with Kim Jong-un coming to power in the DPRK, included some rewarding and diverse cultural and humanitarian events such as the Olympic warming of 2018, when the world witnessed an activation of interKorean diplomatic dialogue. The article provides examples of both successful and failed joint initiatives in cultural and humanitarian spheres. Among them are symbolically important performances of

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Rozprawy doktorskie na temat "Humanitarian visual culture"

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Yim, Kim-ping. "Humanitarian Visual Culture Curriculum: An Action Research Study." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339712348.

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Junger-Aghababaie, Mona. "La réception des publicités sociales et humanitaires et leurs effets : une étude pragmatique des images de l'enfance." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010584/document.

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Afin d'examiner la réception des publicités sociales et humanitaires, cette étude pluridisciplinaire analyse trois dimensions initiales : savoir avec l'objet, faire/être avec l'objet et analyse de l'objet. Ce choix est justifié sur la base d'une méthodologie pluridimensionnelle basée sur les études culturelles. Nous essayons d'expliquer les processus de réception, d'interprétation, de négociation et les discours des individus. Le comportement des récepteurs des publicités sociale et humanitaire et le rôle de ces derniers sont au centre de notre intérêt. Cette étude est réalisée à deux échelles

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Książki na temat "Humanitarian visual culture"

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Hanafi, Zakiya, and Francesco Zucconi. Displacing Caravaggio: Art, Media, and Humanitarian Visual Culture. Springer, 2018.

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Hanafi, Zakiya, and Francesco Zucconi. Displacing Caravaggio: Art, Media, and Humanitarian Visual Culture. Palgrave Macmillan, 2019.

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Michael, Olga, Claire Nally, Gillian Whitlock, et al. Human Rights in Graphic Life Narrative. Edited by Elleke Boehmer and Katherine Collins. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350329782.

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Surveying print and digital graphic life narratives about migrants, refugees and asylum seekers, this book investigates how comics and graphic novels witness human rights transgressions in contemporary Anglophone culture and how they can promote social justice. With thought given to how the graphic form can offer a powerful counterpoint to the legal, humanitarian and media discourses that dehumanise the most violated and dispossessed, but also how these works by western creatives may unconsciously reproduce Western neo-colonial presentations of the ‘other,’ Olga Michael focuses on gender, chil

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Części książek na temat "Humanitarian visual culture"

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Martín-Moruno, Dolores. "Crisis? What Crisis? Making Humanitarian Crises Visible in the History of Emotions." In Making Humanitarian Crises. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-00824-5_1.

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AbstractThis introductory chapter carves out a space for the histories of emotions and the senses within humanitarian visual culture, by examining the performativity of images in the construction of humanitarian crises. To this end, it analyses how illustrated pamphlets, cinema talks, photographs, documentary films, graphic novels and virtual reality environments have mobilised the affective responses of audiences, thus creating transnational networks of solidarity from the nineteenth century to present-day society. Furthermore, it questions presentist conceptions of pain, compassion, sympathy

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Stevens, J. Richard. "Of Jungle Queens and Amazons: Marvel’s She-Hulk as Poststructural Feminist Icon." In The Woman Fantastic in Contemporary American Media Culture. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496808714.003.0002.

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J. Richard Stevens begins the collection with “Of Jungle Queens and Amazons: Marvel’s She-Hulk as Post-Structural Feminist Icon,” considers the contemporary transformation of another action heroine, She-Hulk, from the jungle queen archetype. Stevens emphasizes her humanitarian mission, the strength of her voice against the masculine conventions of superhero narratives, and the ways in which her visual image challenges traditional sexual objectification.

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Barylo, William. "I Was Just Following the Trend." In British Muslims in the Neoliberal Empire. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198924975.003.0008.

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Abstract Social media celebrities in the era of metacolonialism are impostors. Social chameleons, they absorb trends like sponges, commodify their body, culture, faith, identity, and moral principles for the sake of an illusory access to fame, wealth, and power. ‘Fake it until you make it’ suggests chasing brand deals from companies with poor work ethics and human rights records, and promoting products manufactured in labour camps. The Muslim Ummah is drinking its own blood and the oppressed of yesterday becomes the today’s oppressors. Even humanitarian charities copy the looks and behaviours

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Zúñiga Rodríguez, Vanessa, and Nairbis Sibrián Díaz. "Encuadres mediáticos en debate sobre la Ley de Migración y Extranjería (2018-2021)." In Sociología de las migraciones. Perspectiva iberoamericana. spue, 2024. http://dx.doi.org/10.17163/abyaups.55.427.

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En las últimas cinco décadas, más de 280 millones de personas, es decir, el 4 % de la población mundial, ha debido emigrar hacia otros países generando desafíos sustanciales desde el punto de vista político, económico, social y humanitario para las naciones receptoras (OIM, 2020). En este escenario, Chile ocupa un lugar protagónico en América Latina como país receptor de inmigrantes durante la última década (BM, 2023), proyectándose que para 2024 los extranjeros constituyan el 10 % de la población chilena, duplicando su presencia en los últimos cinco años (INE, 2021). Sin embargo, este fenómen

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Linden-Retek, Paul. "Narrative Interpretation." In Postnational Constitutionalism. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192899187.003.0005.

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Abstract Chapter 5 develops an account of narrative constitutional interpretation, oriented around an imaginary of analogy, as the interpretive paradigm able to sustain the virtues of anti-reification. Drawing on the work of American legal theorist Robert Cover, it argues that maintaining the temporal depth of law requires conceiving legal principles to depend upon the narratives that give them meaning. Cover’s innovative conception of legal narrative clarifies how courts resist reification by elaborating constitutional principles and the present patterns of fact in narrative form: that is to

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Streszczenia konferencji na temat "Humanitarian visual culture"

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Rasheva-Yordanova, Katia, Kamelia Planska-Simeonova, and Kalina Mincheva. "POSSIBILITIES FOR EVALUATION OF THE VISUAL CULTURE OF STUDENTS IN HUMANITARIAN SPECIALTIES." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.1898.

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Sánchez León, Nuria. "El papel del arte en la transformación social en contextos pioneros en el movimiento de transición a la sostenibilidad. El caso de Reino Unido." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5806.

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La gravedad de la crisis ecológica mundial exige la participación desde todas las disciplinas para lograr un cambio cultural, sistémico y duradero hacia la sostenibilidad. En el caso del arte, la difuminación de sus límites con respecto a la autoría, el contexto y los temas en los últimos 60 años ha permitido la colaboración interdisciplinar de artistas en otros campos del saber y un replanteamiento de la función de los creadores en la sociedad. Por otra parte, los informes de la Unión Internacional de Conservación de la Naturaleza (UICN) Transición a la Sostenibilidad: hacia un mundo humanita

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