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Gotowe bibliografie tematyczne / Humanities -> music -> classical

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Gotowa bibliografia na temat „Humanities -> music -> classical”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Humanities -> music -> classical"

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Bull, Anna, and Christina Scharff. "Classical music as genre: Hierarchies of value within freelance classical musicians’ discourses." European Journal of Cultural Studies 24, no. 3 (2021): 673–89. http://dx.doi.org/10.1177/13675494211006094.

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In music studies, genre theory has primarily been used to study popular music rather than classical music. This article demonstrates how genre theory can be applied to studying classical music production in order to understand how its value is negotiated and reproduced. Drawing on data from interviews with early-career female classical musicians in London, it explores discourses of classical music as a genre in order to understand how genre shapes working lives. We identify three themes within the data: first, genre hierarchies contribute to the (re-)production of divisions of labour, in ways

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Dobrota, Snježana, and Ina Reić Ercegovac. "Music preferences with regard to music education, informal influences and familiarity of music amongst young people in Croatia." British Journal of Music Education 34, no. 1 (2016): 41–55. http://dx.doi.org/10.1017/s0265051716000358.

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The aim of this research was to investigate the relationship between music preference and music education, informal influences (attending classical music concerts and musical theatre productions) and familiarity of music. The research included students of the Faculty of Humanities and Social Sciences, University of Split (N=341)1. The results showed that participants usually listen to popular music in their leisure time and that popular music is their most preferred music style. A positive relationship between familiarity and preferences was found but this effect was not unambiguous. A relatio

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López de Aguileta, Ane, Marifa Salceda, Sandra Girbés-Peco, Juan Carlos Peña-Axt, and Marta Soler-Gallart. "Democratizing Taste on Classical Music for All." Qualitative Research in Education 12, no. 3 (2023): 236–51. http://dx.doi.org/10.17583/qre.13395.

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The right of every citizen to access cultural heritage, such as classical music, has been widely pointed out by international organizations. However, there are certain barriers that impede members of vulnerable groups from enjoying the benefits of this type of music, namely cultural elitism. Some authors have stated that the taste for classical music depends on the social class. Nevertheless, our research has found evidence that demonstrates that it is not so in nine different contexts. We present here results of Dialogic Music Gatherings (DMG), that demonstrate that everyone can enjoy classic

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G., E., and Bonnie C. Wade. "Music in India: The Classical Traditions." Journal of the American Oriental Society 110, no. 1 (1990): 178. http://dx.doi.org/10.2307/604000.

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Li, Ang. "Historical Evolution of the Popularization of Classical Music and the Development of the Fusion of Multiple Musical Styles." Herança 7, no. 1 (2023): 113–25. http://dx.doi.org/10.52152/heranca.v7i1.810.

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The historical evolution of classical music and its fusion with different musical genres is an important phenomenon in the field of music. The aim of this thesis is to explore the historical evolution of the popularization of classical music and its fusion with a variety of musical genres. First, we define the characteristics of classical and popular music. Then, we examine the development of classical music in the history of popular music, including its relationship to blues, jazz, and American country music. Next, we summarize the history of the fusion of classical and popular music and anal

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Vernia Carrasco, Ana Mercedes. "INTERVIEW ROIT FELDENKREIS." ARTSEDUCA 29, no. 29 (2021): 107–10. http://dx.doi.org/10.6035/artseduca.2021.29.8.

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    Roit Feldenkreis started in the arena of classical music in the “classical” way. As a young girl she trained in Israel and the USA to become a soprano singer with everything that entails, practice, discipline and hard work in the face of challenge. This seemingly predictable beginning has converted into a road of exploration for Roit in which she has been constantly investigating and pushing the boundaries of the classical tra- ditions as well as cultural and geographical boundaries as an international orchestra conductor. Prizewinner at the London Classical S

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Casali, Giovanna. "Ancient tragedy, yet modern music: musical compositions in the classical performances (1921–39)." Classical Receptions Journal 16, no. 1 (2024): 73–90. http://dx.doi.org/10.1093/crj/clad027.

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Abstract This contribution aims to analyse the role of music in the revival of Greek theatre that characterized twentieth-century Italy. In particular, it explores and compares the music composed for INDA productions between 1921 and 1939. From the beginning of the festival, music occupied a crucial role, thanks to Ettore Romagnoli’s emphasis on the musical component in reviving ancient Greek drama. The years from 1921 to 1927 were characterized by the collaboration between Romagnoli and Giuseppe Mulè, who attempted to revive ancient Greek music according to modern criteria. By 1930, the festi

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Shylnikova, Iryna. "Classical Crossover and Its Russian and Ukrainian Interpretations." Pamiętnik Teatralny 72, no. 2 (2023): 115–29. http://dx.doi.org/10.36744/pt.1287.

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This article aims to explore the phenomenon of “classical crossover,” a contemporary music trend that blends “high” and “low” elements. In addition to analyzing the genre’s main features and cultural preconditions for its emergence, the article will examine its historical origins and development. The second part of the article focuses on examples of classical crossover in Russian and Ukrainian music, with an analysis of several artists who have ventured into this new type of production, including the Terem Quartet, Anna Netrebko, Olga Chubareva, and Arina Domski. By applying historical and cul

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Barratt-Peacock, Ruth. "Aspirational cosmopolitanism in classical music anime: Adapting Romantic legacies in Forest of Piano." East Asian Journal of Popular Culture 8, no. 1 (2022): 9–26. http://dx.doi.org/10.1386/eapc_00060_1.

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This article argues that anime about musicians specializing in western classical music offers a vehicle for questioning normative narratives that tend to exclude East Asian musicians from classical music culture beyond tertiary education. This article explores how the series Forest of Piano, the 2018 anime adaptation of Makoto Isshiki’s manga, utilizes competing Romantic models of genius to negotiate the protagonists’ positions as East Asian musicians on the global stage. In the series, the idea that the spirit of a piece is bound to the composer’s relationship to a specific place competes wit

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Salamone, Frank A. "Jazz and Its Impact on European Classical Music." Journal of Popular Culture 38, no. 4 (2005): 732–43. http://dx.doi.org/10.1111/j.0022-3840.2005.00138.x.

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Rozprawy doktorskie na temat "Humanities -> music -> classical"

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Heimisson, Gudmundur Torfi. "The importance of program-delivered differential reinforcement in the development of classical music auditory discrimination." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000440.

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Jones, Natalie. "Lost in Translation : To what extent can sign language be used to translate the meaning of the text for hearing audiences in classical vocal music?" Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3625.

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The purpose of this project is to examine the extent to which sign language can be used as a means of communicating the text for hearing audiences attending classical vocal recitals. The project discusses historical practices for providing text translation of classical repertoire sung in foreign languages and gives an account of the increasing popularity of sign language interpretation for hearing audiences within the contemporary, commercial music industry. A trial performance is undertaken in order to examine the effectiveness of the idea in the context of classical vocal music. Feedback is

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Darcey, Stephanie J. "An immersive study of the artistry of Gilbert Biberian —guitarist, composer, and pedagogue— and creative responses from a musical apprenticeship." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2764.

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This project examines the music of Istanbul-born British classical guitarist and composer Gilbert Biberian (1944-2023) and the potential of this music to stimulate original composition using an intuitive approach. Biberian is recognized as one of the most original and creative guitar composers from the second half of the twentieth century. His musical language embraces and integrates traditional tonality, jazz, post-tonal idioms, and the music of the Middle East. There are three strands to this project: an overview of Biberian’s life, philosophy, and music; a musical apprenticeship with Biberi

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Holgersson, Per-Henrik. "Musikalisk kunskapsutveckling i högre musikutbildning : en kulturpsykologisk studie av musikerstudenters förhållningssätt i enskild instrumentalundervisning." Doctoral thesis, Stockholms universitet, Kungl. Musikhögskolan i Stockholm, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-54709.

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The aim of this thesis is to obtain a deeper understanding of students’ approaches to musical knowledge as it is distributed through one-to-one tuition in higher music education (HME). With a cultural-psychological perspective according to Bruner, the project was designed as a longitudinal, qualitative study of eight students in the performance program that concludes with a Bachelor of Arts degree in music. Two main musical genres were represented: Western classical music, and jazz and contemporary music. The students had one-to-one tuition on violin, classical guitar, saxophone and electric g

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Adam, Karen. "“The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963)." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2692.

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This thesis explores the changing reputation and legacy of John Powell (1882-1963). Powell was a Virginian-born pianist, composer, and ardent Anglo-Saxon supremacist who created musical propaganda to support racial purity and to define the United States as an exclusively Anglo-Saxon nation. Although he once enjoyed international fame, he has largely disappeared from the public consciousness today. In contrast, the legacies of many of Powell’s musical contemporaries, such as Charles Ives and George Gershwin, have remained vigorous. By examining the ways in which the public has perceived and

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Cheng, Su-Chuan, and 鄭夙娟. "The influence and practice of music curriculum towards Arts and Humanities by Crossover Classical Music." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/98620813989258416449.

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碩士<br>東吳大學<br>音樂學系<br>94<br>The purpose of this thesis is to understand the influence and practice of music curriculum towards Art and Humanities by Crossover Classical Music. Nowadays, the characters of culture have been influenced by post-modernism and globalization. Under the enforcement of Internet and media, the line between classical and popular culture has been ambiguous. Collage, montage and citation are the culture characters of this generation. Crossover Classical Music has both the classical and the popular dimensions. It's different from the rigorous presentation of solely classica

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Książki na temat "Humanities -> music -> classical"

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Reception and the classics (2007 : Yale University), ed. Reception and the classics. Cambridge University Press, 2011.

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Complete String Quartets. Dover Publications, 2013.

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Charles Horton; David A. Byrne; Lawrence Ritchey. Harmony Through Melody. Rowman & Littlefield Publishing Group, 2020.

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Kramer, Lawrence. Why Classical Music Still Matters (Simpson Book in the Humanities). University of California Press, 2007.

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Chaudhuri, Pramit, William Brockliss, Ayelet Haimson Lushkov, and Katherine Wasdin. Reception and the Classics: An Interdisciplinary Approach to the Classical Tradition. Cambridge University Press, 2012.

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Chaudhuri, Pramit, William Brockliss, Ayelet Haimson Lushkov, and Katherine Wasdin. Reception and the Classics: An Interdisciplinary Approach to the Classical Tradition. Cambridge University Press, 2016.

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Chaudhuri, Pramit, William Brockliss, Ayelet Haimson Lushkov, and Katherine Wasdin. Reception and the Classics: An Interdisciplinary Approach to the Classical Tradition. Cambridge University Press, 2011.

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Chaudhuri, Pramit, William Brockliss, Ayelet Haimson Lushkov, and Katherine Wasdin. Reception and the Classics: An Interdisciplinary Approach to the Classical Tradition. Cambridge University Press, 2011.

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Aldo Parisot, the Cellist: The Importance of the Circle. Pendragon Press, 2018.

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Aldo Parisot, the Cellist: The Importance of the Circle. Pendragon Pr, 2018.

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Części książek na temat "Humanities -> music -> classical"

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Huang, PeiWen. "Impact of Classical Piano Music on Student Test Anxiety." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-126-5_216.

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Zhang, Sumeng. "Effect of Classical Background Music on Attention Level in Adolescents." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-062-6_117.

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Tobing, Frisca Aries Br Lumban. "Implementation of Learning Methods Classical Piano at Simfony Music School." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2025. https://doi.org/10.2991/978-2-38476-424-2_23.

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Djahwasi, Herry R., and Zaharul Lailiddin Bin Saidon. "Development of an Artistic Framework on Classical Music Performance Research Based on a Critical Review." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2025. https://doi.org/10.2991/978-2-38476-317-7_45.

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Wahyuningtyas, Dinar, Laily Mualifah, and Abdul Aziz. "Effectiveness of Classical Music Therapy to Reducing Auditory Hallucinations in Schizophrenic Patients." In Proceedings of the 3rd Borobudur International Symposium on Humanities and Social Science 2021 (BIS-HSS 2021). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-494069-49-7_84.

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Freeman, Robert. "Chapter Nine: Some Suggestions for Foundation Directors and for the National Endowments for the Arts and Humanities." In The Crisis of Classical Music in America. Rowman & Littlefield Publishers, 2014. https://doi.org/10.5771/9781442233034-195.

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Lisena, Pasquale, and Raphäel Troncy. "Representing Complex Knowledge for Exploration and Recommendation: The Case of Classical Music Information." In Applications and Practices in Ontology Design, Extraction, and Reasoning. IOS Press, 2020. http://dx.doi.org/10.3233/ssw200038.

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In Digital Humanities, one of the main challenge consists in capturing the structure of complex information in data models and ontologies, in particular when connections between terms are not trivial. This is typically the case for librarian music data. In this chapter, we provide some good practices for representing complex knowledge using the DOREMUS ontology as an exemplary case. We also show various applications of a Knowledge Graph leveraging on the ontology, ranging from an exploratory search engine, a recommender system and a conversational agent enabling to answer classical music quest

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Kildea, Paul. "On Receiving the First Aspen Award (1964)." In Britten on Music. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0076.

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Abstract Ladies and Gentlemen, when last May your Chairman and your President told me they wished to travel the 5000 miles from Aspen to Aldeburgh to have a talk with me, they hinted that it had something to do with and Aspen Award for Services to the Humanities-an award of very considerable importance and size.1 I imagined that they felt I might advise them on a suitable recipient, and I began to consider what I should say. Who would be suitable for such an honour? What kind of person? Doctor? Priest? A social worker? A politician? Well, ... ! An artist? Yes, possibly (that, I imagined, could

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Streszczenia konferencji na temat "Humanities -> music -> classical"

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Tanabayeva, Anar, Samal Sagnaikyzy, and Marzhan Alikbayeva. "THE PATTERN OF THE �PERFECT MAN� IN SUFISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs07.19.

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In the history of culture, one of the most important periods in the study of the problem of the nature and formation of the �perfect man� was the historical stratum of medieval Islamic culture, in which the Sufi discourse played an important role. Sufism as a religious and mystical direction in Islam is actualized in the light of the study of the classical cultural heritage of the peoples of the East and modern socio-cultural processes. Sufism played a significant role in the development of medieval Islamic culture and made its unique contribution to the concept of the �perfect man�. The Sufi

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Lin, Ying. "Emotional Evoked Analysis of Classical Music." In 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/ssehr-17.2018.66.

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Ekici, Emre. "Verbal Communication Strategies for Recording Eurogenetic (Western Classical) Music." In The European Conference on Arts & Humanities 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2188-1111.2024.15.

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Chen, Quei-lih. "Pandemic Forces Digital Forum For Classical Music Education." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.075.

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