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Artykuły w czasopismach na temat "Icon of Jesus Christ"

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Duda, Jerzy. "Chrystus ikoną Boga w nauczaniu Orygenesa." Teologiczne Studia Siedleckie VI (2009) 6, no. 2009 (2021): 123–30. https://doi.org/10.5281/zenodo.5644651.

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<strong>Jesus Christ as the Icon of God in Origen&rsquo;s teaching</strong> Origen Adamantius (c. 185 - 253), one of the most prominent exegetes of early Christianity, presented an unusual theological theory on Jesus Christ as the image of God. According to Origen, the Father, invisible and unimaginable to the entire creation, shaped his own invisible image. Adamantius regarded Jesus Christ as the only perfect image of invisible God. He claimed that a man was created to represent God. Thus, the image of God is perfected in a person who lives according to the will of God. Owing to the coming of
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Pushkin, A. "Features of Studying the Topic “Feast of the Transfiguration of Jesus Christ” Within the Framework of the Module “Fundamentals of Orthodox Culture”." Primary Education 9, no. 5 (2021): 47–52. http://dx.doi.org/10.12737/1998-0728-2021-9-5-47-52.

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The article reveals the experience of an Orthodox school teacher in teaching the course “Fundamentals of Orthodox Culture.” In accordance&#x0D; with the Federal State Educational Standard of Primary General Education, fourth-graders get acquainted with the Orthodox holiday of the&#x0D; Transfiguration of Jesus Christ. The methodology of organizing education allows younger students to form an awareness of the spiritual meaning inherent in any Orthodox holiday. The teacher uses both traditional teaching methods (retelling, essay, educational dialogue) and methods that reflect the originality of
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NEMEȘ, Olivia Florena, Ion SANDU, Constantin MĂRUȚOIU, et al. "THE INVESTIGATION OF PAINTING MATERIALS OF THE JESUS CHRIST ROYAL ICON." International Journal of Conservation Science 15, no. 4 (2024): 1703–12. https://doi.org/10.36868/ijcs.2024.04.08.

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The royal icon of Jesus Christ belongs to the “Saint Archangels Michael and Gabriel” church from the village of Gheorgheni, Cluj County, and it dates from the beginning of the 18th century. Considering the importance, the age, and the ongoing process of restoration of this icon, research has been done to establish the composition of the painting materials. The investigations were carried out using nondestructive Fourier Transform Infrared Spectroscopy (FTIR) and X-ray Fluorescence (XRF) measurements. The ground applied over the wood was identified as gypsum. The painting technique used was tem
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Wohlmuth, Josef. "Phänomenologie und Offenbarung bei Jean-Luc Marion." AUC THEOLOGICA 14, no. 1 (2024): 9–29. http://dx.doi.org/10.14712/23363398.2024.4.

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The article explores the relationship between phenomenon and revelation, primarily on the basis of Being Given: Toward a Phenomenology of Givenness by Jean-Luc Marion. The focus is on Marion’s notion of givenness (inspired by Edmund Husserl), on which he bases his new type of phenomenology of givenness. In a critical discussion with Kant, it is shown that the so-called saturated phenomenon is neither constituted as an object nor can it be related back to an ego. The saturated phenomena show themselves of their own motion, they give themselves in their own non-reducibility. They can only be wit
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Triviza, Eleni. "Α Byzantine icon of the Theotokos Hodegetria (Temple Gallery, London)". Zograf, № 47 (2023): 127–38. https://doi.org/10.2298/zog2347127t.

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This icon of the Theotokos Hodegetria is in Hull Collection and comes from the Temple Gallery. The depiction of the Virgin Mary in half-length, turning to the right, with her gaze fixed on the viewer, the manner of the depiction and attitude of Jesus Christ, the rendering of their facial features, the imposingness of the two figures and their movements, the pleats of the clothes and the configuration of the two halos indicate the work of a highly skilled painter. The iconographic and stylistic features of the icon are dated to around 1400.
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ΦΩΣΚΟΛΟΥ, Βασιλική. "Αναζητώντας την εικόνα του Ελκομένου της Μονεμβασίας. Το χαμένο παλλάδιο της πόλης και η επίδρασή του στα υστεροβυζαντινά μνημεία του νότιου ελλαδικού χώρου". BYZANTINA SYMMEIKTA 14 (26 вересня 2008): 229. http://dx.doi.org/10.12681/byzsym.879.

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&amp;nbsp; &lt;p&gt;Vassiliki Foskolou&lt;/p&gt;&lt;p&gt;Tracing the Monemvasia Icon of Christ Helkomenos. The City's lost Palladium and its Influence on the Late Byzantine Monuments of Southern Greece&lt;/p&gt;&lt;p&gt;The study's aim is to trace the now lost Monemvasia icon of Christ Helkomenos. Our knowledge of the city's celebrated palladium is confined to fragmentary information deriving from narrative sources. Specifically, we know that it was transferred by Isaac Comnenos to Constantinople in the late 12th century; as for the scene represented on the icon, our sole information comes fro
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Plamen, Sabev. "ЙЕРУСАЛИМИЯ ОТ ЦЪРКВАТА "СВ. ГЕОРГИ" В АРБАНАСИ/ A JERUSALEM ICON FROM THE CHURCH OF ST. GEORGE IN ARBANASY". EPOHI [EPOCHS] Edition of the Department of History of "St. Cyril and St. Methodius" University of Veliko Tarnovo Issue 2, XXIII, 2015 (2022): 419–27. https://doi.org/10.5281/zenodo.6590928.

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In 2011, I came across a Jerusalem type of icon in the chapel of the &ldquo;St.&nbsp; Demetrius&rdquo; church in Arbanasy.&nbsp; Due to the long-term exposure to humidity and dust, it needed an urgent restoration and conservation. However, in the museum data it was signed that the place of origin of the icon was the church of St. George in Arbanasy. After a research over older photographic documents, I&rsquo;ve found that the icon was hang on the wall of the nave of this church, and eventually, due to the church&rsquo;s closure for restoration, it was moved in the chapel of St. Demetrius churc
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Lee, Kyu Young. "Changes in the Concept of Sophia and the Specificity of the Icon of the Virgin Mary." Institute for Russian and Altaic Studies Chungbuk University 26 (February 28, 2023): 265–88. http://dx.doi.org/10.24958/rh.2023.26.265.

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This article analyzes changes in the concept of Sophia and the specificity of the icon of the Virgin Mary. The specific research subject is the Icon of the Virgin Mary, which was a typical religious painting until the Middle Ages. We compare the ideological concept of Sophia and the meaning of the icon of the Virgin Mary. In Chapter 1, We look at the change of the concept and definition of Sofia, and aspects of the acceptance of Sophia in Russia. In the Christian tradition, Sophia has been transformed into the divine administration or the divine wisdom of faith or the wisdom of Jesus Christ's
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Ellington, Donna Spivey. "Impassioned Mother or Passive Icon: The Virgin's Role in Late Medieval and Early Modern Passion Sermons*." Renaissance Quarterly 48, no. 2 (1995): 227–61. http://dx.doi.org/10.2307/2863065.

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On 13 April 1403, Parisian chancellor Jean Gerson delivered one of his most famous sermons, a sermon on the Passion of Christ entitled “Ad deum vadit.” That evening, in the second part of the sermon, Gerson set forth the central and most dramatic portion of the Passion narrative, the crucifixion of Jesus. As he had done throughout the story, Gerson sought to recreate the feelings, responses, and very words of Mary as she witnessed her son's suffering. In an anguished question that echoed Jesus’ own, Gerson proclaims that Mary was able to cry to God.
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Sprutta, Justyna. "Misyjny wymiar ikony Zesłanie Ducha Świętego." Annales Missiologici Posnanienses, no. 23 (January 5, 2019): 165–75. http://dx.doi.org/10.14746/amp.2018.23.11.

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The icon of The Descent of the Holy Spirit includes a mission message. The origins of the iconography of this mystery date back to the 6th century. The icon of Pentecost depicts the apostles, and an empty place between them, destined for the coming again of Jesus Christ. Adam was presented below, and then the pagans as representatives of the peoples and nations to whom the apostles are sent. Later in this place is presented Old King as a personifi cation of the Cosmos, that is here a personifi cation of all creatures. The apostles, as the fi rst missionaries, will proclaim the Gospel to this C
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Rozprawy doktorskie na temat "Icon of Jesus Christ"

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Trujillo, D. Morgan. "Christ Pantocrator the unsettled debate over the humanity and divinity of Jesus /." Connect to online version, 2008. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2008/275.pdf.

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Haller, Jeffrey. "The image of the unseen God contextual relevance in the visual portrayal of Christ /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Penkrat, Tatiana. "Image and liturgy the history and meaning of the Epitaphion /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p015-0478.

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Ratliff, Zachary Alan. "The Catholic Priest as Icon of Christ." Ohio Dominican University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1557244714019054.

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Edwards, John C. "Jesus' atoning death as a probable teaching of the historical Jesus." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1179.

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Rombough, Brian J. "Contemporary views of Jesus' temple cleansing." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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Choi, Cheol K. "Interpretation of the lamb of God in John 1:29, 36." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Graham, Keith Henry Charles. "Forgiveness in the teaching and ministry of Jesus." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Small, Keith Edward. "Jesus' self-consciousness as a prophet a Biblical/Quranic comparison /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Hunt, James. "Jesus and inerrancy." Lynchburg, Va. : Liberty University, 1987. http://digitalcommons.liberty.edu.

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Książki na temat "Icon of Jesus Christ"

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Quenot, Michel. The Resurrection and the icon. St. Vladimir's Seminary Press, 1997.

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Williams, Rowan. The dwelling of the light: Praying with icons of Christ. W.B. Eerdmans, 2004.

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Quimba, Roawie L. Jesus Christ. Blue Patriarch Pub. House, 2011.

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Anant, Pai, ed. Jesus Christ. India Book House, 1988.

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Hall, Stuart George, ed. Jesus Christ Today. Walter de Gruyter, 2009. http://dx.doi.org/10.1515/9783110212778.

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Perry, George. Jesus Christ Superstar. Pavilion, 1996.

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Ettlinger, Gérard H. Jesus, Christ & Savior. Michael Glazier, 1987.

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Wingeier, Douglas E. Jesus Christ, resurrection. Graded Press, 1985.

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Gilbert, John Peyton. Jesus Christ, miracles. Graded Press, 1985.

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Webber, Andrew Lloyd. Jesus Christ superstar. Campanotto, 1997.

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Części książek na temat "Icon of Jesus Christ"

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Oakes, Edward T. "Jesus Christ." In The Blackwell Companion to Catholicism. Blackwell Publishing, 2008. http://dx.doi.org/10.1002/9780470751343.ch21.

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Blum, Fred. "Jesus Christ." In Ethics of Industrial Man. Routledge, 2024. http://dx.doi.org/10.4324/9781003563501-4.

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De Anda, Neomi. "Jesus the Christ." In The Wiley Blackwell Companion to Latino/a Theology. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118718612.ch8.

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Adams, Edward. "Paul, Jesus, and Christ." In The Blackwell Companion to Jesus. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444327946.ch6.

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Haken, Meike, and Michael Wetzels. "Jesus Christ Football Star?" In Hybride Events. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-16825-4_15.

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Joseph, Simon J. "Jewish Jesus, Christian Christ." In A Social History of Christian Origins. Routledge, 2022. http://dx.doi.org/10.4324/b22959-4.

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Campion, C. T. "From Jesus to Christ." In From Christianity to Spiritualism. Routledge, 2024. http://dx.doi.org/10.4324/9781003521808-6.

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Bachem, Malte. "„Fucking Dreams, Jesus Christ“." In Wie die Sopranos gemacht sind. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-13337-5_8.

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Vahanian, Gabriel. "No Christ, No Jesus." In Theopoetics of the Word. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137440631_6.

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Albertson, David. "The Icon as Figure." In The Geometry of Christian Contemplation. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198947004.003.0012.

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Abstract This chapter contextualizes and analyzes the theoretical achievement of Theodore the Studite, the last and greatest of the magisterial iconophile authors writing against iconoclasm. The respective image theories of Plotinus, Constantine V, and Nicephorus of Constantinople all reduce the capacities of the geometrical line to indicate God in the icon. Against this background, Theodore proposes a univocal account of linear circumscription in which measurement is the key to the operation of the Christ icon. In the Incarnation, the contours of the body of Jesus can be traced visually by li
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Streszczenia konferencji na temat "Icon of Jesus Christ"

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Croitoru, Ion, and Robert Andrei Dumitrascu. "PERMANENT AXIOMS OF CHRISTIAN PEDAGOGY." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s08/63.

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Pedagogical science, through the materialist covering that is imposed on it lately, has distanced itself from the spiritual needs of man. Despite this fact, the influence and importance of Christian values remain eminently valid and current. Christianity and especially Orthodoxy, through their entire content based on the teachings of Lord Jesus Christ, the Pedagogue par excellence, continue to inspire educational ideas, mentality, and pedagogical thinking. Christian pedagogy imposes itself as a necessity in today�s society, through the need for moral-spiritual and religious education of the yo
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Raj, Dr P. Pushpa. "Devasahayam: The First Martyr for Jesus Christ in Travancore." In International Conference on Education, Psychology and Social Science. Sons and Daughters Publishing House Inc., 2018. http://dx.doi.org/10.21016/icepss.2014.14031.

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Gerung, F. B., Yemdin Wonte, and Ryanto Adilang. "Jesus the Great Teacher: Didactic Dimension Behind the Great Commission of Jesus Christ in Matthew 28:16-20." In Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.11-12-2019.2302141.

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Maslennikova, Svetlana Fedorovna, and Anna Alekseevna Medvedeva. "Masterpieces of Western European art on biblical themes in museum collections." In All-Russian scientific and practical conference with international participation. Publishing house Sreda, 2025. https://doi.org/10.31483/r-138289.

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The article examines some works of fine art that are united by a biblical theme related to the Resurrection of Jesus Christ and the Apostle Thomas. All these masterpieces, created by masters from different countries Caravaggio, Rembrandt, etc., are now kept in the most famous museums in the world.
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Breviario, Álaze Gabriel do. "The preaching and teaching ministry of Jehovah's Witnesses: A bibliographical and narrative documentary review." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-187.

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The greatest biblical basis for carrying out the work of preaching and teaching by Christians is the command given by Jesus Christ before he ascended to heaven, and is recorded in Matthew 28:19, 20. The beginning of such a work of preaching/instruction and teaching was on the day of Pentecost in 33 of the Common Era (after Christ), and remains until today, as prophesied by Jesus in Matthew 24:14. This article aims to present and explain how the preaching and teaching ministry of Jehovah's Witnesses is carried out worldwide, refining them based on scientific understanding and the author's theol
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Kendall, Lori. "Colin Mochrie vs. Jesus H. Christ: Messages About Masculinities and Fame in Online Video Conversations." In 2007 40th Annual Hawaii International Conference on System Sciences (HICSS'07). IEEE, 2007. http://dx.doi.org/10.1109/hicss.2007.127.

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Paleha, A. A. "ICONOGRAPHY, RESTORATION AND X-RAY FLUORESCENCE ANALYSIS OF THE “ASCENSION OF JESUS” ICON." In Реставрация. Наш взгляд - 2022. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604831069_75.

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Aritonang, Hanna Dewi, Bestian Simangunsong, and Adiani Hulu. "Love Your Enemy: A Christian Response to Embrace Others." In International Conference of Education in the New Normal Era. RSF Press & RESEARCH SYNERGY FOUNDATION, 2020. http://dx.doi.org/10.31098/iceiakn.v1i1.240.

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This article addresses the issue of conflict between religious communities that cause enmity amid society. Hostilities must be overcome and resolved in accordance with the call of Christianity to live in love and peace. The study used the qualitative paradigm as the method of the research and the descriptive-analyses as the writing method by describing the research problems based on data collected from related publications.One of the powerful messages of Jesus's teaching is "Love your enemies." It’s one of the greatest challenges in life. Jesus Christ gave an important doctrine about loving th
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Karagodskaya, Julia, and Alexandra Zinovievа. "PROBLEMS OF EQUIRITHMIC TRANSLATION (ON THE EXAMPLE OF THE ROCK OPERA BY E. LLOYD-WEBBER AND T. RICE "JESUS CHRIST SUPERSTAR")." In LINGUISTIC UNITS THROUGH THE LENS OF MODERN SCIENTIFIC PARADIGMS. Baskir State University, 2022. http://dx.doi.org/10.33184/yevssnp7-2022-12-16.17.

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Siciov, Serghei. "Christmas traditions of the russians from Moldova (based on massmedia materials)." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.11.

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In this article, the author examines the reflection of the Christmas traditions of the Russians of the Republic of Moldova in print and electronic media. Mass media analysis suggests that Russian winter rituals have undergone a significant transformation in the urban environment in recent decades. The main images of the holiday were identified and described, as well as the features of their holding in modern urban conditions. The main attention of the mass media was focused on theatrical performances related to the theme of Christmas. Russian ethno-cultural centers held Christmas events, where
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