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1

Napoletano, Margo A. "Teaching Adolescent Psychology Using Popular Song Lyrics." Psychological Reports 62, no. 3 (1988): 975–78. http://dx.doi.org/10.2466/pr0.1988.62.3.975.

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11 popular songs were evaluated by 14 students enrolled in a section of adolescent psychology. Songs were selected for their potential to illustrate psychological concepts, such as, identity crisis, psychotic behavior, and personal fable. After lecture on a particular topic, a song relevant to that topic was played and discussed. Lyrics that illustrated certain concepts were identified. Students evaluated each song for its effectiveness in aiding their understanding of concepts. End-of-semester evaluations indicated increased scores on measures of critical thinking and comprehension of subject
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Hudson, Stephen S. "Song form and storytelling in mainstream metal." Metal Music Studies 9, no. 1 (2023): 7–26. http://dx.doi.org/10.1386/mms_00092_1.

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This article builds on a new theory of metal song form () to show how different versions of compound AABA form can carry narrative meaning, illustrated by analyses of a number of famous metal songs in mainstream (i.e. not underground/extreme) styles. First, I discuss how some songs about rituals use conventional compound AABA form such that the ‘transformation’ event of the ritual occurs during the song’s B section, focusing on examples by Mercyful Fate and Ghost. Next, I show how several metal ballads use a shortened version of the conventional form (AAB) to depict a protagonist who loses con
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ZEFA, EDISON, LUCIANO DE PINHO MARTINS, CHRISTIAN PETER DEMARI, et al. "Singing crickets from Brazil (Orthoptera: Gryllidea), an illustrated checklist with access to the sounds produced." Zootaxa 5209, no. 2 (2022): 211–37. http://dx.doi.org/10.11646/zootaxa.5209.2.4.

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The knowledge of bioacoustics of the Neotropical crickets (Orthoptera, Gryllidea) is incipient, despite the great species diversity in the region. There are few cricket song-files deposited in the major World Sound Libraries, compared to other groups such as birds and amphibians. In order to contribute to the knowledge of the bioacoustics of Brazilian crickets, we organize, analyze and make available at Fonoteca Neotropical Jacques Vielliard (FNJV) and Orthoptera Species File (OSF) our bank of cricket songs. We deposited 876 cricket’s song files in the FNJV, belonging to 31 species and 47 sono
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Plemenitaš, Katja. "Songs as Elements in the Generic Structure of Film Musicals." ELOPE: English Language Overseas Perspectives and Enquiries 13, no. 1 (2016): 31–38. http://dx.doi.org/10.4312/elope.13.1.31-38.

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The paper focuses on the description of film musicals as a subgenre of the genre family of musicals. Their dramatic structure is examined in terms of the generic elements that constitute the progression of a story expressed through the combination of spoken dialogue, songs and dance. The function of songs in the generic structure of film musicals is examined in the framework of the systemic-functional theory of register and genre. Special attention is given to the role of songs in the unfolding of the narrative. The theoretical observations about the role of songs in the register and genre of
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Khoshsaligheh, Masood, Fatemeh Sarvghadi, and Binazir Mohammad Alizadeh. "Impact of Song Dubbing on Characterization." Journal of Audiovisual Translation 5, no. 1 (2022): 186–206. http://dx.doi.org/10.47476/jat.v5i1.2022.189.

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Interventions in the extent and quality of the portrayal of characters in dubbed musical films can induce a change in the original characterization in the film as characters play the role of singers who reflect their inner emotions and thoughts through diegetic songs. To examine the impact of dubbed diegetic songs on the singer’s characterization, the study contains two main phases, theoretical and empirical. Initially, the development of the notions on characterization in dubbed films is illustrated to justify and present a merged model drawing on Bosseaux (2015) and Reus (2020) from the real
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PERRY, ESTHER JOHN, and COLLIN JEROME. "‘A CURSE OR A BLESSING?’: THE FATE OF IBAN WOMEN IN ‘ADAT NGUAI’ AS ILLUSTRATED BY LITERARY DEVICES IN IBAN SONG LYRICS." Iasaýı ýnıversıtetіnіń habarshysy 122, no. 4 (2021): 20–26. http://dx.doi.org/10.47526/2021-4/2664-0686.02.

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Numerous studies have examined the depictions of men and women inIban songs. Such depictions revolve around the traditional roles of Iban men and women in both public and private domains. More studies, however, are needed to examine the nuances of these depictions, given the fact that many Iban popular songs portray gender in traditional Iban society. This paper aims to examine such nuances by exploring the fate of women in female Iban songs particularly on their rights and treatment by others as illustrated in the song lyrics. This study adopts the qualitative research design by using content
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Moran, Perrine. "“I’ve got you under my skin”: borderline states in couple relationships." Musical Connections in Couple and Family Psychoanalysis 10, no. 1 (2020): 59–71. http://dx.doi.org/10.33212/cfp.v10n1.2020.59.

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Many couples who come for therapy are struggling with separating from unconscious phantasies and beliefs that enmesh each partner with the other, resulting in states that popular songs powerfully epitomise. While this borderline experience is common and functional in the early stages of being in love its persistence paralyses the development of the relationship. Facing separation from and loss of illusion is a challenge couple therapists are often asked to help with. The argument is illustrated by a case, and by references to some of Cole Porter’s best known songs.
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Minnullin, Kim Mugallimovich, and Liliya Minnullovna Giniyatullina. "The role of lexical repetition in the texts of Tatar songs." Philology. Issues of Theory and Practice 16, no. 10 (2023): 3597–601. http://dx.doi.org/10.30853/phil20230557.

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The aim of the study is to determine the role of lexical repetition in the formation of syntactic links between sentences in the texts of Tatar songs. The paper analyses the function of this linking means in the formation of a chain link. The scientific novelty of the study lies in carrying out a comprehensive analysis of the use of lexical repetitions in poetic texts and identifying the structural features of Tatar songs. It is the first time that the types of syntactic links that are established through lexical repetition between sentences in the texts of Tatar songs have been identified and
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9

Tomaszewski, Feliks. "Contrary Triptych with Ideological Songs." Annales Universitatis Mariae Curie-Sklodowska, sectio N – Educatio Nova 8 (November 1, 2023): 343–61. http://dx.doi.org/10.17951/en.2023.8.343-361.

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On January 27, 1898, the 17th issue of “Collier’s Weekly” published the Prologue to the famous novel by Henry James The Turn of the Screw. This novel about a difficult relationship between a young governess and two orphaned children (Flora and Miles) convinces the reader that Demons really exist and Evil embodies various characters. At times it takes the form of a benefactor. The paper is an attempt to reconstruct three mechanisms of ideology which after WWII modified collective awareness. These three mechanisms, as three vices, stabilized and enabled to rebuild the insight of the immature ind
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10

S, Sureshkumar. "Semantic Theory in Ainkurunuru." International Research Journal of Tamil 4, S-19 (2023): 677–80. http://dx.doi.org/10.34256/irjt224s19101.

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The Tamil language can be said to be the oldest of the world's languages. Tamil literature deals with various aspects of life. They contain a variety of literature, grammar, stories, essays, poems, proverbs, etc. Moreover, the Sangam literature depicts everyday life. From the Sangam age to the present period, a variety of writers and books have appeared. The Sangam literature consists of a large number of sections viz., Ettutthokai, Patthuppaattu, and Pathinen Kilkanakku books. Though there is Akam and Puram in the Ettutthokai of Sangam literature, in the third of Ainkurunooru ten songs to eac
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Lipenga, Timwa. "La Traduction et l’alternance de code linguistique dans la musique de Yemi Alade." International Journal of Francophone Studies 24, no. 3 (2021): 221–40. http://dx.doi.org/10.1386/ijfs_00039_1.

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This article focuses on the links between translation and code-switching in selected songs by Yemi Alade. The songs under study were originally composed and interpreted in English before being translated into French. The original lyrics do not translate the instances where Yoruba and Igbo code-switching occurs, whereas the French versions frequently translate such instances. The article argues that these translations of code-switching serve to re-examine preconceived notions about a song and its translation. The argument demonstrates that it is possible for a song to ‘gain’ in translation, and
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MA, LIBIN, and GE MA. "The second species of the genus Gorochovius Xie, Zheng & Li, 2004 (Orthoptera: Phalangopsidae: Phaloriinae) discovered from China." Zootaxa 4671, no. 2 (2019): 259–66. http://dx.doi.org/10.11646/zootaxa.4671.2.6.

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Gorochovius furvus sp. n. is the second known species of the genus Gorochovius Xie, Zheng & Li, 2004. The new one is very similar to G. trinervus. But it is distributed farther south than the that species. They can be identified by morphological and acoustical characters. Here, the new species was described, and all species are illustrated and their calling songs analyzed.
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Воропаева, Валентина A. "Певец кыргызского комуза". Studia Orientalne 6, № 2 (2014): 241–54. http://dx.doi.org/10.15804/so2014214.

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The author presents the figure of Aleksander Zatajewicz (1869–1936), famous Russian/Soviet ethnographer and composer. Zatajewicz was of Polish descent, in years 1904–1915 he worked in Warsaw. He became a part of history of Kazakhstan and Kyrgyzstan, as he was the first to take on the challenge to collect the Kazakh and Kyrgyz melodies and folk songs and to write them down in notation. Zatajewicz zeal in this difficult task can be best illustrated by numbers. In 16 years (1920–1936) he has collected and written down 2 600 melodies and folk songs from Central Asia, Altai and Siberia, and affixed
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Žičkienė, Aušra. "Let Us Raise and Clang Our Glasses! Tracing the History of the Student Songs." Tautosakos darbai 50 (December 28, 2015): 153–82. http://dx.doi.org/10.51554/td.2015.28995.

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The article aims at revealing the vitality of the oral cultural pattern as illustrated by the songs spread by perhaps the most literate community – students. The analysis of Lithuanian student songs focuses on two compositions that have been favored by students for quite a long time, travelling between European universities orally (at least in part) and sometimes even radically changing their shape.One of these songs is entitled Krambambuli (that is also the name of a strong liquor). It appeared in Lithuania in relation to the establishment of the student corporations following the German exam
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TISHECHKIN, DMITRI YU. "Clarification of taxonomic status of Pseudochorthippus geminus (Mistshenko, 1951) (Orthoptera: Acrididae: Gomphocerinae) based on male calling song analysis." Zootaxa 5447, no. 1 (2024): 133–39. http://dx.doi.org/10.11646/zootaxa.5447.1.9.

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Pseudochorthippus geminus is redescribed and illustrated based on specimens from southern Kazakhstan and northern Kyrgyzstan. Oscillograms of the male calling songs of P. geminus from these localities and of P. parallelus from southern Kazakhstan are given. Comparative analysis of the song temporal patterns of P. geminus and P. parallelus clearly indicates that they represent separate biological species, but the morphological differences between them are indistinct and do not always provide reliable characters for species diagnostics.
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16

Pfleiderer, Martin. "Soul rebels and dubby conquerors. Reggae and dancehall music in Germany in the 1990s and early 2000s." Popular Music 37, no. 1 (2017): 81–99. http://dx.doi.org/10.1017/s0261143017000587.

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AbstractIn the 1990s, a vibrant reggae and dancehall scene emerged in several German cities, and in the early 2000s songs of reggae artists such as Gentleman, Seeed or Jan Delay rose to the top of the German pop charts. In this article, the German reggae scene of this time is depicted in respect to its formation, infrastructure, transnational relationships and sub-genres, and is related to general social and cultural developments in reunited Germany, e.g. a new national self-consciousness, tendencies towards a multi-ethnic society and new kinds of youth scenes. These findings are illustrated b
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17

V, Kavitha. "The Agam People as shown in Kurunththokai." International Research Journal of Tamil 4, S-13 (2022): 268–73. http://dx.doi.org/10.34256/irjt224s1339.

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The Sangam literature, which is rich in literature and is ancient, is imaginative and has a linguistic personality. In the Sangam literature, the short songs which received the epithet "Good" are rich in concept and imagination. In this article, the life of the Agam men of the Sangam age referred to in these verses has been explained in this article from an aesthetic point of view. The feeling of love is essential to Agam’s life, and the way in which this feeling manifests itself in both the man and the woman is enjoyable. The man and woman's love for each other, their ability to express it, a
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18

Sarama, Julie, and Douglas H. Clements. "Building Blocks for Young Children's Mathematical Development." Journal of Educational Computing Research 27, no. 1 (2002): 93–110. http://dx.doi.org/10.2190/f85e-qqxb-uax4-bmbj.

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This article describes the design principles behind a set of research-based software microworlds included in the Building Blocks program, a PreK to grade 2 software-based mathematics curriculum. Building Blocks approach is finding the mathematics in, and developing mathematics from, children's activity. The materials are designed to help children extend and mathematize their everyday activities, from building blocks to art to songs and stories to puzzles. The 9-step design process model that defines what we mean by “research-based” is described and illustrated.
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Chen-Hafteck, Lily. "Pitch abilities in music and language of Cantonese-speaking children." International Journal of Music Education os-31, no. 1 (1998): 14–24. http://dx.doi.org/10.1177/025576149803100102.

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The relationship between musical and linguistic pitch abilities in young children was explored. Developmental research demonstrated that abilities in pitch perception and production in early music and language development are closely integrated. Cross-cultural evidence also illustrated the influence of language characteristics on music, children's songs and spontaneous singing. A close examination into the singing ability of the Cantonese-speaking children in Hong Kong showed that pitch abilities in language can possibly enhance pitch accuracy in singing. It was therefore suggested that musica
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Bobunova, Maria A. "“Shchyogol” and “Shchap” in Russian Folklore." Russkaia rech, no. 2 (2023): 83–93. http://dx.doi.org/10.31857/s013161170025486-3.

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The article describes denominations denoting dandies in Russian folklore. The research is based on texts of Onega epics, historical songs and non-ritual lyrics recorded in different regions of Russia in the 19th century. We complied and analyzed lists of words denominating dandies and fashionistas in different folklore genres based on the lexicographic materials. The article demonstrates that the corpus of the lyrical songs in comparison with the other sources contains the greatest variety of lexemes under analysis, in which the noun shchyogol takes the central place. This word is the head of
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RATTI, MANAV. "The Icon and the Text: American Book History and the Construction of the World's Largest-Grossing Illustrated Book, Madonna's Sex (1992)." Journal of American Studies 54, no. 1 (2018): 184–211. http://dx.doi.org/10.1017/s0021875818001391.

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Madonna's book Sex (1992) is the world's largest-grossing illustrated book, selling 1.4 million copies worldwide and earning US$70 million in sales at retail. This essay is the first to use methods from the discipline of bibliography to analyze the book's production, distribution, and reception. This article extends scholarship on Madonna, including about her iconicity and visuality, from her songs and videos to her print culture. I demonstrate how Sex – both as a printed book and as an expression of national culture – is part of a dynamic American book history that constructs notions of Ameri
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EWART, A. "Two new genera and five new species of Mugadina-like small grass cicadas (Hemiptera: Cicadidae: Cicadettini) from Central and Eastern Australia: comparative morphology, songs, behaviour and distributions." Zootaxa 4413, no. 1 (2018): 1. http://dx.doi.org/10.11646/zootaxa.4413.1.1.

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Moulds (2012) established the genus Mugadina for two small cicadas, M. marshalli (Distant) and M. emma (Goding and Froggatt), both grass inhabiting species known from Queensland and New South Wales. Both species are notable for their relatively simple 'ticking' songs. Moulds further noted that there were at least two superficially similar genera of cicadas, but each with different genitalia. This paper describes two new genera of small (9–15 mm body lengths) and distinctive grass cicadas with genitalia that are very similar to those of Mugadina, but possess clear morphological, colour and call
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CIPLAK, BATTAL, KLAUS-GERHARD HELLER, and FER WILLEMSE. "Review of the genus Eupholidoptera (Orthoptera, Tettigoniidae): different genitalia, uniform song." Zootaxa 2156, no. 1 (2009): 1–75. http://dx.doi.org/10.11646/zootaxa.2156.1.1.

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The bush cricket genus Eupholidoptera, distributed across the northern Mediterranean Basin from Southern France to Israel, is reviewed. An illustrated key for males is presented. Two new species are described: Eupholidoptera helina Çiplak sp. n. and Eupholidoptera kykladica Heller & Fer Willemse & Luc Willemse sp. n.. Four species are synonymised: Eupholidoptera raggei Salman with Eupholidoptera marashensis Salman, Eupholidoptera karatolosi Mofidi-Neyestanak & Quicke and Eupholidoptera kinzelbachi Harz with Eupholidoptera megastyla (Ramme) and Eupholidoptera mirzayani Mofidi-Neyest
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Yuel, Yuel, and Krisdayanti Krisdayanti. "Penguatan Karakter Kristiani melalui Kegiatan Sanggar Tari “Kariak Antang” di Sekolah Menengah Atas Kristen Tumbang Samba." Jurnal Ilmiah Religiosity Entity Humanity (JIREH) 7, no. 1 (2025): 92–100. https://doi.org/10.37364/jireh.v7i1.310.

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This study aims to analyze the strengthening of Christian character values in extra-curricular activities at the “Kariak Antang” studio at SMAK Tumbang Samba.” This research used a qualitative method. The results revealed that the strengthening of Christian character in extra-curricular activities at the “Kariak Antang” studio at Tumbang Samba Christian Senior High School in the form of dances and songs (karungut) illustrated that the activities of this studio have shown things that are in line with Christian character values and the main development goals contained in the regional motto of Ka
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Krawetz, Alexandra. "Sell a Song of Safety: Children, Radio, and the Safety Patrol." Journal of the Society for American Music 16, no. 3 (2022): 298–318. http://dx.doi.org/10.1017/s1752196322000165.

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AbstractAmid nationwide discussion on the importance of accident prevention and safety education, Tin Pan Alley songwriters Irving Caesar and Gerald Marks wrote and advertised Sing a Song of Safety (1937), a book of songs that taught children domestic, playtime, and traffic safety lessons, illustrated by Rose O'Neill. Caesar secured a recurring guest segment to perform the songs on the variety program The Royal Gelatin Hour in 1938. Focusing on Caesar's segments, this article examines the role of children's music on the radio in the 1930s. Placing these songs in their historical context, I sho
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Gudin, Filipe Macedo, Lucas Denadai de Campos, Darlan Rutz Redü, and Francisco de Assis Ganeo de Mello. "Parasitoid flies (Diptera, Tachinidae) in true crickets (Orthoptera, Grylloidea): New host records from Brazil, identification key to parasitoids, and revision of host-parasitoid interactions." Journal of Orthoptera Research 33, no. 1 (2024): 41–58. http://dx.doi.org/10.3897/jor.33.108456.

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True crickets (Orthoptera, Grylloidea) are often parasitized by tachinid flies (Diptera, Tachinidae). However, the diversity of these parasitoids and their oviposition strategies remain unclear. Although some flies are specialized in locating crickets by their calling songs, such as the phonotactic fly Ormia ochracea (Bigot, 1889), a large portion of the tachinids that attack true crickets show different host search strategies and are adapted to parasitize other orthopteroid insects as well. However, these parasitoids have a complex and challenging taxonomy that precludes further improvement i
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Gudin, Filipe Macedo, Lucas Denadai de Campos, Darlan Rutz Redü, and Mello Francisco de Assis Ganeo de. "Parasitoid flies (Diptera, Tachinidae) in true crickets (Orthoptera, Grylloidea): New host records from Brazil, identification key to parasitoids, and revision of host-parasitoid interactions." Journal of Orthoptera Research 33, no. (1) (2024): 41–58. https://doi.org/10.3897/jor.33.108456.

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True crickets (Orthoptera, Grylloidea) are often parasitized by tachinid flies (Diptera, Tachinidae). However, the diversity of these parasitoids and their oviposition strategies remain unclear. Although some flies are specialized in locating crickets by their calling songs, such as the phonotactic fly <i>Ormia ochracea</i> (Bigot, 1889), a large portion of the tachinids that attack true crickets show different host search strategies and are adapted to parasitize other orthopteroid insects as well. However, these parasitoids have a complex and challenging taxonomy that precludes further improv
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Chilisa, Bagele, Thenjiwe Emily Major, and Kelne Khudu-Petersen. "Community engagement with a postcolonial, African-based relational paradigm." Qualitative Research 17, no. 3 (2017): 326–39. http://dx.doi.org/10.1177/1468794117696176.

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The article engages with debates on democratizing and decolonizing research to promote multi-epistemological research partnerships that revolutionize the research methods landscape, bringing new paradigms onto the map to advance new research methods that engage and transform communities. The argument in the article is that people of all worlds irrespective of geographic location, colour, race, ability, gender or socio-economic status should have equal rights in the research scholarship and research process to name their world views, apply them to define themselves and be heard. An African-base
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Jones, Alexandra E., Carel ten Cate, and Catrien C. J. H. Bijleveld. "The interobserver reliability of scoring sonagrams by eye: a study on methods, illustrated on zebra finch songs." Animal Behaviour 62, no. 4 (2001): 791–801. http://dx.doi.org/10.1006/anbe.2001.1810.

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Nur Hasisa, Siti, and Muhammad Suryadi. "Laesan Traditional Arts: The Relationship of Natural Life with Human Behavior (Case Study in Lasem District, Rembang Regency)." E3S Web of Conferences 359 (2022): 02035. http://dx.doi.org/10.1051/e3sconf/202235902035.

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Abstract. This study proposes to reveal the relationship between natural life and human behavior reflected in laesan. It used a qualitative descriptive approach with an ethnographic study of communication. The result achieved is that in Laesan art, humans and nature are both creatures created by God, so the relationship between the two is called a horizontal relationship. In addition to making good use of what is available in nature, humans are also required to preserve nature. Such a relationship is illustrated and expressed in the stages of the Laesan game and the use of natural materials as
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Huang, Yi-Wen. "Tracing a selfie." Pedagogical Linguistics 2, no. 1 (2021): 92–106. http://dx.doi.org/10.1075/pl.21002.hua.

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Abstract This teaching report focuses on effectiveness of teaching pedagogies of the word formation process to Navajo students at a two-year college in the American Southwest. The activities used to teach the concepts of word formation are illustrated/described. The purpose of using authentic examples including songs from popular culture is to make students aware that these linguistic concepts are related to their everyday lives and in the hope that they can utilize these concepts and integrate real-life examples in their future teaching career. A feedback form was administered to collect the
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Bottomore, Stephen. "Silent cinema in song, 1896-1929: an illustrated history and catalog of songs inspired by the movies and stars, with a list of recordings." Early Popular Visual Culture 10, no. 1 (2012): 97–98. http://dx.doi.org/10.1080/17460654.2012.646759.

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Darussalam, Najwa Leonita, and Joko Wiyoso. "Creating Process of Composition Of The “Kulino” Musical Drama At Theater Aura Indonesia." Jurnal Seni Musik 10, no. 2 (2021): 150–59. http://dx.doi.org/10.15294/jsm.v10i2.45925.

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Music for the Aura Theater is not only a supporter of the presentation of the show, but also as a medium for conveying the core story in a performance that is packaged in the form of songs and becomes part of the storyline. This makes researchers interested in the process of creating songs in their musical dramas. This study aims to identify and describe the process of creating compositions for musical drama songs in Kulino scripts at the Aura Indonesia Theater performance. This study uses a qualitative descriptive method that produces descriptive data. The research location is in the center o
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Ambrazevičius, Rytis. "Migration of Song Genres: Two Typical Lithuanian Cases." European Journal of Musicology 20, no. 1 (2022): 105–32. http://dx.doi.org/10.5450/ejm.20.1.2021.105.

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Song genres are reconsidered and migrate similarly, in general terms of adaptation to new contexts, and differently depending on the certain actor milieus. In the present paper, these processes are illustrated applied to two examples of changing Lithuanian tradition. First, the song repertoire of Mištūnai village (southeastern Lithuania) is analysed and the vernacular emic attribution of the songs to genres is collated with their attribution to the scientifically defined “actual” genres. Thus, genres that change their assignment or lose their strict application and dissipate, in contrast with
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Robb, David. "The mobilising of the German 1848 protest song tradition in the context of international twentieth-century folk revivals." Popular Music 35, no. 3 (2016): 338–59. http://dx.doi.org/10.1017/s0261143016000532.

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AbstractThe rediscovery of democratic traditions of folk song in Germany after the Second World War was not just the counter-reaction of singers and academics to the misuse of German folk song by the Nazis. Such a shift to a more ‘progressive’ interpretation and promotion of folk tradition at that time was not distinct to Germany and had already taken place in other parts of the Western world. After firstly examining the relationship between folk song and national ideologies in the nineteenth century, this article will focus on the democratic ideological basis on which the 1848 revolutionary s
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Suci Fitria Rachma та Isniyatun Niswah. "تعليم المفردات العربية باستخدام الوسيلة السمعية البصرية لطلاب الصف الرابع بالمدرسة الابتدائية الاسلامية سبيل الله جوكير جومبانج". EL-FUSHA: Jurnal Bahasa Arab dan Pendidikan 4, № 2 (2023): 100–108. https://doi.org/10.33752/el-fusha.v4i2.5534.

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One interesting way among the methods used for learning is the Arabic language learning method using audio-visual media. That is a learning method that is delivered using media in the form of images and sound, such as short films, videos, or songs, illustrated magazines, posters and so on. This study uses qualitative methods with a descriptive approach, and this type of researcher uses case study research, data collection techniques in the form of observation, interviews and documentation, data analysis techniques in the form of data reduction, data presentation and conclusions. The results of
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N, Kavitha. "Cultural Records Shows Ainthinai Aimpathu." International Research Journal of Tamil 4, S-6 (2022): 38–43. http://dx.doi.org/10.34256/irjt22s66.

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Literature best describes the culture of the people. The study aims to identify the cultures found in the inthinai. The characteristic of remembering that the time has come when the leader (thalaivan) who goes in search of the object is the one who returns is beautifully situated. It explores the leader's (thalaivi) temperament and the leader's (thalaivi) sense of disability. This article reveals that the nature of the leader to keep her secret from being revealed is that the world is perpetuated only by virtuous people, and that both husband and wife are left to fend for themselves. It makes
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Morton, Eugene S. "Predictions From the Ranging Hypothesis for the Evolution of Long Distance Signals in Birds." Behaviour 99, no. 1-2 (1986): 65–86. http://dx.doi.org/10.1163/156853986x00414.

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AbstractThe Ranging Hypothesis (RH) (MORTON, 1982) proposed a form of distance assessment (ranging) based upon perception of signal degradation using memorized signals as a yardstick to distance. The predictions of the RH include distance assessment mechanisms, DAMs; it is proposed that these have opened a new evolutionary process illustrated by the complicated songs and singing behaviour in the oscine passerines ("songbirds"). The RH identifies sources of selection favouring learning, multiple or single song types, song structural complexity not accounted for by species isolating mechanism id
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GAN, Shafei, Xiaojing LIU, Feng NIU, Hongyan ZHANG, and Ping YANG. "Temporal and spectral analyses of decorative noises in Chinese Pipa music generated via Merge, Twist, Refrain and Flap skills." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 7 (2024): 4208–15. http://dx.doi.org/10.3397/in_2024_3427.

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Pipa is a short-necked, normally four-stringed Chinese lute with a shallow, pear-shaped body. Noises can be conveniently generated from Pipa and are very often used as decorative components for improved perceptual experience. A few episodes from classic Chinese Pipa songs with decorative noises played using Merge, Twist, Refrain, and Flap skills were selected, played, and recorded for comparative studies. The episodes were also played and recorded without the decorative noises. Temporal and spectral analyses were conducted to evaluate the two versions, with and without the decorative noises, r
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Nazarevych, L. T., N. R. Denysiuk, and N. I. Нavdyda. "COUNTRY STUDY TEXTS IN THE CLASSES OF THE UKRAINIAN LANGUAGE AS A FOREIGN LANGUAGE: THEORY AND PRACTICE." Opera in linguistica ukrainiana, no. 28 (September 28, 2021): 238–48. http://dx.doi.org/10.18524/2414-0627.2021.28.235547.

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Abstract. The article is dedicated to a topical issue: the study of the Ukrainian language in a foreign language environment based on local lore texts about Christmas and Easter; the focus is made on the role of songs and colloquialisms that help students adapt to the country of residence and its realities. Approaches to work with New Year's songs ("Shchedryk") and lyrical songs ("Hutsulka Ksenia") are demonstrated. A number of methodical developments on e-platforms are proposed: open4ukrainian.education/gutsulka-ksenya/; http://bit.ly/rizdvyani-pisni-kolyadki, the advantages of working with o
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Gavrikov, V. A. "Visualization in Song and Poetry Culture." Art & Culture Studies, no. 4 (December 2023): 604–27. http://dx.doi.org/10.51678/2226-0072-2023-4-604-627.

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On the one hand, the article is of an overview nature. It deals with modern ideas of Russian and foreign science on the role of visuality in modern culture. The popular thesis that modern culture is primarily visual is questioned. The visual component is shown to have already played a significant role in relict pre-literature forms. Many branches of knowledge, such as the philological profile, still study the intermedial arts without taking into account their complex nature. The article presents the history of the study of this problem in the context of research on author’s songs and rock cult
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Ferreira, Eliane Aparecida Galvão Ribeiro, and Fabricia Jeanini Cirino Pinto. "Contemporary poetry in children's picture books: analysis of the work Que lambança!, by Ana Maria Machado." Revista Letras Raras 10, no. 3 (2023): 59–82. https://doi.org/10.5281/zenodo.10065227.

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ABSTRACT&nbsp;This paper aims to present a possible analysis of the book Que lambança! (2004(a)), written by Ana Maria Machado and illustrated by Denise Fraifeld based on the theoretical assumptions of Reception Aesthetics (JAUSS, 1994; ISER, 1996, 1999). This poetic work for children belongs to the collection "Gato escondido" (Hidden Cat), whose title, in the tradition of the genre, dialogues with popular culture, nursery rhymes and songs from popular folklore, especially with the tongue-twister of the same name: "Gato escondido com rabo de fora tá mais escondido/que rabo escondido com gato d
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Cooper, B. Lee. "Promoting Social Change Through Audio Repetition1." Journal of Popular Music Studies 30, no. 3 (2018): 45–56. http://dx.doi.org/10.1525/jpms.2018.200015.

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The development of contemporary American music is clearly reflected in the integration of black composers, performers, and their songs into mainstream popular record charts. Between 1953 and 1978 a fascinating role reversal occurred. During that quarter century black artists shifted from creators to revivalists. The same role reversal did not apply to white artists, who tended to evolve along a more consistent audience-acceptance continuum. How can this 25-year cycle of social change best be illustrated? What particular elements of black music dramatically entered the pop spectrum during the f
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Tholoniat, Yann. ""Pippa Passes"… Generic Distinctions." Baltic Journal of English Language, Literature and Culture 6 (May 11, 2016): 157–67. http://dx.doi.org/10.22364/bjellc.06.2016.10.

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Robert Browning’s Pippa Passes, published in 1841, is a key work in his general oeuvre, but it is frequently overlooked by critics intent on analysing the anthologised poems of the following collections. The aim of this article is to reassert the importance of the poem by reassessing what is one of Browning’s most daring experiments with genres. First, the polyphonic quality of Pippa Passes resides in the polymorphic aspect of its elusive generic identity and its ever-recomposing structure. The poem rests on echoes and reversals of perspective which tie it together. Moreover, the dramatization
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Sudiana, I. Ketut, N. Adiputra, and Putu Budi Adnyana. "Development of Health Integrative Thematic Textbooks (Batik) To Provide Health Education in Elementary Schools." JPI (Jurnal Pendidikan Indonesia) 8, no. 2 (2020): 256. http://dx.doi.org/10.23887/jpi-undiksha.v8i2.24103.

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This research aims to develop health integrative thematic textbooks (BATIK). The method used is the Research and Development model of Borg &amp; Gall. Based on the research, it obtained that integrated health education material in accordance with the PHBS indicator of school. Integration using two patterns, explicitly through the subtitle "Ayo Lakukan Hidup Bersih dan Sehat", and implicitly integrated into the text, the use of children's songs and illustrated images that contain of health education. The BATIK assessment at the validation and readability stage obtained the following results: (1
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Gray, David A., Scherezade Hormozi, Fritz R. Libby, and Randy W. Cohen. "Induced expression of a vestigial sexual signal." Biology Letters 14, no. 5 (2018): 20180095. http://dx.doi.org/10.1098/rsbl.2018.0095.

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Vestigial morphological traits are common and well known in a variety of taxa. Identification of vestigial genes has illustrated the potential for evolutionary reversals and the re-expression of atavistic traits. Here we induce expression of a behavioural sexual signal, male calling song, in a cricket species, Gryllus ovisopis, which lacks a functional calling song. We successfully used acetylcholine injections in the frontal space of the head of male crickets to activate cerebral command neurons for cricket calling, and we recorded calling songs with a temporal chirp pattern similar to that o
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Kniaź-Hunek, Lidia. "The (R)evolution of Music Video in American Music Industry." New Horizons in English Studies 8 (December 23, 2023): 163–76. http://dx.doi.org/10.17951/nh.2023.8.163-176.

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The essay offers a concise historical examination of the evolution of music videos and places this medium within the broader context of the popular music industry, which is influenced by the principles of late capitalism. The study highlights the significance of music videos in the popular music industry and media studies, underscoring their role as both promotional and artistic products. It traces the medium's development, from its early days as "illustrated songs" in the late 19th century to the MTV era's explosion, marked by groundbreaking music video directors and the digital turn in the 2
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Mahrus, Mahrus. "Developing Cognitive Skills in Number Recognition Through Picture Number Card Media in Early Childhood." GENIUS Indonesian Journal of Early Childhood Education 4, no. 2 (2023): 163–76. http://dx.doi.org/10.35719/gns.v4i2.136.

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Cognitive abilities are the brain-based skills required to perform any task from the simplest to the most complex. Children's ability to recognize numbers requires thinking about objects, objects, or events. The aims of this study were: 1) To find out the teacher's planning in developing cognitive abilities in introducing numbers using picture number cards to student A at PAUD Permata Jember. 2) To find out the form of teacher implementation in developing cognitive abilities in introducing numbers with illustrated number cards media to group A students at PAUD Permata Jember. 3) To determine t
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Semenova, Valentina Grigorevna, Lyudmila Stepanovna Efimova, and Zoya Konstantinovna Basharina. "Problems of alcohol consumption in the oral and written literary tradition of the Yakuts (late 19th – early 20th centuries)." Филология: научные исследования, no. 4 (April 2024): 30–46. http://dx.doi.org/10.7256/2454-0749.2024.4.70394.

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The research subject of this article is the texts of folklore and literary works of the late 19th to the early 20th centuries, dedicated to the issue of alcohol consumption. The research was conducted using historical-cultural and comparative-historical methods. The scientific novelty of the work lies in the authors’ attempt to comprehensively study the problem of alcohol in folklore and written literary works of the pre-revolutionary period. The study examines the initial instances of critical understanding of alcohol consumption in Yakut society, as expressed in oral and written literary tra
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Kuzborska, Alina. "Martin Ludwig Rhesa’s Prutena: Between Vaterland (Fatherland) and Heimat (Homeland)." Senoji Lietuvos literatūra 58 (December 26, 2024): 63–82. https://doi.org/10.51554/sll.24.58.04.

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Martin Ludwig Rhesa’s (Lith. Martynas Liudvikas Rėza, 1776–1840) original work, the two-volume collection of his German poetry Prutena (1809, 1825), became available to Lithuanian readers approximately two hundred years later, when Antanas A. Jonynas translated it into Lithuanian (2023). This fact opens up the possibility not only to get to know Rhesa’s literary abilities, but also to delve into the world of East Prussian intellectual life, to which the poet undoubtedly belonged. Rhesa’s duality, his belonging to two cultures – German and (Prussian) Lithuanian – is clearly visible in his under
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