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Artykuły w czasopismach na temat „Image of angels”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Amezcua, A. Isabelle. "Angel." Ex Animo 1, no. 1 (2021): 48. http://dx.doi.org/10.5399/uo/exanimo.1.1.4.

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Angels are a common motif in the World, and in the West. Not just in religion (and, by extension, philosophy), but also in art and its myriad expressions. There are many ways to imagine (that is, to make an image of) angels, and their etymology is just as varied. For instance, in the Greek translation of the Hebrew mal’akh, it means “shadow of God,” which sounds a bit ominous. Angels can often be understood as representative of various religions’ ethical principles, a moral symbol par excellence; and yet still others may fall from grace for their transgressions. While they are not always all c

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R., Abilkhamitkyzy, and Begalieva L.B. "The artistic image of an angel in the Turkic world: yesterday and today." Keruen 75, no. 2 (2022): 104–16. http://dx.doi.org/10.53871/2078-8134.2022.2-08.

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Abstract. The angel is a mythological character common to the Turkic peoples. Along with the spread of Islam and the glorification of God, its angels also became popular and praised. The duties and responsibilities of the four great angels given in the Qur’an, as well as people’s views and understanding of them, have been mentioned in the works written over the centuries and have become synonymous with kindness and honesty, purity and chastity. The article focuses on the use of everyday religious legends, fairy tales, and mythological stories about an angel in Turkic peoples and Kazakh poetry.

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Rahayu, Milda, Rasiah Rasiah, and Ansor Putra. "IMAGE OF VICTORIAN WOMEN IN AN IDEAL HUSBAND DRAMA SCRIPT BY OSCAR WILDE: A FEMINIST READING." Seshiski: Southeast Journal of Language and Literary Studies 4, no. 2 (2024): 140–56. https://doi.org/10.53922/seshiski.v4i2.71.

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This study purposed to show the image of Victorian women in England through the playwright script An Ideal Husband written by Oscar Wilde. Feminist criticism proposed by Elaine Showalter is used as a tool to analyze the women images in the drama script, particularly dealing with Victorian women. The result of the analysis indicated that the script presents women in two faces; women as angels and women as demons. A woman as an angel is described as an ideal image of a woman in Victorian society. They are portrayed as women who maintain piety, purity, submission, and domesticity in societal life

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Baker, Patricia L. "Fabrics Fit for Angels." Arabist: Budapest Studies in Arabic 28-29 (2008): 1–17. http://dx.doi.org/10.58513/arabist.2008.28-29.1.

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Within Islamic painting the depiction of angels generally occurs in the context of temporal power and authority, of religious narrative and of the garden, both heavenly and terrestrial. It is their wings which identify their inclusion within the pictorial composition rather than any distinguishing attire but, that said, it appears that while the Islamic artists employed the visual metaphor of luxurious contemporary court fabrics to evoke the image of heavenly splendour and magnificence, they were less inclined to dress these heavenly beneficent beings in types of garments too closely associat

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Scully, Ellen. "Jerusalem: Image of Hilary’s Christocentric Eschatology in the Tractatus super Psalmos." Vigiliae Christianae 66, no. 3 (2012): 269–82. http://dx.doi.org/10.1163/157007211x561644.

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Abstract In his lengthy Tractatus super Psalmos, Hilary of Poitiers states only twice that humans are to “live the life of the angels.” Nevertheless, these rare statements seem to undermine both the role of the human body in eschatological life and the christocentrism of Hilary’s soteriology. However, this paper will argue that Hilary’s designation of different eschatological locations for humans and angels—namely in Mt. Zion and Jerusalem, respectively—in the Tractatus super Psalmos demonstrate that Hilary, at least in this later work, believes that while humans will resemble angels in certai

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Sesorova, A. "The myth of the angel in A. Polezhaev’s poetry." Philology and Culture, no. 2 (June 25, 2024): 205–8. http://dx.doi.org/10.26907/2782-4756-2024-76-2-205-208.

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This article considers the myth of the angel in the poetry of A. Polezhaev, a representative of the socalled “God-fighting” romanticism. The image of an angel was quite frequent in the poetry of Russian romantics in the first half of the 19 th century, in particular, it was most traditionally and fully represented in the poetry of V. Zhukovsky who worked within the framework of Christian Romanticism. Polezhaev, on the other hand, comes to consider this image from a God–fighting position, and his image of an angel is artistically comprehended through the prism of the opposition “Beauty – Death”

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Ryabokon’, Anastasia V. "The image of prince Myshkin in Russian cinema." Journal of Flm Arts and Film Studies 11, no. 2 (2019): 54–63. http://dx.doi.org/10.17816/vgik11254-63.

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The research is dedicated to the screen adaptations of Fyodor Dostoevskys The Idiot made in Russia in different cultural and historical periods. Films produced from 1910 to 2003 are analyzed in chronological order, with the aim of showing the transformation of the image of Prince Myshkin (Prince Christ), one of the key images of Russian culture1 within Russian national consciousness. The essay analyzes the following films:  The Idiot (1910), directed by Pyotr Chardynin Idiot (Nastasya Filippovna) (1958), directed by Ivan Pyryev Idiot (1981), directed by Vladimir T

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Freedman, Jonathan. "Angels, Monsters, and Jews: Intersections of Queer and Jewish Identity in Kushner's Angels in America." PMLA/Publications of the Modern Language Association of America 113, no. 1 (1998): 90–102. http://dx.doi.org/10.2307/463411.

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The discursive ligature between the Jew and the sexually transgressive is crucially revised in Tony Kushner's Angels in America. Kushner creates a powerful series of metonymies between the queer and the Jew that suggest their affinities but refuse to reify a unitary queer-Jewish identity. The center of this imaginative project is Kushner's Roy Cohn, who both illustrates and transforms the image of the queer Jewish power broker that circulated in American anti-Semitic discourses of the late nineteenth and early twentieth centuries. But Cohn's fate in the play suggests that the author's attitude

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Bulanin, Dmitrii M. "THE CULT OF MICHAEL THE ARCHANGEL IN THE REFLECTION OF MEDIEVAL RUSSIAN LITERATURE: REMARKS ON THE REEDITION OF THE BOOK BY O. A. DOBIASH-ROZHDESTVENSKAIA." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 2 (2022): 7–22. http://dx.doi.org/10.31860/2712-7591-2023-2-7-22.

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This article was prompted by the newest reedition of O. A. Dobiash-Rozhdestvenskaia’s well-known book about the cult of Michael the Archangel in the Latin Middle Ages. Based on this exemplary book and medieval Russian literary texts, the author of this article raises the question of the dialectic between the typical and the peculiar in the veneration of Michael the Archangel in the Russian Orthodox tradition. The typical features, i. e. the ones that resemble the features that Dobiash-Rozhdestvenskaia found in the European material, prove to be by far more numerous than the peculiar features.

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Brown, Janice. "C. S. Lewis and the Truth about Angels." Journal of Inklings Studies 3, no. 2 (2013): 97–110. http://dx.doi.org/10.3366/ink.2013.3.2.6.

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Lewis’s perspective on angels is apparent in The Discarded Image, his scholarly work on medieval and Renaissance literature. His preface to The Screwtape Letters reveals the seriousness with which he approaches the subject: it proposes that a mistaken view of angelic beings is more dangerous than ignorance of them. The space trilogy seeks to avert that danger. In it we are confronted by angelic eldila—inscrutable and holy beings inhabiting “deep space” who relentlessly accomplish the purposes of the Almighty. Characterized by absolute goodness and archetypal charity, they are serene yet they p

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Cole, Helen. "Image of angels in uniforms is a case of mistaken identity." Nursing Standard 24, no. 35 (2010): 32. http://dx.doi.org/10.7748/ns.24.35.32.s43.

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عارف, تغريد جبير, and عادل هادي حمادي العبيدي. "The prophetic discourse with the revelation Jibril (as) and other angels." JOURNAL OF LANGUAGE STUDIES 6, no. 3, 2 (2023): 185–93. http://dx.doi.org/10.25130/jls.6.3.2.14.

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In this research, an aspect of the Prophet's discourse, namely the prophetic discourse with the revelation Jibril (as) and other angels, was studied through Jibril (pbuh) sent by God and suggested to the messenger, God willing, whatever he wanted, in various ways or images that he brought to the Prophet Muhammad( peace be upon him). In its true form, or represented by the image of a man, or only hears his voice, and in what way the meeting was taking place, the discourse was going on between the Prophet (pbuh) and Jibril (pbuh), either understanding or answering, as well as telling the Prophet

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Zierer, Adriana Maria de Souza. "The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples." Antíteses 9, no. 17 (2016): 12. http://dx.doi.org/10.5433/1984-3356.2016v9n17p12.

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This article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of

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O’Shaughnessy, Aideen Catherine. "An Antidote to the Foetal Image? The Role of Creative Performance Counterprotest in Contemporary Abortion Activism." Feminist Encounters: A Journal of Critical Studies in Culture and Politics 9, no. 1 (2025): 11. https://doi.org/10.20897/femenc/16021.

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How can pro-choice activists counteract the hegemony of the foetal image which has, for decades, served as a highly effective tool for anti-abortion activists worldwide? Via qualitative interviews and secondary data analysis, this article analyses the work of two Irish ‘pro-choice’ activist groups, Radical Queers Resist<i> </i>and Angels for Choice – active in the campaign to repeal the constitutional abortion ban in 2018 – to argue that creative, performance counterprotests serve to counteract the hegemony of the foetal image in three ways. Firstly, by using their bodies to ‘block

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Piter, Paulus. "Memahami Kehadiran Allah Melalui Peran Malaikat." Perspektif 11, no. 1 (2016): 39–50. http://dx.doi.org/10.69621/jpf.v11i1.69.

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God is present in all things. The presence of God is understood by human beings in their own ways. A human manner that understands the presence of God can be found in the role of angels. An angel is a real embodiment of the presence of God. Certainly, the presence of God requires instruments or ways to understand. The instrument or medium can be found in the angel itself, because the angel exists in human being as “The way of Representation” of God. To understand the presence of God through the role of an angel is still actual. It is still actual, because the role of an angel gives the answer

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González Estévez, Escardiel. "[SPA] COMPAÑÍAS MILITARES DE ÁNGELES EN LA CULTURA VISUAL HISPÁNICA DURANTE LA EDAD MODERNA // MILITARY COMPANIES OF ANGELS IN HISPANIC VISUAL CULTURE DURING THE EARLY MODERN PERIOD." Librosdelacorte.es, no. 5 (May 29, 2017): 119–44. http://dx.doi.org/10.15366/ldc2017.9.m5.007.

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En este texto se explora la evolución, circulación y significación de laiconografía de los llamados “ángeles arcabuceros”, acuñación que proponemossustituir por la de compañías militares de ángeles, al ajustarse mejor esta última a larealidad de las series pictóricas donde tales figuras son representadas. Sin obviar,por tanto, esta interrelación; nos centramos en el estilema del ángel con arma defuego, aislándolo de otras muy diversas tipologías angélicas que la historiografía delarte ha tendido a englobar de forma conjunta. La revisión del caudal historiográficosubraya la heterogeneidad de in

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Han, Xi. "The evolution of the media image of Victoria's Secret Angels: the collaborative development of feminism and the all-media environment." Advances in Social Behavior Research 16, no. 3 (2025): None. https://doi.org/10.54254/2753-7102/2025.22690.

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In recent years, the extensive discussion of gender issues in society and the media change have triggered a re-examination of the definition of beauty. This study explores the diversification of Victorias Secrets Angels media image from 2005 to 2024, emphasizing the pivotal roles of feminist developments and the all-media environment in driving this transformation. Through content analysis of objective data of Victoria's Secret Angels, the research demonstrates how the Body Positivity movement, #MeToo, and intersectional feminism catalyzed the brands shift toward inclusive representations of a

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Annenkova, Elena S. "THE IMAGE OF THE WORLD AND THE IMAGE OF THE HUMAN: A.S. BYATT’S “ANGELS AND INSECTS” AS AN ARTISTIC WHOLE." Alfred Nobel University Journal of Philology 2, no. 22 (2021): 57–68. http://dx.doi.org/10.32342/2523-4463-2021-2-22-5.

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The article attempts to examine the constituents of the prosaic diptych of A.S. Byatt`s novellas “Morpho Eugenia” and “Conjugal Angel” as interrelated and mutually complementary texts, the semantic and aesthetic potential of which is revealed with maximum completeness, provided they are interpreted as a complexly organized artistic whole. Therefore, the purpose of the study is to identify and analyze the complex of structural and semantic components of the novellas, which make it possible to say that “Morpho Eugenia” and “Conjugal Angel” are inseparably linked to each other into an artistic wh

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Sarni Sarni, Yusmarinda Yusmarinda, and Erlida Erlida. "Peningkatkan Hasil Belajar Melalui Audio Visual dalam Materi Iman kepada Malaikat pada Peserta Didik." Jurnal Manajemen dan Pendidikan Agama Islam 1, no. 6 (2023): 39–47. https://doi.org/10.61132/jmpai.v1i6.1083.

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This study aims to improve students' learning outcomes regarding the material of faith in angels through the use of audiovisual media. This media refers to a learning strategy that utilizes sound and image elements, so that in the process of absorbing the material, students can involve their senses of sight and hearing. This Classroom Action Research (CAR) was carried out in two cycles, each consisting of the planning, implementation, observation, and reflection stages. Data were collected through observation, practical tests, and interviews, then analyzed descriptively. The results of the stu

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Matrosov, Valeriy A. "The Image of the Angel Jibril in Medieval Sunni and Shiite Sources." Oriental Courier, no. 1 (2024): 148. http://dx.doi.org/10.18254/s268684310030132-3.

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The paper focuses on the interpretation of the image of the angel Jibril in several Muslim sources. Jibril, formerly known in the Judeo-Christian tradition as Gabriel, retains in Islam his main function (mediation between God and people, direct transmission of the divine will to the inhabitants of the Earth), but he is distinguished by many new, detailed characteristics that had no analogues in earlier traditions. Classical medieval Arabic-language texts are far from being homogeneous about the role of the angel and his qualities. The article attempts to typologize these characteristics and to

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Hallam, Julia. "From angels to handmaidens: changing constructions of nursing's public image in post-war Britain." Nursing Inquiry 5, no. 1 (1998): 32–42. http://dx.doi.org/10.1046/j.1440-1800.1998.510032.x.

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Zhukovskyy, Viktor. "Image and Likeness of God in the Human Being and Angels in Gregory Palamas’ Theology." Analecta of the UCU. Theology 7 (2020): 381–406. http://dx.doi.org/10.47632/2075-4817-2020-7-381-406.

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Claverie, Ezra. "Storm and the Angels of History: Blackness and Star Image in the X‐Men Films." Journal of American Culture 42, no. 1 (2019): 55–69. http://dx.doi.org/10.1111/jacc.12974.

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Nations, Marilyn K., and L. A. Rebhun. "Angels with wet wings won't fly: Maternal sentiment in Brazil and the image of neglect." Culture, Medicine and Psychiatry 12, no. 2 (1988): 141–200. http://dx.doi.org/10.1007/bf00116857.

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Rukiah, Yayah. "Citra (Image) Perempuan sebagai Objek Seksualitas dalam Iklan Studi Kasus Iklan Axe." Magenta | Official Journal STMK Trisakti 1, no. 02 (2017): 211–21. http://dx.doi.org/10.61344/magenta.v1i02.20.

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Television commercials began in 1947 in the form of sponsorship advertisements. Advertising is one of mass communication.The world of advertising is now growing very rapidly, making ad entrepreneurs must compete and be more creative in finding ideas. The purpose of this article is to find out the image of women in advertising aa an object of sexuality axe ad case studies. Image can have a strong emotional effect on people, and some imagery has historical significance. Sensuality becomes significant because often advertising gives a biased portrayal of a female figure, who rely solely on her bo

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Priventa, Hendrike. "AESTHETIC VALUE IN TITLE IN “HUJAN BULAN JUNI” BY SAPARDI DJOKO DAMONO AND “MALAIKAT JUGA TAHU” BY DEWI LESTARI." Multilingual 19, no. 2 (2020): 174–82. http://dx.doi.org/10.26499/multilingual.v19i2.166.

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Poetry is a form of literary genre that is full of aesthetic values. The aesthetic value is wrapped in the elements that make up the poetry. This article discusses a comparison of the aesthetic value of the poem “Hujan Bulan Juni” by Sapardi Djoko Damono and “Angels Also Know” by Dewi Lestari. Intertext studies can be used as a medium to find aesthetic values and determine whether literary works are aesthetic or not. The aesthetic value in the poetry "Rain in June" and "Angels Also Know" are shown in several aspects, namely the elements of sound, diction, and image. The linkage of authorship i

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Blair, Sheila. "Invoking the Prophet Muhammad through Word, Sound, and Image." Religion and the Arts 20, no. 1-2 (2016): 29–58. http://dx.doi.org/10.1163/15685292-02001003.

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Objects associated with the practice of the Muslim faith are often inscribed with Qurʾanic verses specifically chosen to reflect their spiritual functions and project the piety of the patrons who ordered them and the believers who used them. This essay focuses on one such Qurʾanic passage: the invocation of the Prophet Muhammad in Qurʾan 33: 56, a verse saying that God and His angels bless the Prophet and that believers should bless him too and give him greetings of peace. The article analyses the use of this verse on buildings and objects of various media in five different places from early I

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Ramírez, Paul, and William B. Taylor. "Out of Tlatelolco’s Ruins: Patronage, Devotion, and Natural Disaster at the Shrine of Our Lady of the Angels, 1745–1781." Hispanic American Historical Review 93, no. 1 (2013): 33–65. http://dx.doi.org/10.1215/00182168-1902706.

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Abstract Colonial inhabitants of Mexico City were accustomed to coping with natural disasters, including disease epidemics, droughts, floods, and earthquakes, which menaced rich and poor alike and stirred fervent devotion to miraculous images and their shrines. This article revisits the late colonial history of the shrine of Our Lady of the Angels, an image preserved miraculously on an adobe wall in the Indian quarter of Santiago Tlatelolco. The assumption has been that archiepiscopal authorities aiming to deflect public worship toward a more austere, interior spirituality suppressed activitie

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Suzryukova, Elena. "THE IMAGE OF THE FOOL IN CHRIST IN THE STORIES OF V. A. NIKIFOROV-VOLGIN." Проблемы исторической поэтики 21, no. 2 (2023): 258–73. http://dx.doi.org/10.15393/j9.art.2023.12302.

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The article analyzes the semantics of the image of the holy fool in V. A. Nikiforov-Volgin’s short stories “Holy Fool” and “Glebushka the Holy Fool.” The image of the holy fool in the author’s prose took shape under the influence of the Old Russian literary tradition, works of Fyodor Dostoevsky and Ivan Shmelev. Nomination of the holy fool in the prose writer’s works reflects the character’s childishness and soul purity, characteristic for this image. Glebushka the Holy Fool from the eponymous short story is a big child, and he is praying for forgiveness for his people, who are burdened with g

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Jędrzejewski, Sylwester. "Angelologia etiopskiej Księgi Henocha (Henet)." Ruch Biblijny i Liturgiczny 59, no. 3 (2006): 203. http://dx.doi.org/10.21906/rbl.575.

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According to the complex angelology of the Book of Henoch, Angels are created by God, spiritual beings, who exist in a heavenly dimension in order to reflect transcendental, holy and mighty image of the God. They are regarded as visible leaders who intercede for us in haeven. The angelology of the Book of Henoch seems to be a literary and theological procedure which purpose is to present a doctrine of God. Their function is to show the main God’s attributes, which can be found in the Bible.

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Brym, Robert. "Ronald Inglehart’s Comment on “After Postmaterialism”: A Reply." Canadian Journal of Sociology 41, no. 2 (2016): 223–28. http://dx.doi.org/10.29173/cjs27994.

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Professor Inglehart and I are involved in a foreground/background dispute. We see the same black-and-white image (Figure 1) but interpret it differently. Inglehart’s foreground is white, leading to him to conclude that the image portrays two faces. My foreground is black, leading me to conclude that the image portrays a goblet. His foreground (my background) consists of the intergenerational causes of value change, notably socialization in relatively peaceful and prosperous times and the concomitant proliferation of higher-status occupations. My foreground (his background) consists of geopolit

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Roberts, Graham. "Angels with Dirty Faces: Gosha Rubchinskiy and the Politics of Style." Journal of Extreme Anthropology 1, no. 3 (2017): 18–40. http://dx.doi.org/10.5617/jea.5564.

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In many ways, twenty-first century Russia is the land par excellence of extreme masculinity. President Putin himself regularly indulges in spectacular performances of extreme masculinity, whether it be pledging to ‘bump off’ Chechen terrorists in their ‘shithouses’, swimming in ice-cold Siberian lakes, or posing in the pilot’s seat of a supersonic strategic bomber. Men’s fashion and fashion imagery is one of the rare areas of Russian culture where the kind of masculinity embodied (in a literal sense) by Putin is still challenged, and indeed subverted. Perhaps the most interesting Russian men’s

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Muzakki, Akhmad, and Irham. "Tensions of Adam and Iblis in the Quran: The Imagology Approach." International Journal of Applied Linguistics and English Literature 10, no. 2 (2021): 56. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.2p.56.

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This study investigates the tensions between Adam and Iblis in the Quran by using imagology as the main approach. The main focus of the imagology approach reveals the interrelationship between text, intertext, and context altogether, by focusing on contextualizing them in the story. This approach does not intend to judge the truth of representations but to analyze their values important to build community weltanschauung (view of life) that leads them to a social change, a changing of meaning, and a new understanding. The findings demonstrate that a triangular conversation between Allah (hencef

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Rincón, Carlos. "Imagen y palabra en “Un señor muy viejo con unas alas enormes”, de Gabriel García Márquez." Estudios de Literatura Colombiana, no. 10 (November 2, 2011): 11–40. http://dx.doi.org/10.17533/udea.elc.10493.

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Resumen: El estudio sobre “Un señor muy viejo con unas alas enormes” se plantea las siguientes preguntas: ¿Qué clase de ser alado es ese que aparece en el cuento y de dónde llega? ¿Cuáles son las historias y los tópicos reelaborados en este relato y qué ocurre en él? ¿Qué tipo de estrategias discursivas y de recursos estéticos está puesto a prueba, y con qué preocupaciones y debates se articula?, para intentar contestarlas con el análisis de distintas tradiciones de imágenes de seres alados. Descriptores: García Márquez, Gabriel; Cuento colombiano; “Un señor muy viejo con unas alas enormes”; I

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Strokal, Oleksandr. "THE ORIGINS OF OLEKSII DOVHIY’S POETIC SPACE." Studia Linguistica, no. 16 (2020): 115–28. http://dx.doi.org/10.17721/studling2020.16.115-128.

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The article analyzes the nature of linguistic explication of the ideas of Oleksii Dovhiy’s lyrical hero about the features of the universe and the organization of the universe. The author deals with such issues of general theoretical significance as the concept and linguistic worldview. During the research it was found out that Oleksii Dovhiy’s poetry combines the revelation of a son who prides himself on the glory of generations, paternal and grandfather’s moral principles, confession of a fighter for the Fatherland, a manuscript of the medium, to whom all the secrets of the universe are reve

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Poltoratsky, I. S. "Stylization of Ornamental Narrative in the Prose of Denis Osokin. The Cycle of Stories “Angels and Revolution. Vyatka 1923”." Critique and Semiotics 38, no. 1 (2020): 375–86. http://dx.doi.org/10.25205/2307-1737-2020-1-375-386.

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The article analyzes the poetics of the short story cycle “Angels and Revolution. Viatka 1923” by modern Russian writer Denis Osokin. The author, developing the tradition of Russian ornamental prose of the 20 th century, creates a modern interpretation of revolutionary events. The fictional locus of Viatka 1923 becomes a space of the artistic experiment for language renewal. Using the technique of stylization of the ornamental narrative, Denis Osokin forms the image of an impersonal narrator consisting of many narrative-rhetorical figures that weaken the fabulality of the narrative. The artist

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LEE Jiyeon. "A Study of the Image of Man from a Hermetic Perspective - Domenico Beccafumi’s Fall of the Rebel Angels." Korean Journal of Arts Studies ll, no. 18 (2017): 251–71. http://dx.doi.org/10.20976/kjas.2017..18.012.

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Brunello, Anthony R. "The Tragic Fall of Better Angels: Nationalism, Neoliberalism, and the Failure of Responsibility in American Conservativism." World Affairs 184, no. 1 (2021): 8–32. http://dx.doi.org/10.1177/0043820021989682.

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American political conservatism is distinct from its counterparts in Europe and elsewhere in the world. American conservatives have long staked their claims on devotion to limited government and free-markets, but also on an image of responsibility. Conservatives posed as the “adult in the room,” admonishing the young, the anti-war types, social progressives, ultra-liberals, environmentalists, and socialists for their radicalism and immaturity. Conservatives defended tradition, rules, hierarchy, and social conventions. Today the roles are switching. Conservatives have morphed into a new politic

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Musvosvi, Joel. "Jesus as the model for the new humanity in Heb 2." Asia Adventist Seminary Studies 4, no. 1 (2023): 49. https://doi.org/10.63201/vkeg9822.

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The author of the book of Hebrews argues convincingly for the full deity of Jesus. In chap. 1 he demonstrates that Jesus is the express image of God, the Creator and upholder of the universe, the all-sufficient high priest who sits at the right hand of the throne of God (1:3); the One to whom the Father ascribes ultimate glory and eternal majesty (1:8,9); the One who is accorded worship by all angels of God (1:6). Having established the unchallenged position of the Son in relation to the Father, the author turns his attention in chap. 2 to the discussion of Jesus in relation to humanity.

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Radulović, Nemanja. "Folk Spiritism: Between Communication with the Dead and Heavenly Forces." Religions 15, no. 8 (2024): 988. http://dx.doi.org/10.3390/rel15080988.

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Examples of how Spiritism merged with local beliefs have been the subject of research in religious studies, ethnology, and folkloristics. Serbian Spiritism can also be viewed as such, but its history is an under-researched topic. We examine the syncretic product we will call ‘folk Spiritism’, being different from the ‘high Spiritism’ of elite and middle-class intellectuals. Folk Spiritism was part of a grassroots movement for Church reform in the first half of the 20th century. The difference between folk and high Spiritism is also confirmed in the emic perspective. Based on a closer reading o

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Burge, Stephen R. "The Demystification of Magic in the Tafsīr al-Manār: An Analysis of the Exegetical and Homiletic Devices Used in the Discussion ‘Mabḥath al-siḥr wa-Hārūt wa-Mārūt’". Religions 12, № 9 (2021): 734. http://dx.doi.org/10.3390/rel12090734.

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The two angels Hārūt and Mārūt are mentioned together with the prophet Solomon in the ‘magic pericope’ of Sūrat al-Baqara (Q. 2:101–103). Rashīd Riḍā and his mentor Muḥammad ῾Abduh rejected the folkloric, mythical legends that surrounded the two angels Hārūt and Mārūt and the image of Solomon as a magus-like figure, seeing it as a threat to the rational interpretation of the Qur’ān. In his exegesis, Tafsīr al-Manār, Riḍā includes a relatively substantial tract denouncing magic and its use, entitled Mabḥath al-siḥr wa-Hārūt wa-Mārūt. This article will provide an analysis of exegetical and homil

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Bomko, Liliia. "The image of Paradise in «The Sermon on the Annunciation to the Holy Virgin» by Ioanikii Galiatovskii." Text and Image: Essential Problems in Art History, no. 2 (2019): 44–50. http://dx.doi.org/10.17721/2519-4801.2019.2.03.

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The article attempts to analyse the image of paradise in “The Sermon on the Annunciation of the Holy Virgin" from the collection "The Key of Understanding" (1659) by Ioanikii Galiatovskii. Paradise in his sermon is depicted as a hierarchical structure of the nine Angelic Choirs: the Angels, the Archangels, the Principality, the Authority, the Mastery, the Parish, the Throne, the Cherubim, and the Seraphim. Comparing the angelic choirs of Galiatovskii and the depiction of celestial choirs in «The Mirror of Theology» (1618) by Cyryl Trankvylion Stavrovetskyi, one can see some differences, includ

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Hasan, Muna Salah. "Review on the Child in Modern Iraqi Poetry." Indian Journal of Language and Linguistics 2, no. 2 (2021): 18–26. http://dx.doi.org/10.34256/ijll2123.

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The image of the child in its various shades is one of the common images in Arabic poems from the pre-Islamic era to the modern era, but it did not receive the attention of scholars, and it was not studied in depth showing its connotations and symbols. Hence came my study entitled "The Child in Contemporary Iraqi Poetry", which is an attempt to clarify the symbols of the word (the child) and what it indicates according to the context in which they are mentioned, as well as the statement of the aesthetic aspects of how to employ these symbols through the selection of poetic texts of modern poet

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Güngör, Songül, Derya Atik, Esra Keşer, and Ulviye Özcan Yüce. "Nursing profession during the pandemic: Perceptions, changes, and the role of media." HEALTH SCIENCES QUARTERLY 4, no. 3 (2024): 221–32. http://dx.doi.org/10.26900/hsq.2367.

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The onset of the COVID-19 pandemic has dramatically highlighted the critical role of nursing in healthcare, transforming the traditional image of nurses from "sisters" or "white angels" to a more esteemed and academic profession. This study aims to evaluate nurses' perspectives on how the media influences the perception of the nursing profession during the COVID-19 crisis and its impact on their professional image. The study seeks to assess nurses' views on the media's role in shaping public perception of nursing during the COVID-19 pandemic and its implications for professional identity. A to

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Da Silva, Josie Agatha Parrilha, and Marcos Cesar Danhoni Neves. "DOMENICO CRESTI (PASSIGNANO) AND THE FIRST ARTISTIC REPRESENTATION OF THE GALILEAN TELESCOPIC MOON." International Journal of Research -GRANTHAALAYAH 6, no. 6 (2018): 260–80. http://dx.doi.org/10.29121/granthaalayah.v6.i6.2018.1372.

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This research reports the imagery representation of the Moon in the Virgin of the Immaculate Conception with Saints and Angels (1611) by Domenico Cresti (Passignano). Our goal is to defend this image as a telescopic representation of the Galilean Moon, that is, a cratered Moon as presented by Galileo Galilei in his work Sidereus nuncius (1610). Passignano was a friend of the artist Lodovico Cardi (Cigoli) who corresponded with Galileo and exchanged information on telescopic observations. This relationship between the artists and Galileo reinforces the possibility that the two painters had repr

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Warland, Rainer. "Frühbyzantinische Kreuzdiskurse des 6. und 7. Jahrhunderts und ihre Rezeption in Konstantinopel, Kappadokien und im Westen." Millennium 18, no. 1 (2021): 203–50. http://dx.doi.org/10.1515/mill-2021-0007.

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Abstract The paper establishes connections between funerary art in the Eastern (Cappadocia) and the Western Mediterranean (Lombard kingdom in Northern Italy) during the seventh century. Jewelry pendants and gemstone decorations are also covered. The similarities of the image concepts suggest common design principles, with the cross as a symbol of the Son of Man when God returns on Judgment Day (Mt 24, 30). As celestial signs in the midst of stars and planets, these forms of the cross, which may also have influenced the Baiuvarian and Alemannic gold-leaf crosses, have a cosmic character. Under

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Bednarczyk, Grzegorz. "In decline or on the threshold of a renaissance? On the place of the philosophy of history in the contemporary world." Ruch Filozoficzny 78, no. 3 (2022): 125–47. http://dx.doi.org/10.12775/rf.2022.026.

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 The aim of this article is an attempt to diagnose the current condition of the philosophy of history, as well as to show its potential in explaining contemporary phenomena and constructing a rational image of the world. Two recent works by Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined and Enlightenment Now: The Case for Reason, Science, Humanism, and Progress) and the methodological work of Karl Raimund Popper provide a point of reference. And although the works mentioned are not classed as historiosophical (even by Pinker himself), it is the author’s opinion

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Josie, Agatha Parrilha da Silva, and Cesar Danhoni Neves Marcos. "DOMENICO CRESTI (PASSIGNANO) AND THE FIRST ARTISTIC REPRESENTATION OF THE GALILEAN TELESCOPIC MOON." International Journal of Research - Granthaalayah 6, no. 6 (2018): 260–80. https://doi.org/10.5281/zenodo.1308943.

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This research reports the imagery representation of the Moon in the Virgin of the Immaculate Conception with Saints and Angels (1611) by Domenico Cresti (Passignano). Our goal is to defend this image as a telescopic representation of the Galilean Moon, that is, a cratered Moon as presented by Galileo Galilei in his work Sidereus nuncius (1610). Passignano was a friend of the artist Lodovico Cardi (Cigoli) who corresponded with Galileo and exchanged information on telescopic observations. This relationship between the artists and Galileo reinforces the possibility that the two painters had repr

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SІUTA, Halyna. "LANGUAGE IMAGE OF THE DEFENDER OF UKRAINE IN THE TEXTS OF THE WAR PERIOD." Culture of the Word, no. 99 (2023): 54–73. http://dx.doi.org/10.37919/10.37919/0201-419x-2023.99.5.

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The article presents a textual analysis of the linguistic image of the defender of Ukraine, outlined in Ukrainian media and fiction texts of 2022–2023. The phenomenon of glorification of the image of Ukraine’s defenders is documented. This is an absolutely justified information strategy aimed at actively countering the propaganda of the aggressor country, in particular fake and discrediting materials that undermine the credibility of the Ukrainian army. It is noted that important for the linguistic description of the defenders of Ukraine are: a) names of military formations, military organisat

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Kovtun, N. V. "Who Are They, The Heroines of Modern Prose: “Baba bogatyrka”, “Baba with a Pillow” or BusinessLady?" Vestnik NSU. Series: History and Philology 21, no. 2 (2022): 108–17. http://dx.doi.org/10.25205/1818-7919-2022-21-2-108-117.

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Purpose. The article aims to outline the process of modern prose's search for the heroine of the time, to show how the ideas about the woman, her role and purpose have changed in Russian literature of the second half of the 20th –21st century.Results. The article presents an analysis of the genecratic myth – the myth of the exceptional power and authority that women possess and that allow them to become the center of the social and moral life of society; it traces the change of the type of warrior-woman and protector: from texts of traditionalists to the works of the “inverted generation” and

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