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Artykuły w czasopismach na temat „Image of the Prophet”

Autor: Grafiati
Data publikacji: 2 czerwca 2025
Data aktualizacji: 31 lipca 2025

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_, Sulistiawati tia, and Danial Hilmi. "EDUCATION MANAGEMENT PERSPECTIVES PROPHET IBRAHIM." (الطموحات ) EL-THUMUHAT 2, no. 1 (2020): 14–24. http://dx.doi.org/10.25299/elthumuhat.2019.vol2(1).4508.

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It is important to emulate the education management perspectives prophet Ibrahim, where management of education has existed since the time of the prophets and the nature of management has existed and has grown naturally since the existence of this life. We first learned management from the time of the Prophet Adam to the time of the Prophet Muhammad. Here researchers focus more on the education management perspectives prophet Ibrahim. As mentioned in the Qur’an, it is emphatic that God established the Prophet Ibrahim with the nickname as "Father of the Prophets" which is a role model for Musli
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Siquans, Agnethe. "“She Dared to Reprove Her Father:” Miriam’s Image as a Female Prophet in Rabbinic Interpretation." Journal of Ancient Judaism 6, no. 3 (2015): 335–57. http://dx.doi.org/10.30965/21967954-00603004.

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This article discusses rabbinic references to Miriam’s prophetic speaking and the question of her value as a female prophet. The focus is on specific passages in the Babylonian Talmud Sotah and Exodus Rabbah and their portrait of Miriam as a female prophet. Other rabbinic texts add some further aspects to this picture. In contrast to the biblical accounts in Exod 2 and 15, the rabbinic texts transfer Miriam’s prophecy to her childhood and focus on Moses alone. Furthermore, Miriam’s prophecy is restricted to family affairs and the birth of children, in particular Moses’s birth. She is elaborate
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Мirzaraimova, Muyassar, and Feride Kamalova. "The Changing of the Image of the Prophet Muhammad in the Western World." Hikmet 3, no. 3 (2025): 40–51. https://doi.org/10.47526/3007-8598-2025.1-14.

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This study divides the process of transformation of the image of Prophet Muhammad into stages, examines the conclusions of Western scholars regarding the evolution of his personality, and analyzes the characteristics of these changes in historical and cultural contexts.The aim of the study is to conduct a comprehensive analysis of Western scholars' perspectives on Prophet Muhammad, identifying the historical, cultural, and religious aspects of their formation, exploring the factors that influenced these perspectives, and assessing their impact on mutual understanding between Islam and the West
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عارف, تغريد جبير, and عادل هادي حمادي العبيدي. "The prophetic discourse with the revelation Jibril (as) and other angels." JOURNAL OF LANGUAGE STUDIES 6, no. 3, 2 (2023): 185–93. http://dx.doi.org/10.25130/jls.6.3.2.14.

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In this research, an aspect of the Prophet's discourse, namely the prophetic discourse with the revelation Jibril (as) and other angels, was studied through Jibril (pbuh) sent by God and suggested to the messenger, God willing, whatever he wanted, in various ways or images that he brought to the Prophet Muhammad( peace be upon him). In its true form, or represented by the image of a man, or only hears his voice, and in what way the meeting was taking place, the discourse was going on between the Prophet (pbuh) and Jibril (pbuh), either understanding or answering, as well as telling the Prophet
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Iskandarov, Fayzulla. "Image of a dark night in Miraj nats." Golden scripts 3, no. 4 (2021): 92–106. http://dx.doi.org/10.52773/tsuull.gold.2021.4/yquz5891.

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One of the themes in the history of the literature of Muslim na-tions, which has been a source of inspiration for creative people for thou-sands of years, is Me'raj. Miraj is a great miracle given by God to our proph-et Muhammad, may God bless him and grant him peace, and it is a great status that no other prophet has been given. From this point of view, the event of Miraj captivated the poets, firstly, it is the poet's duty and duty of the community to describe the Prophet's praise, his greatness, high honor and great status, and secondly, it is a great way to give a worthy response to the pr
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Al-Olaqi, Fahd Mohammed Taleb. "The 'Idol' of Prophet Muhammad in Greene’s Alphonsus." Journal of English Language and Literature 6, no. 2 (2016): 444–54. http://dx.doi.org/10.17722/jell.v6i2.300.

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The image of Prophet Muhammad (570-632) is entirely inaccurate in Early Modern Drama. A ridiculous form of the name of the Prophet, 'Mahomet', was an artifact of abuse, distortion and misrepresentation placed at the focus of Western prejudgment of Islam. It is worth exploring the way myth works in relation to Greene’s Alphonsus, in order to understand better Renaissance views of Prophet Muhammad. His only prejudice seems to be against Prophet Muhammad in representing his image in a speaking brazen head. The Mediaeval tradition maintained its dislike of the Prophet himself as a dreadful deity w
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Khan, S. S., and T.-O. M. Fahd. "WESTERN IMAGE OF MUHAMMAD (PBUH) AS A PROPHET." Trames. Journal of the Humanities and Social Sciences 24, no. 1 (2020): 71. http://dx.doi.org/10.3176/tr.2020.1.04.

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Otoom, Allaith Saleh, and Khalil Abd Alhameed Alabadee. "Contemporary Oriental Studies on the Character of the Prophet of Islam, Our Master Muhammad (Peace Be Upon Him) and Its Impact on Western Society: An Analytical Study." Asian Social Science 15, no. 7 (2019): 160. http://dx.doi.org/10.5539/ass.v15n7p160.

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This study discusses the orientalist’ view of the character of Master Muhammad (peace be upon him). The purpose of the study is to present and analyze the fair statements as well as presenting and analyzing the unfair statements given by orientalists. The problem of the study represents the way how the views of the orientalists and their writings are presented, showing the true image of the Prophet Muhammad (peace be upon him). Also, it refutes the suspicions undertaken by the orientalists in order to distort the image of enlightened Islam by distorting the image of the Prophet Muham
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Dawczyk, Maciej. "The Image of Muhammad in Riccoldo da Monte di Croce’s "Contra legem Sarracenorum"." Studia Ceranea 9 (December 30, 2019): 391–405. http://dx.doi.org/10.18778/2084-140x.09.21.

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Contra legem Sarracenorum written by the Dominican Riccoldo da Monte di Croce was considered one of the most influential medieval Christian anti-Islamic polemics. The treatise was devoted to criticism of the Quran, which was also reflected in the way Muhammad was presented there. It offers an image of the prophet that is rather blurry considering that the author’s focus is on the contents and the form of the book. Despite that, at least three distinct categories regarding the image of Muhammad can be distinguished in Contra legem Sarracenorum. He was portrayed, first and foremost, as a heresia
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Blair, Sheila. "Invoking the Prophet Muhammad through Word, Sound, and Image." Religion and the Arts 20, no. 1-2 (2016): 29–58. http://dx.doi.org/10.1163/15685292-02001003.

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Objects associated with the practice of the Muslim faith are often inscribed with Qurʾanic verses specifically chosen to reflect their spiritual functions and project the piety of the patrons who ordered them and the believers who used them. This essay focuses on one such Qurʾanic passage: the invocation of the Prophet Muhammad in Qurʾan 33: 56, a verse saying that God and His angels bless the Prophet and that believers should bless him too and give him greetings of peace. The article analyses the use of this verse on buildings and objects of various media in five different places from early I
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Ouiza, Amziani, and Sabrina Zerar. "Re-Evaluation of Prophet Mohammed's Image in Victorian Literature." مجلة الممارسات اللغوية, no. 20 (2013): 17–26. http://dx.doi.org/10.12816/0011294.

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Дмитрий, Барицкий,. "The Image of the Prophet Balaam in Christian Tradition." Библейские схолии, no. 1(2) (June 15, 2022): 63–83. http://dx.doi.org/10.31802/bsch.2022.2.1.004.

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Цель статьи - выявить основные акценты той оценки, которую получает образ пророка Валаама в христианской традиции. Для этого в первую очередь автор обращается к сюжетным особенностям библейского повествования о пророке, а также делает краткий обзор рецепции личности Валаама в иудейской письменности. Обращаясь к оценке образа пророка в христианской традиции, автор сосредотачивает своё внимание, в первую очередь, на святоотеческой экзегезе, идеи которой нашли своё воплощение также в иконописных и гимнографических памятниках. В итоге делается вывод о том, что оценка фигуры пророка в рамках христи
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Moiseeva, Anna V. "Prophet Sulaymān in Classical Persian Poetry: Semantics and Structure of the Image." Vestnik of Saint Petersburg University. Asian and African Studies 12, no. 3 (2020): 398–414. http://dx.doi.org/10.21638/spbu13.2020.306.

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The article discusses structure, semantic content, and functioning of the image of the Qur’anic prophet Sulaymān (Biblical Solomon) in Persian medieval poetry. Analysis of the poetic material leads to a conclusion about the main spheres of application of this image and its semantic connotations both in eulogistic and religious-mystical poetry. The article defines the main motifs of the Qur’anic story of this prophet that became a part of Persian poetic tradition and how they relate to the various themes that poets touch upon. For instance, motives of Sulaymān’s power over winds and demons, as
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Aksenova, Anastasia, and Kapitalina Sinegubova. "TRANSFORMATION OF THE IMAGE OF THE PROPHET AND THE PROPHETIC WORD IN THE WORKS OF K.D. BAL’MONT AND V.YA. BRYUSOV IN COMPARISON WITH THE POEM “THE PROPHET” BY M.YU. LERMONTOV." Literaturovedcheskii Zhurnal, no. 1 (2022): 140–54. http://dx.doi.org/10.31249/litzhur/2022.55.08.

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The purpose of the article is to consider the image of the prophet and the prophetic word in the works of the poets of the Silver Age in comparison with the previous tradition presented in the text of M.Yu. Lermontov. The transformation of the poet-prophet noted by researchers, which occurs in the lyrics of the Silver Age, is clarified in our article by considering the change of functions of the prophetic word. In conclusion, it is found out that with numerous motivational and semantic calls, the prophetic word in the lyrics of K. Bal’mont and V. Bryusov indicates a different direction. In the
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Biemann, Asher. "The Satyr as Prophet: Notes on the “Jewish” Michelangelo." IMAGES 2, no. 1 (2008): 45–64. http://dx.doi.org/10.1163/187180008x408582.

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AbstractFocusing on the nineteenth and early twentieth centuries, the essay argues that there existed a Jewish fascination with the work of Michelangelo Buonarroti that was representative not only of a larger German and Jewish Italophilia at the time but also indicative of Jewish aesthetic concerns. Lodged between popular culture and the intellectual quest for an aesthetics that would problematize the figurative image and the classical sense of the beautiful, the Jewish reception of Michelangelo was guided by the themes of terribilita, unfinishedness, and the destruction of form. What emerges
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Semenova, Valentina Grigorevna, and Nadezhda Vasil'evna Androsova. "Shaman as a Prophet in the lyrics of Alampa." Филология: научные исследования, no. 12 (December 2020): 168–77. http://dx.doi.org/10.7256/2454-0749.2020.12.34464.

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The subject of this research is the theme of the mission of poet and poetry in works of the pioneer of Yakut lyrics A. I. Sofronov-Alampa. The goal of this article consists in comprehensive analysis of the image of poet in his lyrics. The theme of poet and poetry is traced throughout his artistic journey. Alampa’s poetic heritage features 43 compositions on this topic, which is 12.6% of all his poems. It is noted that the aesthetic views and principles of Alampa were formed under the influence of the poetry of A. Pushkin and M. Lermontov. Reminiscences, constant references to the ima
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Шипицына, А. А. "Вестничество в русской постсимволистской культуре". Scientific Papers of St Petersburg Academy of Fine Arts, № 71 (30 грудня 2024): 142–50. https://doi.org/10.62625/2782-1889.2024.71.71.009.

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В статье рассматривается мотив вестничества в литературе и жизни двух русских писателей: обэриута-чинаря Д. Хармса и последнего символиста в литературе Д. Андреева. В исследовательском фокусе находятся различные аспекты семантики вестничества: вестник как художественный образ, посланник трансцендентного мира; вестник как пророк и провидец. Автор пытается выявить причины актуализации образа вестника в русской культуре первой половины XX в., указывая на влияние эстетики символизма и формирование новой мифологии. The article examines the motif of prophet messengership in literature and the lives
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Szmajdziński, Mariusz. "Ciężar ojcostwa w Księdze Ozeasza." Verbum Vitae 20 (August 26, 2015): 59–92. http://dx.doi.org/10.31743/vv.2041.

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In the Book of Hosea a noun "'ab" does not apply to the prophet or Yahweh, but an idea of their fatherhood occurs in the prophecy. The prophet was called to be a husband of the woman of whoredom and a father of the children of whoredom. Hosea accepted this calling and consequently remained in love with them. In this way he became an image of God’s love for His people. In the marital and parental story of Hosea, Yahweh reveals His torn heart.It shows that He not only loves Israel, but also how does it. In the face of the continuous infidelity of the Chosen People, God’s love must be stronger th
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Leskinen, Maria. "The Plot of the Oleg’s Shield in Russian Culture of the 19th – early 20th centuries." Slavianovedenie, no. 5 (2021): 49–66. http://dx.doi.org/10.31857/s0869544x0016745-2.

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The article reconstruct the ideologema based on the chronicle story about Prince Oleg (Prophet Oleg) hoisting a shield on the “gates of Tsaregrad”. This action as a sign of victory acquired a symbolic status becauseof Pushkin's «The Song of Prophet Oleg»(1822) and later, due to the inclusion of «The Song» in the literary anthologies for children, this plot became a stereotype image of Tsaregrad / Constantinople. It became very popular during the Russian-Turkish wars of the 19th - early 20th centuries. The author analyzed the main interpretational trends of the legendary story about Oleg's shie
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Sheludchenko, O. "Muslim interpretation of messianism." Ukrainian Religious Studies, no. 19 (October 2, 2001): 33–43. http://dx.doi.org/10.32420/2001.19.1161.

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Muslim origin arose in the VI century as a branch of Old Testament monotheism, as well as a reaction to the Jewish-Christian tradition. The founder of Islam, the Prophet Mohammed, was not for the Muslims God, embodied in the image of man. Islam denied the rebellion as in principle a false idea. Allah was recognized as the only and absolute God, which in any way could not be embodied in the image of man through his absolute transcendence. Therefore, according to the Muslims, Christ was only a prophet, but not crucified on the cross by God.
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Abdul- Aziz Ibrahem Alaseeri, Abdul Aziz Ibrahem Alaseeri. "The social and administrative aspects of the sermons of the Prophet Mohammad historical study of the era of prophethood: الجوانب الاجتماعية والإدارية في خطب النبي صلى الله عليه وسلم: دراسة تاريخية لعصر النبوّة". Journal of Humanities & Social Sciences 5, № 10 (2021): 18–1. http://dx.doi.org/10.26389/ajsrp.d040421.

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One of the greatest sermons that were delivered and whose effects remain to this day are the sermons of the Prophet, for the sermons of the Prophet were of great importance in depicting the life of the Prophet’s society and its way of life, hence we hope that this study will contribute to uncovering the social and administrative aspects of the Prophet’s society through the sermons that The Prophet delivered it in different seasons, as these signs can be monitored in the prophetic speeches to form the image of society in the Prophet’s era, through knowledge of social aspects such as customs, tr
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Sayyad Bach, Melissa, and Jesper Høgenhaven. "Muhammad, profeternes segl og Daniels Bog." Dansk Teologisk Tidsskrift 80, no. 4 (2017): 238–57. http://dx.doi.org/10.7146/dtt.v80i4.106359.

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In the Qur´an Muhammad calls himself “Seal of the Prophets”. The metaphor indicates that he sees himself as concluding and completing the line of prophets. This rare and unusual image seems to originate from Dan 9:24, which is strange, since the Book of Daniel or the prophet Daniel is never mentioned in the Qur´an. In this article, we attempt to trace the tradition behind the seal metaphor. This investigation brings us to Tertullian, who calls Christ the “Seal of all Prophets”, in a Christological interpretation of Dan 9:24. From here we survey the usage of seal metaphors in the Hebrew Bible,
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Terribili, Gianfilippo. "Relocating the Prophet’s Image: Narrative Motifs and Local Appropriation of the Zarathustra Legend in Pre- and Early Islamic Iran (Part I – East Iran)." Iran and the Caucasus 24, no. 1 (2020): 1–16. http://dx.doi.org/10.1163/1573384x-20200102.

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From the very beginning of Iranian disciplinary studies, the material concerning Zarathustra’s biography has been analysed in depth, firstly to identify the homeland of the Prophet and then to discuss the historical reality of this authoritative figure. Despite the divergences of opinion, emphasis has always been placed on the reconstruction of the figure of Zarathustra and much less on the socio-cultural context in which the image of the Prophet was cultivated. The present paper represents the first part of a larger work that aims to reverse this perspective and emphasise those data, which li
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Sanseverino, Ruggero Vimercati. "Engaging Modern Muslims with Their Prophet." Arabica 70, no. 4-5 (2023): 527–53. http://dx.doi.org/10.1163/15700585-12341657.

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Abstract In contemporary Egypt, the secularization of discourses and practices raises a fundamental challenge to sīra writing concerning its vocation to make the founding narrative and the religious ideals of Islam comprehensible and meaningful to contemporary Muslims. Arguing that the Muslim community’s image of the Prophet does indeed both affect and reflect its religious and spiritual condition, the known Egyptian intellectual and former rector of al-Azhar, ʿAbd al-Ḥalīm Maḥmūd (1910-1978) holds the appearance of de-theologized forms of sīra writing as a symptom of a profound crisis of Isla
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Ermak, Elena. "Why is Jonah awake? An interpretation of the early Christian sarcophagus from the British museum in the modern art history." St. Tikhons' University Review. Series V. Christian Art 51 (September 29, 2023): 9–28. http://dx.doi.org/10.15382/sturv202351.9-28.

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Although the sarcophagus No. 1957, 1011.1 is investigated in detail, to this day there are many questions in its study. In addition to the main problems facing the researcher in the study of early monuments the item has a unique iconographic solution: unlike other objects of this kind (3rd c.), the prophet Jonah, reproduced on the front wall, is represented awake. The authors put forward a number of hypotheses explaining this feature, but none of them is comprehensive. These aspects justify the choice of the monument as an object of study.A review of texts (2nd-4th cc.) and objects (3rd-5th cc
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Ertuğrul, Muzaffer. "The Identity of Khidr, the Companion of the Prophet Moses." Journal of The Near East University Faculty of Theology 7, no. 2 (2021): 293–332. http://dx.doi.org/10.32955/neu.ilaf.2021.7.2.02.

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In this study, the Byzantine image in the religious and literary texts produced by Muslim societies in the first four centuries of the Hijra has been examined in terms of historical process. To this end, first, a theoretical basis has been established within the framework of the concepts of identity, difference, other, and othering. Then, the imagery of Byzantium is analyzed through the interpretation of the first five verses of the Surah Rûm, with regards to naming, politics, religion, culture, science, philosophy, art and women's descriptions. The main argument of the study is that the Byzan
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Rihan, Mohammad A. "Al-Balādhurī’s Prophet’s Biography: Narrative in Service of Politics." Journal of Arabic Literature 53, no. 3-4 (2022): 290–309. http://dx.doi.org/10.1163/1570064x-12341462.

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Abstract The monumental multi-volume work Ansāb al-ashrāf, authored by Aḥmad b. Yaḥyā al-Balādhurī, represents an intellectual edifice recognized by many scholars. However, this paper endeavors to discuss in depth the first volume of it, which al-Balādhurī dedicated to the life of the Prophet Muḥammad, and attempts to show that the underlying reasons for writing another biography of the Prophet—in an age where the Sīrah of the Prophet was well established—were mainly political and personal, linked in particular to the rule of the ʿAbbāsids. It aimed to legitimize ʿAbbāsid rule by systematicall
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Ahmed Ibrahim, Mohamed Elamin Musa. "Prophet Muhammad (s.a.w.) as the Ideal PR Practitioner: A Nonverbal Communication Perspective (Nabi Muhammad (s.a.w.) Sebagai Pengamal Perhubungan Awam yang Ideal: Perspektif dari aspek Perilaku)." Journal of Islam in Asia (E-ISSN: 2289-8077) 14, no. 3 (2018): 296–310. http://dx.doi.org/10.31436/jia.v14i3.634.

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Abstract
 The main objective of this paper is to explore and explain the role of Prophet Muhammad (s.a.w.) as the ideal public relation (PR) practitioner who built the image of Islam through his nonverbal communication. The paper tries to categorize nonverbal communication aspects which were used by the Prophet in his mission, the uses of nonverbal communication in his private life, and to what extent the Prophet's use of nonverbal communication enhanced his role as an ideal public relations practitioner. Based on the exploratory methods on the written biography and intellectual heritage,
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Ramil, Quliyev. "TƏSVIRI SƏNƏTDƏ QORQUD ATANIN TANRI VƏ PEYĞƏMBƏR SIFƏTLƏRI." ŞÖBMA; Memarlıq, şəhərsalma tarixi və bərpası, no. 2 (16) (June 30, 2022): 247–59. https://doi.org/10.5281/zenodo.8149674.

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Our goal is not to study the image of "Korkut Ata" in the fine arts and come to a common and unified archetype saying: "This is Korkut Ata!". The fact is, the inexhaustible image itself prevents us from reaching this conclusion. At the same time, one cannot say that his image as a god, a prophet, is a complete image. For this reason, thinking about the hidden in the word "dede" of the meanings "Korkut Ata" we call the "Forefather of the Turks". 
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Vasylenko, Vadym. "“THE LAST PROPHET” NOVEL BY LEONID MOSENDZ: SOURCES, GENRE, STRUCTURE, IMAGE." Слово і Час, no. 6 (December 16, 2022): 17–33. http://dx.doi.org/10.33608/0236-1477.2022.06.17-33.

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The paper analyzes the novel “Th e Last Prophet” by Leonid Mosendz focusing on its sources, the genre nature and structure, and the genesis of John the Baptist’s image. There were objective and individual reasons for Mosendz’s appeal to the biblical myth of John the Baptist, which have been explained. Attention is drawn to problematic areas in the interpretation of the novel by Mosendz’s critics. Among the sources that the writer turned to while working on the novel were “Jewish Antiquties” by Josephus Flavius, “The Life of Jesus” by Ernest Renan, and “Christ Unknown” by Dmitry Merezhkovsky. T
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Terribili, Gianfilippo. "Relocating the Prophet’s Image: Narrative Motifs and Local Appropriation of the Zarathustra Legend in Pre- and Early Islamic Iran (Part II - North-West Iran)." Iran and the Caucasus 25, no. 3 (2021): 225–45. http://dx.doi.org/10.1163/1573384x-20210301.

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From the very beginning of Iranian disciplinary studies, the material concerning Zarathustra’s biography has been analysed in depth, firstly to identify the homeland of the Prophet and then to discuss the historical reality of this authoritative figure. Despite the divergences of opinion, emphasis has always been placed on the reconstruction of the figure of Zarathustra and much less on the socio-cultural context in which the image of the Prophet was cultivated. The present paper represents the second part of a larger work (see Terribili 2020) that aims to reverse this perspective and emphasiz
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Nurhikma, Nurhikma, Nensilianti Nensilianti, and Faisal Faisal. "PERMAINAN DIKSI DAN KONDENSASI IMAJI DALAM PUISI ISLAMI KARYA TAUFIK ISMAIL (STILISTIKA SASTRA)." Neologia: Jurnal Bahasa dan Sastra Indonesia 5, no. 1 (2024): 312. https://doi.org/10.59562/neologia.v5i1.58292.

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Research on Diction Games and Image Condensation in Islamic Poetry by Taufik Ismail. The research is descriptive qualitative in nature. The data source for this research is Islamic poetry by Taufik Ismail with the five best Islamic poetry titles by Taufik Imail. The title of the poem is Prophet Muhammad SAW, Prayer, Longing for the Apostle, Long Sajadah, Rasulullah Tells Us. This research data is in the form of definition, connotation, general words, specific words, abstract words, concrete words, lexical words, slang words, jargon, scientific words, loanwords, popular words. and image condens
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Patrizi, Luca. "Holy War of Images: New Islamic Religious Cinema between Ramadan Series and Internet Streaming." Journal of Religion, Media and Digital Culture 10, no. 1 (2021): 71–94. http://dx.doi.org/10.1163/21659214-bja10049.

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Abstract More than thirty years after the first celebrated attempt to portray the Prophet Muhammad on the big screen (The Message, 1976), we have witnessed, from the new millennium onwards, a new wave of movies and tv series that focus on Islamic religious topics, in particular on the life of the Prophet. In this battle for hegemony in the visual representation of Islamic themes, the most active players are the Muslim Brotherhood Society, operating from their well-funded new base in Qatar, and Iranian Shi‘ism. Between movies and tv series designed and realized on the life of the Prophet, and t
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Dragnea, Mihai. "Percepția occidentală asupra profetului şi religiei islamice la Alvaro din Cordoba." Hiperboreea A2, no. 1 (2013): 11–14. http://dx.doi.org/10.5325/hiperboreea.2.1.0011.

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Abstract Being written in the context of the martyr movements in Córdoba, Indiculus luminosus represents a source of enlightenment for the adepts of a false religion such as Islam, sustained by the image of the prophet Mahomed. The anti-islamic movement launched by the martyrs of Córdoba and the Muslim domination upon the Mozarabic population will lead Alvaro to launch a manifest against the Islamic religion and the prophet Mahomed, who was responsible for the appearance of a false religion.
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Belousov, Aleksey V., Denis V. Zhuravlev, and Daniil A. Kostromichev. "A LAMP FROM TAURIC CHERSONESOS WITH THE IMAGE OF PROPHET JONAH." Journal of historical philological and cultural studies 1, no. 75 (2022): 61–89. http://dx.doi.org/10.18503/1992-0431-2022-1-75-61-89.

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BARONE, Francesca Prometea. "The Image of Prophet Elijah in Ps. Chrysostom, The Greek Homilies." ARAM Periodical 20 (December 31, 2008): 111–24. http://dx.doi.org/10.2143/aram.20.0.2033124.

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Abid, Hiba. "Material Images and Mental Ziyāra: Depicting the Prophet’s Grave in North African Devotional Books (Dalāʾil al-Khayrāt)". Journal of Material Cultures in the Muslim World 1, № 1-2 (2021): 331–54. http://dx.doi.org/10.1163/26666286-12340015.

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Abstract The Dalāʾil al-Khayrāt (Guidelines to the Blessings) is a very popular book of prayers over the Prophet Muḥammad, originally written around the mid-fifteenth century by Muḥammad b. Sulaymān al-Jazūlī (d. 869/1465). The Dalāʾil is probably the only illustrated religious text in the Maghreb, where the image has been the subject of more profound reluctance than in the rest of the Muslim world. They show the sacred tomb of the Prophet inside the mosque of Medina, as well as his minbar, his miḥrāb and his sandals (naʿl), one of the most venerated relics in Islam. If the images in North A
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Хангиреев, И. А. "Image of the Prophet Elijah in the Book of Wisdom of Jesus, Son of Sirach (Sir. 48, 1–11)." Theological Herald, no. 3(46) (November 15, 2022): 34–46. http://dx.doi.org/10.31802/gb.2022.46.3.002.

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Отрывок Сир. 48, 1–11 содержит много текстологических и экзегетических проблем, требующих отдельного исследования. Кроме того, большое значение имеют параллели в других книгах Ветхого и Нового Завета, где прямо или косвенно упоминается пророк Илия: 3-я и 4-я книги Царств, Книги пророков Малахии и Исаии, Евангелие и Апокалипсис. В статью включён авторский перевод данного отрывка с еврейской версии, отличающийся от синодального перевода, выполненного с греческой версии. С помощью текстологических и экзегетических методов исследования в статье сделана попытка решить сложные вопросы интерпретации
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Kretov, A. I. "THE HERITAGE OF TARAS SHEVCHENKO: THE IMAGE OF THE "ARTIST-PROPHET" IN UKRAINIAN CULTURE." UKRAINIAN CULTURAL STUDIES, no. 2 (7) (2020): 37–43. http://dx.doi.org/10.17721/ucs.2020.2(7).06.

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The article is devoted to the problem of the image of the artist as a prophet in connection with the work of Taras Shevchenko, due to his extraordinary influence on Ukrainian culture. The formation of this image is the result of the interaction of a number of socio-cultural factors, which are the subject of analysis in this article. First of all, it is the dependence of the Great Kobzar's self-determination on those strategies that depend on poetry and painting, the place of these spheres in contemporary society, their task of integrating creative activity into the social structure and artisti
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Kalin, Ibrahim. "Prophet Muhammad and His Western Critics." American Journal of Islam and Society 18, no. 2 (2001): 162–64. http://dx.doi.org/10.35632/ajis.v18i2.2026.

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This book by the Pakistani scholar Zafar Ali Qureshi is devoted to animportant aspect of the relationship between Islam and the West.The image of the Prophet Muhammad (pbu) produced by western scholarsof Islam has determined, in many ways, the parameters of the relationshipbetween the two religions and the respective civilizations to which theyhave given rise. The main argument of Qureshi's extremely well-researchedbook is that the western scholarship bred by the centuries-oldChristian prejudices against Islam has tried to undermine the religious andintellectual basis of Islam by undermining t
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Ghazoul, Ferial J. "Humanising Islam's Message and Messenger in Postcolonial Literature." Journal of Qur'anic Studies 16, no. 3 (2014): 196–215. http://dx.doi.org/10.3366/jqs.2014.0173.

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Recent postcolonial novels have touched on Islamic faith and the Prophet, presenting a humanised image of Islam and Muḥammad. Such fiction has succeeded in writing back to Orientalist dehumanisation of the Other and stereotypes of Muslims as well as writing against fundamentalist reactionary appropriation of Islam. Leila Aboulela in The Translator (1999) interprets Islam literally and metaphorically to non-Muslims in a fictional romance that takes the protagonists from Scotland to Sudan. Assia Djebar in Loin de Médine (1991) deals with the beginnings of Islam in Arabia. This historical novel c
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Rahmah, Wahyuni Shifatur. "Mengkritisi Hadis-Hadis Tentang Usia Pernikahan Aisyah." Musãwa Jurnal Studi Gender dan Islam 8, no. 2 (2009): 163. http://dx.doi.org/10.14421/musawa.2009.82.163-183.

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Muslim scholars disagree as how old lady Aisyah was when she married Prophet Muhammad. One of the popular records reported by Hisyam bin Urwah says that she was about 6 and 9 years old. However, more recent careful study of hadits shows that the Hisyam bin Urwah's version of report is contradictory with other available reports, and therefore the validity of the hadits is in doubt. Nonetheless it is both interesting and strange to see how the hadits has been used as a valid argument by opponents of Islam to destroy the image of the Prophet and Islamic teaching in general, and even by Muslims th
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Ismailova, S. N. "THE IMAGE OF THE PROPHET MUHAMMAD IN THE POETRY OF I. NASIMI." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism", no. 3 (2022): 266–70. http://dx.doi.org/10.32838/2710-4656/2022.3/44.

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Stuart, Elizabeth. "The Prophet as an Image of the Pastor in the New Testament." Contact 109, no. 1 (1992): 24–30. http://dx.doi.org/10.1080/13520806.1992.11758721.

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Silver, Edward. "Performing Domination/Theorizing Power: Israelite Prophecy as a Political Discourse beyond the Conflict Model." Journal of Ancient Near Eastern Religions 14, no. 2 (2014): 186–216. http://dx.doi.org/10.1163/15692124-12341262.

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This essay considers the image of the yoke (Akk. nīru/abšānu; Heb. ʿōl) in the context of ancient Near Eastern political discourse. It analyzes the yoke’s function in Jeremiah 27–29 as a means to developing a clearer understanding of how biblical prophecy operated as political speech. The yoke finds abundant attestation in the neo-Assyrian imperial rhetoric that immediately preceded the period of Babylonian domination in Judah. In manipulating this image, the Jeremian poetry strategically reframed an element of imperial ideology within the discourse of the patriarchal, agrarian household. In t
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Burkovska, Liubov. "The Icon Prophet Elijah In The Desert With Life And Deesis of the Late 12th – Early 13th Centuries: Features of Iconography and Attribution." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 151–66. http://dx.doi.org/10.15407/mue2021.20.151.

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The icon Prophet Elijah in the Desert with Life and Devotion of the late 12th – early 13th century from the village of Vybuty near Pskov is the oldest living icon of the Kyivan Rus. The close connection of the icon with ancient Byzantine traditions is indicated by its unusual composition, where the author combines the images of Elijah in the center of the icon, the scenes from his life are on both sides and below, and above there are prayers with angels and apostles. In the scholars’ opinion, this rare plot combination is inspired by an ancient tradition – the icons are placed on the architrav
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Вернер, Анжелика Олеговна. "География земная и сакральная в декоративной программе раннехристианской церкви пророка Моисея на горе Нево". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 99–112. https://doi.org/10.18688/aa2414-2-7.

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The decorative program of the pilgrimage basilica of the prophet Moses on Mount Nebo included numerous floor mosaics and marble carvings of the pulpit and the chancel screens. It developed throughout the 6th century and finally took shape in the early 7th century. One of its distinctive features was the importance of biblical geography, which was treated differently in various mosaic panels. The Pilgrimage texts show the primary attention that the believers paid to the views of Palestine. Local monks actualized them for pilgrims by recalling the biblical narrative and reciting the correspondin
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Suryadi, Suryadi. "Perempuan dan Spiritualitasnya Dalam Perspektif Hadis." Musãwa Jurnal Studi Gender dan Islam 6, no. 2 (2008): 195. http://dx.doi.org/10.14421/musawa.2008.62.195-211.

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It has been widely known that Islam is often portrayed as a religion which marginalizes and discriminates against women. This image comes from gender-biased practices of Muslim communities in some parts of the world. The author argues that if we go deeply to the authentic teachings of Islam, be they ones based on the Qur'an and Hadith, we will certainly find many riwayah that promote equality between men and women. With regard to the issue of spirituality, this article focuses on the hadith perspective, and concludes that the Prophet Muhammad had indeed provided wide space for women (as well a
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Dogondke, Dariusz. "Interpretacja mesjańska wyrażenia „słońce sprawiedliwości” (Ml 3,20)." Verbum Vitae 26 (December 1, 2014): 33–47. http://dx.doi.org/10.31743/vv.1591.

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Christian tradition reads the words of the prophet Malachi on „the sun of righteousness” (Mal 3:20) as Messianic, calling Jesus Christ the sun of righteousness. This paper is an attempt to justify this belief in the context of the Old Testament, especially of the Book of Malachi. Indeed, the Messianic nature of this expression is indicated by the closest context, in which the image of rising sun has been contrasted with the image of the lack of root and branch. The total destruction of „root and branch” means no messianic hope for the wicked (Mal 3:19), but for the God­fearing the rising of th
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Kulwicka-Kamińska, Joanna. "Prorok w dawnych i współczesnych translacjach Biblii i Koranu." Białostockie Archiwum Językowe, no. 10 (2010): 159–76. http://dx.doi.org/10.15290/baj.2010.10.10.

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The article attempts to analyze different ways of translating words referring to “a prophet” from Arabic into Slavonic languages in Tatar writings of the Grand Duchy of Lithuania (GDL) and Polish translations of the Koran in comparison to prophet designations present in the Polish translations of the Bible. It is also an attempt to find out whether collocations with the word prophet present in the GDL Tatar writings and Polish translations of the Koran are characteristic of this type of texts when the so called Koran phraseology is created, and whether and to what extent they reflect biblical
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