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Artykuły w czasopismach na temat „Indigo – South Carolina – Fiction”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

NASH, R. C. "South Carolina indigo, European textiles, and the British Atlantic economy in the eighteenth century." Economic History Review 63, no. 2 (2010): 362–92. http://dx.doi.org/10.1111/j.1468-0289.2009.00487.x.

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Bailey, Maurice, Nik Heynen, and Rinne Allen. "Memory, (Re)Making, and the Futures of Indigo." Southern Cultures 30, no. 4 (2024): 34–43. https://doi.org/10.1353/scu.2024.a951655.

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Abstract: There is a movement afoot across the Low Country states of Georgia and South Carolina to revive indigo. The use and spirit of this plant—a plant that many people used to believe has magical powers, given the vibrant colors it conjures—is being revived for multiple reasons. The authors participated in this process of rebirth because they were asked to by Maurice Bailey’s mother, Ms. Cornelia Walker Bailey, a griot who fought for Gullah Geechee culture on Sapelo Island until she passed away in 2017. The makers, dyers, textile artists and others interested in the craft of indigo are com

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Littlefield, Daniel C. "Andrea Feeser. Red, White, and Black Make Blue: Indigo in the Fabric of Colonial South Carolina Life." American Historical Review 119, no. 5 (2014): 1683–84. http://dx.doi.org/10.1093/ahr/119.5.1683.

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Elder, Robert. "A Review of “Red, White, and Black Make Blue: Indigo in the Fabric of Colonial South Carolina Life”." History: Reviews of New Books 43, no. 2 (2015): 63–64. http://dx.doi.org/10.1080/03612759.2015.989142.

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Matiu, Ovidiu. "Olaudah Equiano’s Biography: Fact or/and Fiction." East-West Cultural Passage 22, no. 2 (2022): 52–59. http://dx.doi.org/10.2478/ewcp-2022-0015.

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Abstract This article analyzes the documentation available in an attempt to settle the controversy over the “true” date and place of birth of Olaudah Equiano, or Gustavo Vassa, the African. Several original documents are analyzed, and the data is compared to the information provided by the author himself in his The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African. Written by Himself, first published in London, in 1789. According to these documents (a baptismal record and a muster book), he was not born in Africa, in Igboland (in today’s Nigeria) as he argued

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Kuhn, Mary. "Chesnutt, Turpentine, and the Political Ecology of White Supremacy." PMLA/Publications of the Modern Language Association of America 136, no. 1 (2021): 39–54. http://dx.doi.org/10.1632/s0030812920000048.

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AbstractCharles Chesnutt's fiction describes the forests of North Carolina not as the unspoiled wildernesses of the popular imagination but instead as an integral part of the extractive economy of the South. In the postbellum decades, many northerners visited the state's forests for health tourism even as the turpentine and lumber industries were decimating the local pine. By drawing on his readers’ familiarity with turpentine, a pine product that was both a household staple and a global commodity, Chesnutt shows his readers how the pine woods were anything but bucolic. Chesnutt's ecological v

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Moreton, Emma. "Book Review: The Body in Flannery O’Connor’s Fiction by Donald E. Hardy, 2007. Columbia, South Carolina: University of South Carolina Press, pp. ix + 188 ISBN 978 1 57003 698 9 (hbk)." Language and Literature: International Journal of Stylistics 18, no. 4 (2009): 396–99. http://dx.doi.org/10.1177/09639470090180040801.

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Thomas, Brook. "Albion W. Tourgée's Forgotten Dystopia: How the South Conspired with Northern Monopolists to Win the Post-Civil-War Peace." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 80, no. 1 (2024): 1–27. http://dx.doi.org/10.1353/arq.2024.a921515.

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Abstract: Albion W. Tourgée wrote best-selling novels based on his days fighting the Klan and trying to reconstruct North Carolina. Recently his fiction and his role as Homer Plessy's lead attorney have received renewed attention. But the work to which he devoted most energy remains forgotten. Speaking directly to today's world of ongoing racial injustice and income inequality, "89 (1888) is told by the Grand Master of the Order of the Southern Cross. He and a northern monopolist based on J.D. Rockefeller conspire to bring about peaceful secession of the South and suppression of northern worke

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Pepper, Andrew. "Crime Fiction in the Archives: Hunting for Dashiell Hammett in the 1970s." Crime Fiction Studies 5, no. 2 (2024): 166–82. http://dx.doi.org/10.3366/cfs.2024.0122.

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This is an essay about the archive. It considers what the archive is, who or what constitutes it and for what purposes, and how we understand the archiving of knowledge as a disciplinary practice: that is, as a practice of disciplinary power and as a means of producing academic disciplines. It is also an essay about two archives in particular: the Dashiell Hammett Family Papers and the Richard Layman Collection of Dashiell Hammett, both housed in the Irvin Department of Rare Books and Special Collections at the University of South Carolina. These archives give us a fascinating insight into the

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RHODES, KATE. "Jan Furman, Toni Morrison's Fiction (Columbia: University of South Carolina Press, 1996, $19.95). Pp. 136. ISBN 1 57003 067 7." Journal of American Studies 32, no. 1 (1998): 125–200. http://dx.doi.org/10.1017/s0021875898375829.

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Round, Siân. "Southern Stories for Northern Readers: Julia Peterkin’s Short Stories in The Reviewer and the Disruption of Dialect." Journal of Modern Periodical Studies 14, no. 1 (2023): 47–69. http://dx.doi.org/10.5325/jmodeperistud.14.1.0047.

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ABSTRACT This article examines the short stories of South Carolina author Julia Peterkin published in Richmond literary magazine The Reviewer between 1921 and 1925. Placing these peculiar stories of postbellum plantation life into their publication context, this article concerns itself with how the stories unsettle the ambitions for the Southern magazine set out by H. L. Mencken and The Reviewer’s editor, Emily Tapscott Clark. Following the publication of Mencken’s controversial article “The Sahara of the Bozart,” the focus of the Southern literary magazine was to present a progressive yet ide

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Robinson, M. Michelle. "White Gothic and Black Detection in Edgar Allan Poe and Barbara Neely." Poe Studies 56, no. 1 (2023): 63–82. http://dx.doi.org/10.1353/poe.2023.a909582.

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ABSTRACT: This essay argues that Barbara Neely reconfigures tropes and dramatic elements that appeared in Edgar Allan Poe's gothic and detective tales to formulate a Black, feminist, working-class detective fiction. In Blanche on the Lam (1992) and Blanche Passes Go (2000), Neely relocates the moral decay and material degeneration of aristocratic estates that Poe depicts in works like "The Fall of the House of Usher" and "The Black Cat" to the town of Farleigh, North Carolina. There, she reframes the gothic landscape as one designed to safeguard the power of White elites, disavow histories of

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ARNOLD, JOHN. "Tony Magistrale and Michael A. Morrison, A Dark Night's Dreaming: Contemporary American Horror Fiction (Columbia: University of South Carolina Press, 1996, $24.95). Pp. 156. ISBN 1 57003 070 7." Journal of American Studies 31, no. 3 (1997): 439–69. http://dx.doi.org/10.1017/s0021875897415694.

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Cohen, Hella Bloom. "Red, White, and Black Make Blue: Indigo in the Fabric of Colonial South Carolina Life. By Andrea Feeser. Athens, GA, and London: University of Georgia Press. 2013. 168 p. $24.95 (pb). ISBN 978-0-8203-4553-6." Journal for Eighteenth-Century Studies 38, no. 2 (2015): 300–301. http://dx.doi.org/10.1111/1754-0208.12230.

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McDonald, Michelle Craig. "Red, White, and Black Make Blue: Indigo in the Fabric of Colonial South Carolina Life. ByAndrea Feeser. Athens: University of Georgia Press, 2013. 140 pp. Illustrations, map, photographs, notes, index. Cloth, $69.95; paper, $24.95. ISBN: cloth, 978-0-8203-3817-0; paper, 978-0-8203-4553-6." Business History Review 89, no. 3 (2015): 590–93. http://dx.doi.org/10.1017/s0007680515000860.

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Franks, Rachel. "Cooking in the Books: Cookbooks and Cookery in Popular Fiction." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.614.

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Introduction Food has always been an essential component of daily life. Today, thinking about food is a much more complicated pursuit than planning the next meal, with food studies scholars devoting their efforts to researching “anything pertaining to food and eating, from how food is grown to when and how it is eaten, to who eats it and with whom, and the nutritional quality” (Duran and MacDonald 234). This is in addition to the work undertaken by an increasingly wide variety of popular culture researchers who explore all aspects of food (Risson and Brien 3): including food advertising, food

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Hart, Emma. "ATLANTIC AND LOCAL: SCALES OF INTERDEPENDENCE IN EIGHTEENTH CENTURY CHARLESTON, SOUTH CAROLINA." Almanack, no. 24 (2020). http://dx.doi.org/10.1590/2236-463324ed00319.

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Abstract: Using Charleston, South Carolina, USA, as a case-study, this article argues that this interplay of scales and, more specifically unequal scales, was just as important to fostering the growth of globally-connected cities in the early modern Atlantic. In the course of the eighteenth century, Charleston grew from a few thousand inhabitants to one of the largest cities in the North Atlantic with a population of roughly 15,000 at the first United States Census in 1790. Historians have customarily attributed this growth to the simultaneous expansion of the plantation economy, which produce

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"Red, white & black make blue: indigo in the fabric of Colonial South Carolina life." Choice Reviews Online 51, no. 10 (2014): 51–5771. http://dx.doi.org/10.5860/choice.51-5771.

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Wood, Jesse M., Amy K. Tegeler, and Beth E. Ross. "Vegetation management on private forestland can increase avian species richness and abundance." Condor, August 28, 2020. http://dx.doi.org/10.1093/condor/duaa048.

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Abstract Conservation efforts on private lands are important for biodiversity conservation. On private lands in South Carolina, in the southeastern United States, forestry management practices (prescribed burning, thinning, herbicide application) are used to improve upland pine habitat for wildlife and timber harvest and are incentivized through U.S. Department of Agriculture Farm Bill cost-share programs. Because many forest-dependent avian species have habitat requirements created primarily through forest management, data are needed on the effectiveness of these management activities. We stu

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Lopes, Lucas Da Silva. "Disentangling the American Christian Right: An Interview with Dr. Christopher Douglas | Decifrando a direita cristã norte-americana: uma entrevista com o Prof. Dr. Christopher Douglas." Reflexão 44 (December 19, 2019). http://dx.doi.org/10.24220/2447-6803v44e2019a4676.

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Christopher Douglas is one of the most prominent scholars who has studied the rise of the conservative Christian Right in the American political arena and the links of this complex movement to American culture. Prof. Douglas taught at the University of Toronto and, for five years, at Furman University, South Carolina before transferring to University of Victoria in 2004. He teaches American literature, particularly contemporary American fiction, religion and literature, multicultural American literature, postmodernism, and the Bible as Literature. In the interview below, Prof. Douglas talks ab

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21

Levey, Nick. "“Analysis Paralysis”: The Suspicion of Suspicion in the Fiction of David Foster Wallace." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.383.

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Blaise Pascal once offered the following advice to those perennially worried about knowing fact from fiction: “how few things can be demonstrated! Proofs only convince the mind; custom provides the strongest and most firmly held proofs” (148). The concern about whether or not God existed was for Pascal an unnecessary anxiety: the question couldn’t be answered by human knowledge, and so ultimately one just had to “wager” on whatever stood to be most beneficial, act as if this chosen answer was true, and the mind would eventually fall into line. For Pascal, if one stood to gain from believing in

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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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Guimont, Edward. "Megalodon." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2793.

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In 1999, the TV movie Shark Attack depicted an attack by mutant great white sharks on the population of Cape Town. By the time the third entry in the series, Shark Attack 3, aired in 2002, mutant great whites had lost their lustre and were replaced as antagonists with the megalodon: a giant shark originating not in any laboratory, but history, having lived from approximately 23 to 3.6 million years ago. The megalodon was resurrected again in May 2021 through a trifecta of events. A video of a basking shark encounter in the Atlantic went viral on the social media platform TikTok, due to users m

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24

Pedersen, Isabel, and Kirsten Ellison. "Startling Starts: Smart Contact Lenses and Technogenesis." M/C Journal 18, no. 5 (2015). http://dx.doi.org/10.5204/mcj.1018.

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On 17 January 2013, Wired chose the smart contact lens as one of “7 Massive Ideas That Could Change the World” describing a Google-led research project. Wired explains that the inventor, Dr. Babak Parviz, wants to build a microsystem on a contact lens: “Using radios no wider than a few human hairs, he thinks these lenses can augment reality and incidentally eliminate the need for displays on phones, PCs, and widescreen TVs”. Explained further in other sources, the technology entails an antenna, circuits embedded into a contact lens, GPS, and an LED to project images on the eye, creating a virt

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McNicol, Emma Jane Brosnan. "Gendered Violence as Revelation in John le Carré’s The Night Manager." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1665.

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Susanne Bier and David Farr’s 2016 television adaptation of John le Carré’s novel The Night Manager (“Manager”) indexes the resilience of traditional Christian misogyny in contemporary British-American media. In the first episode of the series, Sophie (Aure Atika)’s partner Freddie Hamid (David Avery) brutally beats her. In the subsequent scene, despite her scars, Sophie has a sex scene with the eponymous night manager Pine (Tom Hiddlestone). Sophie’s eye socket and the left side of her face bear fresh bruises and wounds throughout the sex scene. And in the sixth and final episode, Pine and Je

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Taylor, Nick. "LEGO and the Infrastructural Limits of Open Play." M/C Journal 26, no. 3 (2023). http://dx.doi.org/10.5204/mcj.2945.

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LEGO and Adult Hobbyism For much of its history, LEGO has been regarded as a – if not the – children’s toy. Partially through The LEGO Group (TLG)’s own careful deployment of research on constructivist learning, the building system’s recombinatory logic, bright colours, and foot-destroying durability have become associated with paradigmatic notions of what children’s play is and does (Giddings; Maddalena). And yet the world of adult LEGO hobbyism is complex, rich, and worthy of scholarly attention in its own regard. As recent headlines about the popularity of toys among adults have indicated,

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Barry, Derek. "Wilde’s Evenings." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2722.

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   According to Oscar Wilde, the problem with socialism was that it took up too many evenings. Wilde’s aphorism alludes to a major issue that bedevils all attempts to influence the public sphere: the fact that public activities encroach unduly on citizens’ valuable time. In the 21st century, the dilemma of how to deal with “too many evenings” is one that many citizen journalists face as they give their own time to public pursuits. This paper will look at the development of the public citizen and what it means to be a citizen journalist with reference to some of the writer’s o

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Barry, Derek. "Wilde’s Evenings: The Rewards of Citizen Journalism." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.29.

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According to Oscar Wilde, the problem with socialism was that it took up too many evenings. Wilde’s aphorism alludes to a major issue that bedevils all attempts to influence the public sphere: the fact that public activities encroach unduly on citizens’ valuable time. In the 21st century, the dilemma of how to deal with “too many evenings” is one that many citizen journalists face as they give their own time to public pursuits. This paper will look at the development of the public citizen and what it means to be a citizen journalist with reference to some of the writer’s own experiences in the

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Lee, Tom McInnes. "The Lists of W. G. Sebald." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.552.

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Since the late 1990s, W. G. Sebald’s innovative contribution to the genre of prose fiction has been the source of much academic scrutiny. His books Vertigo, The Rings of Saturn, The Emigrants and Austerlitz have provoked interest from diverse fields of inquiry: visual communication (Kilbourn; Patt; Zadokerski), trauma studies (Denham and McCulloh; Schmitz), and travel writing (Blackler; Zisselsberger). His work is also claimed to be a bastion for both modernist and postmodernist approaches to literature and history writing (Bere; Fuchs and Long; Long). This is in addition to numerous “guide to

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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2715.

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   Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the d

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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.22.

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Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the direction of the galle

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