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Gotowe bibliografie tematyczne / Internment camp theater

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Gotowa bibliografia na temat „Internment camp theater”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Internment camp theater"

1

Benbow, Heather, and Andreas Dorrer. "‘KULTURKRIEG’ BEHIND BARBED WIRE: GERMAN THEATRE IN AN AUSTRALIAN FIRST‐WORLD‐WAR INTERNMENT CAMP." German Life and Letters 77, no. 2 (2024): 195–217. http://dx.doi.org/10.1111/glal.12407.

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ABSTRACTThis article is the first in‐depth study of the ‘Deutsches Theater Liverpool’, probably the most successful non‐English theatre ever on Australian soil, selling out daily performances and mounting a new production each week. The theatre's success was due in large part to its location inside the ‘German Concentration Camp’, the largest First World War (WWI) internment camp in Australia. In contrast to most WWI internment camps around the world, its almost six thousand ‘enemy alien’ internees were a mixture of civilians – most of whom called Australia home before the war – merchant sailo

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Krotofil, Maciej, Hennadij Nadtoka, and Ihor Sribnyak. "Cultural and Artistic Component of the Camp Leisure of Interned Ukrainian Soldiers in Aleksandrów and Łańcut, Poland (end of 1920 – 1921)." Eminak, no. 1(41) (April 13, 2023): 134–47. http://dx.doi.org/10.33782/eminak2023.1(41).626.

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The purpose of the article is to conduct an analysis into the cultural and artistic component of the camp everyday life of interned UPR Army soldiers in the camps Aleksandrów and Łańcut (Poland) at the end of 1920 and in 1921. The scientific novelty lies in the multi-faceted study of the essence of cultural and artistic activity conducted by creative groups from among camp residents, whose events helped enrich everyday life in the camps for interned soldiers. Conclusions. The cultural and artistic life of interned soldiers was manifested most fully in three categories – songwriting

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Sribniak, Ihor. "Życie kulturalne i artystyczne żołnierzy Ukraińskiej Armii Ludowej internowanych w obozie w Strzałkowie (lipiec 1921-sierpień 1922)." Polonia Maior Orientalis 8 (December 30, 2021): 97–112. http://dx.doi.org/10.4467/27204006pmo.21.006.15457.

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W artykule opisano kulturowo-artystyczny element codziennego życia obozowego internowanych żołnierzy Armii URL w Strzałkowie w okresie od lipca 1921 do sierpnia 1922 r. W tym czasie w obozie działało kilka zespołów dramatycznych artystów amatorów, chór pod dyrekcją D. Kotki, dwie improwizowane orkiestry (instrumenty smyczkowe i dęta). Dzięki tym grupom artystycznym uwięzieni mieli okazję uczestniczyć w przedstawieniach teatralnych, występach chórzystów, koncertach muzyki instrumentalnej. Ponadto ich wspólnym wysiłkiem regularnie przygotowywano różne wydarzenia artystyczne („koncerty”) dla inte

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Holubnycha-Shlenchak, Yuliia, та Ihor Sribniak. "Voices of the Camp Press of the Interned Ukrainians Soldiers in Szczypіornо, Poland (1922 – September 1923)". Ukrainian Information Space, № 1(13) (29 березня 2024): 135–58. https://doi.org/10.31866/2616-7948.1(13).2024.300879.

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The article analyses the peculiarities of the newspaper and magazine periodicals functioning in the internment camp for Ukrainian soldiers of the UPR Army in Szczypiorno, Poland during 1922 – the first half of 1923. It is noted that the camp press played an extremely important organisational and mobilising role among internees, trying to meet their special needs. All the camp periodicals urgently needed the material support of campers, in particular, their charitable contributions, which were transferred to the press funds of the publications; at the same time, their editors tried to acc

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Sribniak, Ihor. "Ukrainian amateur theatre at the internment camp of the UNR army in Strzałkowo, Poland, as viewed by theatrical critics in August 1921 — July 1922 (according to the materials of the journal Promin / Sunbeam)." Synopsis: Text Context Media 26, no. 2 (2020): 48–60. http://dx.doi.org/10.28925/2311-259x.2020.2.5.

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The aim of the study is the understanding of the theatre role for formation of spiritual and ideological ideals of interned soldiers. This involves analysis of the amateur circle repertoire and critical reception of plays as well as reconstruction of value motivation of Ukrainian military groups. The historical method, source analysis and synthesis have been used for this purpose. The results of the study showed that the theatrical performances were prepared by several artistic and actor groups (repertory companies), and the informal competition took place between them. Such situation formed t

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Sribnyak, Ihor, Natalia Yakovenko, and Viktor Matviyenko. "Charitable activities of the Young Men’s Christian Association in the camps of interned Ukrainian soldiers in Poland, 1921." Eminak, no. 2(38) (August 5, 2022): 77–88. http://dx.doi.org/10.33782/eminak2022.2(38).582.

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The purpose of the paper is: to reveal the content and forms of charitable aid provided by the Young Men’s Christian Association (UMCA) in the camps of interned Ukrainian soldiers of the UPR Army in Poland during a certain chronological period, as well as to determine its overall amount and impact on the everyday life of camp residents and their family members. The research novelty is demonstrated by the all-sided coverage of the whole amount of the YMCA’s activities, whose members initiated a humanitarian aid campaign in the internment camps, thanks to which it became possible to organi

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Książki na temat "Internment camp theater"

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M, Meerovich Boris, ed. Theatre in the Solovki prison camp. Harwood Academic Publishers, 1995.

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Catherine, Temerson, ed. The Sonderberg case: A novel. Alfred A. Knopf, 2010.

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Petrovskai︠a︡ akademii︠a︡ nauk i iskusstv. and Komi (Russia). Ministerstvo obrazovanii︠a︡ i vyssheĭ shkoly., eds. Khudozhestvennoe voploshchenie temy GULAGa v russkoĭ literature Respubliki Komi vtoroĭ poloviny XX veka. Izd-vo "Ėskom", 2006.

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Charles, Kean, ed. Sh akespeare's play of a midsummer night's dream: Arranged for representation at the Princess's Theatre. Pergamon, 1985.

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Shakespeare, William. A midsummer-night's dream. Cambridge University Press, 2009.

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Shakespeare, William. A midsummer night's dream. Oxford University Press, 2009.

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Shakespeare, William. Ein Sommernachtstraum. Thalia Theater, 1986.

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Shakespeare, William. A midsommer nights dreame. Applause, 1998.

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Shakespeare, William. Han yŏrŭm pam ŭi kkum. Hyŏngsŏl Chʻulpʻansa, 1996.

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Shakespeare, William. A midsummer-night's dream. Leopard, 1995.

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Więcej źródeł

Części książek na temat "Internment camp theater"

1

Rosenberg, Pnina. "Resistance on Stage: Theatrical Performances in French Internment Camps." In Theater unter NS-Herrschaft. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737006422.285.

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Yu, Henry. "Performers on Stage." In Thinking Orientals: Migration, Contact, and Exoticism in Modern America. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195116601.003.0012.

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Abstract Frank Miyamoto described the bifurcation of his identity while conducting research in a Japanese American internment camp by using the language of the theater. “One is an actor within a drama and feels the forces which shape it; but one is simultaneously an outsider, a member of the audience, who observes the drama as it is played out by others.”1 The stage analogy separated for Miyamoto the “role” of the ethnic being studied from the point of view of the nonethnic audience. The ethnic insider had a role to play, but who made up the audience that was strictly observing? It was this st

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Kramer, Alan. "Other Concentration Camps in the Second World War." In Concentration Camps. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780192520906.003.0015.

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Abstract The chapter argues that the Nazi regime had no monopoly on concentration camps. They were common to fascist warfare—Italy and Japan both used them in their empires. Vichy France took over the (already miserable) internment camps of the Republic, using them for political repression and as transit camps to deport Jews to the Reich. Captured French colonial soldiers in German-run POW camps in France were treated surprisingly well, and most survived. Mainland Italy’s concentration camps interned domestic and foreign political prisoners, and foreign Jews. They were not sites of dehumanizat

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Heinzen, Jasper. "Honour in a World of Camps." In Prisoners of War and Military Honour, 1789–1918. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780192871169.003.0005.

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Abstract The colonial ‘small wars’ of the late nineteenth century saw experimentation with new forms of incarceration which confined hostile populations to discrete locales to cut insurgents off from their bases of support. Counter-intuitively, ‘concentration camps’ did not put an end to conditional releases on parole. During the Second Anglo-Boer War (1899–1902) captured Boer commandos held in the far reaches of the British empire continued to enjoy the privilege while their families died by the thousands in South African camps. The scrupulous adherence of the two belligerents to internationa

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