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Rozprawy doktorskie na temat „Intertextuality”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Hallquist, Pola L. "Intertextuality as internal adaptation in Ann-Marie MacDonald's "Goodnight Desdemona (Good Morning Juliet)", Robert Lepage's "Le Confessionnal," and Atom Egoyan's "The Sweet Hereafter"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0009/MQ61767.pdf.

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McMonagle, Catherine Ann. "Dancing feminisms and intertextuality." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/56134/.

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This thesis investigates representations of dancing women in three postmodern novels, arguing that their radical revisions of traditional texts offer readers steps to be taken in the future. Resistant and troublesome dances are deployed here to address feminisms, multiple and contradictory subjectivities and intertextuality. I suggest that a consideration of a nuanced view of multiple subjectivities can benefit women more than striving towards an illusory, autonomous identity. Intertextuality invites contemplation of the dance between different texts and the meanings invoked as a result. Not o

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Maurer, Bernard. "Psalm 95 and intertextuality." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Lamothe, Serge. "La tierce personne, roman ; suivi de L'intertextualité, un élément constitutif du processus de création littéraire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57815.pdf.

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Pascone, Valeria. "Piramo e Tisbe, Narciso e Semele : tre miti ovidiani in Dante." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL036.

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La thèse, intitulée "Tre miti ovidiani in Dante : Piramo e Tisbe, Narciso e Semele" est une analyse de la présence de ces trois fabulae des Métamorphoses dans l'œuvre de Dante. La sélection des mythes a été dictée par la nécessité de définir un champ aussi vaste et par l'intention de mettre en évidence la relation entre l'Eros et la Connaissances, qui est si important dans le système poétique et philosophique de l'auteur florentin.Cette étude se fie par ailleurs l'objective de souligner la manière dont Dante utilise le modèle d'Ovide: la rencontre avec la source classique prévoit un dialogue c

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Hermansson, Casie Elizabeth. "Feminist intertextuality and the Bluebeard story." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0004/NQ35183.pdf.

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Yau, See-wing Catherine. "Intertextuality in Helen Lai's dancing texts." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38675754.

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8

West, Russell Brian. "Conrad and Gide : translation and intertextuality." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387504.

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9

Amaral, Tiago Kern do. "Intertextuality in Neil Gaiman's American Gods." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/143658.

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A presente dissertação consiste em um estudo do romance Deuses americanos de Neil Gaiman levando em consideração suas conexões a outros textos bem como inserções de diversos textos provenientes de outros trabalhos na prosa do romance. A proposta de leitura do texto de Gaiman segundo este trabalho utiliza os conceitos de intertextualidade e arquétipos de forma a analisar a relação entre a trama de Deuses americanos às várias utilizações de textos cuja escrita “original” não é atribuída ao autor do livro inseridos (ou referenciados) na prosa do romance. Embora o objeto de estudo seja comumente v

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10

Bailey, Iain Andrew Aitchison. "Samuel Beckett, intertextuality, and the Bible." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520492.

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This thesis takes up the question of intertextuality between the Bible and Samuel Beckett’s oeuvre. It starts with the contention that this relationship has acquired something of the status of a commonplace within Beckett studies; not that substantial scholarly works have not widened out considerably the way that this is understood, but in Ruby Cohn’s words: ‘today every Beckett student knows his literary allegiances—the Bible and Dante, above all’. The Bible’s status for Beckett comes to be treated as a matter of common sense. In response to this critical situation, one aspect of the thesis i

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11

Burr, Benjamin J. "Intertextuality in the Fiction of Cormac McCarthy." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1374.pdf.

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12

Buckley, Chloe Alexandra Germaine. "Nomadic intertextuality and postmillennial children's Gothic fiction." Thesis, Lancaster University, 2016. http://eprints.lancs.ac.uk/80277/.

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Since the turn of the twenty first century, Gothic has emerged as one of the most popular forms in which to write for children. Although children’s literature critics and educational professionals were once dubious about the value of scary stories for children, postmillennial Gothic has begun to receive critical praise as well as mass market popularity. This thesis explores an emergent critical discourse that champions children’s Gothic alongside a variety of examples of the form. I argue that postmillennial children’s fiction employs metafictional reflexivity and explicit intertextuality, ope

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13

Penninkilampi, Kai. "Intertextuality : Death in Brunswick : novel into film /." Title page and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09arp414.pdf.

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14

Butcher, John. "Poetry and intertextuality : Eugenio's Montale's later verse /." Perugia : Volumnia, 2007. http://www.loc.gov/catdir/toc/casalini07/07331363.pdf.

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15

Rim, Dohyun. "Shakespeare and Yeats's plays : impact, influence, intertextuality." Thesis, University of Liverpool, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491355.

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This is a study of the multi-faceted relationship between the plays of Shakespeare and W.B. Yeats. While existing studies have tended to focus on the question of poetic influence, this thesis argues that specifically theatrical questions were also at the heart of Yeats's interest in Shakespeare, and shows that these dramatic concerns were closely bound up with the system of thought Yeats developed in A Vision. Moreover, this thesis resists the limitations of an emphasis on the problematic question of influence by taking an intertextual approach that sets the plays of the two dramatists alongsi

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16

Fairhall, Adam Leslie. "Intertextuality and the dialogic principle in jazz." Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496183.

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This PhD project examines the central issue of intertextuality and dialogism m jazz trom a range ot critical, analytical and practical perspectives. A Lcal vocabulary drawn from theories of 'codes', including work in the fields of intertextuality studies and semiotics, is applied to the study of jazz performance in order to further expand on theories of signifyin' already popular in jazz studies. The concept of 'code-mixing' is central to the thesis, and various methods by which jazz musicians juxtapose and blend codes, often representative of different cultural areas, are identified and analy

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17

Appleton, Rosemary Jane. "Intertextuality and Gender in C.U.L. MSFf.1.6." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503969.

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18

Bracker, Nicole. "Rewriting Robinson Crusoe : excessive economies of intertextuality." Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365165.

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19

Roienko, L. "Intertextuality as general mechanism of text creation." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18286.

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20

Sisson, Michael Drew. "Intertextuality in the poetry of Pedro Shimose." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1265300683.

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21

Sisson, Michael. "Intertextuality in the poetry of Pedro Shimose /." Connect to resource, 1994. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1265300683.

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22

Brandström, Felicia. "Intertextuality as a politeness strategy : A qualitative study of the use and function of intertextuality in the television series Suits." Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100265.

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This paper investigates the use and function of intertextuality in the television series Suits, and examines the interplay between intertextuality and politeness. Intertextuality allows a text to incorporate other texts and to draw upon connotations that belong to those texts. Politeness theory offers a tool to analyse the pragmatic use of language in social interaction. Analysing occurrences of intertextuality from the first episode of the television series, the paper explores in what ways the fictional characters use intertextuality and for what purposes. It explores if, and how, intertextua

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23

Eriksson, Katarina. "Life and fiction : on intertextuality in pupils' booktalk /." Linköping : Tema Barn, Univ, 2002. http://www.bibl.liu.se/liupubl/disp/disp2002/arts251s.pdf.

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Wells, Elizabeth Ruth Rebecca. "Refiguring the island space : Robinson Crusoe and intertextuality." Thesis, Royal Holloway, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251736.

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Panagiotidou, Maria-Eireini. "Intertextuality and literary reading : a cognitive poetic approach." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/14310/.

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The goal of this thesis is to propose a cognitive approach to intertextuality. Intertextuality has attracted the attention of a number of literary scholars interested in discussing the interrelations between literary texts without, however, focusing on how readers create these connections. On the other hand, despite its reader-oriented approach, cognitive poetics has largely neglected the concept. This project employs recent developments in the field of cognitive linguistics and cognitive psychology and proposes a multi-layered approach to intertextuality in the light of the principles of cogn

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Eriksson, (Barajas) Katarina. "Life and Fiction : On intertextuality in pupils’ booktalk." Doctoral thesis, Linköpings universitet, Tema Barn, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-15146.

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This study examines booktalk, that is, teacher-led group discussions about books for children in a Swedish school. The empirical data comprise 24 hours of videorecorded booktalk in grades 4–7. In total, 40 children (aged 10–14 years) were recorded during 24 sessions. The present approach diverges from previous readerresponse studies in that it draws on authentic data, and in that it examines talk at a micro level, applying an approach from discursive psychology. By focusing on authentic book discussions, the study contributes to the development of readerresponse methods. All eight books applie

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27

Malik, Rachel Yasmin. "Fixing meaning : intertextuality, inferencing and genre in interpretation." Thesis, Middlesex University, 2002. http://eprints.mdx.ac.uk/13472/.

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The intertextual theories of V. N. Voloshinov, Mikhail Bakhtin and the early Julia Kristeva provide the most convincing account of the processes of textual production, conceived as constitutively social, cultural and historical. However, the ways in which intertextual accounts of reading (or 'use') have extended such theories have foreclosed their potential. In much contemporary literary and cultural theory, it is assumed that reading, conceived intertextually, is no simple decoding process, but there is little interest in what interpretation, as a process, is, and its relations to reading. It

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28

Pritchett, Elizabeth Reed Jackson. "Vital texts : democratic intertextuality in Dorothy Richardson's 'Pilgrimage'." Thesis, Keele University, 2017. http://eprints.keele.ac.uk/3868/.

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'Pilgrimage' (1915-1938/67), Dorothy Richardson’s long modernist novel of female consciousness, has a history of mischaracterisation. The first novel to be termed stream of consciousness, Pilgrimage offers an account of New Woman, Miriam Henderson, as she comes of age in fin-de-siècle Britain and becomes a writer in the first decades of the twentieth century. Adhering strictly to Miriam’s consciousness, Pilgrimage is often read as a byword for high modernist style: hermetic, elitist, and anti-democratic. By examining the power relations behind Pilgrimage’s other key formal system of representa

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29

Al, Saideen Bassam M. "Translating Intertextuality as Intercultural Communication| A Case Study." Thesis, State University of New York at Binghamton, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10929286.

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<p> Intertextuality refers to the textual space where texts intersect and new (hyper)texts emerge. It is the shaping of a text’s meaning by other (inter)texts present in it. As a literary device taking forms like allusion, quotation, pastiche, translation, etc., it depends on the presupposition of the presence of intertexts (or hypotexts) in (hyper)texts and on the reader’s recognition of such presence. For the recognition of intertexts, authors usually rely on shared cultural knowledge with the reader. The presence of intertexts in a text can either open it to interpretations or d

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30

Troyer, Scott R. "Layers of Meaning: Intertextuality in Early Anabaptist Song." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1471254121.

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Brunner, Julia. "Christa Wolf's "Hamlet" intertextuality in Christa Wolf's "Kassandra" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 132 p, 2009. http://proquest.umi.com/pqdweb?did=1885467551&sid=7&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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32

Polaski, Donald C. "Authorizing an end : the Isaiah apocalypse and intertextuality /." Leiden : Brill, 2001. http://catalogue.bnf.fr/ark:/12148/cb37718280q.

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Caminero-Santangelo, Byron. "African fiction and Joseph Conrad : reading postcolonial intertextuality /." Albany : State university of New York press, 2004. http://catalogue.bnf.fr/ark:/12148/cb40052366r.

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Annavini, Silvia. "Intertextuality and Intratextuality in the Pessoan Epic: Mensagem." Doctoral thesis, University of Trento, 2011. http://eprints-phd.biblio.unitn.it/464/1/Tesi_definitiva.pdf.

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The thesis is articulated in three main chapters which try to explore how the dynamics of intertextuality is translatable, within the Pessoan oevre, also in an intratextual manner. Actually, I tried to explore progressively how the system of literary genres combines with the Pessoan introjection and subversion of literary genres and models. In the first chapter I focused on the relationships between the Sebastianist myth and the Portuguese imperialism both from a diachronic and synchronous perspective trying to pinpoint the consequences this issues acquire in a literary ambit. I took under co

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35

Rocchi, Rainier. "L'oeuvre de Nathalie Sarraute à l'épreuve de l'intertextualité." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2005.

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L’intertextualité devrait permettre d’appréhender l’œuvre sarrautienne dans ses contradictions structurelles, réflexivement représentées, dans son évolution problématique, dans sa spécificité littéraire. Une première partie, analytique, met en évidence le régime moderne de l’emprunt, à travers l’étude de deux Nouveaux Romans emblématiques (Portrait d’un inconnu, Le planétarium), tandis que s’amorcent, avec « disent les imbéciles » et Ich sterbe, un tournant autobiographique et une restauration de la directivité auctoriale, caractéristiques des derniers opus. Une seconde partie, synthétique, re

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36

Keim, Katharina Esther. "Pirqei deRabbi Eliezer : structure, coherence, intertextuality, and historical context." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/pirqei-derabbi-eliezer-structure-coherence-intertextuality-and-historical-context(5a243982-b0b3-4209-9cba-1b58cfb40210).html.

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The present dissertation offers a literary profile of the enigmatic Gaonic era work known as Pirqei deRabbi Eliezer (PRE). This profile is based on an approach informed by the methodology theorized in the Manchester-Durham Typology of Anonymous and Pseudepigraphic Jewish Literature, c.200 BCE to c.700 CE, Project (TAPJLA). It is offered as a necessary prolegomenon to further research on contextualising PRE in relation to earlier Jewish tradition (both rabbinic and non-rabbinic), in relation to Jewish literature of the Gaonic period, and in relation to the historical development of Judaism in t

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37

Chaudhuri, Amit. "Text and intertextuality in the poetry of D.H. Lawrence." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243302.

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Jones, Bethan Mari. "Shaping, intertextuality and summation in D.H. Lawrence's last poems." Thesis, University of Nottingham, 1998. http://eprints.nottingham.ac.uk/12028/.

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This thesis, entitled ‘Shaping, Intertextuality and Summation in D. H. Lawrence's Last Poems’ , is the first full-length study of the poetry written by Lawrence in 1928-30, posthumously labelled ‘More Pansies’ and ‘Last Poems’ by Richard Aldington in 1932. My opening chapter discusses the characteristics of these two late poetry notebooks, challenging interpretations offered by Holly Laird and Christopher Pollnitz. I argue for the necessity of moving beyond an analysis limited to the consideration of poem sequences within a verse-book, or the evolution of individual poems through draft-stages.

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39

Watkin, Carole M. "Mulching down : intertextuality in the novels of William Golding." Thesis, Keele University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263195.

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Sibona, Bruno. "Mazeppa's horse : a case study of Anglo-French intertextuality." Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286185.

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The aim of this thesis is to reassess the value of the horse-figure in the tale of Mazeppa. The study begins with an attempt to establish the status of the tale as a Romantic myth in Western European culture and identifies four texts as a corpus of study: Voltaire's Histoire de Charles XII, roi de Suede, Lord Byron's Mazeppa, its translation into French by Amedee Pichot and, finally, Victor Hugo's 'Mazeppa' from his collection Les Orientales. Using methodologies derived from the history of ideas, psychoanalysis, and contextual and intertextual approaches, it is proposed that these four texts f

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41

Maciel, Katia Augusta. "Film, popular music and television : intertextuality in Brazilian cinema." Thesis, University of Southampton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494969.

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The thesis examines the effects of the cross-fertilisation between cinematic, musical and televisual texts on depictions of two emblematic Brazilian social space - the favela (shantytown) and the sertão (arid backlands) - in recently released independent and mainstream domestic productions. I argue that through processes of intertextuality recent Brazilian films have gradually transformed the favela into a widely exposed, lucrative but also productively challenging spectacle. Similarly, the iconicity of the sertão has been resignified allowing a new understanding of the region to emerge. My

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TORTIMA, FLAVIA IRIARTE. "ANYTHING INTERMEDIATE: INTERTEXTUALITY IN THE WORK OF ADRIANA CALCANHOTTO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30040@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>Essa pesquisa é o resultado de um estudo sobre a figura e a obra de Adriana Calcanhotto. Cantora, letrista e compositora brasileira, seu trabalho vem se caracterizando, sobretudo, por transitar nas fronteiras entre o erudito e o popular, a arte de vanguarda e a cultura de massa. Suas realizações vão desde musicar poemas de Carlos Drummond de Andrade, Waly Salomão, Antonio Cícero, Ferreira Gullar, Mário de Sá-Carneiro, H

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43

Wee, Leonard Kong-Hwee. "Beyond the echoes : extending the framework for biblical intertextuality." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/6968/.

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Although the framework for biblical intertextuality currently used by R.B. Hays and his followers has contributed much to our understanding of the role of the OT in the Pauline letters, it does not account fully for the ways in which the OT writings are used. In addition to the explicit citation and the more implicit allusion and echo, this dissertation argues that the framework should be extended to include the use of Scripture as an ideational resource, as well as the use of the Narrative Summary as a literary device. By revisiting the idea of intertextuality expounded by Kristeva, the herme

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44

Bargroff, Adam. "John McGahern and the American connection : intertextuality and masculinity." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669546.

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The thesis offers a comparative analysis of the fiction of John McGahern (1934-2006) and explores transatlantic and gendered aspects of his work. It argues for the development of a varied cultural and communicative network between Ireland and America throughout McGahern's career as a writer, primarily investigating patterns of encounter with texts by American writers in his fiction. Case studies provide definitive and speculative arguments for his experimental incorporation of American intertexts, reimagining Ireland th~ough the lens of another culture. On a secondary level, his construction o

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Burton, Brian. "'A forest of intertextuality' : the poetry of Derek Mahon." Thesis, Durham University, 2004. http://etheses.dur.ac.uk/1271/.

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Kolb, Paul Lawrence. "Intertextuality, exegesis, and composition in polytextual motets around 1500." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:aaf9f53a-196e-4fc0-8ffb-e37b3353f1d4.

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Over 450 motets survive from the fifteenth and sixteenth centuries which were composed with multiple simultaneously sounding texts. The size of this repertory has been underestimated and its importance under-acknowledged. Narratives of the genre overemphasize early fifteenth-century (and earlier) polytextuality due to its association with arcane rhythmic structuring techniques while stressing a new musical-textual ideal later in the century. This thesis is the first attempt to address the repertory of polytextual motets from the late fifteenth and early sixteenth centuries as a whole. It resit

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47

Hanaghan, Michael Peter. "Intertextuality and allusion in the epistles of Sidonius Apollinaris." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12810.

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Bishop, diplomat, letter-writer, poet and saint, Sidonius Apollinaris was an incredibly influential author in fifth-century Gaul. In Sidonius’ epistles literary allusions are employed to great and varying effect. This thesis examines Sidonius’ use of literary allusions in selected epistles, chosen to show the variety of their use. The first chapter examines how Sidonius alludes to programmatic remarks by other authors to develop his own unique programmatic message. Chapter two argues that Sidonius’ allusions in Ep. 1.5 (which describes his journey from Gaul to Rome in 467CE) amount to a criti

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Summers, Sam. "Intertextuality and the break from realism in DreamWorks Animation." Thesis, University of Sunderland, 2018. http://sure.sunderland.ac.uk/9180/.

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This thesis contextualises and historicises the contribution of DreamWorks Animation to the dominant aesthetic of contemporary American feature animation from the early 2000s to the present day. Specifically, it aims to justify the claim that mainstream feature animation has shifted away from hyperrealism and towards a form of ‘narrative-cartoonalism’ predicated on non-visual departures from realism. The thesis introduces this term to counteract the focus on the visual in conceptions of animated realism, and aims to identify the extent to which the DreamWorks studio played a key role in this s

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Tsoi, Sze-pang Pablo, and 蔡思鵬. "Modes of intertextuality in The waste land and Ulysses: two contrasted cases." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31381467.

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Kawamoto, Akitsugu Covach John Rudolph. "Forms of intertextuality Keith Emerson's development as a "crossover" musician /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,66.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2006.<br>Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Department of Music." Discipline: Music; Department/School: Music.

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