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1

Wotypka, Joanne Lee. "Jack Kerouac, Dharma Voyeur." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40020.pdf.

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Shrader, Kyle. "Jack Kerouac Does Not Lie." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6224.

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"Jack Kerouac Does Not Lie" recounts my pilgrimage in the summer of 2000, from southwest Florida to a canyon beach in California where Jack Kerouac—as I had read in his Big Sur—lost his mind forty years earlier. I was heavily influenced. Kerouac's On the Road showed me what to do with myself. Big Sur showed me where to go. In the twentieth century Americans shifted their notions of the west coast from a means for sustenance to a symbol of post-war freedom. Kerouac seems to embody this momentum; the world and the burning spirit his work describes is a precursor to the sixties. His muse, Neal Ca
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Lester, Malcolm Coltrane. "Jack Kerouac: The Quest for Thoreau's West." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625985.

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Serban, Sarah-Belle. "Jack Kerouac et la métaphore de la route." Paris 4, 1991. http://www.theses.fr/1991PA040318.

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Rous, Jean-Marie. "Jack Kerouac mythes et culpabilités d'un écrivain américain /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37609532j.

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Laganière, Frédéric. "Sur la route de Jack Kérouac : un roman initiatique /." Thèse, Trois-Rivières : Université du Québec à Trois-Rivières, 1998. http://www.uqtr.ca/biblio/notice/tablemat/03-2192213TM.html.

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Silva, Junior Sávio Augusto Lopes da. "Contracultura e contramemória em Os Subterrâneos, de Jack Kerouac." reponame:Repositório Institucional da UFOP, 2014. http://www.repositorio.ufop.br/handle/123456789/3928.

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Programa de Pós-Graduação em Letras. Departamento de Letras, Instituto de Ciências Humanas e Sociais, Universidade Federal de Ouro Preto.<br>Submitted by Oliveira Flávia (flavia@sisbin.ufop.br) on 2014-10-09T18:55:21Z No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_ContraculturaContramemóriaSubterrâneos.pdf: 1997006 bytes, checksum: 1537466225a27e713a232e9703aae537 (MD5)<br>Approved for entry into archive by Gracilene Carvalho (gracilene@sisbin.ufop.br) on 2014-11-18T14:34:51Z (GMT) No. of bitstreams: 2 license_rdf: 22190 bytes, chec
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Brophy, Mary-Beth. "Some lost bliss : tracing the dark night of the soul in Jack Kerouac's 'Visions of Gerard', 'The dharma bums', 'Desolation angels', and 'Big Sur' : and an excerpt from the novel 'Mayor of Hollywood'." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2132.

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The research and creative portions of this thesis develop from the various responses individuals experience in the wake of a loss. The research into the evolution of faith in author Jack Kerouac's 'Duluoz Legend' and the central storyline of the novel 'Mayor of Hollywood' spring from the same well: the crossroads between death and faith. The research piece concerns itself with Kerouac's exploration of the spiritual interior in the wake of the death of his protagonist's older brother, developing a personal faith that blends Buddhism and Catholicism unfettered by formal religious practice, mirro
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Jenkins, Barry S. "Jack Kerouac and the "Beat" sect of American Zen Buddhism /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ34189.pdf.

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Meyberg, Maíra Alcantara. "Movendo-se pelas estradas: a formação errante de Jack Kerouac." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7926.

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A proposta deste trabalho é analisar o romance On the Road, do escritor Beat Jack Kerouac em diálogo com a tradição da Literatura de Viagem. O estudo baseia-se em duas perspectivas em especial: a escrita de si e a escrita do outro. No que diz respeito a esta última, observamos os tons etnográficos e historiográficos que aparecem no romance e remetem à tradição. No que tange a escrita de si, observamos como a obra se comporta em relação ao caráter de Romance de Formação muito comum em relatos de viagem. Por conclusão, sugerimos que a obra por vezes dá continuidade, por vezes rompe com essas ver
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11

Pacini, Peggy. ""The Duluoz legend" : Jack Kerouac ou la mémoire franco-américaine." Paris 4, 2007. http://www.theses.fr/2006PA040091.

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Projet gigantesque, composé des romans dits de la route et des romans de Lowell, The Duluoz Legend est le reflet de la double identité de Jack Kerouac. Fils d’immigrants canadien français en Nouvelle-Angleterre, l’auteur a hérité d’un patrimoine culturel francophone dont toute une partie de son œuvre porte la trace (folklore, religion populaire, langue). Cette légende que Kerouac a voulu laisser à la postérité est le reflet d’une crise de l’identité et de la culture aux carrefours de deux mémoires. Ce dialogue interculturel met en avant une problématique autour de l’identité consentie et l’ide
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12

Rous, Jean-Marie. "Jack Kerouac : écrivain : mythes et culpabilités d' un écrivain américain." Paris 8, 1987. http://www.bibliotheque-numerique-paris8.fr/fre/ref/167930/180109111/.

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L' expérience de l' écriture chez Jack Kérouac est liée à celle de l' errance. Dans la tradition des écrivains américains. Dans la tradition des ecrivains americains, kerouac traverse l'amerique d'est en ouest physiquement pour retrouver l'esprit des pionniers. Son metier d'ecrivain americain le porte a reactualiser les mythes de l'epoque ou l'espace etait libre. La plupart de ses lecteurs n'ont lu que son best-seller "sur la route" et ne connaissent que cette dimension de son oeuvre. Cette these presente un aspect plus meconnu de son travail. En effet, kerouac nous raconte l'impossibilite d'e
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Baratta, Christopher T. ""When you're on top of a mountain, keep climbing" : Jack Kerouac's path to enlightenment in the Dharma Bums /." Electronic version (PDF), 2007. http://dl.uncw.edu/etd/2007-1/barattac/christopherbaratta.pdf.

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Köhne, Karin. "La vie est d'hommage : Autobiographie und Fiktion, Tradition und Avantgarde im Erzählwerk Jack Kerouacs /." Würzburg : Königshausen & Neumann, 2001. http://catalogue.bnf.fr/ark:/12148/cb391474890.

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Marculet, Stefan. "On the road di Jack Kerouac: analisi delle due traduzioni italiane." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019.

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Il seguente elaborato presenta l’analisi delle traduzioni italiane del romanzo “On the road” di Jack Kerouac, in particolare dei capitoli 12 e 13 della prima parte del libro. Dopo una breve introduzione all’autore e alla Beat Generation, viene esaminata la ricezione dell’opera negli Stati Uniti e in Italia. Nel capitolo seguente vengono analizzate le scelte traduttive delle due versioni italiane, con particolare attenzione alle strategie source/target-oriented e alle tecniche di revisione. Le due versioni italiane vengono confrontate sia con l’originale, sia tra di loro concentrandosi sulla tr
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16

Nash, Catherine. "Technology in the work of Jack Kerouac and William S. Burroughs." Thesis, University of Nottingham, 2008. http://eprints.nottingham.ac.uk/13120/.

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This thesis explores the use and significance of technologies of representation in the work of Jack Kerouac (1922-1969) and William S. Burroughs (1914-1997), particularly in relation to the development of ideas of free and improvisatory expression in the 1950s. More specifically it focuses on the role played by the technologies of the typewriter and tape recorder in the textual production of key works of each writer and how these technologies are also thematically important in their exploration of the topics of individual creativity and freedom in relation to social and technological control.
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Bizello, Aline Azeredo. "Caio Fernando Abreu e Jack Kerouac : diálogos que atravessam as Américas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/7420.

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A finalidade deste estudo é analisar, do ponto de vista da Literatura Comparada, as relações existentes entre contos do escritor Caio Fernando Abreu e o romance On the Road, do norte-americano Jack Kerouac. Com o objetivo de apreender o diálogo entre os textos, a investigação desenvolve-se desde o exame do estilo de vida das personagens até as condições históricas nas quais foram produzidas as obras. Dessa forma, focaliza-se o local que ocupa a produção literária do escritor gaúcho, a partir das relações inter-literárias com a realidade cultural do seu tempo. Pretendeu-se verificar, através da
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18

Chassaing, Irène. "Figure de l'écrivain et écriture personnelle : Jack London, Louis-Ferdinand Céline, Jean-Paul Sartre et Jack Kerouac." Paris 3, 2008. http://www.theses.fr/2008PA030080.

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L’objectif de cette recherche est de comprendre les origines, le processus et les différentes implications de la crise traversée par différents personnages d’écrivains, tels qu’ils sont représentés dans les oeuvres d’écriture personnelle de Jack London, Louis-Ferdinand Céline, Jean-Paul Sartre et Jack Kerouac. Plus spécifiquement, notre but est d’examiner la mise en cause par l’écrivain de son statut social et de ses fonctions auctoriales, ainsi que son rejet de la littérature, niée tant dans sa valeur (esthétique, politique, commerciale) que dans son efficacité (sa capacité à agir sur le mond
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Graham, L. R. S. "The displaced self : The search for integration in the works of Jack Kerouac." Thesis, University of Nottingham, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383580.

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Agostini, Bertrand. "La notion de souffrance dans l'oeuvre romanesque de Jack Kerouac : genese et evolution." Nantes, 1991. http://www.theses.fr/1991NANT3010.

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La notion de souffrance est un des themes fondamentaux de l'oeuvre romanesque de jack kerouac. De visions of gerard a vanity of duluoz, en passant par on the road, elle apparait comme la condition meme de l'ecriture. Apres avoir montre comment le climat social d'apres-guerre d'une part, puis l'education dans le milieu franco-americain d'autre part, ont favorise chez l'auteur une recherche systematique sur la pensee de la souffrance, cette etude se propose de cerner la genese et l'evolution de cette notion articulee autour de trois champs principaux: christianisme, existentialisme, et bouddhism
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21

Pinezi, Gabriel Victor Rocha. "A experiência literária de Jack Kerouac : a criação da liberdade, a liberdade da criação." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Letras, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000204558.

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A presente tese tem como objetivo compreender o processo de criação do escritor estadunidense Jack Kerouac, cuja vasta obra romanesca, The Duluoz Legend, se filia à tradição romântica do romance de formação alemão (Bildungsroman). Pretende-se mostrar que seu projeto de escrita espontânea decorre de uma experiência de liberdade com a linguagem, que tanto o forma eticamente quanto dá origem à sua obra. A partir de uma análise de manuscritos periféricos à obra publicada, como diários, cartas, rascunhos e artigos, se revelará de que forma Kerouac elaborou uma densa reflexão filosófica sobre o ser
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Martinsson, Sara. "En resa genom litteraturen och livet : en undervisningsmodell av Jack Kerouacs På väg." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-10685.

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I uppsatsen analyseras Jack Kerouacs roman På väg utifrån fem grundteman; Att vara på väg; om resandets funktioner, Avvikelse från samhället, Idolisering och inflytande, Genus och kvinnosyn och Etnicitet. Analysen följs sedan av ett förslag på hur man i klassrummet kan behandla dessa delar av Kerouacs roman. Utöver detta innehåller uppsatsen ett avsnitt där litteraturens roll och funktion i skolan behandlas  och ett avsnitt som behandlar vikten av en dynamisk litteraturundervisning.
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Bherer, Audrey Jade. "Imaginaires de la pauvreté : les cas d'Hector de Saint-Denys Garneau et de Jack Kerouac." Master's thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/29546.

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Cette étude s’attache à la figure de Jack Kerouac, liée de manière inédite à celle d’Hector de Saint-Denys Garneau par le truchement du thème de la pauvreté. Prenant ainsi le relais de la discussion sur la pauvreté amorcée par Gilles Marcotte, Jean Larose, Yvon Rivard et Yvan Lamonde, cette étude s’articule en deux étapes. Elle cherche d’abord, dans un premier chapitre, à identifier des échos entre les imaginaires de Garneau et de Kerouac. Elle montre aussi comment la pauvreté peut être à la fois vocation, aspiration et même posture chez chacun d’eux. Le deuxième chapitre, quant à lui, analyse
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Simpson, Emily Patricia. "RELIGIOUS TURMOIL: THE CONFLICT BETWEEN BUDDHISM AND CATHOLICISM IN JACK KEROUAC?S LIFE AND WRITING." NCSU, 2002. http://www.lib.ncsu.edu/theses/available/etd-12302002-120607/.

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Although Jack Kerouac has begun to be recognized as one of the great 20th century American writers, scholars have not yet fully explored the influence that his conflicting religious beliefs had on his work. Kerouac?s internal struggle to reconcile his Buddhist and Catholic thinking, and his ultimate attempt to embrace Catholicism, had a profound effect on his writing, giving it the religiously tumultuous charge that is essential to Kerouac?s distinctive writing style. This study addresses Kerouac?s religious life and its effect on his work by focusing primarily on three of his works: Visions o
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Ligairi, Rachel Mae. "The Familiar Foreign Country: Reading Mexico in Cormac McCarthy, Jack Kerouac, and Katherine Anne Porter." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/935.

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My thesis examines the discourse of Mexico in the works of three twentieth-century American authors-Cormac McCarthy, Jack Kerouac, and Katherine Anne Porter-in order to analyze representations of Otherness in modernism and postmodernism. I seek to destabilize the dividing line between these periods as well as to show how representation in postmodernity has become more problematic due in large part to the proliferation of consumer culture. Though the Mexico that McCarthy employs in Blood Meridian and the Border Trilogy (All the Pretty Horses, The Crossing, and Cities of the Plain) escapes many
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Pellerin, Pierre-Antoine. "La performance autobiographique et les masques du masculin dans la légende de Duluoz de Jack Kerouac (1947-1965)." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030167.

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Les romans à la première personne qui composent la Légende de Duluoz, le cycle autobiographique de Jack Kerouac (1922-1969), sont souvent étudiés à l’aune de la vie privée de l’auteur ou de la mythologie qui entoure les écrivains de la Beat Generation. À la lumière de l’approche performative du genre autobiographique et du genre masculin ainsi que des recherches historiographiques récentes sur la masculinité et la sexualité masculine durant la période de la Guerre froide, cette thèse se propose de déconstruire l’éthos de spontanéité confessionnelle et de virilité héroïque qui entoure l’écritur
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Izant, Eric M. "Altered States of Style: The Drug-Induced Development of Jack Kerouac's Spontaneous Prose." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2721.pdf.

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Jäderlund, Christer. "The Beat Goes On : Discourse, Power and Identity in Jack Kerouac’s On the Road." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-7226.

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McClay, Emily. "Parker, Kerouac, and Innovative Sound: The Rhythms of Bebop in Beat Writing." Wittenberg University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1242756894.

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Fortin, Laval. "Big Sur revisité : une traduction du roman de Jack Kérouac ; suivie de Réflexions sur la traduction /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1997. http://theses.uqac.ca.

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Mémoire (M.E.L.)--Université du Québec à Chicoutimi, 1997.<br>Mémoire extensionné en vertu d'un protocole d'entente avec l'Université du Québec à Trois-Rivières. CaQCU Document électronique également accessible en format PDF. CaQCU
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Carrasco, Labbé Rubén. "The transience of experimentation in Jack Kerouac's on the road." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109928.

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The general object of study of this work is the rise and effects of competing visions in the construction of the subjective personal American landscape in 20th century North American travel literature. The research and analysis done will follow the idea that there are different visions of America present at the same time in a given text-character. These visions, when affecting and transforming the travelling experience and, when contrasted to other’s visions and compared between them, may allow for the appropriation of the landscape through the creation of a personal, intimate and polyphonic i
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Shi, Xiaoxiao. "Romans de la quête multiple : "La montagne de l'âme" (Gao Xingjian) et "Sur la route" (Jack Kerouac)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20010.

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Cette thèse consiste en une étude comparée de La Montagne de l’âme de Gao Xingjian et Sur la route de Jack Kerouac ayant « la quête » comme problématique centrale. Bien qu’à première vue les deux œuvres apparaissent fort différentes, selon l’esprit de la littérature comparée, elles méritent une confrontation minutieuse et nous estimons qu’elles possèdent quantité de points communs : Premièrement, il s’agit de deux romans foisonnants qui englobent bon nombre de genres romanesques et semblant relever simultanément de plusieurs catégories : roman autobiographique, roman-géographe, roman de pèleri
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Schiöler, Marie-Louise. "Opraktiska kvinnor och krossade hjärtan : En studie av melankolin och kvinnosynen i Jack Kerouacs Visions of Cody." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-7092.

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Kim, Heejung. "THE OTHER AMERICAN POETRY AND MODERNIST POETICS: RICHARD WRIGHT, JACK KEROUAC, SONIA SANCHEZ, JAMES EMANUEL, AND LENARD MOORE." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1523964596644369.

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Harma, Tanguy. "From self-destruction to self-creation and back again : the paradox of Thanatos in Jack Kerouac and Allen Ginsberg." Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/23287/.

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My thesis investigates the antithetical movements of self-destruction and of self-creation in a selection of works by Jack Kerouac and Allen Ginsberg. In order to shed light on this paradox, I use the mythological figure of Thanatos, which is conceptualised as a principle of death within life as well as one of life within death. The figure of Thanatos will enable me to trace the ways in which various strategies in the writings both create, and destroy, the texts on multiple levels. I work with two distinct critical methods to illuminate these paradoxical movements. In the first part of the the
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Santos, Maria Clara Dunck. "A contracultura do segundo pós-guerra : um estudo comparativo entre a poesia marginal de Jack Kerouac e Nicolas Behr." reponame:Repositório Institucional da UnB, 2012. http://repositorio.unb.br/handle/10482/11957.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2012<br>Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2013-01-23T15:21:29Z No. of bitstreams: 1 2012_MariaClaraDunckSantos.pdf: 1250114 bytes, checksum: c70afeb1a3da1650be18661c835f0eb8 (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2013-01-24T11:42:46Z (GMT) No. of bitstreams: 1 2012_MariaClaraDunckSantos.pdf: 1250114 bytes, checksum: c70afeb1a3da1650be18661c835f0eb8 (MD
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Carvalho, Samir Afonso de. "Vislumbres estéticos e mergulhos poéticos em On the Road e Howl: uma viagem histórico-literária por Jack Kerouac e Allen Ginsberg." Universidade Estadual do Oeste do Paraná, 2017. http://tede.unioeste.br/handle/tede/3050.

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Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2017-09-14T18:59:12Z No. of bitstreams: 1 Samir_Carvalho2017.pdf: 1168334 bytes, checksum: c557cbab9c0e473faea9ae923a224291 (MD5)<br>Made available in DSpace on 2017-09-14T18:59:12Z (GMT). No. of bitstreams: 1 Samir_Carvalho2017.pdf: 1168334 bytes, checksum: c557cbab9c0e473faea9ae923a224291 (MD5) Previous issue date: 2017-03-20<br>The objective of this work is to analyze the aesthetic ideals of two writers of the Beat Generation: Jack Kerouac and Allen Ginsberg. With such an objective in mind, their two main works, On the Road and H
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Deshoulières, Anne. ""Les jardins de l'errance" : étude topologique de l'errance chez Jack Kerouac, J. M. G. Le Clézio, Kenneth White, Ernesto Sabato." Clermont-Ferrand 2, 2005. http://www.theses.fr/2005CLF20007.

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La rencontre de Kerouac, Sabato, White, Le Clézio éclaire les diverses facettes de l'errance contemporaine dont l'analyse topologique révèle les rapports étroits entre l'espace, le corps et l'écriture. En outre, l'errance permet de rapprocher les domaines géographiques, littéraires, humains, tout en interrogeant activement la position du sujet dans le monde moderne. A cet égard, ce dernier est assimilé à un jardin morcelé et gâché, tant la conquête intensive de l'espace a fini par altérer les liens entre l'être et le monde. Pour rétablir les communications, il faut appréhender l'espace autreme
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Albarran, Louis. "The Face of God at the End of the Road: The Sacramentality of Jack Kerouac in Lowell, America, and Mexico." University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1375235381.

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Baldwin, Nicholas Charles. "Jack Kerouac’s Poetics: Repetition, Language, and Narration in Letters from 1947 to 1956." Thesis, Stockholms universitet, Engelska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-169720.

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Despite the fame the prolific impressionistic, confessional poet, novelist, literary iconoclast, and pioneer of the Beat Generation, Jack Kerouac, has acquired since the late 1950’s, his written letters are not recognized as works of literature.  The aim of this thesis is to examine the different ways in which Kerouac develops and employs the poetics he is most known for in the letters he wrote to friends and publishers before becoming a well-known literary figure.  In my analysis of Kerouac’s poetics, I analyze 20 letters from Selected Letters, 1940-1956.  These letters were written before th
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Domingues, Maria Izabel Velazquez. "The role of the "flâneur" in Jack Kerouac's novel On the Road." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2004. http://hdl.handle.net/10183/14983.

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Trata-se de uma leitura crítica do romance On the Road, do escritor norte-americano Jack Kerouac, cujas vida e obra representam a insatisfação social e a manifestação artística de uma geração de poetas e novelistas denominada, nas décadas de 50 e 60, The Beat Generation ou The Beatniks. Esta leitura consiste em uma investigação para estabelecer relações entre a tríade autor-narrador-protagonista na narrativa proposta. Como apoio teórico temos o olhar do filósofo alemão Walter Benjamin. O enfoque escolhido contempla as reflexões de Benjamin sobre autoria, experiência e modernidade; mas, sobretu
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Ekstrand, Julian. ""A Nakedness of Mind": Gender, Individualism and Collectivism in Jack Kerouac's On the Road." Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100041.

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This essay focuses on gender roles, individualism and collectivism in Jack Kerouac’s classic road-trip novel On the Road. In order to put the discussion into a meaningful context, I look at the novel from a historical perspective and examine how it relates to post-war American society. I argue that the novel is, in many ways, representative of a society existing in a field of tension between individualism and collectivism, and that its notion of individual freedom, at the time revolutionary, can be seen as retrogressive with regard to the book’s portrayal and treatment of women. The essay feat
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43

Reynolds, Loni Sophia. "Irrational doorways : religion and spirituality in the work of the Beat Generation." Thesis, University of Roehampton, 2011. https://pure.roehampton.ac.uk/portal/en/studentthesis/irrational-doorways(87396ee2-da59-4758-9d13-dcfefe7a6073).html.

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My thesis explores the role of religion and spirituality in the work of the Beat Generation, a mid-twentieth century American literary movement. I focus on four major Beat authors: William S. Burroughs, Allen Ginsberg, Jack Kerouac, and Gregory Corso. Through a close reading of their work, I identify the major religious and spiritual attitudes that shape their texts. All four authors’ religious and spiritual beliefs form a challenge to the Modern Western worldview of rationality, embracing systems of belief which allow for experiences that cannot be empirically explained. They also assert the
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Vézina, Raphaëlle. "Cuvée 44 ; : suivi de L'héritage de la réception d’On the Road et de la posture d'écrivain de Kerouac selon les époques." Master's thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/69524.

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Ce mémoire en recherche-création se décline en deux parties; un roman et un essai. Le roman et l'essai se répondent, en traitant tous les deux de la période des années 50, qui représente le contexte du roman On the Road qui sera analysé dans l'essai, mais aussi le moteur créatif qui a inspiré le roman Cuvée 44. Le roman, Cuvée 44, s'inspire de la filiation des romans de route et de quête personnelle dont On the Road est un des précurseurs. Il relate la vie mouvementée de Francine Boudreau, une jeune femme de quinze ans qui quitte son Québec natal en 1959 pour un monde de possibilités qui s'off
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Alabdullah, Nada A. A. "The Beats: The Representation of a Battered Generation." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398678807.

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King, Jeffrey Warren. "On the Road from Melville to Postmodernism: The Case for Kerouac's Canonization." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1921.

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With the publication of On the Road in 1957, Jack Kerouac became a cultural phenomenon. Crowned the "King" of the Beat Generation, Kerouac embodied the restlessness of Cold War-era America. What no one realized at the time, however, was that the movement that he supposedly led went against Kerouac's own beliefs. Rather than rebellion, Kerouac wanted to write in a way that no one had written before. Heavily influenced by, among others, Mark Twain, Fyodor Dostoevsky, Marcel Proust, Herman Melville, and, especially, James Joyce, Kerouac used the influence of his predecessors to formulate his own
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com, johnstubley@yahoo, and John Stubley. ""the lonely and the road” (novel) “What’s your road, man?”: my experiences with the life and work of Jack Kerouac in relation to the development of “the lonely and the road” (exegesis)." Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20081210.120038.

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Thirty thousand feet above the Pacific Ocean—somewhere between Sydney and Los Angeles—the narrator of “the lonely and the road” doesn’t really know where he is going, or why. His is a quest written spontaneously—‘on-the-go.’ It is a journey of uncertain motivation, of uncertain means, towards uncertain ends. From Los Angeles, to Vegas, to the Rocky Mountain states and beyond, the narrator travels with and learns from his friends, his family and even his ex-girlfriend as he searches for that which continues to elude him. But what is that exactly? Does it even exist? While the novel details a j
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Sendra, Sophie. "Réflexions philosophiques sur les réalités non-ordinaires d'une littérature de la perception : Huxley, Kerouac, Castaneda." Nice, 2007. http://www.theses.fr/2007NICE2003.

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Ce travail de recherche s’interroge sur la fonction et la signification des états de réalité non-ordinaires que l’on appelle également états de modification de la conscience. Au travers des théories philosophiques de la conscience et de la perception, nous verrons de quelle façon celles-ci ont évolué de Descartes aux sciences cognitives. Loin de nous focaliser sur une analyse liée essentiellement à la philosophie, nous inclurons dans notre recherche l’étude d’une littérature de la perception, celle-là même qui se manifesta outre-atlantique à partir de la seconde moitié du XXème siècle. En nous
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Loundagin, G. John. "Signing the blues : toward a theoretical model based on the intertextuality of psycholinguistic metonymy and jazz phraseology for reading the texts of Jack Kerouac and Langston Hughes." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/897530.

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That marginalized discourse communities practice differing modes of communication is a claim recently argued; critics have focused on the trope of metonymy as a means of signifying a discriminated-against group's silenced status within the mainstream society. What seems to be ignored in this discussion is how differing media--literature, music, painting--constitute texts that cut across discursive space (the site of these media) in a similar fashion. By positing the intertextuality (i.e., the similarity) of psycholinguistic metonymy and jazz phraseology, this thesis demonstrates how literary t
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Arthur, Jason G. "Thinking locally provincialism and cosmopolitanism in American literature since the Great Depression /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4823.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on January 29, 2007) Vita. Includes bibliographical references.
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