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Rozprawy doktorskie na temat „Jazz research”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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1

Rose, Jeremy Philip. "A Deeper Shade of Blue: A Compositional Folio Informed by Ethnographic Research into the Sydney Jazz Scene." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/14901.

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This folio contains scores and audio recordings of five original compositions with critical commentary and ethnographic investigation. The research aims to test existing concepts of an Australian jazz identity and create new constructs for how music is created by a practicing jazz composer and performer. The research presents the results elicited from 11 interviews with selected Sydney jazz scene participants, providing an oral account of the way they create, conceive and perceive jazz music in Sydney and to compare evidence. In the five compositions I research various ways of integrating imp

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Abbey, Nicholas Leonard. "Phantoms, An original jazz trio studio recording - and - Dispelling phantoms: An Australian bassist exploring assumptions of jazz practice, An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2259.

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This PhD research explores ways of adapting to the reportedly common creative, financial, and psychological challenges facing jazz musicians developing and operating in the late 2010s, an era in which the context surrounding jazz music is rapidly evolving. Motivated by the problem of resolving my own creative inertia and personal wellbeing dysfunctions, born of grappling with these issues as an Australian freelance bassist, this study investigates the theory that often-unquestioned assumptions underpinning practice are sedimented socially and that those based on historic, hegemonic, or habitua

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Butete, Netsayi. "The jazz divas an analysis of the musical careers of six New Brighton vocalists." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002298.

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There has been insufficient academic research on the music of the Eastern Cape in general and Port Elizabeth and New Brighton in particular. This study, as part of the International Library of African Music (ILAM)lRed Location Museum Music History Project (ILAMIRLMHP) - an oral history intervention to save the music history of New Brighton from extinction through research and documentation of the memories of veteran musicians - is focused on jazz vocalists. The primary objective of my study is to investigate, critically analyze, interpret and document the career experiences of six New Brighton

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Beach, Todd A. "Formative assessment and all that jazz: A collaborative action research project in a U.S. hIgh school." Thesis, University of Sussex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488793.

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Meagher, Andrea. "The symbiosis of improvised and rehearsed elements in the creation of contemporary jazz ensemble music." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/45467/1/Andrea_Meagher_Exegesis.pdf.

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This research investigates the symbiotic relationship between composition and improvisation and the notion of improvisation itself. With a specific interest in developing, extending and experimenting with the relationship of improvisation within predetermined structures, the creative work component of this research involved composing six new works with varying approaches for The Andrea Keller Quartet and guest improvisers, for performance on a National Australian tour. This is documented in the CD recording Galumphing Round the Nation - Collaborations Tour 2009. The exegesis component is inten

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Holgate, Gary David. "Interactions in improvised music: people at play." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10076.

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Interactions in improvised music: people at play This project began as an open exploration of musical interactions in a trio in which I have played bass for many years. We gave three concerts for the project and I explored our interactions by talking with the pianist/bandleader and drummer after each concert. They described a broad range of interactions and explored a number of different conceptions of what entails a musical interaction. The musicians were keen to talk about the factors that motivate them to perform together, mainly the desire to play. Play, for them, is its own reward. They a

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Lile, Trudy. "Creating new standards : jazz arrangements of pop songs : a thesis presented in partial fulfillment of the requirements for the degree of Master of Music in Jazz Performance, New Zealand School of Music, Auckland, New Zealand." New Zealand School of Music, 2009. http://hdl.handle.net/10179/1203.

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This study involves the research, analysis, and performance of existing arrangements of songs that have been played and recorded by jazz musicians, and are identifiable as pop songs of the last thirty years. This project will discuss the development of these songs as new repertoire in the jazz idiom. In particular it will examine transcriptions of arrangements by Herbie Hancock, Dianne Reeves, Brad Meldau, Charlie Hunter, Christian McBride, and Bob Belden. The analysis of these transcriptions will consider the techniques these musicians used in their arrangements including reharmonisation, mel

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Strazzullo, Guy, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "An intercultural approach to composition and improvisation." THESIS_CAESS_CAR_Strazzullo_G.xml, 2003. http://handle.uws.edu.au:8081/1959.7/501.

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Experiences as a composer and performer in Australia involve a number of significant collaborations with musicians from diverse cultures and musical backgrounds. The musical result incorporates a number of world music elements in the form of drones, rhythms and the use of instruments such as modified guitars and the tabla. But it is distinctly different in content and approach from the generic term, World music, because it deals almost exclusively with music traditions where improvisation is central to collaborative processes. The application of the term ‘intercultural improvisation’ is a more

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Strazzullo, Guy. "An intercultural approach to composition and improvisation." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/501.

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Experiences as a composer and performer in Australia involve a number of significant collaborations with musicians from diverse cultures and musical backgrounds. The musical result incorporates a number of world music elements in the form of drones, rhythms and the use of instruments such as modified guitars and the tabla. But it is distinctly different in content and approach from the generic term, World music, because it deals almost exclusively with music traditions where improvisation is central to collaborative processes. The application of the term ‘intercultural improvisation’ is a more

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10

Love, Aaron Anyabwile. "UNINTERRUPTED CONVERSATIONS WITH OUR EEGUN: PRELIMINARY CONSIDERATIONS FOR METHODOLOGICAL APPROACHES TO THE RESEARCH OF AFRICAN MUSIC AND THE MUSIC OF JOHN COLTRANE." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/289387.

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African American Studies<br>Ph.D.<br>African music and its musicians from the Pharaonic periods to Mali to the Mississippi Delta to the South Bronx have contributed some of the most lasting and influential cultural creations known. The music and musicians of Africa have been studied as early as the early 18th century. As interest in African music grew so did the discipline of ethnomusicology. Ethnomusicology has sought to understand, interpret and catalog the various areas of African music. In the United States interest in the music as a continuation of African culture was also sought after an

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Suraučiūtė, Ieva. "Džiazinio dainavimo interpretacijos gebėjimų ugdymas: veiklos tyrimas Džiazo ir bliuzo dainavimo studijoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100709_135146-46288.

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Šio darbo tikslas – sukurti tyrimais bei autoritetingų teoretikų įžvalgomis paremtą džiazinės vokalinės interpretacijos gebėjimų ugdymo teorinį modelį ir veiklos tyrimo metu patikrinti modelio efektyvumą. Pirmiausia buvo siekiama apžvelgti mokslinę literatūrą, susijusią su atlikimo interpretacija, išskirti atskirus interpretacijai reikalingus gebėjimus. Remiantis atlikta analize buvo sukurtas džiazinės vokalinės interpretacijos gebėjimų ugdymo teorinis modelis bei parengtos juo grįstos praktinės užduotys. Galiausiai, buvo patikrintas modelio pagrįstumas bei praktinių užduočių efektyvumas.

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12

Smith, Andy. "Pat Metheny: Composing to Exploit the Sound of the Guitar : a thesis submitted to the New Zealand School of Music [in partial fulfilment of the requirements for the degree of Master of Music]." New Zealand School of Music, 2007. http://hdl.handle.net/10179/1113.

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The study's objective is to relate the development of Pat Metheny's stylistic characteristics from his interpretation of jazz standards to their incorporation into his own compositions. Stylistic elements are established and a sample of his compositions are analysed to compare his solo style in standards with his compositional style. Metheny is a recognised innovator in technique and uses a wide range of instruments in the guitar family, both traditional and radically new. The use of such instruments frees Metheny from some restrictions and the possibility that this freedom is a major influenc

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Andersson, Anders-Petter. "Interaktiv musikkomposition." Doctoral thesis, Högskolan Kristianstad, Sektionen för hälsa och samhälle, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-9771.

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This dissertation, titled Interactive Music Composition, is a practice based Ph.D. thesis in the field of Musicology. The purpose is to explore if and how one can compose computer based interactive music, that is musically satisfying for an interacting audience, consisting of both laymen and skilled musicians. The text describes the design and reflection in two interactive music installations: Do-Be-DJ, open-air installation in a public park, and, Mufi, with modular and moveable interface. Based on methods and perspectives in Musicology and Interaction Design, a composition model for interact

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14

黃姵綺. "A Research on Branding and Maketing Strategies of Taichung Jazz Festival." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/09715939302075989170.

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碩士<br>國立臺灣師範大學<br>表演藝術研究所<br>100<br>Many western countries organize arts and cultural festivals in order to enhance local areas’ and cities’ image while repelling the impact of globalization. Over the past decade, Taiwan’s cities and towns have coordinated the cultural policies to highlight local characteristics but political interests, economics and other considerations have influenced the develop of these dazzling festivals over these past ten years. Unfortunately, only a handful of these festivals in Taiwan are robust, that is having a clear focus; most festivals seem to be a mere formality

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Huang, Li-Tzu, and 黃麗慈. "Musical Program Direct and Research on the Localization of Fusion Jazz in Taiwan." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/24n3wk.

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碩士<br>國立臺灣師範大學<br>民族音樂研究所<br>100<br>When the contemporary culture has been overwhelmed by the globalization, at the same time, self-approval of local culture emerges in abundance in each area. To demonstrate the nationality or the national characteristic, local culture make great strides forward to the world, producing the phenomenon called “loglobalization”. Also in Taiwan, audience were moved by locality fusion jazz which improvising with familiar music element, cultivating this new variety of music to be rich and colorful. This research take Yuwen Peng’s musical experience and the concert “

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Chang, Ya Wen, and 張雅玟. "The Research into Event Marketing,City Image and Civic Identity-Using “Taichung Jazz Festival ” as the Research Object." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/87150112054426805864.

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碩士<br>亞洲大學<br>休閒與遊憩管理學系碩士在職專班<br>101<br>“The City of Jazz,” broadening the global views of her citizens and introducing international performances to the city, is one of the key policies of Taichung City Government, with cultural activities, to market Taichung city. The policy can expand its linkage with the local instruments industry. Also “Taichung Jazz Festival” is expected to be the cultural assets. Whether a public issue like this is able to construct the civic identity is the core topic of the study. The research aims to explore “Taichung Jazz Festival”, by which further examines the co

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Chou, I.-Wen, and 周意紋. "A Research on Planning and Development of Taichung Jazz Festival, From 2003 to 2008." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/eqad42.

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碩士<br>國立臺灣師範大學<br>表演藝術研究所<br>97<br>Festival events are the cultural activities people feel the most about. Council for Cultural Affairs started assisting every city to hold “National Arts Festival” and”International Minor Performances” since 1994. Each city holds international cultural arts festival according to “One Festival Every Month” project promoted by Tourism Bureau on 2001, which enhanced every city to market local industries by giving festival activities, and developed different styles of events focus on local features. Taichung City, which sees “culture, economy and internationalism”

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Wei, Gwo-Hsiung, and 魏國雄. "Research on the Product Image of Musical Instrument - A Case Study of Jazz Drum Design." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/89298224462312920423.

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碩士<br>大同大學<br>工業設計學系(所)<br>93<br>This study explored the relationship between jazz drum’s form elements and the form image. It is comprised of four parts. The first part is to investigate jazz drum users’ emphases on the designing elements of jazz drums, and to conclude the major factors to be considered. In the second part, new designs are made and combined to form test samples, according to the designing elements that jazz drum users considered most important, and then image test, explore the form image structure of jazz drums, and the corresponding relation between the form designing ele

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YI-TO, CHEN, and 陳易多. "Research the development and establishment of district festival brands：A case Study on Taichung Jazz Festival." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/mq33vm.

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QUI, ZHANG-MIN, and 邱章閔. "Research on Leisure Experience Promotion on Tourists’ Satisfaction -A Case Study of Taichung Jazz Festival." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/3mgrs6.

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碩士<br>育達科技大學<br>資訊管理所<br>106<br>Taichung Jazz Fesltival makes tourists understand the activity history and construction also feel comfortable for Jazz music. Taichung government invites several Jazz bands from different countries to perform in Taichung Jazz Fesltival. So that tourists will search more information actively after Jazz music experience and then fall in love with Jazz music. Under such atmosphere tourists promote satisfaction to Taichung Jazz Fesltival for loving Jazz music. For this reason, this work supposes leisure involvement affects flow experience, satisfaction and leisure e

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"A New Cartography: Learning Jazz at the Dawn of the 21st Century." Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.17840.

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abstract: Jazz continues, into its second century, as one of the most important musics taught in public middle and high schools. Even so, research related to how students learn, especially in their earliest interactions with jazz culture, is limited. Weaving together interviews and observations of junior and senior high school jazz players and teachers, private studio instructors, current university students majoring in jazz, and university and college jazz faculty, I developed a composite sketch of a secondary school student learning to play jazz. Using arts-based educational research methods

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Chang, Ming-fen, and 張明芬. "Research on festival events as the city marketing strategy－A Case Study of Taichung Jazz Festival." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/28098679918014605029.

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碩士<br>逢甲大學<br>景觀與遊憩碩士學位學程<br>100<br>Based on the conception of basic cognizance, this study explored the tourists’ experiences and impressions about the Taichung Jazz Festival from the point of activ-ities attendance, marketing strategy and marketing benefits, to find out the relation-ships among them. Upon this study, we may provide the useful relevant information to the organizers. Through the on-site questionary survey and random sampling, 400 pieces questionaries were distributed and 394 pieces effective questionaries were col-lected. Investigation data was analyzed by descriptive sta

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Lin, Jing-yan, and 林京燕. "Comparative research of Jazz courses in Alfred'' s basic piano library and Hal Leonard student piano library." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/87720278782404257395.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>97<br>The purpose of this research is to analyze and compare the usage of Jazz course in Alfred and Hal Leonard piano lesson. This research used the content analysis, comparative education research, and also developed own analysis tables according to the results of related references discussion as the main tools for the research. The scope of research converse Alfred piano textbook grade 1A~6, Hal Leonard piano textbook grade 1~5. According to the study results and findings, this research has the following conclusions: I. Regarding the usage of Jazz course in Alfre

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KUO, YI-HSUAN, and 郭逸萱. "The Research and Deliberation of Brushes in Jazz Style - Analysis of Famous Drummer Transcription and Performance in the 20th Century." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/6q2y8d.

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碩士<br>輔仁大學<br>音樂學系<br>107<br>Brush playing is an indispensable technique in the performance of a drum set. It’s warm sound, low frequency, and long sustain make it possible for the drummer to have different interpretations. This paper transcribes three famous drummer’s playing, including Elvin Jones (1927-2004) - “Willow weep for Me”, Kenny Washington (1958-) - “Raincheck” and Jeff Hamilton (1953-) -“Daahoud” with comparing the music analysis and interpretation. Through this research topic, the reader is unified in the use of brushes and provides a more systematic application of drum brushing

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FAN, CHING-WEN, and 范清文. "The Research of Promoting Jazz Big Band in Elementary Schools – A Case Study of New Taipei City Chien-Kuo Primary School." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/92nrz8.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>104<br>In the trend of fewer children and lower birth rate in Taiwan, it has becoming more and more difficult to maintain concert bands for junior high schools and elementary schools. The most feasible solution to keep the music performance attracting and diverse while not dismissing the bands at the same time is transfering the concert bands in schools to jazz big bands . This research aims to exam all the conditions and factors of promoting jazz big bands in elementary schoosl particularly focusing on Chien-Kuo Primary School in New Taipei City. First of all

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Lee, Chang-Hung, and 李長鴻. "The Research and Deliberation of Drum Set Performance Styles in 20th Century- Take Famous Jazz and Rock and Roll Drummer Performance as Examples." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/36584h.

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碩士<br>輔仁大學<br>音樂學系<br>102<br>The history of drum sets development is just only around one hundred years, but they are generally used in different music styles. Jazz and Rock and Roll music play the most important roles of drum sets evolution. Drum sets also become the indispensable element of Pop music. The research purpose of this thesis is offering people who want to learn playing the Jazz drums obvious concepts of different backgrounds and music characteristics of different generations by analyzing, deliberating and collecting amount of materials which include lots of books, magazines, and

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Alton-Lee, Amity Rose. "The improvisation of Tubby Hayes in 'The New York Sessions' : exegesis submitted in partial fulfilment of a Masters in Musicology, New Zealand School of Music." 2010. http://hdl.handle.net/10179/1419.

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Audio files not uploaded onto institutional repository due to copyright restrictions: Hayes, T. & Clark, T. The New York sessions.<br>Tubby (Edward Brian) Hayes; prodigious self taught multi-instrumentalist and virtuoso tenor saxophone player has been proclaimed by some to be the best saxophonist that Britain has ever produced: "Indisputably the most accomplished and characterful British jazzman of his generation." His career, although cut short (he died undergoing treatment for a heart condition in June 1973, aged 38) was perpetually intense, incredibly prolific, and non-stop from his debut a

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Wu, Jia Jeng, and 吳家蓁. "The Performance and Research of the Jazz Style Vibraphone Repertoire in the Modern Percussion Literature -- Ney Rosauro’s Concerto for Vibraphone and Mark Glentworth’s Blues for Gilbert for the Example." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/13578208171778768459.

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碩士<br>台南科技大學<br>音樂研究所<br>98<br>This research is focused on the usage and interpretation on the jazz style vibraphone literature in the modern percussion music works, and analyzes two important vibraphone works : Ney Rosauro’s Concerto for Vibraphone and Mark Glentworth’s Blues for Gilbert. The chapter one introduces the motivations, objectives, study scope, and methods of this research. The chapter two presents an introduction on the origin and development of vibraphone, continuing discussing the playing techniques of the instrument, and the background and evolution of the Jazz music style. At

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