Gotowe bibliografie tematyczne / Jesus Christ Art

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Gotowa bibliografia na temat „Jesus Christ Art”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 sierpnia 2024

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Artykuły w czasopismach na temat "Jesus Christ Art"

Pozdnyakova, D. Y. "Coptic Christian Symbolism in Art as a Problem of Cultural Studies." MGIMO Review of International Relations, no. 3(30) (June 28, 2013): 241–42. http://dx.doi.org/10.24833/2071-8160-2013-3-30-241-242.

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In dialogue Coptic and Russian religious culture reveals value of the symbol letter Iota, the tenth letter of the Coptic alphabet, which begins the name of Jesus Christ. Symbols of letter writing is compared with pronouncing the name of Jesus and reading the prayer of Jesus

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Badriah Mohamed Abdullah Alfozan, Badriah Mohamed Abdullah Alfozan. "Monotheism among the Christians its concept and Creed implications(Critical Study)." journal of king abdulaziz university arts and humanities 26, no. 3 (March 3, 2018): 47–75. http://dx.doi.org/10.4197/art.26-3.3.

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Jesus was mentioned in the Holy Quran as considering God as one, God as his Lord and ordered to worship God only. However, some Christians who believed in Jesus Christ as Prophet and denied him as being Son of God or one of the Three Gods; an evidence of the depravity of the Creed of most Christians and its perversity of Jesus Message, and a reply to the followers of the three large parties (Royalism, Nestorianism and Jacobitism) in Triangulation, and the study of the Christians attitude on Monotheism throughout ages and their switch to Triangulation and notification of the invalidation of the

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Wibowo, Wahju Satria. "Yesus Sejarah atau Kristus Iman?: Historisitas Iman dan Karya Allah dalam Yesus Kristus." GEMA TEOLOGIKA: Jurnal Teologi Kontekstual dan Filsafat Keilahian 6, no. 1 (April 30, 2021): 51. http://dx.doi.org/10.21460/gema.2021.61.631.

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Abstract There has always been a tension between Jesus of History and Christ of Faith. The figure of Jesus and the faith in Him as Christ are historical. History is a space to bring together both. Without Jesus of History, Christian faith is empty. Similarly, without the faith of the first Christian community, the figure of Jesus is nothing. The historicity of Jesus stands along with the historicity of faith in Him. Of course, above all is God’s work in history. On the one hand, using the research and discussion of the historical Jesus, this article shows that archaeological findings should in

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Sherlin Johnson and S. Prabahar. "Transmedial Analysis of the Passion Narrative in the Scripture and the Movie the Passion of the Christ." Shanlax International Journal of English 12, S1-Dec (December 14, 2023): 376–79. http://dx.doi.org/10.34293/rtdh.v12is1-dec.123.

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Transmedia storytelling is the art of narrating stories using various media, with each medium adding something distinct to the narrative universe. This narrative universe may be accomplished with any media, including radio, TV, movies, video games, internet video, and web applications. The paper aims to demonstrate how different media platforms may convey one or more events over various channels to create a coherent whole. The article aims to comprehend the intricacies of translating written information into a visual medium using a cinematic approach. This study examines a trans-medial examina

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Bussieres, Marie-Pierre. "A Twenty-First-Century Gospel: Jesus at the Vatican in Paolo Sorrentino’s The Young Pope." Journal of Religion and Popular Culture 32, no. 3 (January 1, 2021): 204–18. http://dx.doi.org/10.3138/jrpc.2018-0005.

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Paolo Sorrentino called his series The Young Pope “a thriller of the soul.” In this religio-political drama, Sorrentino explores the fortune of the Catholic Church were a young, intransigent, irritable American cardinal elected pope. Building his story line around the life of Christ, with intertextual citations to the New Testament and visual allusions to Christian art and Jesus movies, Sorrentino offers a twenty-first-century gospel to remind the viewer that the gospel is not only about tolerance. By presenting his young pope as the returned Christ, and not as a Christ figure, he shows that c

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Dillon, Amanda. "“I Am the Nail”: A Multimodal Analysis of a Contemporary Reception of Isaiah 53." Religions 14, no. 3 (March 10, 2023): 370. http://dx.doi.org/10.3390/rel14030370.

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The Arma Christi, the instruments of the Passion of Christ, are a fascinating collection of symbols evident throughout the history of Christian art. This article considers the striking re-emergence of visual depictions of the Arma Christi in the contemporary spiritual practice of Bible Journaling. How have these symbols of the Passion made their way back into the popular Christian imaginary and creative expression of Bible readers today? The creative, devotional practice of Bible Journaling is gaining popularity in many countries, notably the US. Almost exclusively practiced by women, Bible Jo

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Albright, Thomas D. "The Veiled Christ of Cappella Sansevero: On Art, Vision and Reality." Leonardo 46, no. 1 (February 2013): 19–23. http://dx.doi.org/10.1162/leon_a_00479.

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A celebrated marble sculpture of the body of Jesus, known as Cristo Velato (Veiled Christ), by the 18th-century Neapolitan artist Giuseppe Sanmartino offers a dramatic demonstration of art as all-encompassing illusion. As such, Sanmartino's masterpiece provides a rare opportunity to deconstruct a multifaceted and richly deceptive perceptual experience into a collection of simple sensory elements. This analysis both yields insights into the visual tools of the artist and reveals how an empirical understanding of sensory processes can illuminate complex perceptual experiences.

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Citlak, Amadeusz. "Psychobiography of Jesus Christ in view of Władysław Witwicki’s theory of cratism." Journal for Perspectives of Economic Political and Social Integration 21, no. 1-2 (December 1, 2015): 155–84. http://dx.doi.org/10.2478/pepsi-2015-0007.

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Abstract The article is an attempt at a critical evaluation of applying one of the most original theories of Polish psychology, i.e. W. Witwicki’s theory of cratism, to the interpretation of the activities and personality of Jesus Christ. The theory of cratism, though it provides substantial explanation possibilities, has been largely forgotten. W. Witwicki used it to try to interpret many aspects of human activity such as art, social relations, as well as the life of ancient figures, among others, Socrates and Jesus Christ. Thanks to this, he created the first ever in Polish psychology (and a

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ÖZRİLİ, Yaşar. "THE CROSS IN BYZANTINE ART: ICONOGRAPHY SYMBOLISM AND MEANING." KutBilim Sosyal Bilimler ve Sanat Dergisi 3, no. 2 (December 28, 2023): 116–30. http://dx.doi.org/10.58642/kutbilim.1384706.

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Byzantine art is an artistic tradition that developed during the Middle Ages when the Eastern Roman Empire was dominant. The cross is a very important symbol in Byzantine art and has a deep meaning in terms of both iconography and symbolism. This study aims to analyse the iconographic and symbolic expressive power of the cross in Byzantine art. Iconographic representations of the cross in Byzantine art characterise the crucifixion of Jesus Christ and his suffering. In iconography, there are various forms, depictions of the cross. These include various types such as the Latin cross, the Greek c

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Gamba, Ezio. "Du sollst dir kein Bildnis machen: Das Problem der künstlerischen Darstellung des Göttlichen in Hermann Cohens Ästhetik." Zeitschrift für Religions- und Geistesgeschichte 62, no. 4 (2010): 356–66. http://dx.doi.org/10.1163/157007310793352197.

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AbstractJewish monotheism forbids every representation of God. In ancient Greece, on the contrary, great sculptural art was mainly representation of several gods. I wonder whether, according to Hermann Cohen, sculpture and paganism are necessarily bound together. What, then, is the meaning of artistic representation of Jesus Christ? Is he the ideal of an unification of God and Man?

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Rozprawy doktorskie na temat "Jesus Christ Art"

Harley, Felicity. "Images of the crucifixion in late antiquity : the testimony of engraved gems." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phh285.pdf.

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Bibliography: leaves 289-313. A study which takes as its focus five gemstones, each engraved with an image of the Crucifixion and previously dated to the Late Antique period. The study undertakes an examination of the gems' iconographic as well as compositional, physical and epigraphic evidence, and demonstrates the way in which critical information regarding the evolution of the Crucifixion image in Late Antiquity has been seriously obstructed in previous studies through the dismissal, misapplication and misinterpretation of the gems. Focusing on iconography, it presents a revised chronology

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Kinman, Brent Rogers. "Kingdom, Christology, and narrative art in Luke 8:22-39." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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Heger, Mary Anise. "One cross, two painters the theology of the cross from an art-historic perspective /." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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Schlichtenmaier, Bert. "Die Passionsikonographie in der bildenden Kunst des 19. und frühen 20. Jahrhunderts." Tübingen : Eigenverlag Bert Schlichtenmaier, 1987. http://catalog.hathitrust.org/api/volumes/oclc/28097793.html.

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Rye, Ashley Gail. ""The truth of the life of Christ" spiritualism, naturalism and religious devotion in James Tissot's "The life of our Saviour Jesus Christ" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 67 p, 2009. http://proquest.umi.com/pqdweb?did=1889099001&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Jefferson, Lee M. "The image of Christ the miracle worker in early Christian art." Diss., Freely available online, 2008. http://etd.library.vanderbilt.edu/ETD-db/available/etd-09052008-145010/.

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Bent, Zackery R. "Dropping the ball and other common dilemmas : a study of the post-resurrection relationship of Christ and humanity." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1286396.

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In the Western tradition and beyond, there is a long history of art that has sought to describe and present Jesus of Nazareth from a historical and documentary perspective. The challenge I endeavor is to express the coexistence of the seen and unseen world in the present.As a Christian and an artist this project is an effort to see a marriage between my creative process and my spiritual ethos. My hope in this project is to engage a diverse audience and challenge its perspectives on the merging of faith and art.<br>Department of Art

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Coffey, Rosemary A. "Man of sorrows of Giovanni Bellini sources and significance /." Champaign, Ill. : Estate of Rosemary Coffey, 1988. http://catalog.hathitrust.org/api/volumes/oclc/21829626.html.

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Snyder, Cara L. "The Christ child as Salvator Mundi a reexamination of the devotional image in Germany, 1450-1550 /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1957.

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Thesis (M.A.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains vii, 41, [24] p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 37-41).

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Haller, Jeffrey. "The image of the unseen God contextual relevance in the visual portrayal of Christ /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Książki na temat "Jesus Christ Art"

Buechner, Frederick. The faces of Jesus. New York: Stearn, 1989.

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Marion, Wheeler, ed. Jesus revealed: Images of Christ in art. New York: Portland House, 1989.

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James, Reid. The life of Christ in woodcuts. Mineola, NY: Dover Publications, 2009.

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Forsyth, P. T. Christ on Parnassus: Lectures on art, ethic, and theology. Eugene: Wipf & Stock, 1996.

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Julia, Hasting, ed. Crucifixion. London: Phaidon, 2000.

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Rembrandt Harmenszoon van Rijn, 1606-1669. and National Gallery of Victoria, eds. Christ our Light: Praying with Rembrandt's etchings of the life of Christ from the collection in the National Gallery of Victoria. New York: Continuum, 2005.

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ill, Sanderson Ruth, ed. The Nativity: From the Gospels of Matthew and Luke. Boston: Little, Brown, 1993.

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Doares, Robert G. Immanuel, God with us: The life of Christ in art. Wheaton, Ill: Crossway Books, 1995.

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National Gallery of Art (U.S.), ed. Jesus of Nazareth: A life of Christ through pictures ; illustrated with paintings from the National Gallery of Art, Washington, D.C. New York: Simon & Schuster Books for Young Readers, 1994.

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Philip, Law, ed. Saviour: The life of Christ in words and paintings. Oxford, England: Lion, 2000.

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Części książek na temat "Jesus Christ Art"

Gill, Sean. "Ecce Homo: Representations of Christ as the Model of Masculinity in Victorian Art and Lives of Jesus." In Masculinity and Spirituality in Victorian Culture, 164–78. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230294165_12.

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Yexin, sha. "Jesus, Confucius, and John Lennon: Act I*." In The Chinese Face of Jesus Christ: Volume 3b, 1690–702. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315086934-42.

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Davidoff, Leonore, and Catherine Hall. "'Ye are all one in Christ Jesus': men, women and religion." In Family Fortunes, 107–48. 3rd edition. | Abingdon, Oxon; New York, NY: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315157610-5.

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"The Staff of Jesus." In Christ the Miracle Worker in Early Christian Art, 145–76. 1517 Media, 2014. http://dx.doi.org/10.2307/j.ctt22nm6x5.11.

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"Narratives of Jesus Christ and His Mother, Mary, in Christian Art." In A Guide to Christian Art. T&t Clark, 2020. http://dx.doi.org/10.5040/9780567685155.ch-002.

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Givens, John. "The Image of Christ and Russian Literature." In The Image of Christ in Russian Literature, 3–15. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9780875807799.003.0001.

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This introductory chapter reveals Russia's anxiety over its Christian heritage—specifically, its anxiety over the meaning and significance of Jesus Christ. Russian literature of the past two hundred plus years is as secular as any of the literatures of its European neighbors. And yet, at the same time, like European literature, Russian literature was nurtured and developed in a culture whose art, spirituality, and thought were dominated for centuries by the image of Jesus and the beliefs and practices of the Christian faith. Indeed, as far as Russian literature is concerned, one may even argue that in its earliest forms—numerous sermons and saints' lives—there was no literature without Jesus, for these works dealt with little else than living in accordance with the words and deeds of Christ. As such, this chapter explores the context behind the anxieties of nineteenth-century Russian writers toward Christ.

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Ross, Ellen M. "Introduction." In The Grief of God, 3–14. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195104516.003.0001.

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Abstract The gaze of late medieval England was fixed on the broken body of a wounded and bloody Jesus surrounded by weeping bystanders. Church wall paintings, manuscript illuminations, rood screens, roof bosses, reliquaries, and carvings graphically depict the anguish and pain of the tortured Christ. Sermons recount the agony, dramas reenact it, and spiritual guides counsel their disciples to meditate on the torments of the dying Jesus. In this book, I investigate the graphic Passion images that pervade late medieval English sermons, drama, art, and devotional literature.

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"“Kiss the Feet of the Infant Jesus”: The Emotional Efficacy of Early Christ Child Sculptures in Europe and Beyond." In Emotions, Art, and Christianity in the Transatlantic World, 1450–1800, 247–79. BRILL, 2021. http://dx.doi.org/10.1163/9789004464681_008.

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"“Far Be It from Me to Glory Save in the Cross of Our Lord Jesus Christ” (Galatians 6:14): Crusade Preaching and Sermons for Good Friday and Holy Week." In Crusading in Art, Thought and Will, 127–65. BRILL, 2018. http://dx.doi.org/10.1163/9789004386136_007.

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Martin, Dale B. "Christ." In Biblical Truths. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300222838.003.0005.

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A view of the nature of Jesus Christ that rises to the level of full Christian orthodoxy, as expressed in such creeds and definitions as the Apostles’ Creed, and the statements of Nicea, and Chalcedon, cannot be responsibly derived from the New Testament if the constraints of modern historical criticism are obeyed. But robust and faithful views of the nature of Christ may be read from the New Testament, and even from the Old Testament, when the text is interpreted via lenses of creative, Christian interpretation, led by the holy spirit, and interpreted with the guidance of love. Moreover, though constructions of “the historical Jesus” may be used for theological reflection, the Jesus of Christian faith is the Christ of Christian creed and confessions, not the Jesus of modern historical research and construction.

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Streszczenia konferencji na temat "Jesus Christ Art"

Beuk, Bojana, and Sergej Beuk. "PLAŠTANICA KRALjA MILUTINA: MOTIV VASKRSENjA U ERI DINASTIJE PALEOLOGA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.781b.

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This study is dedicated to researching the significance of the Epitaphios of King Milutin as a kind of cultural and historical heritage, whose stylistic and artistic value places this artifact among the representatives of the main development of Serbian art in the 14th century. The Epitaphios of King Milutin, as a museum derivative of Serbian medieval applied art, symbolizes the canvas with which Joseph of Arimathea embalmed the body of the Savior during the funeral of Jesus Christ. The purpose of the Epitaphios is to point to the very beginning of the Christian religion, centered on the conce

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Breviario, Álaze Gabriel do. "The preaching and teaching ministry of Jehovah's Witnesses: A bibliographical and narrative documentary review." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-187.

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The greatest biblical basis for carrying out the work of preaching and teaching by Christians is the command given by Jesus Christ before he ascended to heaven, and is recorded in Matthew 28:19, 20. The beginning of such a work of preaching/instruction and teaching was on the day of Pentecost in 33 of the Common Era (after Christ), and remains until today, as prophesied by Jesus in Matthew 24:14. This article aims to present and explain how the preaching and teaching ministry of Jehovah's Witnesses is carried out worldwide, refining them based on scientific understanding and the author's theol

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Leopaci, Juliana Do Amaral, Mariah Boelsums, and Fernanda Bredariol. "Restoration of polychrome wood sculpture: a case study with highly weakened polychrome." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13579.

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This article presents a case study of a polychrome wood carving sculpture representing Jesus Christ crucified. The piece belongs to the Chapel of Nossa Senhora da Glória, located in the district of Ressaca/Carandaí, Minas Gerais, Brazil. It was in a poor state of conservation, especially the very fragile polychrome, impairing the work. legibility. From the analysis of the state of conservation of the object, four important points were considered to support the proposed treatment: stability, reversibility, aesthetic legibility, and the potential oneness conceptualized by Cesare Brandi, which ai

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Tabunșcic, Olga. "Poppy cakes — preparation traditions." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.14.

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Traditional gastronomy, along with history, culture, religion and ethnicity, continues to play an important role in defi ning national and individual identity. Th e intense pace of modern life in recent decades is changing the conception of food very rapidly, and gastronomic traditions are collapsing dramatically under the action of the new preferences of the population to feed themselves. Th e tendency to standardize the taste in terms of food, leads to the disappearance of diversity and culinary identity. Th us, more and more traditional dishes, full of taste, value and history, tend to be f

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Dimitrijević, Milan S. "O NOVČARSTVU KRALjA MILUTINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.413d.

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Serbian medieval coinage has a great number of species and variants, with interesting and imaginative representations. The first Serbian medieval coins ap- peared during the reign of King Radoslav (1228-1234), and were coined by dif- ferent kings, nobles and towns during around 230 years, until the last ones, dur- ing the reign of Lazar Djurdjević (1456-1458). King Milutin's monetary emis- sions were numerous during his long and successfull reign from 1282 to 1321. Concerning his coinage there are some uncertainties in attribution of some coins. Additionally, exist different divisions of his c

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